Every week I write about the most interesting new comics hitting comic shops, bookstores, digital, and the web. Feel free to comment below if there's a comic you've read recently that you want to talk about or an upcoming comic that you'd like me to consider highlighting.
By Geoff Johns, Gary Frank, Phil Jimenez, Ethan Van Sciver, and others
DC Universe: Rebirth #1 is a giant-sized special issue that marks a new era for DC Comics. This latest event seeks to reset the status quo of their comic universe, but don’t call it a reboot; DC already did that in 2011 with the publishing initiative dubbed “The New 52.” Five years later, they are relaunching their main titles without throwing away previous story continuity. Instead, they are reinstating backstories and characters from the discarded pre-New 52 continuity.
Much of this 80-page comic is structured as a series of check-ins with various characters to tease future storylines in upcoming books. The thread that ties them together is Wally West, who became the Flash after the death of his mentor Barry Allen during 1985’s Crisis on Infinite Earths and was erased from continuity during 2011’s Flashpoint. It turns out that Wally still exists but is trapped outside of reality, forgotten by his friends and family. In fact, ten years of reality has been wiped clean from everyone’s memories, replaced by everything that has happened in the last five years of comics we know as The New 52.
These kinds of course corrections DC makes to its continuity are themselves a long-standing tradition. They seem to be caught forever in a struggle between appealing to new readers while still pleasing older fans. However, this comic runs the risk of alienating a whole swath of fans by indicating that it will be bringing Alan Moore's Watchmen into the main DC Universe continuity, a move that many will feel dishonors the legacy of that highly revered book.
2. SUPERMAN #52
By Peter J. Tomasi and Mikel Janin
As DC Universe: Rebirth opens the door for a new status quo, another book out this week closes the door on the old one. Superman #52 is the final issue in this series (all the current DC books will be ending with their 52nd issue). It's the conclusion to an eight-part story that has been running through all the related Superman titles, called “The Final Days of Superman.” While we’ve seen many a "Death of Superman" story before, this comic seems as if DC is legitimately and permanently killing off this version of the character that has been the subject of comics for the past five years.
It's the culmination of a number of recent storylines that have seen Superman infected with a Doomsday virus, drastically weakened, and exposed to lethal doses of Kryptonite. Yet, even at the very end, he has to defeat a powerful enemy one last time.
The New 52 Superman has proved mostly unpopular with fans since his debut in 2011, despite the efforts of superstar writers like Grant Morrison, Gene Luen Yang, and Greg Pak. It was probably the risky changes to his character and backstory that created a distance with fans (his romance with Wonder Woman and simply platonic friendship with Lois Lane; the drastic reduction in his powers; and his brooding, inhuman demeanor). Taking his place will be a predecessor from the previous DC continuity who has been lurking around the New 52 universe for the past year, hiding out with his wife Lois and their son Jonathan.
This week, Comixology unveiled a new “Unlimited” subscription service that grants access to thousands of comics, graphic novels, and manga for $5.99 per month. This move has been anticipated for a long time, but it comes with some caveats and some potentially large implications for the comics industry.
Digital subscription services like Netflix and Spotify have transformed the music and movie industries in both positive and negative ways, and its been expected for a while that comics would eventually follow suit. Marvel made an early jump into this arena with their Marvel Unlimited service which gives access to their entire library of digital comics (with new releases delayed by six months). Comixology is setting more limits on their “Unlimited" service. Not only are Marvel and DC comics not included, but most of the Unlimited offerings are limited to initial issues and first volumes in a series, not complete runs. What is and isn’t available will change over time, much like the regular changes Netflix makes with their content.
In theory, a full unlimited digital library on Comixology would be a tricky proposition for the comics industry, which is built atop a precarious network of brick-and-mortar retail shops. That said, many readers who haven’t made the jump to digital cite the cost for digital files, many of which are not DRM-free, so the idea of a low-cost subscription fee might actually make more sense to those readers. This is a big move for Comixology—one whose impact on the digital comics market may take some time to bear out.
By Nick Spencer and Jesus Diaz
Two years ago, during the seventh volume of Captain America, the super-soldier serum in Steve Rogers’s body was neutralized during a battle with The Iron Nail, causing him to revert to his natural age of 90. While still pretty buff for a nonagenarian, he soon retired the mantle of Captain America, passing it on to longtime friend and colleague Sam Wilson, formerly the Falcon.
Having an African-American take over as one of Marvel’s most high-profile heroes is a big deal and part of Marvel’s diversification efforts. However, change is tenuous in comics, and it would only be a matter of time before the original Captain American returned. While that day has now come, Rogers is not replacing Wilson, but rather getting his own title outside of the main Captain America series, with Wilson continuing to be the “real” Cap and brandishing the standard circular shield (Rogers will now have a new costume and shield-shaped shield).