This Is What Flowers Look Like When Photographed With an X-Ray Machine

Dr. Dain L. Tasker, “Peruvian Daffodil” (1938)
Dr. Dain L. Tasker, “Peruvian Daffodil” (1938)

Many plant photographers choose to showcase the vibrant colors and physical details of exotic flora. For his work with flowers, Dr. Dain L. Tasker took a more bare-bones approach. The radiologist’s ghostly floral images were recorded using only an X-ray machine, according to Hyperallergic.

Tasker snapped his pictures of botanical life while he was working at Los Angeles’s Wilshire Hospital in the 1930s. He had minimal experience photographing landscapes and portraits in his spare time, but it wasn’t until he saw an X-ray of an amaryllis, taken by a colleague, that he felt inspired to swap his camera for the medical tool. He took black-and-white radiographs of everything from roses and daffodils to eucalypti and holly berries. The otherworldly artwork was featured in magazines and art shows during Tasker’s lifetime.

Selections from Tasker's body of work have been seen around the world, including as part of the Floral Studies exhibition at the Joseph Bellows Gallery in San Diego in 2016. Prints of his work are also available for purchase from the Stinehour Wemyss Editions and Howard Greenberg Gallery.

Dr. Dain L. Tasker, “Philodendron” (1938)
Dr. Dain L. Tasker, “Philodendron” (1938)

X-ray image of a rose.
Dr. Dain L. Tasker, “A Rose” (1936)

All images courtesy of Joseph Bellows Gallery.

Take a Digital Tour of America’s Vintage Roadside Stops

The Coney Island Dairyland food stand, Aspen, Colorado, 1980.
The Coney Island Dairyland food stand, Aspen, Colorado, 1980.
John Margolies Roadside America Photograph Archive (1972-2008), Library of Congress, Prints and Photographs Division.

Before GPS, road-tripping Americans canvassing the country’s freshly paved roadway system in the early part of the 20th century had to rely on gas station maps to find diners and other pit stops. Alternately, they could just keep their eyes peeled for one of the thousands of unique buildings that were designed so speeding motorists could easily identify what they had to offer.

Along the famous Route 66, writes author Richard Ratay in his road trip memoir Don’t Make Me Pull Over!, were “colossal fiberglass ‘people attractors:’ giant hotdogs, guns, pies, cow heads, ice cream cones, and other items associated with the goods each proprietor was hawking.” Other places tried to stand out to passing tourists by offering variations on the “world’s biggest” motif, like the World’s Largest Catsup Bottle in Collinsville, Illinois.

These giant donuts, whales, tea pots, and other distinctive stops were shot for decades by photographer John Margolies, who made it his life’s work to capture these stucco slices of Americana before they disappeared. The Library of Congress first began acquiring portions of Margolies's archive in 2007 and started digitizing those images after Margolies died in 2016. The result of their efforts is an expansive—and totally free—online scrapbook of 11,710 color photos.

The Teapot Dome in Zillah, Washington is pictured
The Teapot Dome, Zillah, Washington, 1987.

The Hat 'N Boots gas station in Seattle, Washington is pictured
The Hat 'N Boots gas station, Seattle, Washington, 1980.

The Whale Car Wash in Oklahoma City, Oklahoma is pictured
The Whale Car Wash, Oklahoma City, Oklahoma, 1980.

The Donut Hole in La Puente, California is pictured
The Donut Hole, La Puente, California, 1991.

The Flamingo Drive-In Theater in Hobbs, New Mexico is pictured
The Flamingo Drive-In Theater, Hobbs, New Mexico, 1982.

Born in 1940, Margolies took frequent road trips with his parents. An architectural critic, he began photographing the roadside attractions in 1969, continuing the work through 2008. While many of these places have shuttered, their creative exteriors live on through Margolies’s lens. You can browse the rest of the collection at the Library of Congress website.

All images courtesy of the John Margolies Roadside America Photograph Archive (1972-2008), Library of Congress, Prints and Photographs Division.

[h/t designboom]

Photographer Captures Polka-Dotted Zebra Foal in Kenya

Frank Liu
Frank Liu

Zebras are known for their eye-catching patterns, but this polka-dotted foal recently photographed in Kenya's Masai Mara National Reserve really stands out from the herd. As National Geographic reports, the zebra baby likely has pseudomelanism, a rare pigment condition that's been observed in the wild just a handful of times.

Nature photographer Frank Liu saw the zebra foal while looking for rhinos in the savannah wilderness preserve. After initially confusing the specimen for a different type of animal, he realized upon closer inspection that it was actually a plains zebra born with spots instead of stripes. The newborn foal was named Tira after the Maasai guide Antony Tira who first pointed him out.

Zebra foal with spots walking with mother.
Frank Liu

Zebra foal with spots.
Frank Liu

A typical zebra pattern is the result of pigment cells called melanocytes, which are responsible for the black base coat, and melanin, which gives the animal its white stripes. (So if you've ever wondered if zebras are white with black stripes or black with white stripes, the answer is the latter). In Tira and other zebras with pseudomelanism, the melanocytes are fully expressed, but a genetic mutation causes the melanin to appear as dots rather than unbroken stripes.


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Though rare, this isn't the only time a zebra with pseudomelanism has been documented in nature. Pseudomelanistic zebras have also been spotted in Botswana’s Okavango Delta, but Liu believes this could be the first time one was found in the Masai Mara preserve.

Zebra stripes aren't just for decoration. The distinct pattern may act as camouflage, bug repellant, and a built-in temperature regulation system. Without these evolutionary benefits, Tira has a lower chance of making it to adulthood: Pseudomelanistic zebra adults are rarely observed for this reason. But as Liu's photographs show, the foal has the protection and acceptance of his herd on his side.

[h/t National Geographic]

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