15 Fascinating Facts About Bob Fosse

John Downing/Daily Express/Hulton Archive/Getty Images
John Downing/Daily Express/Hulton Archive/Getty Images

Whether or not you’re a musical theater aficionado, you’ve very likely seen evidence of Bob Fosse’s revolutionary influence on dance. From Bring It On’s “spirit fingers” scene to Beyoncé’s “Single Ladies” video, Fosse-inspired choreography continues to razzle-dazzle audiences more than 30 years after his death.

Fosse's life, work, and relationship with legendary performer Gwen Verdon have recently been immortalized in FX’s Emmy-nominated television series Fosse/Verdon, but there’s always more to see behind the scenes. Read on to get to know the man who blessed us with Sweet Charity (1969), Cabaret (1972), and so many other musical must-sees.

1. Bob Fosse was named after a classic novelist.

Robert Louis Fosse’s parents named him after their favorite writer, Treasure Island author Robert Louis Stevenson. Whether or not they hoped Bob would follow in Stevenson’s footsteps is a mystery, but Fosse certainly created plenty of footsteps of his own.

2. Bob Fosse's parents dabbled in show business.

Fosse’s father Cyril and uncle Richard performed in a vaudeville act, where Cyril played the spoons, Richard played the piano, and they both sang. It fell apart after Richard was diagnosed with cancer, and Cyril became a Hershey chocolate salesman. Fosse’s mother Sadie’s career was less involved but equally interesting: She performed as a spear-wielding extra in the opera.

3. Bob Fosse was briefly in the Navy.

Fosse was still in boot camp when World War II ended, so he spent the next year performing all over the South Pacific in the Navy’s entertainment troupe. After he was discharged, Fosse moved to New York City to pursue a career in theater, and the GI Bill made it possible for him to take a year’s worth of free courses at the American Theatre Wing. "The G.I. bill paid for all of it, acting, diction, singing, ballet, modern dance, choreography," Fosse told The New York Times in 1973.

4. Bob Fosse's second wife encouraged him to become a choreographer.

Joan McCracken in 1947's Good News
Joan McCracken in 1947’s Good News.
MGM Studios

Fosse credits his second wife, dancer Joan McCracken, with steering him toward choreography. “She kept saying, ‘You’re too good for nightclubs,’” Fosse said. “She was the one who changed [my life] and gave it direction.”

5. Bob Fosse (sort of) lied his way into a choreography career.

Fosse had choreographed only one 45-second dance number in the 1953 film version of Kiss Me Kate when New York City Ballet choreographer Jerome Robbins recommended him to director George Abbott to choreograph the 1954 musical The Pajama Game.

“I lied about having done a lot of choreography,” Fosse told Rolling Stone. “In fact, I lied myself into the job. But that’s what I thought you did in show business. I thought that’s how you showed you had confidence.”

6. Bob Fosse had serious audition anxiety.

The “Fake it ‘til you make it” strategy didn’t stop at job interviews, and Fosse had to dance through nausea-inducing anxiety at many an audition before he broke into the choreography business. “If I had to audition on Wednesday, I’d start throwing up on Saturday night,” he told The New York Times.

7. Bob Fosse brought jazz hands into the limelight.

Though "jazz hands" or "spirit fingers" likely date back much further than Fosse, they have been strongly associated with him since he directed and choreographed the 1972 musical Pippin. The opening number is rife with hand motions, some of them very jazzy. Pippin was also the first Broadway musical with its own television commercial, which helped increase mainstream visibility for Fosse’s very precise, expressive choreographic style—jazz hands included.

8. Bob Fosse is the only person to win Emmy, Tony, and Academy Awards for direction in the same year.

In 1973, Fosse brought home the Tony Award for Best Direction of a Musical for Pippin, the Academy Award for Best Director for Cabaret (beating out Francis Ford Coppola, who was nominated for The Godfather), and the Emmy for Outstanding Directorial Achievement in Comedy, Variety or Music for Liza With a Z. With those three awards, Fosse clinched the elusive directorial triple crown, but they weren’t the only awards he won that year: he also took home Emmys in Best Choreography and overall Outstanding Variety, Music, or Comedy for Liza With a Z, plus the Best Choreography Tony for Pippin. (Unfortunately, Fosse was a Grammy shy of an EGOT.)

9. Bob Fosse was terrified of failure.

In an interview with newscaster David Sheehan (who also filmed Fosse’s stage production of Pippin—the first Broadway musical ever performed on camera), Fosse opened up about his fear that he wouldn’t be able to properly execute his ideas. Even after remarkable successes like Cabaret and Sweet Charity, Fosse worried that he didn’t possess the talent or intelligence to pull off new projects. “Every time I start on something new, it’s like day one,” he said. “How do I do this?”

10. Bob Fosse was inspired by Federico Fellini.

Italian film director Federico Fellini’s 1957 drama Nights of Cabiria served as the basis for Fosse’s 1966 musical Sweet Charity, starring then-wife Gwen Verdon. (In 1969, Fosse would adapt the musical into his feature directorial debut, replacing Verdon with Shirley MacLaine.)

Fosse looked to Fellini for inspiration again for his semi-autobiographical 1979 film All That Jazz, which follows the flashy career of a director-choreographer played by Roy Scheider. Fellini’s 1963 film 8 ½, on the other (jazz) hand, chronicles the career of a fictional Italian film director.

For his part, Fosse was happy to admit the similarities. “When I steal, I steal from the best,” he told Rolling Stone.

11. Bob Fosse was a perfectionist.

The precision and attention to detail with which Fosse approached dance and choreography also characterized his directorial style. His last film was 1983’s Star 80, a dark drama about the murder of Playboy model Dorothy Stratten at the hands of her husband, Paul Snider. On set, Fosse insisted that they use Snider’s exact brown carpet for the crime scene, even though the blood wouldn’t show up well on screen. Fosse also instructed his crew to ensure that every book in every bookcase on their Playboy Mansion set matched Hugh Hefner’s personality—regardless of whether or not the books would even make it into the shot.

12. Bob Fosse turned down an offer to direct Michael Jackson's “Thriller” music video.

In June 1983, Michael Jackson invited Fosse to lunch, gushed about how much Fosse’s choreography had inspired him, and asked him to direct the music video for “Thriller.” Fosse declined.

13. Bob Fosse predicted that he’d die young.

Heart attacks had wiped out plenty of Fosse’s kin, and he suffered his first (of several) in the fall of 1974 while he was simultaneously editing Lenny and rehearsing Chicago for Broadway. In 1983, Fosse told Rolling Stone that given his family history, he figured he only had time for two or three more projects. In hindsight, the statement seems eerily clairvoyant. He choreographed and directed the musical Big Deal in 1986, and staged a Sweet Charity revival in 1987. En route to the opening of Sweet Charity, Fosse suffered another heart attack, and passed away at age 60.

14. Bob Fosse basically threw his own funeral party.

After Fosse’s first heart attack, he had added a codicil to his will mandating that $25,000 be split evenly among 66 of his friends and then donated back to a funeral party budget. That way, at least those 66 people would feel a sense of responsibility to get together and celebrate Fosse's life. It worked: the group threw a smashing event in Tavern on the Green’s Crystal Ballroom with approximately 200 of Fosse’s friends, flames, and creative collaborators in attendance.

15. Bob Fosse and Gwen Verdon never formally divorced.

While Fosse’s extramarital affairs led to his 1971 split with Verdon, they never divorced; the couple was still technically married when Fosse died 16 years later. Though not always credited, Verdon continued to work with Fosse on many productions, including Cabaret, Chicago, and All That Jazz. She was even with him when he died.

Rewind Time With This Blockbuster-Themed Party Game

Recapture that '90s vibe with this Blockbuster-themed movie trivia game.
Recapture that '90s vibe with this Blockbuster-themed movie trivia game.
Big Potato Games/Hot Topic

With only one Blockbuster location left in the world, the good old days of wandering video rental store aisles and getting chewed out for late fees are definitely a thing of the past—but like so many relics from the '90s, the pull of nostalgia has ensured that Blockbuster (or at least the brand) won't disappear for good. Now the video store is back in the form of a party game from Big Potato Games that is designed to test the movie knowledge of you and up to 11 friends.

Marketing itself as “a movie game for anyone who has ever seen a movie,” the Blockbuster party game consists of two parts. In part one, players from each team compete head-to-head to name as many movies as they can that fit under specific categories (e.g., movies with Tom Cruise, famous trilogies, movies with planes). In the second half, two teams face off against each other to test their skills at a game of movie-related charades. The catch? Players can only describe movies in one of three randomly chosen ways: acting out scenes, rattling off a famous quote, or describing the films with one word.

The real selling point of the whole package is that Big Potato fit all the game cards and buzzer into a box that is virtually identical to the old-school Blockbuster VHS rental cases, right down to its distinct color scheme and shape. All it's missing is the membership card. 

The Blockbuster board game costs $24 at Hot Topic. That’s a fair price for getting the chance to rewind time.

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15 Clever Breaking Bad Easter Eggs Hiding in Better Call Saul

Patrick Fabian, Rhea Seehorn, Bob Odenkirk, Jonathan Banks, Michael Mando, Giancarlo Esposito, and Tony Dalton in Better Call Saul.
Patrick Fabian, Rhea Seehorn, Bob Odenkirk, Jonathan Banks, Michael Mando, Giancarlo Esposito, and Tony Dalton in Better Call Saul.
James Minchin/AMC

As evidenced by Breaking Bad, Vince Gilligan and his cohorts have an eye for detail that’s nearly unrivaled. If anything, Better Call Saul—which is originally set several years before the events of Breaking Bad—only proves the point. The series, which is about to kick off its fifth season, focuses on Jimmy McGill (soon to become Saul Goodman) and is full of references to its progenitor, some of which are pure fun, and some of which add a deeper meaning to what we already know. Here are 15 clever Breaking Bad Easter eggs hiding in Better Call Saul.

**Warning: Plenty of spoilers ahead for both series.**

1. Being Kevin Costner

In a throwaway moment in Breaking Bad, Saul mentions to Walt that he once convinced a woman he was Kevin Costner (“If you’re committed enough, you can make any story work”), and in the finale of the first season of Better Call Saul, we see the exact moment he was referring to. In case we thought that Saul was just making the story up for the sake of a pep talk, here’s the proof otherwise.

2. Neighborhood mainstay

If the diner where Jimmy first meets with the Kettlemans looked familiar to you, it’s for good reason. Loyola’s Diner featured in Breaking Bad as a mainstay of Mike’s—he met with Jesse there, as well as Lydia. It’s also, incidentally, a very real restaurant in Albuquerque. And while we’re on the subject of Mike and food, he’s been shown to be fond of pimento cheese sandwiches in both series.

3. Address unknown

David Costabile as Gale Boetticher in 'Breaking Bad'
Ursula Coyote, AMC

In Better Call Saul, it’s shown that Jimmy's office is at 160 Juan Tabo Boulevard (which is a real nail salon). Those of you with a head for directions might also recall that that’s the same street that the ill-fated chemist Gale Boetticher lives on, at 6353 Juan Tabo Boulevard. Breaking Bad fans were thrilled when the karaoke-loving chemist appeared in Season 4 of Better Call Saul (with hopefully more to come).

4. The Ignacio connection

Michael Mando as Nacho Varga in Better Call Saul
Michael Mando as Nacho Varga in Better Call Saul.
Michele K. Short/AMC/Sony Pictures Television

When he’s kidnapped by Walt and Jesse after refusing to help a busted Badger, Saul spits out a variety of nonsense in an attempt to stay alive. He also drops a name: Ignacio. So who is he talking about? As we learn in Better Call Saul, this refers to Nacho, who’s become one of the secondary leads on the show. “Nacho” is a nickname, short for Ignacio, which makes sense as a connection given how closely he’s been working with Jimmy/Saul.

5. Cheap tricks

Bob Odenkirk and Rhea Seehorn in 'Better Call Saul'
Michele K. Short, AMC/Sony Pictures

There’s another callback to the first time that Walt, Jesse, and Saul meet. Despite still having his hands tied behind his back, when Saul agrees to help Walt and Jesse, he tells them to each put a dollar in his pocket in order to secure attorney-client privilege. It seems that Saul got that idea from Kim, who, when she decides to help Jimmy after discovering he’s falsified evidence, tells him to give her a dollar for exactly the same reason.

6. Old afflictions

Bob Odenkirk as Jimmy McGill and Mel Rodriguez as Marco Pasternak in 'Better Call Saul'
Bob Odenkirk as Jimmy McGill and Mel Rodriguez as Marco Pasternak in Better Call Saul.
Michele K. Short/AMC/Sony Pictures Television

In yet another reference to that fateful first meeting, we learn that Saul isn’t bluffing when he tells Walt and Jesse that he has bad knees. He says the same thing when cops apprehend him in the first season of Better Call Saul. As to why he’s got bad knees to begin with, it all comes from his time as “Slippin’ Jimmy,” when he used to stage falls in order to earn a little bit of money.

7. Car talk

Bryan Cranston and Aaron Paul in 'Breaking Bad'
Ursula Coyote, AMC

Saul Goodman drives a white 1997 Cadillac DeVille with the vanity plate “LWYRUP.” Jimmy McGill’s ride is much more modest: a yellow Suzuki Esteem with a red door. That said, in the pilot of Better Call Saul, we very briefly see a white Cadillac DeVille—Jimmy parks his car next to it, in a truly blink-and-you-miss-it allusion to what’s to come. (Gus, notably, is driving the same blue Volvo in both shows.)

8. Home sweet home

In Better Call Saul, one of the retirement homes that Jimmy visits in his quest to find new clients for his growing elder law business is Casa Tranquila. If it sounds familiar, that's because it's a key location in Breaking Bad as the home of Hector Salamanca, and the place where he kills his longtime nemesis Gus Fring. It’s a nice touch to revisit the location, especially given the fact that Better Call Saul gives us the story as to how Hector wound up in a wheelchair in the first place.

9. What's your poison?

There’s also a nice bit of brand continuity with the made-up tequila Zafiro Añejo. Gus poisons a bottle to get back at Don Eladio in Breaking Bad, and we see the same blue bottle pop up in Better Call Saul when Jimmy and Kim scam a cocky stock broker named Ken. Ken, for his part, seems to be reaping a constant stream of bad karma, as he’s also in Breaking Bad as a victim of Heisenberg’s wrath. He swipes Walt’s parking spot—and has his car set on fire for his trouble.

10. The little piggy

Though Mike is hard as nails, he’s got a soft spot the size of Texas for his granddaughter Kaylee. He gifts her a pink pig plush in Better Call Saul, which crops up again in Breaking Bad under slightly less cute circumstances. He uses the doll as a distraction when an assassination attempt is made on his life.

11. Word games

Giancarlo Esposito as Gus Fring in 'Breaking Bad'
Ursula Coyote, AMC

The first letters of the episode titles of the second season of Better Call Saul are an anagram for “FRING’S BACK.” It’s a granular sort of trick that the creators have pulled off before: four of the episodes of season two of Breaking Bad spell out “Seven Thirty-Seven Down Over ABQ.” In the season finale, a 737 plane does indeed go down over Albuquerque, or ABQ.

12. Sentimental value

Given that Saul’s Breaking Bad office has a lot of strange objects in it, it’d be easy to miss the octagonal desk. As it turns out, the offices of Saul Goodman aren’t the desk’s first home: it’s seen in the background of Kim’s office in Better Call Saul. It’s retroactive, sure, but it’s still nice to know that Saul has some mementos around.

13. Movie night

Bob Odenkirk and Rhea Seehorn in 'Better Call Saul'
Ursula Coyote, AMC/Sony Pictures Television

There’s also a little sentimental value in the name of Saul’s holding company, Ice Station Zebra Associates, which he uses to help Walt launder money in Breaking Bad. As we discover in Better Call Saul, Ice Station Zebra is Kim’s favorite movie, due to her father’s affection for it. Though Kim is physically absent from Breaking Bad, small details seem to tie back to her all the time.

14. Set dressing

Krazy-8, may he rest in peace, also shows up in Better Call Saul. The van that he drives has the logo for Tampico Furniture on it, and he’s wearing a uniform with the logo as well. Tampico is where Walt, as he recalls in Breaking Bad, bought Walter Jr.’s crib. Unfortunately, those fond memories aren’t quite enough to save Krazy-8’s skin.

15. Beware of bugs

Before Mike leaves Philly for Albuquerque, a bartender tells him to be mindful of tarantulas. The spider plays a key role in Breaking Bad later on, as a young boy’s pursuit of the bug puts him in Walt’s path—and Todd’s path, by proxy. Determined to make a good impression on Walt, and knowing that there can’t be any witnesses to what they’re doing, Todd shoots the boy in one of the most shocking and cold-blooded moments in the entire series.

An earlier version of this story ran in 2018.

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