Perhaps the only good romantic comedy to base your life on is “Amelie,” for two reasons: First, you can try to make other people’s lives better; and second (SPOILER WARNING), the point of it seems to be to go for love instead of being indirect about it.

Dobbler, Dobbler, Dobbler.

Dizzy yet?

I don’t know, ‘Pride and Prejudice’ is entirely about how important communication is and not falling in love with someone at first sight. The two main characters do nothing but disagree and think badly of each other through half the book, all because they assume that they know what the other is thinking.
The good looking jerk (Wickham) gets found out and ends up in a marriage doomed to misery.

- Sex isn’t always perfect, it is the intimacy that is perfect, which translates to the sex BEING PERFECTED as the relationship grows (from all those movies that have a wise older couple that have been together forever, talking to one of the troubled partners).
- Love at first sight isn’t the ideal, but rather a possibility that one should be open to experiencing (from movies where the lead has given up all hope in finding a love).
- Love is predestined – in terms of karma, as in I am a good person who does kind acts out of the goodness of my heart, so I will be rewarded with my heart’s desire, someone who will love me for who I am (from all those movies where the lead is a good human being and just hasn’t had any luck in love).
- If they are my true partner then they should know what I want/am thinking, without me having to tell them, comes from years of knowing each other, as when the poor friend on the side becomes the love interest because the lead and friend have gone through so much and are able to compliment each other so well (from all those movies where the best friends becoming true lovers of the leads (of course after the best friend grows a pair/summons up enough courage, to express his true feelings to the the romantic lead)).

The last I will try to explain is answered by two favorite romantic comedies “Romancing the Stone” and it’s sequel “Jewel of the Nile.”
- Awesome relationships don’t require any work. In the first movie the romantic leads form a love based on having developed an intimate connection based on adventures shared and seeing/accepting the partner for who they are in all their glory and flaws. The sequel shows that after their “happily ever after ending” from the first film, their relationship isn’t perfect, but in remembering why they fell in love and why they do love each other they fix/deal with their problems together. “As long as the foundation (as in foundation of love) is good then everything else can be fixed.” – “The Money Pit”

This is just my two cents open to be critiqued/criticized/laughed at/enjoyed/or just thought about. To quote Joan Wilder from “Romancing the Stone” – “I’m a HOPEFUL romantic.”