6 Famous Advertising Dogs

Lady Greyhound became the trademark for the bus corporation in 1957.
Lady Greyhound became the trademark for the bus corporation in 1957.
Oli Scarff, Getty Images

Gidget the Chihuahua, the famed Taco Bell mascot from 1997 to 2000, died of a stroke last week at the age of 15. While she settles in for a never-ending fifth meal at the 24-hour Taco Bell in doggie heaven, here's a look back at six other famous dogs in advertising.

1. Lady Greyhound

The Greyhound Corporation and running dog logo date back to 1930, but it was the introduction of a live mascot nearly 30 years later that helped establish the bus line as one of the leaders of the transportation industry pack. The company introduced "Lady Greyhound," a purebred Greyhound born in Clay Center, Kansas, on The Steve Allen Show in 1957. The white and gold dog with black eyes was just a 10-pound puppy at the time, but she would soon become the face of the franchise. By 1959, "Lady Greyhound," who often wore a rhinestone collar and tiara, had traveled across the country more than 50 times, making appearances at charity events along the way. She opened the new Greyhound terminal in Detroit by biting through a ribbon of dog biscuits, she posed for photos with Miss Universe Beauty Pageant contestants, and she was a regular guest on television shows throughout the country. The popularity of Lady Greyhound had waned by the early 1970s, but there's no denying the mark she left on the company.

2. Spuds Mackenzie

guru-timesSpuds Mackenzie, a white English bull terrier with a black mark around her left eye, was introduced as the mascot for Anheuser-Busch during a 1987 Super Bowl ad. (Though the Spuds Mackenzie character was most definitely supposed to be a male, the dog in the commercials was actually a female named Honey Tree Evil Eye. Scandal!) For the next 2 years, the "ultimate party animal," whose voiceover was provided by Robin Leach, lived the high life. In a series of wildly successful commercials, Spuds traveled the world with three beautiful Spudettes as the canine predecessor to Dos Equis' Most Interesting Man in the World. One night Spuds was pole vaulting, the next he was playing the piano. Anheuser-Busch capitalized on Spuds' popularity by selling t-shirts, beach towels, and other merchandise bearing the dog's likeness. The campaign's success concerned some public interest groups, including Mothers Against Drunk Driving (MADD), who believed Spuds was being used to market alcohol to kids. Anheuser-Busch dumped the dog in 1989 when it debuted the Bud Bowl. Honey Tree Evil Eye died of kidney failure in 1993.

3. Nipper

RCA-nipperNipper, a terrier who allegedly got his name because he would bite the legs of visitors, lived a rather uneventful life in England from 1884-1895. Today, he's one of the most iconic dogs in the history of advertising. Three years after Nipper's death, his owner, English painter Francis Barraud, painted a picture of Nipper staring into a phonograph machine and titled it, "His Master's Voice." Barraud shopped the painting to the Edison Bell Company, one of the leading manufacturers of phonographs at the time, but was turned down. The Gramophone Company agreed to buy the image if Barraud was willing to alter the image to resemble one of its machines. Barraud happily agreed, the image was patented in 1900 and Nipper was celebrated posthumously in advertisements beginning in 1901. Since then, Nipper has been used to promote products for several companies, including Victor and RCA.

In 1990, RCA introduced a 2-month old puppy, Chipper, who has appeared alongside Nipper in various advertising campaigns for the brand since then.

4. Axelrod

axelrod When it comes to your car, leave the worrying to Axelrod, the long-faced basset hound in the A-shaped doghouse. That was the gist of Flying A's advertising campaign during the 1960s, which starred the perpetually worried-looking hound pictured here. Axelrod, who lived in the "house that worry built," starred in several television and print ads for Flying A, a national service station business owned by Tidewater Petroleum. When Tidewater Petroleum's stations were purchased by Phillips 66 and Getty in 1966, Axelrod was retired.

5. Bullseye

bullseyeSince 1999, a white bull terrier with a target painted over his or her left eye "“ or is that a birthmark? "“ has served as Bullseye, the mascot for Target stores. One of the most recent Target dogs is owned by David McMillan, founder of Worldwide Movie Animals, a company that specializes in training animals for use in movies and commercials. Bullseye travels with her own makeup artist, who applies the target using nontoxic red paint, and trainer, and makes about two dozen appearances each year. When she's not in the spotlight, Bullseye lives a fairly normal life. "She has about 20 playmates that she runs around with," McMillan told the Anchorage Daily News during Bullseye's guest appearance at the 2008 Iditarod Trail Sled Dog Race. "Otherwise, she's just a dog. She does a lot of lying around."

6. Ubu Roi

If you watched Family Ties, Brooklyn Bridge or Spin City and didn't change the channel immediately after the last line of every episode, you're probably familiar with Ubu Roi. The black labrador retriever is the mascot for Gary David Goldberg's production company, Ubu Productions, Inc. At the end of Goldberg's aforementioned shows, a photograph of Ubu Roi holding a Frisbee appears. Off-screen, Goldberg says, "Sit, Ubu, sit!" and "Good dog!" before Ubu responds with a single bark. Ubu Roi, who is named after the 1896 satirical play by Alfred Jarry, died in 1984. Goldberg's autobiography is titled, Sit, Ubu, Sit.

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8 Bizarre Fan Theories About Your Favorite Holiday Movies

Walt Disney Pictures
Walt Disney Pictures

We all love a heartwarming holiday movie. On a cold winter’s day, few things are more comforting than curling up on the couch and getting into the Christmas spirit with a holiday movie marathon—no matter how many times you've seen the films in the lineup before.

While the plot lines rarely yield any surprises, multiple viewings of a movie can allow you to start to notice some things going on under the surface. With the rise of Reddit and other social media networks, fan theories have become a popular pastime for many pop culture fiends—and these alternate interpretations can sometimes go to some pretty dark places.

From Rudolph the Red-Nosed Reindeer to Home Alone, here are some bizarre fan theories about the holiday movies you only thought you knew.

1. The Santa Clause proves that the North Pole is full of cannibals.

On the surface, The Santa Clause series is the heartwarming tale of Tim Allen taking on the duties of a fallen Santa in need. But Twitter user Hannah Priest thinks it’s about something else entirely: The North Pole is inhabited by cannibals. Her evidence? The elves’ casual attitude toward death and a “new” Santa just taking over, the hundreds of elves (and Mrs. Clauses) who apparently go missing over the course of the series, and the size of the oven in the kitchen. “The elves are clearly baking women (& possibly children) in their oven, then using the bodies to make ceremonial cocoa, which they then feed to future Santas,” Priest tweeted. But this is one theory that’s best read in full (which you can do here).

2. Santa in The Santa Clause is actually an exiled wizard from Harry Potter.

Another theory about The Santa Clause would have you believe that Santa is an alumnus of Hogwarts. We all know Santa is magical, but the evidence does stack up. How does Santa get up and down chimneys? Floo powder, of course. And why can’t we see him? And how does he get to every house in one night? These jobs are made a little easier with an invisibility cloak and a time turner, of course.

3. Home Alone's Kevin McCallister grew up to be Saw’s Jigsaw.


20th Century Fox

In 2014, Grantland’s Jason Concepcion proposed a brilliant, if dastardly, theory that suggested a connection between holiday classic Home Alone and the terrifying Saw horror franchise. In a nutshell, he believes that Kevin McCallister and Jigsaw are the same person—and he made some pretty solid points.

For one, even at the tender age of eight, Kevin shows a talent for setting up some pretty elaborate traps, and he also has a clear obsession with recorded video. He’s also almost too interested in the rumor about Old Man Marley, his neighbor, who is rumored to be a serial killer. Some of the torture from the Saw movies also end up being eerily similar to the “pranks” Kevin pulls on the Wet Bandits. Concepcion goes even deeper, and you should read all of it here.

4. John Candy’s Home Alone character is the devil.

Kevin McCallister isn’t the only Home Alone character with a purported dark side. There’s a lot of suspicion surrounding John Candy’s character, Gus Polinski (a.k.a. the “Polka King of the Midwest”) as well. One Reddit theory goes like this: at one point in Home Alone, Kevin’s mom says that she would “sell [her] soul to the devil” if could just get back to Chicago to be with her son. The next time we see her, Gus Polinski appears and offers her a ride back to the Windy City. Coincidence? Not everyone thinks so—and this theory goes even deeper. Gus plays the clarinet, which is a woodwind instrument, and woodwinds are considered the instrument of Satan.

5. No, wait: Mia from Love Actually is the devil.

Not to be outdone, yet another popular holiday movie fan theory states that Mia (Heike Makatsch)—Alan Rickman’s wannabe-home wrecker of an assistant from Love Actually—is actually the devil. This one is actually a two-part theory, which posits that Rowan Atkinson is an angel while Mia is the devil. Adding credence to the latter part of this is the fact that the film’s writer/director Richard Curtis actually confirmed the former part.

Atkinson’s character was meant to have a larger role and serve as a sort of guardian angel to several of the film’s characters, but the filmmaker eventually decided it would be too much. But Mia’s devilish behavior is on full display: in addition to her repeated attempts to lure Harry (Rickman) away from Karen (Emma Thompson), she shows up at a company holiday party wearing devil horns.

6. Buddy the Elf is a creep.


Warner Bros.

Buddy, Will Ferrell’s maple syrup-loving character in Elf, is beloved for his childlike demeanor and over-the-top Christmas spirit. But some people believe this supposed naiveté may all be a ruse. And if that is in fact the case, then Buddy’s behavior is … questionable at best. Buddy, under this theory, would be a sociopath who forces his way into a random home through coercion and befriends a young child, all while stalking a random woman (Zooey Deschanel) he met through a job for which he was never actually hired.

7. Rudolph is Donner’s bastard son.

As compelling as it is absurd, one Redditor believes that Rudolph isn’t being told the truth about his parentage. We know, of course, that Rudolph doesn’t look like either his mother or his father. And that the other reindeer “used to laugh and call him names.” And that the father of Rudolph’s love interest, Clarice, seems incensed at the idea of his daughter being seen with a red-nosed reindeer. “The only explanation is that the red-nose is like a scarlet letter A,” the theory goes. “Rudolph is an illegitimate child, a bastard, an unclean birth.” (You can read the full docket of evidence here.)

8. Arnold Schwarzenegger is psychotic in Jingle All the Way, and Sinbad is a figment of his fractured mind.


20th Century Fox Home Entertainment

In Jingle All the Way, Arnold Schwarzenegger definitely seems stressed out about trying to acquire a Turbo-Man—the hot toy of the holiday season—for his son. But has all that stress led to a psychotic break with reality? One Redditor believes that might be the case, as Howard Langston (Schwarzenegger) suspiciously only seems to see Myron (played by Sinbad) in his most stressful moments. It could be a coincidence, but as Arnold’s hijinks escalate, there’s Sinbad egging him on every time.

Hee-Haw: The Wild Ride of "Dominick the Donkey"—the Holiday Earworm You Love to Hate

Delpixart/iStock via Getty Images
Delpixart/iStock via Getty Images

Everyone loves Rudolph the Red-Nosed Reindeer. He’s got the whole underdog thing going for him, and when the fog is thick on Christmas Eve, he’s definitely the creature you want guiding Santa’s sleigh. But what happens when Saint Nick reaches Italy, and he’s faced with steep hills that no reindeer—magical or otherwise—can climb?

That’s when Santa apparently calls upon Dominick the Donkey, the holiday hero immortalized in the 1960 song of the same name. Recorded by Lou Monte, “Dominick The Donkey” is a novelty song even by Christmas music standards. The opening line finds Monte—or someone else, or heck, maybe a real donkey—singing “hee-haw, hee-haw” as sleigh bells jingle in the background. A mere 12 seconds into the tune, it’s clear you’re in for a wild ride.

 

Over the next two minutes and 30 seconds, Monte shares some fun facts about Dominick: He’s a nice donkey who never kicks but loves to dance. When ol’ Dom starts shaking his tail, the old folks—cummares and cumpares, or godmothers and godfathers—join the fun and "dance a tarentell," an abbreviation of la tarantella, a traditional Italian folk dance. Most importantly, Dominick negotiates Italy’s hills on Christmas Eve, helping Santa distribute presents to boys and girls across the country.

And not just any presents: Dominick delivers shoes and dresses “made in Brook-a-lyn,” which Monte somehow rhymes with “Josephine.” Oh yeah, and while the donkey’s doing all this, he’s wearing the mayor’s derby hat, because you’ve got to look sharp. It’s a silly story made even sillier by that incessant “hee-haw, hee-haw,” which cuts in every 30 seconds like a squeaky door hinge.

There may have actually been some historical basis for “Dominick.”

“Travelling by donkey was universal in southern Italy, as it was in Greece,” Dominic DiFrisco, president emeritus of the joint Civic Committee of Italian Americans, said in a 2012 interview with the Chicago Sun-Times. “[Monte’s] playing easy with history, but it’s a cute song, and Monte was at that time one of the hottest singers in America.”

Rumored to have been financed by the Gambino crime family, “Dominick the Donkey” somehow failed to make the Billboard Hot 100 in 1960. But it’s become a cult classic in the nearly 70 years since, especially in Italian American households. In 2014, the song reached #69 on Billboard’s Holiday 100 and #23 on the Holiday Digital Song Sales chart. In 2018, “Dominick” hit #1 on the Comedy Digital Track Sales tally. As of December 2019, the Christmas curio had surpassed 21 million Spotify streams.

“Dominick the Donkey” made international headlines in 2011, when popular BBC DJ Chris Moyles launched a campaign to push the song onto the UK singles chart. “If we leave Britain one thing, it would be that each Christmas kids would listen to 'Dominick the Donkey,’” Moyles said. While his noble efforts didn’t yield a coveted Christmas #1, “Dominick” peaked at a very respectable #3.

 

As with a lot of Christmas songs, there’s a certain kitschy, ironic appeal to “Dominick the Donkey.” Many listeners enjoy the song because, on some level, they’re amazed it exists. But there’s a deeper meaning that becomes apparent the more you know about Lou Monte.

Born Luigi Scaglione in New York City, Monte began his career as a singer and comedian shortly before he served in World War II. Based in New Jersey, Monte subsequently became known as “The Godfather of Italian Humor” and “The King of Italian-American Music.” His specialty was Italian-themed novelty songs like “Pepino the Italian Mouse,” his first and only Top 10 hit. “Pepino” reached #5 on the Billboard Hot 100 in 1963, the year before The Beatles broke America.

“Pepino” was penned by Ray Allen and Wandra Merrell, the duo that teamed up with Sam Saltzberg to write “Dominick the Donkey.” That same trio of songwriters was also responsible for “What Did Washington Say (When He Crossed the Delaware),” the B-side of “Pepino.” In that song, George Washington declares, “Fa un’fridd,” or ‘It’s cold!” while making his famous 1776 boat ride.

With his mix of English and Italian dialect, Monte made inside jokes for Italian Americans while sharing their culture with the rest of the country. His riffs on American history (“What Did Washington Say,” “Paul Revere’s Horse (Ba-cha-ca-loop),” “Please, Mr. Columbus”) gave the nation’s foundational stories a dash of Italian flavor. This was important at a time when Italians were still considered outsiders.

According to the 1993 book Italian Americans and Their Public and Private Life, Monte’s songs appealed to “a broad spectrum ranging from working class to professional middle-class Italian Americans.” Monte sold millions of records, played nightclubs across America, and appeared on TV programs like The Perry Como Show and The Ernie Kovacs Show. He died in Pompano Beach, Florida, in 1989. He was 72.

Monte lives on thanks to Dominick—a character too iconic to die. In 2016, author Shirley Alarie released A New Home for Dominick and A New Family for Dominick, a two-part children’s book series about the beloved jackass. In 2018, Jersey native Joe Baccan dropped “Dominooch,” a sequel to “Dominick.” The song tells the tale of how Dominick’s son takes over for his aging padre. Fittingly, “Dominooch” was written by composer Nancy Triggiani, who worked with Monte’s son, Ray, at her recording studio.

Speaking with NorthJersey.com in 2016, Ray Monte had a simple explanation for why Dominick’s hee-haw has echoed through the generations. “It was a funny novelty song,” he said, noting that his father “had a niche for novelty.”

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