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Andréa Fernandes
Feel Art Again: Jacques-Louis David’s “Madame Récamier”
by Andréa Fernandes - December 4, 2007 - 3:26 PM

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Today marks the 230th birthday of one of France’s most famous socialites, Juliette Récamier. Married at age 15, Juliette was an established member of upper-class Parisian society by the time she commissioned Jacques-Louis David to paint her portrait in 1800, at age 23. Both Juliette and Jacques-Louis led interesting, and influential, lives during the 18th and 19th centuries.

1. When Juliette, at the young age of 15, married Jacques Récamier, a man 30 years her senior, rumors quickly circulated. The most interesting: Récamier was actually Juliette’s natural father, who married her to make her his heir.

2. Jacques-Louis David was raised by architect uncles who, along with his mother, wanted Jacques-Louis to also become an architect. Jacques-Louis, however, wanted to be a painter, and later stated, “I was always hiding behind the instructor’s chair, drawing for the duration of the class.”

3. Between 1770 and 1774, Jacques-Louis David attempted each year to win the Prix de Rome, an art scholarship to the French Academy in Rome. Each year, he lost; he once attempted to starve himself to death in protest of the decision. Finally, in 1774, he won.

4. Juliette grew frustrated that Jacques-Louis worked slowly and wanted to rework her portrait, so she commissioned one of his pupils to paint her portrait instead. Jacques-Louis then told her, “Women have their whims, and so do artists; allow me to satisfy mine by keeping this portrait.” The portrait was never finished.

5. Despite its unfinished nature, the portrait and its subject influenced French style: the type of sofa on which Juliette reclines in the portrait became known as a récamier, after Juliette, and the European fashion for Greek attire was sparked in part by Juliette’s attire in the portrait.

6. Both Juliette Récamier and Jacques-Louis David were exiled from Paris, though not at the same time. Juliette went first to Lyon, her birthplace, and then on to Rome and Naples. Jacques-Louis was hit by a carriage and died shortly after of deformation to the heart in 1825. Despite his family’s pleas, his body was not allowed to return to France for burial, so he was buried in Brussels instead. His heart, however, was buried in Paris.

‘Feel Art Again’ appears every Tuesday and Thursday.

Comments (6)
  1. Cool! I had heard of a récamier before, but had no idea where the term originated.

  2. “Both Juliette Récamier and Jacques-Louis David were exiled from Paris, though not at the same time.”

    Why? Did I miss something?

  3. Nat X: Récamier was friends with many former royalists and had refused to become a lady-in-waiting to Josephine Bonaparte; she was exiled under orders of Napoleon I. David had voted for Louis XVI’s execution and, after the Bourbons returned to power, was on the list of former revolutionaries. He was granted amnesty by Louis XVIII and asked to be a court painter. David refused, preferring a self-imposed exile instead.

  4. Jacques-Louis David is most famous for his portraits of Napoleon, and of of Marat, who was one of the lead architects of the reign of terror. He had a habit of throwing his lot in with tyrants. One of his most famous paintings is of the Death of Marat, depicting the psychopath as a christ-figure, when in reality he was a madman who sent thousands of innocent people to the guillotine.

  5. Merci pour ces renseignments interessants!

  6. I think it’s a little bold to claim that Juliette inspired a revival of romanesque fashion. I believe that Neoclassicism was already in full swing. Vigee-LeBrun painted a self portrait with her daughter in 1787 in which she is wearing a toga-like dress. I think you may be giving Recamier a little too much credit. David’s influence on Parisian society probably had more to do with the revival of this fashion than she did.

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