Questions that have bedeviled legions of circus-goers and carnival connoisseurs: why doesn’t the gunpowder kill the cannonballer before they exit the cannon? Do my eyes deceive me? And how can I break into the fast-growing field of human cannonballing? Patience, my friends. All in good time.
The “cannons” used by human cannonballers are actually giant catapults, and the smoke and explosions produced are just for show. The first human catapult act was performed in 1877, by a girl who was only 14 years old, using “elastic springs” to turn her into a living projectile. (She later went on to tour with P.T. Barnum.) The technology has changed a bit in recent years but the idea is the same: once a cannonballer clambers into his cannon, he stands on a platform about three-quarters of the way down the barrel. High-pressure compressed air is pumped into the chamber left between the platform and the bottom of the barrel, sending the platform to the top of the barrel — and the cannonballer into the air.
Actually, plenty of human cannonballers do meet untimely ends on the job, but it’s not usually the coming-out-of-the-cannon part that does it; according to Cecil “Straight Dope” Adams, of the 50 human cannonballers who’d had careers before the 1990s, 30 of them had been killed — mostly by falling outside of the net. (Like this.) Dummy models are test-fired to help ensure a cannon’s aim and accuracy, but the cannonballer himself has a big role to play — there’s a bit of mid-air acrobatics involved. You’ve got to turn just right in the air to ensure you land on your back rather than your neck.
First of all, the pay’s not great. Then there’s the reality of having to live and travel with a circus, the romance of which wears of mighty fast, we’d imagine. Like most strange and unpleasant jobs, it’s often passed on from parent to child: the Smith family, for instance, have been cannonballers for thirty years, despite the family patriarch’s wish that he’d raised “doctors and lawyers” instead. (We get it: with the liabilities and injuries that come along with human cannonballing, free consultations from both couldn’t hurt.)
Oh come on! No love for the inimitable Webb Wilder’s “Human Cannonball”? (Search Youtube for it.)
By the way, Webb takes issue with your description of the job. He says the pay is okay, and the benefits are great. He gets to shoot the bull with the world’s smartest ape.
posted by Jim Dunn on 7-17-2008 at 11:11 am
off topic:
i’m not sure if this is being done purposefully, but all mental_floss articles have only provided a snippet in the RSS feed instead of the entire post. it’s been this way for only the past few days, and it now requires you to click through to the actual website if you want to read the entire post.
posted by h on 7-17-2008 at 11:59 am
The last time I attended a circus was three or four years ago. It was a sad little circus. The grand finale was a human cannonball, a short Eastern European girl who was introduced as an Olympic medalist in gymnastics. I was touched by the dearth of job opportunities for someone who spent their childhood training to win a medal.
posted by Miss Cellania on 7-17-2008 at 12:26 pm
@h – mentalfloss.com/blogs/archives/16543
posted by Eileen on 7-17-2008 at 6:23 pm
I wish amusement parks had a ride where you could get shot out of a cannon. The line would be a mile long!
posted by airship on 7-18-2008 at 9:50 am
Jim, when I saw the headline I thought of opening riffs of Human Cannonball! Going to put Hybrid Vigor in the cd player on the way home from work today. Interesting article!
“When I go, least I know, I’ll go with a bang!”
Work Hard,
Rock Hard,
Eat Hard,
Sleep Hard,
Grow Big,
Wear Glasses If You Need ‘Em…
-The Webb Wilder Credo
posted by KevinS on 7-18-2008 at 11:25 am