12 Facts About The Bodyguard That Will Always Love You

Warner Bros. Entertainment Inc.
Warner Bros. Entertainment Inc.

Pop quiz! What was the highest-grossing film in the world in 1992? You guessed it—Aladdin! But the second-highest, ahead of Home Alone 2, Basic Instinct, Sister Act, and Batman Returns, was The Bodyguard, earning $411 million worldwide and giving pop superstar Whitney Houston another chance to sell millions of albums. (Which she did.) Kevin Costner was already one of the world’s top movie stars (it’s true!), and The Bodyguard added to his fame.

As the film turns 25 years old, let’s celebrate that quarter-century by diving into the origins, production, and aftermath of one of Hollywood’s most successful romantic dramas.

1. IT’S FROM THE WRITER OF THE EMPIRE STRIKES BACK AND RAIDERS OF THE LOST ARK.

Lawrence Kasdan wrote The Bodyguard in the mid-1970s, before he came to prominence as the screenwriter of The Empire Strikes Back, Raiders of the Lost Ark, and Return of the Jedi (plus The Big Chill, Body HeatSilverado, The Accidental Tourist, and more). The Bodyguard would have been his first produced screenplay if it had been, you know, produced...

2. IT WAS INTENDED AS A STARRING VEHICLE FOR STEVE MCQUEEN AND DIANA ROSS.

Warner Bros. bought Kasdan’s script (after many other studios rejected it) back in the ‘70s, intending it as a vehicle for Diana Ross and Steve McQueen—the Whitney Houston and Kevin Costner of their day! (OK, not quite. McQueen was well past his prime by then. The Ross/Houston comparison is reasonable, though.) But the production never got off the ground. The story is that neither Ross nor McQueen would accept second billing under the other, which is plausible given what we know about them, but we can’t find any firsthand sources for it. Whatever went wrong, WB tried again a few years later with Ryan O’Neal and Diana Ross, but that fell through, too.

3. THE INTERRACIAL ROMANCE WAS A COINCIDENCE.

Considering that Ross and McQueen were originally going to be cast, and that Houston and Costner eventually were cast, you might think the script calls for the pop star to be black and the bodyguard to be white. But there’s actually no mention of race one way or the other in Kasdan’s screenplay, and the finished film doesn’t make an issue out of it, a detail praised by many critics.

4. THE SOUNDTRACK IS STILL A BESTSELLER.

Twenty-five years later, The Bodyguard is still the bestselling soundtrack album of all time, with more than 17 million copies certified worldwide. Only Michael Jackson’s Thriller, AC/DC’s Back in Black, and Pink Floyd’s The Dark Side of the Moon have sold more copies.

5. RACHEL’S MANSION ONCE HAD A HORSE’S HEAD IN IT.

The estate where Whitney Houston’s character lives was built in the 1920s and once belonged to William Randolph Hearst. It was also seen in The Godfather as the home of film producer Jack Woltz, who woke up one morning to find a horse’s head in his bed.

6. “I WILL ALWAYS LOVE YOU” WAS COSTNER’S IDEA.

Houston was originally going to record a cover of Jimmy Ruffin’s “What Becomes of the Brokenhearted” as the soundtrack’s lead single, but that was scrapped when the filmmakers learned that the same song was being featured in Fried Green Tomatoes. According to Dolly Parton, it was Costner (who was also acting as producer) who loved her 1973 song “I Will Always Love You” and asked if Houston could record it for the film. He was passionate, later saying, “I didn’t care if it was ever on the radio. I didn’t care. I said, ‘We’re also going to do this a cappella at the beginning. I need it to be a cappella because it shows a measure of how much she digs this guy—that she sings without music.’”

7. A CREW MEMBER DIED DURING FILMING.

Bill Vitagliano, a 33-year-old worker in the film’s transportation department, was crushed between two lighting-equipment cranes when one of them malfunctioned in an L.A. parking garage.

8. THE DIRECTOR TOLD HOUSTON NOT TO TAKE ACTING LESSONS.

The Bodyguard marked the singer’s debut as an actress, and she was self-conscious about her abilities. A few weeks before shooting began, she asked director Mick Jackson if she should take lessons. His reply: “No, that’s the last thing you should do.” He wanted her performance to be natural. She evidently did as she was told and did not learn how to act.

9. THE SECRET TO HOUSTON’S PERFORMANCE: JUDICIOUS EDITING.

Costner, in his capacity as producer, was protective of Houston and had promised to make her look good. His contract also stipulated that he could have the film re-edited if he didn’t like the director’s cut. Well, the director’s cut apparently didn’t do Houston any favors, and test-screening audiences rejected it. The director himself is quoted in a Houston biography as saying, “There was no chemistry” between Houston and Costner. “They looked like a couple of pals passing the time of day instead of the torrid lovers they were supposed to be.” Another round of editing eliminated some of Houston’s longer speeches and emphasized close-ups on her face.

10. IT WAS TURNED INTO A STAGE MUSICAL.

The live version used the songs from the film plus eight other Houston hits (including “So Emotional” and “I Wanna Dance with Somebody”) and debuted in London’s West End in 2012. The show subsequently toured around the world, including a current U.S. leg that will end in April 2018.

11. IT HAS NODS TO AKIRA KUROSAWA.

Screenwriter Lawrence Kasdan loved Kurosawa and named the film after one of the Japanese master’s classics, Yojimbo (English translation: The Bodyguard). He also included a scene where Rachel and Frank actually watch Yojimbo, and he wrote the lead role for Steve McQueen, who had starred in the remake of Kurosawa’s Seven Samurai, The Magnificent Seven.

12. THERE WAS ALMOST A SEQUEL—WITH PRINCESS DIANA.

In late 1997, Costner said that at the time of Princess Diana’s death just a few months earlier, he’d been negotiating with her to star opposite him in a Bodyguard sequel. The New York Post reported that the role would have been “loosely based on her life,” quoting Costner as saying, “She said, ‘Look, my life is maybe going to become my own at some point. Go ahead and do this script, and when it’s ready I’ll be in a really good spot.’” Costner got a second draft of the script three days before Diana’s death.

15 Clever Breaking Bad Easter Eggs Hiding in Better Call Saul

Patrick Fabian, Rhea Seehorn, Bob Odenkirk, Jonathan Banks, Michael Mando, Giancarlo Esposito, and Tony Dalton in Better Call Saul.
Patrick Fabian, Rhea Seehorn, Bob Odenkirk, Jonathan Banks, Michael Mando, Giancarlo Esposito, and Tony Dalton in Better Call Saul.
James Minchin/AMC

As evidenced by Breaking Bad, Vince Gilligan and his cohorts have an eye for detail that’s nearly unrivaled. If anything, Better Call Saul—which is originally set several years before the events of Breaking Bad—only proves the point. The series, which is about to kick off its fifth season, focuses on Jimmy McGill (soon to become Saul Goodman) and is full of references to its progenitor, some of which are pure fun, and some of which add a deeper meaning to what we already know. Here are 15 clever Breaking Bad Easter eggs hiding in Better Call Saul.

**Warning: Plenty of spoilers ahead for both series.**

1. Being Kevin Costner

In a throwaway moment in Breaking Bad, Saul mentions to Walt that he once convinced a woman he was Kevin Costner (“If you’re committed enough, you can make any story work”), and in the finale of the first season of Better Call Saul, we see the exact moment he was referring to. In case we thought that Saul was just making the story up for the sake of a pep talk, here’s the proof otherwise.

2. Neighborhood mainstay

If the diner where Jimmy first meets with the Kettlemans looked familiar to you, it’s for good reason. Loyola’s Diner featured in Breaking Bad as a mainstay of Mike’s—he met with Jesse there, as well as Lydia. It’s also, incidentally, a very real restaurant in Albuquerque. And while we’re on the subject of Mike and food, he’s been shown to be fond of pimento cheese sandwiches in both series.

3. Address unknown

David Costabile as Gale Boetticher in 'Breaking Bad'
Ursula Coyote, AMC

In Better Call Saul, it’s shown that Jimmy's office is at 160 Juan Tabo Boulevard (which is a real nail salon). Those of you with a head for directions might also recall that that’s the same street that the ill-fated chemist Gale Boetticher lives on, at 6353 Juan Tabo Boulevard. Breaking Bad fans were thrilled when the karaoke-loving chemist appeared in Season 4 of Better Call Saul (with hopefully more to come).

4. The Ignacio connection

Michael Mando as Nacho Varga in Better Call Saul
Michael Mando as Nacho Varga in Better Call Saul.
Michele K. Short/AMC/Sony Pictures Television

When he’s kidnapped by Walt and Jesse after refusing to help a busted Badger, Saul spits out a variety of nonsense in an attempt to stay alive. He also drops a name: Ignacio. So who is he talking about? As we learn in Better Call Saul, this refers to Nacho, who’s become one of the secondary leads on the show. “Nacho” is a nickname, short for Ignacio, which makes sense as a connection given how closely he’s been working with Jimmy/Saul.

5. Cheap tricks

Bob Odenkirk and Rhea Seehorn in 'Better Call Saul'
Michele K. Short, AMC/Sony Pictures

There’s another callback to the first time that Walt, Jesse, and Saul meet. Despite still having his hands tied behind his back, when Saul agrees to help Walt and Jesse, he tells them to each put a dollar in his pocket in order to secure attorney-client privilege. It seems that Saul got that idea from Kim, who, when she decides to help Jimmy after discovering he’s falsified evidence, tells him to give her a dollar for exactly the same reason.

6. Old afflictions

Bob Odenkirk as Jimmy McGill and Mel Rodriguez as Marco Pasternak in 'Better Call Saul'
Bob Odenkirk as Jimmy McGill and Mel Rodriguez as Marco Pasternak in Better Call Saul.
Michele K. Short/AMC/Sony Pictures Television

In yet another reference to that fateful first meeting, we learn that Saul isn’t bluffing when he tells Walt and Jesse that he has bad knees. He says the same thing when cops apprehend him in the first season of Better Call Saul. As to why he’s got bad knees to begin with, it all comes from his time as “Slippin’ Jimmy,” when he used to stage falls in order to earn a little bit of money.

7. Car talk

Bryan Cranston and Aaron Paul in 'Breaking Bad'
Ursula Coyote, AMC

Saul Goodman drives a white 1997 Cadillac DeVille with the vanity plate “LWYRUP.” Jimmy McGill’s ride is much more modest: a yellow Suzuki Esteem with a red door. That said, in the pilot of Better Call Saul, we very briefly see a white Cadillac DeVille—Jimmy parks his car next to it, in a truly blink-and-you-miss-it allusion to what’s to come. (Gus, notably, is driving the same blue Volvo in both shows.)

8. Home sweet home

In Better Call Saul, one of the retirement homes that Jimmy visits in his quest to find new clients for his growing elder law business is Casa Tranquila. If it sounds familiar, that's because it's a key location in Breaking Bad as the home of Hector Salamanca, and the place where he kills his longtime nemesis Gus Fring. It’s a nice touch to revisit the location, especially given the fact that Better Call Saul gives us the story as to how Hector wound up in a wheelchair in the first place.

9. What's your poison?

There’s also a nice bit of brand continuity with the made-up tequila Zafiro Añejo. Gus poisons a bottle to get back at Don Eladio in Breaking Bad, and we see the same blue bottle pop up in Better Call Saul when Jimmy and Kim scam a cocky stock broker named Ken. Ken, for his part, seems to be reaping a constant stream of bad karma, as he’s also in Breaking Bad as a victim of Heisenberg’s wrath. He swipes Walt’s parking spot—and has his car set on fire for his trouble.

10. The little piggy

Though Mike is hard as nails, he’s got a soft spot the size of Texas for his granddaughter Kaylee. He gifts her a pink pig plush in Better Call Saul, which crops up again in Breaking Bad under slightly less cute circumstances. He uses the doll as a distraction when an assassination attempt is made on his life.

11. Word games

Giancarlo Esposito as Gus Fring in 'Breaking Bad'
Ursula Coyote, AMC

The first letters of the episode titles of the second season of Better Call Saul are an anagram for “FRING’S BACK.” It’s a granular sort of trick that the creators have pulled off before: four of the episodes of season two of Breaking Bad spell out “Seven Thirty-Seven Down Over ABQ.” In the season finale, a 737 plane does indeed go down over Albuquerque, or ABQ.

12. Sentimental value

Given that Saul’s Breaking Bad office has a lot of strange objects in it, it’d be easy to miss the octagonal desk. As it turns out, the offices of Saul Goodman aren’t the desk’s first home: it’s seen in the background of Kim’s office in Better Call Saul. It’s retroactive, sure, but it’s still nice to know that Saul has some mementos around.

13. Movie night

Bob Odenkirk and Rhea Seehorn in 'Better Call Saul'
Ursula Coyote, AMC/Sony Pictures Television

There’s also a little sentimental value in the name of Saul’s holding company, Ice Station Zebra Associates, which he uses to help Walt launder money in Breaking Bad. As we discover in Better Call Saul, Ice Station Zebra is Kim’s favorite movie, due to her father’s affection for it. Though Kim is physically absent from Breaking Bad, small details seem to tie back to her all the time.

14. Set dressing

Krazy-8, may he rest in peace, also shows up in Better Call Saul. The van that he drives has the logo for Tampico Furniture on it, and he’s wearing a uniform with the logo as well. Tampico is where Walt, as he recalls in Breaking Bad, bought Walter Jr.’s crib. Unfortunately, those fond memories aren’t quite enough to save Krazy-8’s skin.

15. Beware of bugs

Before Mike leaves Philly for Albuquerque, a bartender tells him to be mindful of tarantulas. The spider plays a key role in Breaking Bad later on, as a young boy’s pursuit of the bug puts him in Walt’s path—and Todd’s path, by proxy. Determined to make a good impression on Walt, and knowing that there can’t be any witnesses to what they’re doing, Todd shoots the boy in one of the most shocking and cold-blooded moments in the entire series.

An earlier version of this story ran in 2018.

This Land Is Your Land: The Story Behind America's Best-Known Protest Song

American singer Woody Guthrie, circa 1960.
American singer Woody Guthrie, circa 1960.
Woody Guthrie: Getty Images. Landscape: iStock/mammuth

Few songs are more ingrained in the American psyche than "This Land Is Your Land," the greatest and best-known work by folk icon Woody Guthrie. For decades, it's been a staple of kindergarten classrooms "from California to the New York island," as the lyrics go. It's the musical equivalent of apple pie, though the flavor varies wildly depending on who's doing the singing.

On its most basic level, "This Land Is Your Land" is a song about inclusion and equality—the American ideal broken down into simple, eloquent language and set to a melody you memorize on first listen. The underlying message, repeated throughout the song, makes the heart swell: "This land was made for you and me."

But there's more to "This Land Is Your Land" than many people realize—two verses more, in fact. Guthrie's original 1940 draft of the song contains six verses, two of which carry progressive political messages that add nuance to the song's overt patriotism. These controversial verses are generally omitted from children's songbooks and the like, but they speak volumes about Guthrie's mindset when he put pen to paper 80 years ago.

 

Guthrie wrote "This Land Is Your Land" in a divey hotel room in New York City. He'd just landed in Manhattan after years of rambling across the country and meeting impoverished people affected by the Dust Bowl and Great Depression. Throughout his travels in the late '30s, Guthrie was haunted by Kate Smith's hit recording of Irving Berlin's "God Bless America." Guthrie found Berlin's song to be jingoistic and out of touch with the reality facing many of his fellow citizens. So he set about writing a response.

Guthrie originally titled his rejoinder "God Blessed America"—emphasis on the past tense—but eventually changed his tone. Instead of doing a sarcastic parody, he wrote a song that pulls double-duty, celebrating America's natural splendor while criticizing the nation for falling short of its promise. In the "lost" fourth verse, Guthrie decries the notion of private property, suggesting America is being carved up by the wealthy:

There was a big high wall there that tried to stop me.
The sign was painted, said: 'Private Property.'
But on the backside, it didn't say nothing.
This land was made for you and me.

The sixth and final verse in the original manuscript references the poor folks Guthrie saw living on government assistance during the Great Depression:

One bright sunny morning in the shadow of the steeple,
By the relief office I saw my people;
As they stood there hungry, I stood there wondering if
God blessed America for me?

When Guthrie first recorded the song in 1944, he included the verse about private property but left out the one about the relief office. That original recording was lost until the '90s, however, so for years, all anyone knew was the version Guthrie recorded for 1951's Songs to Grow On. Guthrie's rendition on that album features neither the "no trespassing" verse nor the one about the relief office, which he never actually recorded.

It's unclear why the 1944 recording with the "private property" verse was never released, or why Guthrie edited out the radical stuff for the 1951 version. (He also chopped out both controversial verses when he first published the lyrics in the 1945 pamphlet Ten of Woody Guthrie's Songs.) It may have had something to do with the mounting anti-communist furor that would lead to the Red Scare of the late '40s and early '50s. As a pro-union communist sympathizer, Guthrie and his fellow rabble-rousing folky buddy Pete Seeger had already faced industry blacklisting in the early '40s.

"We did one program on CBS Radio, and a newspaper reported out, said, 'Red minstrels try to get on the networks,'" Seeger told NPR. "And that was the last job we got."

Woody Guthrie, circa March 1943.
Woody Guthrie, circa March 1943.
Penn State, Flickr // CC BY-NC 2.0

Regardless of which verses are included, "This Land Is Your Land" is terrific for singing. That was by design. Guthrie likely stole the melody from the Carter Family's 1935 tune "Little Darling, Pal of Mine," which itself was patterned after an old gospel hymn titled "When the World's On Fire" (sometimes called "Oh, My Loving Brother"). "This Land" was a perfect fit for classrooms and campsites, where the song would take on new life.

 

In the early '50s, famed American folklorist Alan Lomax came up with a nifty plan for preserving the nation's musical heritage. He approached legendary music publisher Howie Richmond with the idea of including rural folk songs—the kind he'd been documenting for the Library of Congress—in school music textbooks. Richmond, who had become Guthrie's publisher in 1950, loved the idea, and to sweeten the deal for textbook publishers, he lowered his usual licensing rates and offered "This Land Is Your Land" for just $1.

That's how "This Land Is Your Land" went viral and became nearly as ubiquitous as the national anthem, even without the radio play and jukebox real estate of Smith's "God Bless America." While the versions distributed to America's impressionable youth lacked "no trespassing" and "relief office" verses, the song's original lyrics were never forgotten. Following Guthrie's death in 1967, artists like Seeger continued performing the "lost verses," lest people forget the anger that inspired the song.

But regardless of Guthrie's intentions, "This Land Is Your Land" has come to mean different things to different people. That's part of what makes it so timeless. When President Ronald Reagan used the song at his victory party in 1984, after it had been used by Walter Mondale's campaign, both sides were probably trying to evoke feel-good patriotism. The same goes for Reagan's advisors and allies who were invoking Bruce Springsteen's "Born in the U.S.A." during rallies and in newspaper articles. Reagan himself name-checked Springsteen and his "message of hope" during a rally in Hammonton, New Jersey. The president either didn't know or didn't care that "Born in the U.S.A." was another song about loving your country but hating how poorly it treats some of its citizens.

Ironically, the Boss had begun performing "This Land Is Your Land" in the early '80s. On the version included on the Live 1975–85 box set, Springsteen gives his audience the backstory about Irving Berlin and refers to "This Land" as "just about one of the most beautiful songs ever written." And, when given the opportunity to perform the song with Pete Seeger at Barack Obama's pre-inauguration concert in 2009, he readily agreed to sing all the verses at Seeger's insistence.

Over the years, "This Land Is Your Land" has been covered by everyone from the Mormon Tabernacle Choir to former Rage Against the Machine guitarist Tom Morello, who performed the song in Zuccotti Park during an Occupy Wall Street protest in 2011. Lady Gaga sang a snippet to open her Super Bowl halftime show in 2017, causing fans and critics to speculate about whether she was making a political statement. She mashed it up with "God Bless America," so it's a safe bet she knew the history of the song.

 

There may be even more officially recorded versions in years to come. Much like what has been done with ubiquitous songs like "Happy Birthday" and "We Shall Overcome" (which Seeger toured with and taught across the country at rallies and protests throughout the '50s and '60s), there is a push to have "This Land Is Your Land" enter the public domain. The Brooklyn rock band Satorii filed a lawsuit in 2016 challenging the copyrights held by the Richmond Organization and its subsidiary, Ludlow Music, and maintain that since Guthrie only wrote the lyrics and not that pilfered melody, he shouldn't have been able to register the song in the first place, nor should Ludlow have been able to own the copyright. The suit is ongoing.

Whether it enters the public domain, as one imagines Guthrie would have wanted, or doesn't, "This Land Is Your Land" isn't going anywhere. The song has been adopted and modified by Native Americans, Swedish anti-Nazi troubadours, and people all over the globe who find truth and comfort in Guthrie's words, however they choose to interpret them.

"The whole idea of a land is your spot on Earth, you know," Woody's daughter Nora told NPR. "A spot where you can claim safety, sanity."

SECTIONS

arrow
LIVE SMARTER