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Image Comics

Wednesday is New Comics Day

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Image Comics

Every Wednesday, I preview the 5 most interesting new comics hitting comic shops, Comixology, Kickstarter and the web that week. These aren't reviews, just brief highlights. If there's a release you're excited about, let's talk about it in the comments.

This week's comics include: 
- A complex story about family
- A spy comic that will feature a different artist each month
- A comic described as Beavis and Butthead meet James Joyce
- China Miéville's coda to Dial H
- And a superhero who gets his powers from alcohol

1. Household

By Sam Alden
samaldencomics.tumblr.com

It's understandable if you're not familiar with Sam Alden's work—he's only in his early 20s and has been publishing his comics in a random assortment of Tumblr posts, unrelated websites, and ontributions to StudyGroup Comics. Each is like a discarded clue scattered across the web to help you piece together what this exciting new artist is all about. Almost every comic looks wildly different from the next and they range in genre from autobiography to fantasy. His body of work to date is really worth seeking out and just this past weekend he won a prestigious Ignatz Award for Promising New Talent.

Just before winning that award this past week, Alden released his newest comic both on his Tumblr and as a mini comic at last weekend's Small Press Expo in Bethesda, MD. Household is a short comic about a brother and sister who are reunited in New Orleans after some time apart. Their relationship is shadowed by a troubled childhood that they're each trying in their own way to escape from. Seeing each other again seems to complicate that in a big way.

This is a complex and emotionally harrowing comic that some will find a little too disturbing for them [edit: As noted in the comments below, I should mention that this comic gets very graphic about halfway through and is definitely for mature readers only]. Alden has many strengths as a cartoonist and one of them is knowing how to pull off the emotional gut punch. This story stuck with me for days after reading it. Alden drew it in a quickly pencilled style very similar to his Hawaii 1997 comic. It is unassuming in its rough quality and seems spontaneously drawn, belying the subtle layers of thematic storytelling beneath. You can often see where he he has erased lines of dialogue and his panel borders are wonky and uneven, but, there are so many elements of his cartooning that are more accomplished than you might at first realize. His sense of light and shadow as seen in that title page is beautiful. His realistic gestures (paired with spot-on dialogue) give his characters naturality that is so hard for many people to pull off in comics. And the way he structures his story, with interlocking scenes, sometimes switching back and forth in time from panel to panel, is just masterful.

Sam Alden, as his recent Ignatz Award indicates, is the next big thing. Check him out.

Read "Household" here.

2. Zero


Written by Ales Kot; Art by Michael Walsh, colors by Jordie Bellaire, lettering by Clayton Cowles
Image Comics

A new ongoing series called Zero takes an interesting approach to comics storytelling that may be drawing inspiration from some recent trends in comics publishing. Writer Ales Kot is structuring his first ongoing comic so that each issue tells a standalone story feeding into a larger overall narrative. Each issue will also be drawn by a different artist. 

Set in the near future, Zero is about a spy named Edward Zero who begins to uncover the uncomfortable truth behind the motives of the agency that employs him. Each issue focuses on a different mission and will tell a complete story but will build on the overarching story of Zero and his search for the truth. The first issue is drawn by Michael Walsh, the artist on the new X-Files comic for IDW. He has a gritty, realistic yet simple and clean style that is very reminiscent of Michael Lark (of Image Comics' Lazarus). Future artists will include Mateus Santolouco, Morgan Jeske, Tradd Moore, Will Tempest, and Tonci Zonjic. The consistent glue that will hold them all together is regular colorist Jordie Bellaire and letterer Clayton Cowles.

With the ever increasing popularity of digital comics, which rely more on single issue sales than collected editions, a comic that sells itself as consisting of "done-in-ones" where you can jump in at any point is a smart approach. Meanwhile, a recent comic that has successfully utilized multiple artists to tell different stories within one ongoing story is Brandon Graham's Prophet. The use of fresh talent and their varying art styles is a selling point for that book and fits in with the nature of the story in which the protagonist has multiple clones, each with their own stories to be told. Kot is capitalizing on a similar approach with some new names and rising stars on his roster and a story with changes in settings and time periods that allows for a flexibility in the book's aesthetic. 

You can read an interview with Kot and see some preview pages from Zero here.

3. School Spirits


By Anya Davidson
Picturebox

For those readers that look for comics that push the envelope and experiment a little with form, the best places to look these days are probably out in the wild world of webcomics or within the Picturebox catalog. Started by Dan Nadel, co-editor of The Comics Journal, Picturebox publishes an eclectic mix of art comics and historical comic publications. Their books tend to value things like publication design, artistic experimentation and avant-garde aesthetics that you don't see in even the most independent of indie comics these days. 

This week, Picturebox is releasing a couple of books and the one that most fits (or maybe breaks) the mold of artistic experimentation is Anya Davidson's debut graphic novel School Spirits. Davidson, a Chicago artist and former singer with the underground noise rock band Coughs, has been working on zines and mini comics for a number of years. Her work is very much in that punk frame of reference with loud, clashing color palettes and anything-goes storytelling. At times, her work is very reminiscent of classic, punk-comic provocateurs like Gary Panter but there are shades of many other influences in there including Mayan and Indian artwork, French cartoonist David B. and event a hint of Jack Kirby.

Davidson describes School Spirits as "Beavis and Butthead meets James Joyce's Ulysses," which is about as compelling a "___ meets ___" as I've heard in a while. It consists of four chapters that use different narrative techniques to tell a story involving a high school student named Oola with "an unusual connection to the supernatural."

You can preview some pages of School Spirits here.

4. Justice League 23.3/Dial E #1


Written by China Miéville; art by various
DC Comics

A nice little gem hidden within DC Comics's "Villain Month" (in which all their major superhero books are taken over by villains and temporarily renamed in their honor) is a comic that takes the place of Justice League #23.3 (there are 4 issues per title this month, hence the decimals) and is alternately titled Dial E #1. It is actually a coda to science fiction novelist China Miéville's highly acclaimed but recently cancelled DC comic Dial H.

A reworking of a goofy old DC comic—Dial H for Hero—Miéville's comic took the same concept (a guy finds a phone-like dial and whenever he dials H-E-R-O he turns into a new and different superhero) and added a dark and surreal flavor that calls to mind some of Grant Morrison's early work on Doom Patrol. Here, Mieville gets one last hurrah, but this time out there is an E dial that turns the criminals that find it into super villains.

Similar to the approach we mentioned in #2 with Ales Kot's Zero, Dial E uses an array of different artists within this one issue to differentiate the 20 different, brand new super villains it creates with the E Dial. The list of contributors is an exciting mix of artists that you'd regularly find in a DC Vertigo comic like Jeff Lemire, Brendan McCarthy, Jock and David Lapham as well as lesser known artists that you wouldn't typically see in what is ostensibly a Justice League comic like Tula O'Tay, Emma Rios, Sloane Leong, Annie Wu and many more.

You can see some preview pages here.

5. Buzzkill #1


Written by Donny Cates and Mark Reznicek; Art by Geoff Shaw, colors by Lauren Affe
Dark Horse Comics

We're all familiar with stories that show the devastating effects that alcoholism can have on someone's life. We also have seen how the power and confidence a story's character gets from alcohol is what eventually leads to the devastation. We may even have experienced these things ourselves in real life. However, in Buzzkill, a new 4 issue mini-series from Dark Horse, we meet a superhero whose power is derived from how much alcohol he imbibes. With that power comes blackouts, loss of control and massive amounts of destruction. After many years of this, the hero decides it is time to give it all up, which is exactly what his enemies want.

The creative team behind Buzzkill are all relative newcomers. Donny Cates got his break with Dark Horse with a story called Hunter Quaid that was published in their anthology Dark Horse Presents. Mark Reznicek is new to comics and a member of the band The Toadies who co-wrote the story with his friend Cates. Even artist Geoff Shaw has a short comics resume that's highlight is a 10 page story in a Batman anthology comic. Together they seem to have hit on a unique concept that looks to tell a serious story about addiction but within the larger-than-life trappings of a modern superhero comic. Despite its seemingly solemn take on alcoholism though, a sign that the comic will not take itself too seriously is in the names of some of the other heroes and villains that appear in the book, all with names derived from bands that Reznicek enjoys, i.e. "Panteradactyl."

Read a preview of the first few pages here.

HONORABLE MENTIONS

The Brothers James #1
Zero's Michael Walsh has another comic out this week. This one is available through Comixology's Submit program for self-publishers. It's about two brothers driving across the country on a revenge mission to take out the people that killed their parents when they were kids. Preview and buy it through Comixology here

Kinski #3
I haven't yet had the opportunity to mention the digital comic Kinski published by MonkeyBrain Comics and written and illustrated by the amazing Gabriel Hardman (Hulk, Secret Avengers). It's a weird, Hitchcockian story about a traveling businessman who ends up stealing a dog. The third issue goes on sale today for the very affordable price of 99 cents.

Inkshot
Also from Monkeybrain is this new 260+ page anthology consisting of 3 to 5 page stories all done by Brazilian comic creators, some whom have appeared in American anthologies such as Popgun and Dark Horse Presents and others that are most likely brand new to us American readers. Also on sale at Comixology.

Pompeii
Picturebox's other big release of the week (in addition to the previously mentioned School Spirits) is a graphic novel about an artist's assistant living in Pompeii, Italy before the deadly volcanic eruption that destroys the city. Writer and artist Frank Santoro is someone who loves to deconstruct and teach the art of making comics. He has drawn this book in a style that is reminiscent of Roman frescoes and drawings. Preview it here.

Reggie-12
Brian Ralph's sitcom-like take on Tezuka-like robot manga gets collected in this new hardcover volume from Drawn & Quarterly.
Peruse the comics here.

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15 Powerful Quotes From Margaret Atwood
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MICHAL CIZEK/AFP/Getty Images

It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
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FRED DUFOUR/AFP/Getty Images

A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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