As someone with more than a passing interest in ghost towns, abandoned buildings and the apocalypse, the Salton Sea has long been high on my must-visit list. This week I finally had the chance to make the three-hour drive from LA, and my morbid curiosity was not disappointed.
The Salton Sea is the largest inland body of water in California, and easily its most toxic. Once a haven for tourists, fishermen and boaters -- in the 1950s it was touted as "the American Riviera" -- years of polluted runoff from agricultural and industrial sites, not to mention untold amounts of untreated sewage from Mexico, pumped into the sea via one of America's dirtiest waterways, the Northward-flowing New River, have turned the Salton into a truly foul place.
At one time the Salton Sea was among the state's most productive fisheries. (During WWII, when German submarines made ocean fishing dangerous, most of Southern California's fish were harvested in the Salton.) But steadily increasing levels of toxins, algae, salt and bacteria led to a number of massive die-offs -- the largest, in 1999, killed 7.6 million fish -- and its once-thriving population of migratory birds are sickened each year with selenium and botulism poisoning. The Sea is 25% saltier than the ocean and getting saltier every year, and despite some residents' claims that its tea-colored waters can "heal your skin," coming into contact with the Salton or eating anything that comes out of it are heartily discouraged.
In the 1960s, there were a half-dozen booming beach towns along the Sea's 80-mile coastline. That was before the days when dead fish littered the beaches -- the "sand" along the water's edge nothing more than the crushed-and-rounded bones from millions of fish skeletons -- and before the death-and-decay stench of the Salton in the 110-degree heat of summer became unbearable. Flooding in the 1970s buried beachfront structures in several feet of salted mud, hastening people's departure from the area. These days, the beachfront is a post-apocalyptic wasteland of houses, trailers and boarded-up beach clubs slowly sinking into the toxic mud.
Usually when I go to broken-down places like this, there are suspicious people lurking on the margins, wondering what I'm doing poking around with a camera. There was no one in these little towns -- though some of the homes looked occupied, there was no one outside, no one walking the streets, and certainly no one on the beach. We saw more border patrol agents than anyone, as the southern end of the Sea is just a short drive from the Mexican border.
The graffiti on this house reads "The Hills Have Eyes." (Click on it, or any of these pictures, for a larger size.) Further reinforcing my feeling that this is not somewhere I'd want to hang around after dark.
Just outside the Salton-adjacent hamlet of Niland, there rises a strange, brightly-painted,
. It's a pastel shock to the system after hours of brown and gray -- an enormous adobe structure covered in 100,000 gallons of paint, all made by one man, Leonard Knight, over the course of 25 years. Salvation Mountain is an amazing place that deserves its own post. [Update:
On the outskirts of Salvation Mountain: lacking a proper river for his boat, Leonard painted his own.
I returned to the Salton Sea in 2011. This time I shot video rather than photos, and the result is my first Strange Geographies-style short film. Hope you like it!