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Nobrow Press

5 Most Interesting Comics of the Week

Nobrow Press
Nobrow Press

Every Wednesday, I preview the 5 most interesting new comics hitting comic shops, Comixology, Kickstarter and the web. If there's a release you're excited about, let's talk about it in the comments.

1. Freud

Written by Corinne Maier; art by Anne Simon
Nobrow Press

It's a little surprising there haven't been more comics devoted to Sigmund Freud considering that his life's work centered around dreams, free association, and the unconscious—all of which are ripe for a cartoonist's visual treatment. Nobrow Press, a London-based publisher that focuses on high quality art books and graphic novels, has just released an English translation of Corrinne Maier and Anne Simon's 2012 French graphic album (as they're called in France) titled simply Freud, which shows just how perfect comics can be for illustrating and explaining a concept like psychoanalysis.

At a mere 55 pages, Freud is a cursory run-through of the legendary figure's life, allotting just as much space on explaining the theories he originated and illustrating some of the cases that defined his work as it does to particular milestones in his biography. It is purposefully breezy, with Freud himself presented as the amusing cartoon narrator to his own life, traipsing from one vignette to another—whether they be real-life settings like his home in Vienna or Dali-esque dreamscapes—puffing on his cigar and pondering his own career. As a character in his own story, he is opinionated and at times flippant. He is also reflective and sometimes inconclusive about his own ideas.

It's probably worth noting that this book was made by two women, and Freud's own complicated relationship with women and feminism is at times addressed in the book, showing him wrestling with trying to understand how the female mind works. He labels them "the dark continent of psychoanalysis" while shown separated by a continental rift from a group of naked and perturbed women. The book is never fully critical or sympathetic when dealing with subjects like this; instead it presents him as a conflicted and complicated thinker who may not have all the answers.

Corinne Maier is a psychoanalyst herself and has written over 15 books on a diverse range of subjects. Two of her best selling books in France conveyed the type of controversial opinions sure to raise the cockles of American talk show punditry. One was about how hard work doesn't pay off and the other outlined 40 reasons why you shouldn't have kids. The real star of this book, however, is Anne Simon. A winner of the 2004 "New Talent" award at the Angoulême Festival, Simon has worked on a number of children's comics for European publishers, but her work has been little seen in the States. She draws in a whimsical style reminiscent of the classic French gag cartoonists like Jean-Jacques Sempé, bringing humor and an easy accessibility to Freud's work. She uses a very modern and striking color palette that changes with each vignette, and the quality of printing Nobrow has lent to this makes her work here just a pleasure to look at.

Some preview images and info from the publisher here.

2. Woman Rebel: The Margaret Sanger Story

By Peter Bagge
Drawn & Quarterly

Peter Bagge is one of the popular indie comics creators who rose to prominence in the early '90s, due primarily to his satirical grunge/slacker comic Hate. In recent years he's been as prolific as ever with comics like 2012's Reset, about a washed up comedian who participates in a virtual reality experiment to relive past events, as well as his ongoing essays and comics for the libertarian magazine Reason

In somewhat of an unexpected step for someone who is known mostly for his biting humor, Bagge's latest graphic novel, Woman Rebel: The Margaret Sanger Story, is a biography of an important figure in American feminism. Margaret Sanger, the birth control activist and founder of the Planned Parenthood movement, fought tirelessly to educate and provide birth control options to the economically underprivileged in the early 20th century. She was instrumental in the legalization of contraception in the United States and opened the first birth control clinic in the U.S., preaching the use of contraception to give women the choice of when they should have children. She was opposed to abortions and fought to prevent unsafe, back-alley procedures. 

Sanger was a controversial political figure, and Bagge himself is no stranger to controversial political opinions, yet his rubbery, Warner Brothers-influenced art style seems at first incongruous with the serious subject matter of Sanger's life story. However, like with Anne Simon's cartoony take on Sigmund Freud, Bagge's use of humor here brings an approachability to the biography and to the "character" of Margaret Sanger that you wouldn't necessarily get from a written biography. In one scene, as Sanger heads off to the Lower East Side of New York to work as a nurse, her children protest that "other mommies don't work!" With a furrowed brow she leans forward and heads out the door retorting "Yes, well, THIS ONE does…You'll just have to get used to it." She very much becomes a Bagge character and a principled, driven person that you want to learn more about.


Drawn & Quarterly has a preview on the website here. This book looks like it will be getting a lot of praise in the coming months.

3. "Our Toyota Was Fantastic"



Boulet
Bouletcorp.com

France's most popular webcomic creator has done it again. It wasn't that long ago that I featured Boulet's long, vertically scrolling "Le Long Voyage" on this list and already he's back on it with "Notre Toyota Était Fantastique" ("Our Toyota Was Fantastic"). That's not to say he hasn't done a number of comics in between "Voyage" and "Toyota"; he's even done a few since posting this one last week.

In this beautiful webcomic, Boulet revisits a childhood memory that many of us can probably relate to—riding in the backseat of his parent's car while dozing off to sleep. He conveys many precious details—the pulsing glow of his father's cigarette from the front seat, the abrupt flood of light from passing through a tunnel—and presents them through poetic first person narration, charmingly rendered drawings, and the best use of animation I've seen in a webcomic.

Many comic purists balk at seeing animation in a comic. So much of the power of a good comic comes from the reader's own imagination when reading the story and some feel that adding motion crosses the line from comics into something else entirely, something where the reader becomes more of a passive participant. All of the lackluster attempts at what are called "Motion Comics" have fallen into this trap and produced something that is less effective than the "still" version. Plus, adding motion to still imagery can often result in an awkwardness that actually makes the drawings seem less alive, the opposite of its intent. 

With clever use of animated gifs, Boulet shows how adding motion to a comic is done here. Although this story might be just as effective and poignant without it, the little bits of movement he adds (passing reflections, shimmering lights and shadows, even the gentle flickering of the hand drawn lettering) is done with true purpose and it brings the reader right into the backseat of that car, helping to evoke their own similar memories.

Give the comic a read here and marvel at how gorgeous it looks.

4. Best American Comics 2013


Edited by Jeff Smith with series editors Jessica Abel and Matt Madden
Houghton Mifflin Harcourt

Well, this is probably a no-brainer inclusion for a column about notable comics. The latest edition of the Best American Comics series contains short comics and excerpts from longer comics from North American cartoonists that were published last year and, as it has done since 2006, gives you an eye-opening tour of the wide range of staggeringly good comics that are out there. The series to date has been shepherded by cartoonists and comics educators Jessica Abel and Matt Madden, who, every year, pool together over 100 of the best comics they can and bring in a guest editor to select the cream of the crop (this year it's Jeff Smith of Bone and RASL fame). This will be the last volume of BAC that Abel and Madden edit, as they step down to focus on their own work while on extended residency in Angoulême, France (there is a definite French connection running through most of this week's books, if you haven't noticed). 

Among the comics that Abel, Madden and Smith have selected this year are:
- Becky Cloonan's horror fantasy The Mire (one of the best mini comics I read last year)
- An excerpt from Darywn Cooke's latest Parker graphic novel, The Score
- The initial chapters from Charles Forsman's teenage angst/killers on the run mini comic The End of The F***king World
- Matt Forsythe's wordless adaptation of a Korean folk tale Jinchalo
- Laura Terry's Overboard (I picked this book up at SPX last year and it is gorgeous)
- Joe Hill and Gabriel Rodriguez' Locke & Key one shot "Open The Moon"
- Jeff Jensen and Jonathan Case's award-winning true crime story Green River Killer
- An excerpt from Jeff Lemire's haunting graphic novel about a father and son, Underwater Welder
- Ramon Perez' Eisner award winning adaptation of a Jim Henson screenplay Tales of Sand
- Ben Towle's swashbuckling webcomic Oyster War
- The latest chapter in Jason Lutes' long running Berlin

And many, many more. In fact you can just peruse the whole list here.

For those that teach comics, there's also a lesson plan for this this book that you can find here.

[EDIT: As I noted in the comments below, I mistakenly listed selections that were part of the "Notable" list but not the actual book. The actual list of comics in the book edition are here. ]

5. SPX '13 Journal


by Jared Cullum
JaredLovesToDraw.com

For many independent cartoonists, The Small Press Expo in Bethesda, Maryland is the biggest event of the year. It's an inspiring and creatively validating experience where up-and-coming cartoonists can be in the same room with indie comic superstars, everyone selling their handmade mini comics or self-published graphic novels to the same crowd of fans who are eager to discover what's new in this creatively burgeoning sector of comics publishing. Cartoonists being cartoonists, it's not unusual to find many of them in the weeks after the show making comics about their SPX experience as a way of processing it.

One that stood out to me recently is by newcomer Jared Cullum (whom I've had the pleasure of meeting on a couple of occasions). After attending his second SPX this year, Cullum painted this beautiful 8 page watercolor comic depicting himself and the other attendees as cute, anthropomorphic animals. If you are familiar enough with the small press scene you'll recognize a number of the cartoonists depicted here like Jim Rugg, Dustin Harbin, Rob Ullman, Ed Piskor and more. And if you are a cartoonist, you may be able to relate to Cullum's experience and his feelings about it. As a part-time cartoonist myself, I know I sure did. 

This little comic gives a great insight into some common insecurities cartoonists have about themselves and their place among other artists, while also showing how motivating the social aspect of a show like SPX can be for them. Making comics is a time-consuming, often isolating profession, yet the act of making something personal and selling it to strangers requires a level of comfort with publicness that conflicts with that isolation. Cullum taps into this very well here.  He also shows off some impressive watercolor skills and a keen sense of comedic timing that has me excited to see what he'll do next.

He says he plans to do more of these anthropomorphic journal comics in the future so follow his Tumblr and read this comic here.

HONORABLE MENTIONS

Blue is the Warmest Color
French week continues as Julie Maroh's 2010 graphic novel about lesbian love and youthful rebellion, originally called Blue Angel, is released in English with a title that matches its 2013 film adaptation, the winner of the coveted Palme d'Or at the Cannes Film Festival. Preview here.

Fran
Jim Woodring's latest graphic novel involving his long-running character Frank is actually about Frank's soul-mate, Fran. Somewhat of a sequel to 2011's Congress of Animals, though you're also encouraged to read this first and Congress second. Preview here.

Love and Rockets: New Stories #6
It's that time of year when the annual release of new stories from Jaime and Gilbert Hernandez arrives in the digest-sized form of a new Love and Rockets book. Gilbert returns to one of his most famous characters, Luba, while Jaime continues to explore one of his newer characters, Tonta. Preview pages.

The Art of Charlie Adlard
The Walking Dead fans are well aware of the greatness of artist Charlie Adlard. He's been the artist on that book since issue #7 and has been consistently outstanding. This oversized hardcover takes a look at his career, providing lots of behind the scenes extras.
More info here.

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The Best Children's Books of the Year, According to Bank Street College of Education
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The Children's Book Committee at Bank Street College of Education in New York City recently released its 2018 list of the best children's books on the market. Separated into five age-appropriate categories, the list includes more than 600 titles published in the U.S. and Canada in 2017.

In making their selection, judges considered books' literary merit, presentation, and potential emotional impact on young readers, as well as originality of the story, credibility of the characters, and absence of stereotypes. They also looked for positive representations of religious and ethnic differences.

Nonfiction books were checked for accuracy, balance, and documentation, while poetry books were assessed for their language, sound, rhythm, substance, and emotional intensity. Each book on the list was read and reviewed by at least two members of the committee, and then considered by the committee as a whole.

Of the books on the list, three are selected for special awards each year. For 2018, the Josette Frank Award—given to an outstanding novel in which a child character handles difficulty in a positive and realistic way—was awarded to Piecing Me Together by Renée Watson. The Claudia Lewis Award for poetry went to One Last Word: Wisdom from the Harlem Renaissance by Nikki Grimes, and the Flora Stieglitz Straus Award for inspiring nonfiction went to Hawk Mother: The Story of a Red-Tailed Hawk Who Hatched Chickens by Kara Hagedorn.

Below is a selection of some of the books on the list. All of the titles below were awarded "outstanding merit" by the committee. For the full selection, click on the PDF link next to each individual category.

Under five category [PDF]
Anywhere Farm by Phyllis Root and G. Brian Karas
Big Cat, Little Cat by Elisha Cooper
Creepy Pair of Underwear! by Aaron Reynolds and Peter Brown
Mine! by Jeff Mack
Noisy Night by Mac Barnett and Brian Biggs
Sam & Eva by Debbie Ridpath Ohi
Snow Scene by Richard Jackson and Laura Vaccaro Seeger
Winter Dance by Marion Dane Bauer and Richard Jones

Five to nine category [PDF]
After the Fall: How Humpty Dumpty Got Back Up Again by Dan Santat
Alfie: The Turtle That Disappeared by Thyra Heder
Emmet Otter's Jug-Band Christmas by Russell Hoban and Lillian Hoban
Good Night, Planet by Liniers
Pandora by Victoria Turnbull
Robinson by Peter Sís
Sleep Tight, Charlie by Michael Escoffier and Kris Di Giacomo
Spiders!: Strange and Wonderful by Laurence Pringle and Meryl Henderson

Nine to twelve category [PDF]
All's Faire in Middle School by Victoria Jamieson
A Properly Unhaunted Place by William Alexander and Kelly Murphy
If Sharks Disappeared by Lily Williams
Little Bits of Sky by S. E. Durrant and Katie Harnett
Me and Marvin Gardens by Amy Sarig King
Sputnik's Guide to Life on Earth by Frank Cottrell Boyce
The Purloining of Prince Oleomargarine by Mark Twain, Philip C. Stead, and Erin E. Stead
The War I Finally Won by Kimberly Brubaker Bradley

Twelve to fourteen category [PDF]
Girl Rising: Changing the World One Girl at a Time by Tanya Lee Stone
Insignificant Events in the Life of a Cactus by Dusti Bowling
Saints and Misfits by S. K. Ali
Satellite by Nick Lake
The Book of Chocolate: The Amazing Story of the World's Favorite Candy by H. P. Newquist
The Exact Location of Home by Kate Messner
Thick as Thieves by Megan Whalen Turner and Maxime Plasse
Yvain: The Knight of the Lion by M. T. Anderson and Andrea Offermann

Fourteen and up category [PDF]
Between Two Skies by Joanne O'Sullivan
Eliza and Her Monsters by Francesca Zappia
Far From the Tree by Robin Benway
I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez
Midnight at the Electric by Jodi Lynn Anderson
Saint Death by Marcus Sedgwick
The Epic Crush of Genie Lo by F. C. Yee
The Hate U Give by Angie Thomas

A print copy of The Best Children's Books of the Year, 2018 Edition ($10, plus $3 shipping) can be purchased by emailing bookcom@bankstreet.edu.

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10 Things You Might Not Know About Wine
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by Tilar J. Mazzeo

Between the vine and the liquor store, plenty of secrets are submerged in your favorite bottle of vino. Here, the author of Back Lane Wineries of Sonoma spills some of the best.

1. DIGITAL EYES ARE EVERYWHERE IN VINEYARDS.

Certain premium estates in Bordeaux and Napa are beginning to look a little more like an army base—or an Amazon.com warehouse. They’re using drones, optical scanners, and heat-sensing satellites to keep a digital eye on things. Some airborne drones collect data that helps winemakers decide on the optimal time to harvest and evaluate where they can use less fertilizer. Others rove through the vineyard rows, where they may soon be able to take over pruning. Of course, these are major investments. At $68,000 a pop, the Scancopter 450 is about twice as costly as a 1941 Inglenook Cabernet Sauvignon!

2. THERE ARE ALSO LOTS OF COW SKULLS.

They’re not everywhere, but biodynamic farming techniques are on the rise among vintners who don’t want to rely on chemicals, and this is one trick they’ve been known to use to combat plant diseases and improve soil PH. It’s called Preparation No. 505, and it involves taking a cow’s skull (or a sheep’s or a goat’s), stuffing it with finely ground oak chips, and burying it in a wet spot for a season or two before adding it to the vineyard compost.

3. FEROCIOUS FOLIAGE IS A VINTNER’S FRIEND.

The mustard flowers blooming between vineyard rows aren’t just for romance. Glucosinolates in plants like radishes and mustard give them their spicy bite, and through the wonders of organic chemistry, those glucosinolates also double as powerful pesticides. Winemakers use them to combat nematodes—tiny worms that can destroy grape crops.

4. WHAT A CANARY IS TO A COAL MINE, ROSES ARE TO A VINEYARD.

Vintners plant roses among their vines because they get sick before anything else in the field. If there’s mildew in the air, it will infect the roses first and give a winemaker a heads-up that it’s time to spray.

5. VINTNERS EXPLOIT THE FOOD CHAIN.

A trio of wines
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Small birds like blackbirds and starlings can clear out 20 percent of a crop in no time. But you know what eats little birds? Big birds. Falconry programs are on the rise in vineyards from California to New Zealand. Researchers have found that raptors eat a bird or two a day (along with a proportion of field mice and other critters) and cost only about as much to maintain as your average house cat.

6. THE BIG PROBLEMS IN TASTING ROOMS ARE VERY SMALL.

Winemakers are constantly seeking ways to manage the swarms of Drosophila melanogaster that routinely gather around the dump buckets in their swanky showrooms. You know these pests as fruit flies, and some vintners in California are exploring ways to use carnivorous plants to tackle the problem without pesticides. Butterworts, sundews, and pitcher plants all have sweet-sounding names, but the bugeating predators make for terrific fruit fly assassins, and you’ll see them decorating tasting rooms across wine country.

7. WINE NEEDS CLEANING.

Winemaking produces hard-to-remove sediments. Filters can catch most of the debris, but winemakers must add “fining agents” to remove any suspended solids that sneak by. Until it was banned in the 1990s, many European vintners used powdered ox blood to clean their wines. Today, they use diatomaceous earth (the fossilized remains of hard-shelled algae), Isinglass (a collagen made from fish swim bladders), and sometimes bentonite (volcanic clay). Irish moss and egg whites are also fine wine cleaners.

8. ATOMS HAVE ALL THE ANSWERS.

About 5 percent of the premium wine sold for cellaring doesn’t contain what the label promises. So how do top-shelf buyers avoid plunking down serious cash on a bottle of something bunk? Most elite wine brokerages, auction houses, and collectors use atomic dating to detect fraud. By measuring trace radioactive carbon in the wine, most bottles can be dated to within a year or two of the vintage.

9. FINE WINES GET MRIs.

Even with atomic dating, there are certain perils involved in buying a $20,000 bottle of wine. Leaving a case in the hot trunk of your car is enough to ruin it, so imagine what can happen over a couple of decades if a wine isn’t kept in the proper conditions. Back in 2002, a chemistry professor at University of California at Davis patented a technique that uses MRI technology to diagnose the condition of vintage wines. Not planning any $20,000 wine purchases? This is still good news for the consumer. This technique may soon be used at airport security, meaning you’ll be able to carry on your booze.

10. THERE’S A TRICK TO AGING YOUR WINE.

If you end up with a bottle of plonk, Chinese scientists have developed a handy solution. Zapping a young wine with electricity makes it taste like something you’ve cellar aged. Scientists aren’t quite sure how it happens yet, but it seems that running your wine for precisely three minutes through an electric field changes the esters, proteins, and aldehydes and can “age” a wine instantly.

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