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Andréa Fernandes
One of the Chosen Ones: Chris Jordan
by Andréa Fernandes - October 25, 2008 - 9:43 PM
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Described by Portfolio as “the unofficial artist of the Harper’s Index,” photographer Chris Jordan creates massive images that illustrate stunning statistics. Shown above is “Cans Seurat” (2007), a recreation of George Seurat’s “A Sunday Afternoon on the Island of La Grande Jatte” and part of Jordan’s “Running the Numbers: An American Self-Portrait.” Some facts about Jordan’s own life and artistic motivations:

1. “Cans Seurat” measures 60” by 92” and depicts 106,000 aluminum cans, the number of cans used in the U.S. every thirty seconds. Explaining the large scale of his art, Chris Jordan has said, “…the size of the prints carries part of the message—the consumerism issue is huge and complex and overwhelming, and I want the prints to feel that way.”

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2. Before becoming a full-time photographer, Jordan worked for 10 years as a lawyer. He had attended law school “for all the wrong reasons,” though, and spent all his free time and money on photography. As Jordan describes it, “I tried to do both, but each one leaked into the other; my legal career suffered and I was perpetually frustrated at not having enough time to photograph.” Nearing 40, Jordan became motivated by “the fear of not living my life” to ditch his legal career and pursue his photography full-time.

3. Feeling that “color photography is to the eyes what jazz is to the ears,” Jordan is most artistically influenced by music. He has played jazz piano since childhood and considers music and art “different languages for expressing the same experience.”

4. Jordan heard statistics and often wondered, “What, exactly, does that mean? What does that number look like?” By creating his “Running the Numbers” series, Jordan hopes to have a different effect than raw numbers alone, since “statistics can feel abstract and anesthetizing.”

5. Like many people, Jordan “always envied famous people and craved to be one of the ‘chosen ones,’” but has since realized fame doesn’t quite live up to the hype. According to Jordan, all the attention “has turned out… to be fatiguing and filled with anxiety… it is more like a symptom that I need to deal with more carefully from now on.”

Larger versions of “Cans Seurat”, a partial zoom of the image, and the details at actual size are available from Jordan’s site.

Fans should check out Chris Jordan’s Web site; the Bill Moyers profile of Jordan; Jordan’s presentations at TED and Greener Gadgets; and Jordan on The Colbert Report.

“Feel Art Again” appears every Tuesday, Thursday, and Saturday. You can e-mail us at feelartagain@gmail.com with artist suggestions or details of current exhibitions.

Comments (6)
  1. I had this whole series on my hard drive at one time. Here’s a different one I saved on P-Bucket. Clicky my name for a stunning look at another group of everyday objects that Jordan exploits.

  2. Wow! I wish all the used aluminum cans in this world would be put to such good use! This is another example of an artist who creates a wonderful piece of art and then photographs it, making the artist a sort of double genius in my estimation. And the patience he needs to create a piece such as “Cans Seurat” s beyond imagining!

  3. Is it possible that you meant 60′ (feet) by 92′ (feet)? As stated, it is only five feet by ~8 feet. Which is a lot of soda, but not more than 100 thousand cans.

  4. Jeff: According to Chris Jordan’s site, “Cans Seurat” is 60″ by 92″. I believe the cans are not life size in the photo.

  5. I’ve always wondered – why does Cameron focus on that child in the center of this portrait in “Ferris Bueller’s Day Off”? I’m sure it means something about his emotional state, but I’m not sure what. When I saw it parodied in “Family Guy” it really got me curious.

  6. It is the only full unobstructed face. All of those people and the child is the only one you can see.

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