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Dean Trippe

5 Most Interesting Comics of the Week

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Dean Trippe

Every Wednesday, I preview the 5 most interesting new comics hitting comic shops, Comixology, Kickstarter and the web. These aren't reviews, just brief highlights. If there's a release you're excited about, let's talk about it in the comments.

1. Something Terrible

By Dean Trippe
Self-published

Superhero comics are often labelled "escapist fantasy" but sometimes the therapeutic power of reading (and making) comics can be underestimated. In this incredibly personal comic, Something Terrible, Dean Trippe reveals his own struggle growing up as a victim of sexual abuse and how the stigma and the often cited statistics of abuse victims growing up to be abusers themselves had caused him to live with an invisible gun pointed at his own head for most of his life.

Trippe is one of the biggest fans of Batman (and the inherent goodness of the character, which often gets lost today) that I've ever met. He draws in an immaculate, kid-friendly style that is very much inspired by the look of Bruce Timm's Batman animated series from the '90s. In Something Terrible he recounts just how important the character of Batman and other fictional, heroic characters have been to him over the years as he tried to deal with his own dark secret.

This is a really moving comic that, in the span of just 14 pages, is both agonizing and triumphant. I can only imagine how difficult it was for Trippe to confront these memories through the act of making this comic. I can also imagine how helpful it could be for people who have been through a similar situation to read his account, especially when Trippe dispels the myth of the abuse cycle and shows how he himself has overcome it. 

Trippe is selling Something Terrible for only 99¢ as downloadable PDF and CBZ files.

2. Fairy Tale Comics

Edited by Chris Duffy
First Second/Macmillan Books

For art fans, you can't beat the lineup on this new anthology: Gilbert and Jaime Hernandez, Jillian Tamaki, Luke Pearson, Emily Carroll, Craig Thompson, David Mazzuchelli, Raina Telgemeier, Karl Kerschl, Emily Carroll, Vanessa Davis, and more. Also, that wonderfully fun cover by Eleanor Davis. A sequel of sorts to 2011's Nursery Rhyme Comics also published by First Second and edited by Chris Duffy, Fairy Tale Comics takes 17 classic fairy tales like "Hansel & Gretel" and "Little Red Riding Hood" as well as lesser known stories like "The Bremen Town Musicians" and "Give Me The Shudders" and lets the artists put their own spin on them.

Though it's hard to pick just one of these great cartoonists to highlight, it may be most noteworthy to call out the presence of David Mazzuchelli, who is contributing his first new comics work since his groundbreaking 2009 graphic novel Asterios Polyp. Mazzuchelli, who has proven in the past to be able to work in a variety of styles, channels early newspaper strips similar to Winsor McKay in his contribution, "Give Me The Shudders." 

In addition, The Abominable Charles Christopher's Karl Kershl gets to draw animals in a different style than we've seen on his award-winning webcomic. Craig Thompson, fresh off his 700 page graphic novel Habibi, tackles an 11th century Spanish tale originally called "The King and His Story-teller." And Emily Carroll applies her rich, watercolor approach to an array of medieval costumes and gowns in The Brothers Grimm's "12 Dancing Princesses".

Read more about the book here and read some in depth interviews and reviews focusing on individual contributors like Emily CarrollGilbert HernandezDavid Mazzuchelli and Craig Thompson.

3. Fantomex Max #1

Written by Andrew Hope; art by Shawn Crystal; covers by Francisco Francavilla
Marvel Comics

It's hard to believe that the character Fantomex has been around for over 10 years now. Originally created by Grant Morrison during his run on New X-men in the early 2000s, he's gained more popularity in recent years thanks to being a team member of the popular Uncanny X-Force. He's now getting his own four-issue mini-series in Marvel's mature readers MAX line, which is a big moment in the spotlight for this character. 

Fantomex is an anomaly in many ways. Not only are there not a whole lot of new characters getting their own books from DC or Marvel these days (or being created in the first place for that matter), but Fantomex's origin and character traits are just hard to explain. He was created by the Weapon Plus program (the same people who brought us Wolverine) as a result of impregnating a human woman with nano-machines, and was then raised in a synthetic micro-environment dubbed The World. He believes himself to be French and speaks with a "faux-French accent" (what that actually sounds like is up to the reader's imagination). He also believes himself to be a mutant although Weapon Plus created him to be a "super-sentinel" meant to kill mutants. His power is misdirection which means stories with Fantomex often involve events that may or may not be really happening to those who cross paths with him (including us readers). He's very Morrisonian in a lot of ways.

Derived from the Italian comic book and film character Diabolik and the early 20th century detective from French crime novels Fantômas, Fantomex is a fun, weird, stylish character with a growing cult following. This new series is a sexy, violent thriller with a '60s, secret agent vibe, as the cover by Francisco Francavilla suggests. Marvel's MAX line allows creators to go heavy on the violence, cursing and sexual situations, so expect plenty of that here.

Read an interview with artist Shawn Crystal including some preview pages.

4. In The Dark


Edited by Rachel Deering
Kickstarter

By the time this article is posted, In The Dark will have easily reached its Kickstarter goal with many days still to go. It doesn't take long to scroll through the main project page and realize that this is going to be a high quality horror anthology with a great lineup for writers and artists involved.

Rachel Deering is no stranger to horror or to Kickstarter. She writes a comic called Anathema which has three issues available through Comixology's Submit program and was originally funded through as successful Kickstarter. She was also a writer and letterer for the Womanthology project which was a huge crowd funding success a few years back. As the editor for this new anthology she has recruited an array of writers and artists that are all either new stars in the comics world (like Cullen Bunn, Paul Tobin, Tradd Moore, Tim Seely) or just on the cusp of stardom (Christopher Sebela, Andy Belanger, Christian Wildgoose, Thomas Boatwright). 

At over 250 pages, this hardcover book will contain 20 short stories with each creative team telling the type of horror story they want to tell. Deering is a vocal cheerleader for horror in comics and with the rise in popularity of that genre in comics today, this Kickstarter is hitting a good time. In addition to the comics there will be a historical piece, about the rise and decline of horror comics from the EC days to today, written by historian Mike Howlett.

Although In The Dark will easily reach its funding goal and IDW Publishing is helping out with the printing and distribution, the creators are working on this with no money up front and any money that exceeds the goal will be divvied up among them.

Read more about the In The Dark anthology and pledge your support.

5. The Witching Hour


By various
DC Vertigo

It's anthology week it seems. But wait, it's even another horror anthology. The Witching Hour is an 80 page one-shot published by DC's Vertigo line featuring 9 stories of supernatural "Vertigo-ness." The lineup for this one includes some big names like Kelly Sue Deconnick, Fables' Mark Buckingham, the highly underrated Tula Lotay and Emily Carroll (who we just mentioned in one of this week's other anthologies, Fairy Tale Comics). Perhaps most notable is a story called "Mars To Stay" illustrated by Cliff Chiang and written by Brett Lewis who we haven't seen enough in comics since his highly acclaimed mini-series The Winter Men about former decommissioned super humans in post-Cold War Russia. 

There are some preview images here and Cliff Chiang recently posted a preview page from his story with Lewis here.

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Design
China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
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FRED DUFOUR/AFP/Getty Images

A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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5 Things You Should Know About Chinua Achebe
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ABAYOMI aDESHIDA/AFP/Getty Images

Often referred to as the “father of African literature,” author Chinua Achebe was born in Ogidi, Nigeria on this day in 1930. Though he passed away in 2013, Google is celebrating what would be his 87th birthday with a Google Doodle. Here are five things you should know about the award-winning writer.

1. HE HAD PLANNED TO BE A DOCTOR.

Though he was always an avid reader and began learning English at the age of eight, Chinua Achebe hadn’t always planned to become a beacon of the literary world. After studying at Nigeria’s prestigious Government College (poet Christopher Okigbo was one of his classmates), Achebe earned a scholarship to study medicine at University College in lbadan. One year into the program he realized that writing was his true calling and switched majors, which meant giving up his scholarship. With financial help from his brother, Achebe was able to complete his studies.

2. JOYCE CARY’S MISTER JOHNSON INSPIRED HIM TO WRITE, BUT NOT IN THE WAY YOU MIGHT THINK.

While storytelling had long been a part of Achebe’s Igbo upbringing in Nigeria, that was only part of what inspired him to write. While in college, he read Mister Johnson, Irish writer Joyce Cary’s tragicomic novel about a young Nigerian clerk whose happy-go-lucky demeanor infects everyone around him. While TIME Magazine declared it the “best book ever written about Africa,” Achebe disagreed.

“My problem with Joyce Cary’s book was not simply his infuriating principal character, Johnson,” Achebe wrote in Home and Exile. “More importantly, there is a certain undertow of uncharitableness just below the surface on which his narrative moves and from where, at the slightest chance, a contagion of distaste, hatred, and mockery breaks through to poison his tale.” The book led Achebe to realize that “there is such a thing as absolute power over narrative,” and he was inspired to take control of it to tell a more realistic tale of his home.

3. HE DIDN’T THINK THAT WRITING COULD BE TAUGHT.

Though he studied writing, Achebe wasn’t all too sure that he learned much about the art in college. In an interview with The Paris Review, he recalled how the best piece of advice he had ever gotten was from one of his professors, James Welch, who told him, “We may not be able to teach you what you need or what you want. We can only teach you what we know.”

I thought that was wonderful. That was really the best education I had. I didn’t learn anything there that I really needed, except this kind of attitude. I have had to go out on my own. The English department was a very good example of what I mean. The people there would have laughed at the idea that any of us would become a writer. That didn’t really cross their minds. I remember on one occasion a departmental prize was offered. They put up a notice—write a short story over the long vacation for the departmental prize. I’d never written a short story before, but when I got home, I thought, Well, why not. So I wrote one and submitted it. Months passed; then finally one day there was a notice on the board announcing the result. It said that no prize was awarded because no entry was up to the standard. They named me, said that my story deserved mention. Ibadan in those days was not a dance you danced with snuff in one palm. It was a dance you danced with all your body. So when Ibadan said you deserved mention, that was very high praise.

I went to the lecturer who had organized the prize and said, You said my story wasn’t really good enough but it was interesting. Now what was wrong with it? She said, Well, it’s the form. It’s the wrong form. So I said, Ah, can you tell me about this? She said, Yes, but not now. I’m going to play tennis; we’ll talk about it. Remind me later, and I’ll tell you. This went on for a whole term. Every day when I saw her, I’d say, Can we talk about form? She’d say, No, not now. We’ll talk about it later. Then at the very end she saw me and said, You know, I looked at your story again and actually there’s nothing wrong with it. So that was it! That was all I learned from the English department about writing short stories. You really have to go out on your own and do it.

4. HE WAS WARY OF MACHINES.

Though typewriters, followed by computers, were ubiquitous, Achebe preferred a “very primitive” approach. “I write with a pen,” he told The Paris Review. “A pen on paper is the ideal way for me. I am not really very comfortable with machines; I never learned to type very well. Whenever I try to do anything on a typewriter, it’s like having this machine between me and the words; what comes out is not quite what would come out if I were scribbling. For one thing, I don’t like to see mistakes on the typewriter. I like a perfect script. On the typewriter I will sometimes leave a phrase that is not right, not what I want, simply because to change it would be a bit messy. So when I look at all this … I am a preindustrial man.”

5. HIS DEBUT NOVEL REMAINS ONE OF THE MOST TAUGHT PIECES OF AFRICAN LITERATURE.

Achebe’s status as the “father of African literature” is no joke, and it’s largely due to his debut novel, Things Fall Apart. Published in 1958, the book—which follows the life of Okonkwo, an Igbo leader and wrestling champion—has gone on to sell more than 10 million copies and has been translated into 50 different languages. Even today, nearly 60 years after its original publication, it remains one of the most taught and dissected novels about Africa.

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