You probably know Ansel Adams as the man who helped promote the National Park Services’ beauty through his magnificent photographs. Here are five things you might not know about the celebrated photographer.

Adams was a four-year-old tot when the 1906 San Francisco earthquake struck his hometown. Although the boy managed to escape any sort of injury during the quake itself, an aftershock threw him face-first into a garden wall, breaking his nose. According to a 1979 interview Adams gave to TIME, doctors told his parents that it would be best to fix the nose when the boy matured. He joked, “But of course I never did mature, so I still have the nose.”
The nose became Adams’ most striking physical feature. His buddy Cedric Wright liked to refer to Adams’ honker as his “earthquake nose.”
Adams was an energetic, inattentive student, and that trait coupled with a possible case of dyslexia earned him the heave-ho from private schools. However, he was obviously a sharp boy when motivated. When Adams was just 12 years old, he taught himself to play the piano and read music, and he quickly showed a great aptitude for it.
For nearly a dozen years, Adams focused on little other than his piano training. He was still playful—he would end performances by jumping up and sitting on his piano—but he was a serious student. Although Adams diligently devoted over a decade to his study, he eventually came to the realization that his hands simply weren’t big enough for him to become a superb concert pianist. He decided to leave the keys for the camera after meeting photographer Paul Strand, much to his family’s dismay.
If you’ve ever enjoyed Kings Canyon National Park in California, tip your cap to Adams. In the 1930s Adams took a series of photographs that eventually became the book Sierra Nevada: The John Muir Trail. When Adams sent a copy to Secretary of the Interior Harold Ickes, the cabinet member showed it to Franklin Roosevelt. The photographs so delighted FDR that he wouldn’t give the book back to Ickes. Adams sent Ickes a replacement copy, and FDR kept his in the White House.
After a few years, Ickes, Adams, and the Sierra Club successfully convinced Roosevelt to make Kings Canyon a national park in 1940. Roosevelt’s designation specifically provided that the park be left totally undeveloped and roadless, so the only way FDR himself would ever experience the park was through Adams’ lenses.
While many of his contemporary fine art photographers shunned commercial assignments as crass and materialistic, Adams went out of his way to find paying gigs. If a company needed a camera for hire, Adams would generally show up, and as a result he had some unlikely clients. According to the Ansel Adams Gallery, he snapped shots for everyone from IBM to AT&T to women’s colleges to a dried fruit company. All of this commercial print work dismayed Adams’ mentor Alfred Stieglitz and even worried Adams when he couldn’t find time to work on his own projects. It did, however, keep the lights on.
Adams and legendary painter O’Keeffe were pals and occasional traveling buddies, but they weren’t huge fans of each other’s work. They met through their mutual friend/mentor Stieglitz—who eventually became O’Keeffe’s husband—and became friends who traveled throughout the Southwest together during the 1930s. O’Keeffe would paint while Adams took photographs.
Although these journeys together led to some top-notch work—one of Adams’ notable pictures is a portrait of O’Keeffe—the two had very different artistic visions. O’Keeffe didn’t think the outgoing, commercially minded Adams took his craft seriously enough, while Adams once admitted, “In the presence of O’Keeffe’s paintings, I can’t fully claim to understand them.” O’Keeffe similarly dismissed Adams’ work by saying, “He doesn’t take the time to say anything.”
Surprisingly, though, the two remained close. Adams would visit O’Keeffe’s ranch, and the two wrote to each other until Adams’ death in 1985.
’5 Things You Didn’t Know About…’ appears every Friday. If there’s someone you’d like to see covered, leave us a comment. You can read the previous installments here.
O’Keefe and Adams showed a mutual respect for each other’s work. Even when they were not too fond of it. That they maintained this level of respect throughout their lives is a testament to their artistic maturity.
posted by gus on 3-5-2010 at 3:43 pm
I love both Ansel Adam’s photography and O’Keefe’s paintings. I actually didn’t know O’Keefe and Stieglitz got married…it explains a lot about when I was looking at Stieglitz’s work for the first time ever last week and all I saw were portraits of her!
posted by Meg on 3-6-2010 at 2:47 pm
The women’s college was Dominican College (now Dominican University of California) in San Rafael, CA. I work there and we are so lucky to have his work in our archives.
posted by Pauline on 3-6-2010 at 10:47 pm
I had no idea about these facts. The one I find the most intriguing is the taking pictures at the women’s college, Dominican. To me this is so fascinating because my mom went to school there; and we just went and saw an Ansel Adams exhibit. I can’t wait to tell her that he took photos at her school, thanks for sharing what school it was Pualine.
posted by Katie Stoeller on 3-10-2010 at 11:53 am
My Mom and her sister were subjects in Mr. Adams’ pictures at Dominican College in the late 1930s.
posted by Steven on 4-25-2011 at 10:50 pm