The 4 Most Interesting Comics of the Week
Every week I write about the most interesting new comics hitting comic shops, bookstores, digital, and the web. Feel free to comment below if there's a comic you've read recently that you want to talk about or an upcoming comic that you'd like me to consider highlighting.
1. Nod Away
By Josh Cotter
In the near-future of Joshua Cotter’s Nod Away, the world is outraged when it's revealed that the central hub of the “innernet” (an Internet that is streamed telepathically) turns out to be the brain of a little girl named Eva. The public demands a more humane solution, and Dr. Melody McCabe is one of the scientists assigned to the problem on an international space station that is also tasked with finding a new planet to colonize. Meanwhile, a bearded and disheveled man awakes amidst an alien landscape—how he connects to Dr. McCabe, Eva, and the space station is one of the fascinating mysteries of this new graphic novel.
Cotter’s first book—2008’s Skyscrapers of the Midwest—was a critically acclaimed portrayal of childhood as told through a pair of anthropomorphic sibling cats. His second book, Driven By Lemons, was more of an experiment in comics formalism, with collected sketches forming a stream-of-conscious narrative. Nod Away, his first book in six years, fuses some of Driven’s formalism with a more traditional science fiction narrative that explores the nature of consciousness. Cotter originally serialized the comic on the Study Group Comics website, but this print edition from Fantagraphics adds some new pages.
In the time since his first two books, Cotter’s cross-hatched style has become cleaner and more confident, but his real strength is in his characters, all of them victims of their “innernet”-focused society.
By Paul Dini, Bruce Timm and various
These days, Harley Quinn is one of DC Comics’ most popular characters. Judging from the trailers, this summer’s Suicide Squad film is going to propel her back into mainstream consciousness for the first time since she was introduced on Batman: The Animated Series in the 1990s. As the Joker’s girl Friday, dressed head-to-toe in her harlequin costume, Harley was a breakout character in that show but her transition into comic books has been surprisingly slow.
Harley’s creators, Paul Dini and Bruce Timm (the brains behind Batman: The Animated Series), returned to her in 2007 for a mini-series called Harley and Ivy, where she teams up with her partner-in-crime and best friend, Poison Ivy. This new hardcover collects that series, as well as a variety of one-shots from the years that featured the Timm version of Harley, and they all are either written by Dini or drawn by Timm.
By Leanne Shapton
Drawn & Quarterly
A good writer can suggest rich and interesting backstories for characters with just a sentence. A good artist can do the same thing with a single drawing. In Was She Pretty?, Leanne Shapton does this in every two-page spread by giving us a simple sketch of a person paired with a tantalizing snippet of story like this: “Colleen was Walter’s ex-girlfriend from med school. She loved to dance with men at weddings.” Sometimes, the next page will jump to the ex of that ex, following a daisy chain of former lovers. Each page lets the reader's imagination fill in the details, and it’s a brilliantly simple use of form that allows the reader to relate to the stories in just the right way.
Shapton is a successful illustrator and author who uses form to tell a story. Was She Pretty? was Shapton’s first book, originally published in 2006 by Sarah Crichton Books and now reprinted by Drawn & Quarterly.
By the Hernandez Brothers
The 8th annual edition of Love and Rockets: New Stories contains some continuations from the previous issue, like Jaime’s retro-sci-fi Princess Animus and the latest chapter in the long-running Locas story of Maggie and Hopey. Plus, Gilbert concludes his movie-within-a-comic adaptation of Aladdin starring the buxom Fritz and Mila. The Hernandez Brothers are usually associated with their grounded character studies painted with touches of magical realism, but they just as often play with over-the-top science fiction executed with a wacky B-movie aesthetic, and this volume is full of that.
Most notable about this volume, however, is that it will be the last book in this 100-page format. The next issue will return to a slimmer, 32-page format, most likely with a new #1 issue and presumably a more frequent publishing schedule.