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Nobrow Press

5 Most Interesting Comics of the Week

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Nobrow Press

Every Wednesday, I preview the 5 most interesting new comics hitting comic shops, Comixology, Kickstarter and the web. If there's a release you're excited about, let's talk about it in the comments.

1. Freud

Written by Corinne Maier; art by Anne Simon
Nobrow Press

It's a little surprising there haven't been more comics devoted to Sigmund Freud considering that his life's work centered around dreams, free association, and the unconscious—all of which are ripe for a cartoonist's visual treatment. Nobrow Press, a London-based publisher that focuses on high quality art books and graphic novels, has just released an English translation of Corrinne Maier and Anne Simon's 2012 French graphic album (as they're called in France) titled simply Freud, which shows just how perfect comics can be for illustrating and explaining a concept like psychoanalysis.

At a mere 55 pages, Freud is a cursory run-through of the legendary figure's life, allotting just as much space on explaining the theories he originated and illustrating some of the cases that defined his work as it does to particular milestones in his biography. It is purposefully breezy, with Freud himself presented as the amusing cartoon narrator to his own life, traipsing from one vignette to another—whether they be real-life settings like his home in Vienna or Dali-esque dreamscapes—puffing on his cigar and pondering his own career. As a character in his own story, he is opinionated and at times flippant. He is also reflective and sometimes inconclusive about his own ideas.

It's probably worth noting that this book was made by two women, and Freud's own complicated relationship with women and feminism is at times addressed in the book, showing him wrestling with trying to understand how the female mind works. He labels them "the dark continent of psychoanalysis" while shown separated by a continental rift from a group of naked and perturbed women. The book is never fully critical or sympathetic when dealing with subjects like this; instead it presents him as a conflicted and complicated thinker who may not have all the answers.

Corinne Maier is a psychoanalyst herself and has written over 15 books on a diverse range of subjects. Two of her best selling books in France conveyed the type of controversial opinions sure to raise the cockles of American talk show punditry. One was about how hard work doesn't pay off and the other outlined 40 reasons why you shouldn't have kids. The real star of this book, however, is Anne Simon. A winner of the 2004 "New Talent" award at the Angoulême Festival, Simon has worked on a number of children's comics for European publishers, but her work has been little seen in the States. She draws in a whimsical style reminiscent of the classic French gag cartoonists like Jean-Jacques Sempé, bringing humor and an easy accessibility to Freud's work. She uses a very modern and striking color palette that changes with each vignette, and the quality of printing Nobrow has lent to this makes her work here just a pleasure to look at.

Some preview images and info from the publisher here.

2. Woman Rebel: The Margaret Sanger Story

By Peter Bagge
Drawn & Quarterly

Peter Bagge is one of the popular indie comics creators who rose to prominence in the early '90s, due primarily to his satirical grunge/slacker comic Hate. In recent years he's been as prolific as ever with comics like 2012's Reset, about a washed up comedian who participates in a virtual reality experiment to relive past events, as well as his ongoing essays and comics for the libertarian magazine Reason

In somewhat of an unexpected step for someone who is known mostly for his biting humor, Bagge's latest graphic novel, Woman Rebel: The Margaret Sanger Story, is a biography of an important figure in American feminism. Margaret Sanger, the birth control activist and founder of the Planned Parenthood movement, fought tirelessly to educate and provide birth control options to the economically underprivileged in the early 20th century. She was instrumental in the legalization of contraception in the United States and opened the first birth control clinic in the U.S., preaching the use of contraception to give women the choice of when they should have children. She was opposed to abortions and fought to prevent unsafe, back-alley procedures. 

Sanger was a controversial political figure, and Bagge himself is no stranger to controversial political opinions, yet his rubbery, Warner Brothers-influenced art style seems at first incongruous with the serious subject matter of Sanger's life story. However, like with Anne Simon's cartoony take on Sigmund Freud, Bagge's use of humor here brings an approachability to the biography and to the "character" of Margaret Sanger that you wouldn't necessarily get from a written biography. In one scene, as Sanger heads off to the Lower East Side of New York to work as a nurse, her children protest that "other mommies don't work!" With a furrowed brow she leans forward and heads out the door retorting "Yes, well, THIS ONE does…You'll just have to get used to it." She very much becomes a Bagge character and a principled, driven person that you want to learn more about.


Drawn & Quarterly has a preview on the website here. This book looks like it will be getting a lot of praise in the coming months.

3. "Our Toyota Was Fantastic"



Boulet
Bouletcorp.com

France's most popular webcomic creator has done it again. It wasn't that long ago that I featured Boulet's long, vertically scrolling "Le Long Voyage" on this list and already he's back on it with "Notre Toyota Était Fantastique" ("Our Toyota Was Fantastic"). That's not to say he hasn't done a number of comics in between "Voyage" and "Toyota"; he's even done a few since posting this one last week.

In this beautiful webcomic, Boulet revisits a childhood memory that many of us can probably relate to—riding in the backseat of his parent's car while dozing off to sleep. He conveys many precious details—the pulsing glow of his father's cigarette from the front seat, the abrupt flood of light from passing through a tunnel—and presents them through poetic first person narration, charmingly rendered drawings, and the best use of animation I've seen in a webcomic.

Many comic purists balk at seeing animation in a comic. So much of the power of a good comic comes from the reader's own imagination when reading the story and some feel that adding motion crosses the line from comics into something else entirely, something where the reader becomes more of a passive participant. All of the lackluster attempts at what are called "Motion Comics" have fallen into this trap and produced something that is less effective than the "still" version. Plus, adding motion to still imagery can often result in an awkwardness that actually makes the drawings seem less alive, the opposite of its intent. 

With clever use of animated gifs, Boulet shows how adding motion to a comic is done here. Although this story might be just as effective and poignant without it, the little bits of movement he adds (passing reflections, shimmering lights and shadows, even the gentle flickering of the hand drawn lettering) is done with true purpose and it brings the reader right into the backseat of that car, helping to evoke their own similar memories.

Give the comic a read here and marvel at how gorgeous it looks.

4. Best American Comics 2013


Edited by Jeff Smith with series editors Jessica Abel and Matt Madden
Houghton Mifflin Harcourt

Well, this is probably a no-brainer inclusion for a column about notable comics. The latest edition of the Best American Comics series contains short comics and excerpts from longer comics from North American cartoonists that were published last year and, as it has done since 2006, gives you an eye-opening tour of the wide range of staggeringly good comics that are out there. The series to date has been shepherded by cartoonists and comics educators Jessica Abel and Matt Madden, who, every year, pool together over 100 of the best comics they can and bring in a guest editor to select the cream of the crop (this year it's Jeff Smith of Bone and RASL fame). This will be the last volume of BAC that Abel and Madden edit, as they step down to focus on their own work while on extended residency in Angoulême, France (there is a definite French connection running through most of this week's books, if you haven't noticed). 

Among the comics that Abel, Madden and Smith have selected this year are:
- Becky Cloonan's horror fantasy The Mire (one of the best mini comics I read last year)
- An excerpt from Darywn Cooke's latest Parker graphic novel, The Score
- The initial chapters from Charles Forsman's teenage angst/killers on the run mini comic The End of The F***king World
- Matt Forsythe's wordless adaptation of a Korean folk tale Jinchalo
- Laura Terry's Overboard (I picked this book up at SPX last year and it is gorgeous)
- Joe Hill and Gabriel Rodriguez' Locke & Key one shot "Open The Moon"
- Jeff Jensen and Jonathan Case's award-winning true crime story Green River Killer
- An excerpt from Jeff Lemire's haunting graphic novel about a father and son, Underwater Welder
- Ramon Perez' Eisner award winning adaptation of a Jim Henson screenplay Tales of Sand
- Ben Towle's swashbuckling webcomic Oyster War
- The latest chapter in Jason Lutes' long running Berlin

And many, many more. In fact you can just peruse the whole list here.

For those that teach comics, there's also a lesson plan for this this book that you can find here.

[EDIT: As I noted in the comments below, I mistakenly listed selections that were part of the "Notable" list but not the actual book. The actual list of comics in the book edition are here. ]

5. SPX '13 Journal


by Jared Cullum
JaredLovesToDraw.com

For many independent cartoonists, The Small Press Expo in Bethesda, Maryland is the biggest event of the year. It's an inspiring and creatively validating experience where up-and-coming cartoonists can be in the same room with indie comic superstars, everyone selling their handmade mini comics or self-published graphic novels to the same crowd of fans who are eager to discover what's new in this creatively burgeoning sector of comics publishing. Cartoonists being cartoonists, it's not unusual to find many of them in the weeks after the show making comics about their SPX experience as a way of processing it.

One that stood out to me recently is by newcomer Jared Cullum (whom I've had the pleasure of meeting on a couple of occasions). After attending his second SPX this year, Cullum painted this beautiful 8 page watercolor comic depicting himself and the other attendees as cute, anthropomorphic animals. If you are familiar enough with the small press scene you'll recognize a number of the cartoonists depicted here like Jim Rugg, Dustin Harbin, Rob Ullman, Ed Piskor and more. And if you are a cartoonist, you may be able to relate to Cullum's experience and his feelings about it. As a part-time cartoonist myself, I know I sure did. 

This little comic gives a great insight into some common insecurities cartoonists have about themselves and their place among other artists, while also showing how motivating the social aspect of a show like SPX can be for them. Making comics is a time-consuming, often isolating profession, yet the act of making something personal and selling it to strangers requires a level of comfort with publicness that conflicts with that isolation. Cullum taps into this very well here.  He also shows off some impressive watercolor skills and a keen sense of comedic timing that has me excited to see what he'll do next.

He says he plans to do more of these anthropomorphic journal comics in the future so follow his Tumblr and read this comic here.

HONORABLE MENTIONS

Blue is the Warmest Color
French week continues as Julie Maroh's 2010 graphic novel about lesbian love and youthful rebellion, originally called Blue Angel, is released in English with a title that matches its 2013 film adaptation, the winner of the coveted Palme d'Or at the Cannes Film Festival. Preview here.

Fran
Jim Woodring's latest graphic novel involving his long-running character Frank is actually about Frank's soul-mate, Fran. Somewhat of a sequel to 2011's Congress of Animals, though you're also encouraged to read this first and Congress second. Preview here.

Love and Rockets: New Stories #6
It's that time of year when the annual release of new stories from Jaime and Gilbert Hernandez arrives in the digest-sized form of a new Love and Rockets book. Gilbert returns to one of his most famous characters, Luba, while Jaime continues to explore one of his newer characters, Tonta. Preview pages.

The Art of Charlie Adlard
The Walking Dead fans are well aware of the greatness of artist Charlie Adlard. He's been the artist on that book since issue #7 and has been consistently outstanding. This oversized hardcover takes a look at his career, providing lots of behind the scenes extras.
More info here.

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Design
China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
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FRED DUFOUR/AFP/Getty Images

A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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5 Things You Should Know About Chinua Achebe
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ABAYOMI aDESHIDA/AFP/Getty Images

Often referred to as the “father of African literature,” author Chinua Achebe was born in Ogidi, Nigeria on this day in 1930. Though he passed away in 2013, Google is celebrating what would be his 87th birthday with a Google Doodle. Here are five things you should know about the award-winning writer.

1. HE HAD PLANNED TO BE A DOCTOR.

Though he was always an avid reader and began learning English at the age of eight, Chinua Achebe hadn’t always planned to become a beacon of the literary world. After studying at Nigeria’s prestigious Government College (poet Christopher Okigbo was one of his classmates), Achebe earned a scholarship to study medicine at University College in lbadan. One year into the program he realized that writing was his true calling and switched majors, which meant giving up his scholarship. With financial help from his brother, Achebe was able to complete his studies.

2. JOYCE CARY’S MISTER JOHNSON INSPIRED HIM TO WRITE, BUT NOT IN THE WAY YOU MIGHT THINK.

While storytelling had long been a part of Achebe’s Igbo upbringing in Nigeria, that was only part of what inspired him to write. While in college, he read Mister Johnson, Irish writer Joyce Cary’s tragicomic novel about a young Nigerian clerk whose happy-go-lucky demeanor infects everyone around him. While TIME Magazine declared it the “best book ever written about Africa,” Achebe disagreed.

“My problem with Joyce Cary’s book was not simply his infuriating principal character, Johnson,” Achebe wrote in Home and Exile. “More importantly, there is a certain undertow of uncharitableness just below the surface on which his narrative moves and from where, at the slightest chance, a contagion of distaste, hatred, and mockery breaks through to poison his tale.” The book led Achebe to realize that “there is such a thing as absolute power over narrative,” and he was inspired to take control of it to tell a more realistic tale of his home.

3. HE DIDN’T THINK THAT WRITING COULD BE TAUGHT.

Though he studied writing, Achebe wasn’t all too sure that he learned much about the art in college. In an interview with The Paris Review, he recalled how the best piece of advice he had ever gotten was from one of his professors, James Welch, who told him, “We may not be able to teach you what you need or what you want. We can only teach you what we know.”

I thought that was wonderful. That was really the best education I had. I didn’t learn anything there that I really needed, except this kind of attitude. I have had to go out on my own. The English department was a very good example of what I mean. The people there would have laughed at the idea that any of us would become a writer. That didn’t really cross their minds. I remember on one occasion a departmental prize was offered. They put up a notice—write a short story over the long vacation for the departmental prize. I’d never written a short story before, but when I got home, I thought, Well, why not. So I wrote one and submitted it. Months passed; then finally one day there was a notice on the board announcing the result. It said that no prize was awarded because no entry was up to the standard. They named me, said that my story deserved mention. Ibadan in those days was not a dance you danced with snuff in one palm. It was a dance you danced with all your body. So when Ibadan said you deserved mention, that was very high praise.

I went to the lecturer who had organized the prize and said, You said my story wasn’t really good enough but it was interesting. Now what was wrong with it? She said, Well, it’s the form. It’s the wrong form. So I said, Ah, can you tell me about this? She said, Yes, but not now. I’m going to play tennis; we’ll talk about it. Remind me later, and I’ll tell you. This went on for a whole term. Every day when I saw her, I’d say, Can we talk about form? She’d say, No, not now. We’ll talk about it later. Then at the very end she saw me and said, You know, I looked at your story again and actually there’s nothing wrong with it. So that was it! That was all I learned from the English department about writing short stories. You really have to go out on your own and do it.

4. HE WAS WARY OF MACHINES.

Though typewriters, followed by computers, were ubiquitous, Achebe preferred a “very primitive” approach. “I write with a pen,” he told The Paris Review. “A pen on paper is the ideal way for me. I am not really very comfortable with machines; I never learned to type very well. Whenever I try to do anything on a typewriter, it’s like having this machine between me and the words; what comes out is not quite what would come out if I were scribbling. For one thing, I don’t like to see mistakes on the typewriter. I like a perfect script. On the typewriter I will sometimes leave a phrase that is not right, not what I want, simply because to change it would be a bit messy. So when I look at all this … I am a preindustrial man.”

5. HIS DEBUT NOVEL REMAINS ONE OF THE MOST TAUGHT PIECES OF AFRICAN LITERATURE.

Achebe’s status as the “father of African literature” is no joke, and it’s largely due to his debut novel, Things Fall Apart. Published in 1958, the book—which follows the life of Okonkwo, an Igbo leader and wrestling champion—has gone on to sell more than 10 million copies and has been translated into 50 different languages. Even today, nearly 60 years after its original publication, it remains one of the most taught and dissected novels about Africa.

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