Every week I write about the most interesting new comics hitting comic shops, bookstores, digital, and the web. Feel free to comment below if there's a comic you've read recently that you want to talk about or an upcoming comic that you'd like me to consider highlighting.
By Mike Mignola and Dave Stewart
Dark Horse Comics
Dark Horse Comics
This week, Hellboy in Hell #10 marks Mike Mignola’s final Hellboy comic. Only time will tell whether it will be the last comic the character ever appears in, but Mignola has essentially announced his own semi-retirement with this issue, planning to move away from comics to focus on painting.
Issues of Hellboy in Hell have trickled out slowly over the past few years yet no one—Mignola included—really expected it to come to an end so quickly. Reading the series has been a treat for Mignola fans, and it's a great way for him to say farewell to the character he created 23 years ago.
By Luke Howard
Emma and her husband move to a new city with dreams of a fresh start. While her husband starts his new job, Emma finds an ad for a sex hotline hiring new operators, tapping into some complicated feelings she has about pornography and repressed female sexuality. The shy, reserved Emma seems an unlikely candidate for the job, but could taking it mean a move towards sexual empowerment?
Talk Dirty to Me is Luke Howard’s first major graphic novel after producing a number of acclaimed mini-comics. It is being published by Adhouse Books, which is known for promoting young talent like Howard. A comic about sex can easily teeter into cliché and moral preachiness, but Howard steers clear of cheap titillation and banality with some interesting storytelling choices that make the moral argument purely an internal one for Emma.
By Brian Michael Bendis, David Marquez and Justin Posner
Comic publishers haven’t always created great synergy with Hollywood. There was a time when a movie would be released without clear comics options for excited new readers, but Marvel seems to have covered every angle with this week’s release of the first issue of Civil War II, the sequel to their 2006 mini-series that was the inspiration for last month’s hit film Captain America: Civil War. Now that everyone has had the chance to see the movie a couple of times, they may be interested in seeing the superhero-on-superhero conflict play out in a new way, and Marvel is ready to deliver.
The conflict in both the film and the original series revolved around requiring superheroes to register with the government and divulge their secret identities. This time around, the conflict arises over the morality of prosecuting crimes before they happen. When a new Inhuman with the power to see the future arrives on the scene, the question of whether to use his powers to alter the future draws a dividing line between Iron Man and Captain Marvel. This series will run for 8 issues and, as is always the case with these kinds of series, will be so big that it crosses over into just about every other Marvel Comic being published during the length of this series.
By Shigeru Mizuki
Drawn & Quarterly
Drawn & Quarterly
Canadian publisher Drawn & Quarterly has been tirelessly working to bring the works of the late Shigeru Mizuki to Western readers. Previously, they've focused on his history-based books like the four-volume Showa: A History of Japan or last year’s translation of his biography of Hitler, but Mizuki was most famous in Japan for his all-ages horror comic GeGeGe no Kitaro. Mizuki’s Kitaro stories are creepy but comical adventures about a young boy of yōkai origin (supernatural ghost creatures of Japanese folklore) who finds himself in monster-of-the-week style adventures. One of the most popular children’s manga in Japan, it has inspired adaptations in many formats including anime, live action films, and video games.
D&Q’s all-ages graphic novels typically skew towards offbeat international offerings like this (see also their Moomin and Pippi Longstocking collections). They previously published Kitaro compilations, but Birth of Kitaro is the first in a seven-volume series that will collect all of the Kitaro stories and package them in an affordable, digest-sized format. The seven stories collected here were all originally published in the 1960s, including the title story that shows the origin of our young hero and introduces us to his father, a zombie who is reduced to a walking eyeball that still manages to be an over-protective dad.
5. BATMAN REBIRTH #1/SUPERMAN REBIRTH #1/GREEN LANTERNS REBIRTH #1/GREEN ARROW REBIRTH #1
After last week’s DC Universe Rebirth #1, DC’s new status quo begins with four #1 issues for Batman, Superman, Green Lanterns (note the plural) and Green Arrow. While the publisher is going to be relaunching most of their titles over the summer, they are not “rebooting” the continuities, meaning readers will find that these four comics mostly carry on with what has come before (but with new creative teams and a mandate to make the comics more heroic and hopeful).
Batman: Rebirth follows Scott Snyder and Greg Capullo’s best-selling run on the flagship Batman title by adding DC’s hottest new writer, Tom King (Sheriff of Babylon, Omega Men) as Snyder’s co-writer.
After killing off the “New 52” version of Kal-El in last week's Superman #52, Superman: Rebirth deals with the fallout and begins to move ahead with replacing him with his married, bearded pre-"New 52" counterpart.
Green Lanterns: Rebirth warns that the Earth is facing a threat dire enough that it’s necessary to hand out another ring to an Earthling to defend Sector 2817. And in Green Arrow: Rebirth, DC’s classic romance between Green Arrow and Black Canary is reintroduced for the first time since the characters were rebooted in 2011.