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I suppose that unless you hire Sylvia Browne as your manager, it’s impossible to predict which TV shows are going to be hits when considering prospective scripts. But it’s always fun to laugh at self-important celebrities after the fact, isn’t it? Or do I just have a mean streak?
We’ve all read interviews with actors who lament about being typecast, and that list includes some of the folks who worked on Gilligan’s Island. Interestingly enough, Bob Denver almost didn’t get the title role because series creator Sherwood Schwartz couldn’t picture Denver as anyone but the bearded beatnik Maynard G. Krebs from The Many Loves of Dobie Gillis. The actor that Schwarz thought would be perfect for the part of Gilligan was Jerry Van Dyke, who had perfected the art of playing a hapless goofball. Van Dyke, in a typically savvy career move, turned down the offer, describing the script as “inane.”
Which one ranks higher on the inanity meter?
The famous TV roles Mickey Rooney and Bing Crosby could have had, after the jump.
Norman Lear’s first choice for the lead role in his edgy new sitcom was Mickey Rooney. He pitched the role of bigoted Archie Justice (the show was called Justice for All at the time) to “the Mick” and gave him a script to read. Rooney responded, “’Norman, they’re going to kill you in the street. They’re going to kill you dead.” He felt that such an offensive show would spell career death for anyone involved. (Even Lucille Ball commented “How can they show this on CBS?” after viewing the pilot.) Of course, All in the Family went on to not only win ratings and awards but also made a star out of the man who ultimately played Archie, Carroll O’Connor.
The role of bumbling detective Lt. Columbo had been written with an older man in mind. Indeed, when previous incarnations of the character had appeared on stage and on the old TV show Chevy Mystery Theater, Columbo had been played by Burt Freed and Thomas Mitchell (Scarlett O’Hara’s dad in Gone with the Wind). So when network execs gave the green light to starring the rumpled detective in his own prime time series, producers first approached Bing Crosby for the role. However, Crosby considered himself semi-retired, and while he didn’t mind the occasional guest spot, he knew that the grind of a regular series would interfere with his first love, golf. Peter Falk seemed an unlikely replacement, but he made the role his own, and today it’s hard to picture anyone else in that wrinkled raincoat, fumbling for a pencil and mumbling “Oh, just one more thing…”
The Cowsills were a singing family who’d hit the #2 spot on the pop charts twice, with “The Rain, the Park, and Other Things” and “Hair.” Unlike other family groups of that era (The Osmonds, The Jackson 5ive), mini-skirt-clad mom Barbara Cowsill was also a part of the band. The American Dairy Association signed the family to a million dollar contract and featured them drinking milk in commercials and print ads. It was the logical next step to have Hollywood come a-callin’. A proposed TV series about a musical family was pitched to the band’s manager, Bud Cowsill, ex-Navy officer and patriarch who ruled his family with an iron fist. The producers wanted the Cowsill kids for the show, since the older brothers were already getting extensive coverage in teen magazines, but they were leaning towards hiring an experienced “name” actress for the role of the mother. Bud held his ground and said it was Barb or nothing, and he ultimately got his wish. None of the Cowsill clan were used, and The Partridge Family not only made a star out of David Cassidy but also revived Shirley Jones’ flagging career.
When Desilu Productions was preparing The Untouchables for television, Van Johnson was offered and had accepted the lead role as Eliot Ness. Johnson’s wife, Evie, also acted as his manager, and tried a last-minute strategy to boost her husband’s salary; with shooting scheduled to begin on Monday, she phoned Desi Arnaz on Saturday night and demanded that he double Van’s salary. Arnaz told Evie, “You know what you can tell Van…?” He browsed through the Screen Actors Guild directory and saw old pal Robert Stack listed. He phoned Stack at two o’clock Sunday morning and offered him the role. Stack (who came from a wealthy California family and didn’t really need a job) asked, “Is it gonna be anything good?” Desi replied, “Amigo, we’re gonna make it the best damn show in all of television.”
• When Sitcoms Go Global
• 5 Cases of Unwanted Fame
• When Sitcom Stars Start Expecting
• 7 Things You Probably Didn’t Know About The Golden Girls
• We Still Love Lucy
• 6 Backdoor Pilots (and why they belong at the back door)
I really think if Mickey Rooney had played Archie, people might have rioted over the content of All in the Family.. Thank goodness he turned it down.
posted by Aunt Shell on 12-6-2007 at 11:05 am
Why do you insist on opening new windows for links on your own site? Very annoying…
posted by J.Peterman on 4-16-2008 at 12:59 am
Sure… Mickey Rooney was above the racism in “Family”… but not at all in “Breakfast at Tiffany’s…”
posted by Kevin on 7-27-2009 at 9:39 am
What about Deborah Norville giving up real TV news for Inside Edition?
posted by Andrew on 7-27-2009 at 10:37 am
How about any of the TV stars that left their respective (and popular) shows because of their egos? Money surely played into it, too, but am thinking of Suzanne Somers in “Three’s Company and other actors who stormed off and then had a hard time matching their TV popularity.
posted by Marty on 7-27-2009 at 11:23 am
I like that they open new windows. It makes it easier for me to return to where I was on the other page.
posted by Jessi on 7-28-2009 at 8:56 pm