10 Colorful Facts About the Gorgeous Ladies of Wrestling

Netflix
Netflix

A curiously compelling blend of pro wrestling and roller derby, the Gorgeous Ladies of Wrestling (GLOW) debuted in 1986 with the expectation that wrestling fans would flock to an all-female roster of grapplers with names like Matilda the Hun, Jail Bait, and Babe the Farmer’s Daughter.

Although it lasted four seasons, it never quite took off the way its organizers planned. GLOW, Netflix's fictionalized account of the promotion’s struggles, is set to debut its second season on June 29. To celebrate the return of the streaming hit, let's take a look at some facts about the all-women’s squared circle.

1. THEY CAST RANK AMATEURS.

GLOW was the brainchild of wrestling fan-turned-promoter David McLane and Jackie Stallone (Sylvester’s mom) who saw an opportunity to recreate the heyday of women’s wrestling in the 1950s by casting actresses as broad “types” like bullies, housewives, and Cold War-era spies. To fill out his roster for the 1986-1987 season, McLane auditioned women in Los Angeles by having them train three nights a week in a wrestling ring. Their trainer, former wrestler Mando Guerrero, was partial to grueling, highly physical sessions that included choking at least one trainee unconscious. One former GLOW star, Dawn Maetas, told the Toronto Star that the prep work “felt like my organs hurt.”

2. “BAD” WOMEN TRAVELED SEPARATELY FROM THE “GOOD” GIRLS.

To help perpetuate the rivalries featured on GLOW, the production insisted that the women favored by the audience traveled on a separate bus and were forbidden to fraternize with their onscreen enemies. But while they were filming in Las Vegas, the cast lived dorm-style—two to a room at the Riviera Hotel. In a bit of method wrestling, the women were also instructed to call themselves only by their character names regardless of whether they were performing or not.

3. THE WOMEN HAD CURFEWS.

Living at the Riviera in Vegas, the GLOW women were given a curfew in an attempt to keep them from indulging in the Sin City nightlife. According to women interviewed for the documentary GLOW: The Story of the Gorgeous Ladies of Wrestling, producers would fine the women $250 if they were caught coming back to the hotel past their allotted time.

4. IT WAS NOT VERY POLITICALLY CORRECT.

According to Jeanne Basone, who went by “Hollywood” in the GLOW ring, some of the match gimmicks were not exactly what anyone would consider tasteful. Basone and other wrestlers would invoke Nazi iconography by singing German marching songs and tossing gas masks at opponents; in another bit, a woman was forced into a straitjacket, which prompted angry viewer letters complaining that GLOW was mocking the mentally ill. Basone says the series toned down in later seasons, but during the first two years, “We got away with a lot.”

5. IT WAS ALSO PRETTY JUVENILE.

Scantily clad women putting one another in choke holds may never be considered legitimate athletics, but GLOW had no pretenses about its mission: Offer a campy, kitschy show that maximized the sex appeal of its stars. The wrestling bouts were interspersed with comedic skits, including ones in which the sore grapplers would visit team physicians Dr. Fiel and Dr. Grope.

6. THE SHOW WASN’T RESPECTED BY “REAL” FEMALE WRESTLERS.

While pro wrestling was already a sort of parody of itself, GLOW seemed to take it a step further, minimizing any serious choreography in favor of more bombastic comedy. That didn’t sit well with female wrestlers outside of the promotion, who perceived GLOW as denigrating their profession. Wrestler Malia Hosaka once commented that she “had no respect for [GLOW]. I actually had one GLOW girl tell me they were out there to make fun of women’s wrestling … Basically, you’re telling me that you’re out there to degrade those that have paved the way for you to have this.”

7. EVERY SHOW FEATURED A RAP.

As a result of the Chicago Bears releasing a successful single, “The Super Bowl Shuffle,” a few years earlier, the women of GLOW would typically begin each episode with a rap. There’s really no substitution for seeing it for yourself.

8. IT MAY HAVE BEEN ART.

Matt Cimber (actress Jayne Mansfield's ex-husband) was GLOW’s recurring director, and was aiming to create a kind of wrestling expressionist art piece. "If you look at GLOW carefully, especially the first two years, GLOW is existentialist," Cimber told Canoe Sports earlier this year. "The paintings on their faces, the symbolism of their characters, they're off the wall. And yet, the one thing is I always stayed in a guideline, make sure the audiences understands them. Don't make it so heady and so arty that people think it's a bunch of crap." Cimber also asserted that McLane wanted a more serious show and left during the second season to pursue other opportunities.

9. PIA ZADORA MAY HAVE KILLED IT.

While GLOW was a modest ratings success, none of the cast was asked back following the fourth season. The abrupt ending was reportedly the result of financier and Riviera hotel owner Meshulam Riklis withdrawing his participation in the project at the behest of his then-wife, entertainer Pia Zadora. (The GLOW property is currently owned by former performer Ursula Hayden, who portrayed Babe the Farmer’s Daughter on the original series and is a consultant on the Netflix series.)

10. FANS CAN WRESTLE “HOLLYWOOD” FOR A REASONABLE FEE.

Since GLOW went off the air in 1992, some cast members have continued to pursue business opportunities as a result of their notoriety. Earlier this year, Jeanne Basone, a.k.a. “Hollywood,” told Thrillist that she accepts engagements to wrestle fans in private, often in hotel rooms. “It’s mostly just fans from GLOW,” Basone said. “We are just wrestling. I make that clear from the start.”

Additional Sources:
GLOW: The Story of the Gorgeous Ladies of Wrestling

11 Great Gifts for Retro Gaming Fans

No Starch Press/Amazon
No Starch Press/Amazon

Video games are more realistic, expansive, and ambitious than ever, but there’s one thing that most modern titles can’t offer: a hit of nostalgia. If you’re shopping for the retro gaming enthusiast in your life, check out these 11 gift suggestions that promise to level up their holiday season.

1. Pac-Man Ghost Light Table Lamp; $30

The Pac-Man Ghost Light Table Lamp is pictured
Paladone/Amazon

Liven up a stagnant work area or nightstand with this cool LED lamp in the likeness of Pac-Man’s ghost nemesis. It can flash in a variety of different colors, and at a compact 8 inches tall, you can buy more than one to haunt your living space.

Buy It: Amazon

2. Street Fighter II Home Arcade; $245

Street Fighter II Arcade Cabinet.
ARCADE1UP/Amazon

Relive the sweaty palms and raw fingertips of your youth with this Street Fighter II arcade cabinet from Arcade1Up. The entire package is true to its classic arcade roots, with era-appropriate artwork adorning the outside and buttons and joysticks that look like they were transported right out of a '90s Pizza Hut. But this cabinet comes with a bonus: Instead of just getting Street Fighter II: Champion Edition, it also plays Street Fighter ll: The New Challengers and Street Fighter ll Turbo. If you're not in the mood for competitive play, the company also offers a retro Star Wars arcade cabinet, featuring games based on A New Hope, The Empire Strikes Back, and Return of the Jedi.

Buy It: Amazon

3. Level One Donkey Kong T-Shirt; $41

A Level One 'Donkey Kong' T-shirt is pictured
80sTees.com

Show off your love of arcade gaming with this cool design that depicts Mario’s earliest challenge: navigating the barrel-tossing rage of a giant ape.

Buy It: 80sTees.com

4. Playstation Coasters; $12

A set of four Playstation coasters is pictured
Paladone/Amazon

Keep beverage stains off your gaming-adjacent furniture with this set of four coasters depicting classic Playstation controller buttons.

Buy It: Amazon

5. SEGA Genesis Mini-Console: $79

Sega Mini Classic System.
Sega/Amazon

Flash back to the Genesis era with this retro console that features over 40 games from SEGA’s heyday, including Sonic the Hedgehog, Earthworm Jim, and Virtua Fighter. The system also features a port of the arcade version of Tetris, which never actually made its way to the original Genesis.

Buy It: Amazon

6. Sock It to Me Retro Gaming Socks; $11

Sock It to Me Retro Gaming Socks are pictured
Sock It To Me/Amazon

Keep it professional in a suit but game on underneath with these dress socks featuring iconic game controllers from Nintendo, Microsoft, and Sony.

Buy It: Amazon

7. The Game Console: A Photographic History from Atari to Xbox; $19


No Starch Press/Amazon

Take in a photographic history of gaming consoles, from the vintage devices of the ‘70s like the Magnavox Odyssey on through Nintendo’s reign and the emergence of Sony and Microsoft. In all, 86 consoles are on display, ending with the era of the PS4 and Wii U.

Buy It: Amazon

8. Nintendo Super Mario Bowser Vs. Mario 3-Pack Diorama; $26

A Nintendo Super Mario and Bowser diorama is pictured
World of Nintendo/Amazon

Let other people display fine art. You can show off this diorama depicting the biggest rivalry in retro gaming between Mario and Bowser. You'll also get a Bob-Omb figurine, just in case you want to recreate one of the duo's video game battles.

Buy It: Amazon

9. Playstation Wallet; $25

A Playstation wallet is pictured
SONY PlayStation/Amazon

Keep your cards and cash in one place with this Playstation-shaped wallet. There's even a button-snap opening in the shape of the system's disc tray.

Buy It: Amazon

10. Pong Shirt; $38

A 'Pong' T-shirt is pictured
80sTees.com

Go so retro that Millennials won’t even know what you’re referencing with this nod to the popular game Pong.

Buy It: 80sTees.com

11. The Legend of Zelda Ugly Christmas Sweater; $39

Legend of Zelda Ugly Christmas Sweater
Nintendo/Amazon

It may call itself ugly, but those pixelated images of Link from Legend of Zelda are nothing but gorgeous to retro gamers. There's also a Mario version, if the portly Italian plumber is more your style.

Buy It: Amazon

Mental Floss has affiliate relationships with certain retailers and may receive a small percentage of any sale. But we choose all products independently and only get commission on items you buy and don’t return, so we’re only happy if you’re happy. Thanks for helping us pay the bills!

15 Secrets of Sesame Street Puppeteers

Abby Cadabby, Suki Lopez, and Elmo (L-R) on Sesame Street
Abby Cadabby, Suki Lopez, and Elmo (L-R) on Sesame Street
HBO

For 50 years and more than 4500 episodes, Sesame Street has been imparting valuable moral, ethical, and social lessons to young audiences using a sprawling cast of puppets. The Sesame characters—Big Bird, Elmo, Oscar the Grouch, Cookie Monster, Bert and Ernie, the Count, and others—have become instantly recognizable to generations of viewers. But behind every memorable character is a human performer, one tasked with juggling the technical demands of puppet operation without losing the humor and heart that makes their furry counterpart so memorable.

To get a better sense of what goes into this unique skill set, Mental Floss spoke with three veteran Sesame Street performers during the show’s semicentennial celebration. Here’s what they had to say about crossed puppet eyes, grooming habits, and enjoying a long career finessing felt.

1. Sesame Street puppeteers usually get started lending a (right) hand.

Though there’s no definitive set of directions for puppeteers to get to Sesame Street, a number of performers selected to work on the show begin as apprentices with one specific task: operating the right hand of characters alongside the veteran cast members. “A lot of performers will almost only do right hands for a very long time,” Ryan Dillon, the puppeteer behind Elmo, tells Mental Floss. “Some characters, like Cookie Monster, require two performers with two practical hands.”

Dillon started working on Sesame Street in 2005 at the age of 17. He performed as a right hand and as supporting characters for years before scoring the Elmo role in 2013. Throughout that training, he accompanied the main puppeteer, who uses their dominant (usually right) hand to control the mouth and the other to control the left hand. The newcomer will manipulate the right, a duty informally known as right handing. “It’s a great training ground,” Dillon says. “You’re working directly next to a performer with years of experience. You become one character together.”

2. Sesame Street puppeteers have tricks for making their characters emote.

Abby Cadabby, Elmo, and Big Bird (L-R) appear in a scene from 'Sesame Street'
(L-R) Abby Cadabby, Elmo, and Big Bird delve into fine art.
HBO

Peter Linz, who portrays Ernie (among other characters) on the series, tells Mental Floss that getting a puppet to exhibit a personality takes some finessing. “You have to show the entire range of human emotion through something that doesn’t have an expression,” he says. Linz, who also teaches classes on puppeteering, says that there are some techniques to get puppets to show off their mood, however. “You can make them look sad by having them look down. You can get them to smile by opening their mouth. If they’re angry, maybe you close their mouth and then shake their arms ever so slightly. There are degrees of subtlety in all of that.”

Linz says the audience does part of that work themselves, projecting their own feelings onto a puppet. The ultimate proof might be in the example of Miss Piggy. While not a Sesame Street cast member, Linz says it’s telling that people often seem to believe the vivacious and flirtatious porcine character bats her eyes. “She can’t,” he says. The puppet doesn’t have that ability.

3. Not all Sesame Street puppets can perform the same tasks.

Sesame Street utilizes three major varieties of character. There’s the full-body puppet, like Big Bird and Snuffleupagus; “bag” puppets with two articulated hands, like Cookie Monster; and hand-and-rod puppets that have arms controlled by thin rods. “Elmo is a hand-and-rod puppet,” Dillon says. “[The difference means] some puppets can do things others can’t. Cookie Monster can pick things up. Elmo can, but it takes longer. You need to stop [filming] and attach something to his hands with tape or a pin.”

4. Sesame Street puppeteers rely on a key design element to connect to their audience.

Grover, Oscar the Grouch, and Elmo from 'Sesame Street' are pictured
Grover, Oscar the Grouch, and Elmo.
Zack Hyman/HBO

It can be difficult to communicate that a puppet is able to focus a pair of fixed eyes on something, whether it’s another character, an object, or the audience. But Linz says that the Sesame Street crew and the rest of the Muppets were designed by Henson with that in mind. “The eyes are just two black dots against a white background,” he says. “But all the characters are ever so slightly cross-eyed. There’s a triangle between the eyes and nose and a point where it looks like they’re looking right into the camera.” It’s a sensitive illusion. Turning the puppet even slightly, he says, and they will wind up looking at something else.

5. Sesame Street puppeteers can spend their entire day crouched on the floor.

Being a Sesame Street puppeteer requires more than just having performing chops. On set, characters that may be at waist level with their human co-stars are operated by performers crouched below frame, often on wheeled boards called rollies. “The first day or two, your back and everything else is sore,” Dillon says. “It engages your whole body. Your arm is up in the air performing.” Some actors, Dillon says, have developed knee issues as a result of a career bent over. Fortunately, not every scene requires contortions. Some sets are built raised so performers can stand up straight. Other times, they’ll have to situate themselves horizontally. Scenes set on a stoop usually mean the performer is lying down behind the steps.

6. Sesame Street puppeteers have input into character design.

Elmo, Abby Cadabby, and Rosita (L-R) pose with fans of 'Sesame Street'
(L-R) Elmo, Abby Cadabby, and Rosita pose with fans.
Zack Hyman/HBO

Lurking in the offices of Sesame Workshop is a puppet factory that, according to Dillon, houses a number of "Anything Muppets"—blank designs that may one day be used as the template for a brand-new character. In 1991, performer Carmen Osbahr got an opportunity to get in on the ground floor of conceptualizing a character when she helped originate Rosita (top right), the first regular bilingual Muppet on the series. “They had a meeting and asked what I had in mind,” Osbahr tells Mental Floss. “I was able to tell them I wanted a monster and I wanted live hands because I wanted to be able to play a musical instrument. I wanted her to be active and colorful. I didn’t want a petite, tiny little monster.” Both Osahr and Rosita have been a presence on the show ever since.

7. Sesame Street puppeteers have material for a blooper reel, but you’ll probably never see it.

Puppet manipulation takes concentration and effort. Occasionally, the cast of Sesame Street can find themselves flubbing a take. According to Osbahr, that’s often due to trying to coordinate left and right hands. “The main thing is props,” she says. “Grabbing stuff is easy, but if you want to pour something into a cup or write a letter, that’s hard. You think you’ll have a glass but just miss it.” Performers can also fall off their rollies, sending their counterparts tumbling out of the frame.

8. Each Sesame Street character has a dedicated puppeteer—with a couple of exceptions.

Actress Amanda Seyfried (L) appears on 'Sesame Street' with Abby Cadabby
Actress Amanda Seyfried with Abby Cadabby.
Richard Termine/HBO

When it comes to Sesame Street characters, there is one sacrosanct rule—aside from right handing, no puppet will have more than one puppeteer. “We feel strongly each Muppet has a dedicated performer,” Dillon says. “If there were two or three Elmos, you would see a copy of a copy.” However, illnesses or personal appearances can make that rule difficult to follow every time. If Dillon can’t make a shoot, a performer will step in to operate the puppet, with Dillon going in to provide the voice later.

The cast can also cover for one another if a scene requires two characters who are normally operated by the same actor. Both Bert and Grover, for example, are played by actor Eric Jacobson. If the two share screen time, Dillon might step in to perform one of them, with Jacobson recording his lines later.

9. Sesame Street puppeteers have a specific way of handling their puppets to keep them clean.

Day after day of manipulating puppets can lead to issues with cleanliness. Performer sweat can dampen the foam insides, while body oils and other contaminants can affect their fur coats. To avoid being dirtied, Linz says performers and production members try to pick up the puppets by the scruff of their necks. “We don’t want to put our oily hands on their faces,” Linz says. Puppets are also usually delivered to and from the set by a team of “Muppet wranglers,” and stored in the workshop where they’re built and maintained. To dry out a puppet, they’re sometimes placed on a wooden stand. A hair dryer set on low might also be used to dry a sweaty interior.

10. Sesame Street puppeteers work very, very closely together.

The characters from 'Sesame Street' are pictured
The puppet cast of Sesame Street.
HBO

Owing to the frequent proximity of puppets in frame, Sesame Street puppeteers are usually working near or virtually over other performers. “We try to be very aware and conscious of the people around us,” Dillon says. “Mistakes happen. Elmo has big feet, and Abby Cadabby has big feet, so you’ll often hit the other person with a foot. It doesn’t hurt.”

11. Guest stars will talk directly to Sesame Street characters—not just the puppeteers.

Sesame Street has played host to many guest stars over the decades, from actors to First Lady Michelle Obama. According to Osbahr, their human guests will often address the character even off-camera. “Most everybody who visits us talks to the character like they’re alive,” she says. “The moment we bring a character down [to rest], we have a conversation, but it’s great to have a relationship with a character and a celebrity. They’ll talk to Elmo, Rosita, Cookie Monster, and we’re talking to them right back.”

12. Sesame Street puppeteers can take years to get fully comfortable with a character.

Actress Blake Lively (L) poses with Cookie Monster on the set of 'Sesame Street'
Actress Blake Lively (L) poses with Cookie Monster.
Zack Hyman/HBO

For many performers, it can take years before they feel like they’re fully inhabiting their character. “You can be so focused on doing something right, you forget to have fun with the character,” Osbahr says. “By the fourth season, that’s when I started letting go, taking risks, having fun. You stop having to think about it.”

Fortunately, it’s not uncommon for performers on Sesame Street to spend decades on the show, which means there's plenty of time to adjust. Carol Spinney, who portrayed Big Bird and Oscar the Grouch, retired in 2018 after 49 years as a cast member. Osbahr says the familial atmosphere encourages longevity. “I’ve been with this group of people for 30 years,” she says. “We’ve shared a lot of incredible memories together.”

13. Sesame Street puppeteers can sometimes mourn a puppet who is declared “toast.”

Made of foam and other delicate materials, Sesame Street puppets have a shelf life. Depending on use, wear, and handling, they might last a few years before needing to be replaced. Linz says two new Ernies have recently been made after one began sloughing off foam inside, a symptom the production calls “toast” because the foam resembles toast crumbs.

Even with replacements, the legacy of characters can still live on. Linz uses an Ernie with the same mouth plate that was used by Jim Henson as far back as 1982.

14. Sesame Street puppeteers have to work backward.

Actor Anthony Mackie appears on 'Sesame Street' with Cookie Monster
Actor Anthony Mackie with Cookie Monster.
Jesse Grant/HBO

The most surprising aspect of working as a Sesame Street puppeteer? According to Linz, it’s the fact that performers often have to essentially work backwards. Because they’re crouched below the camera frame, puppeteers need to watch a monitor placed low to the ground to see what the camera sees. “When you move your arm to the right, the arm on the monitor moves to the left,” he says. “You’re seeing the image the audience sees.”

15. Yes, Sesame Street puppets are technically Muppets.

Sometimes there's confusion over whether the puppets that appear on Sesame Street actually constitute Muppets, or whether that term is reserved for non-Sesame projects like The Muppet Show or other endeavors featuring Kermit, Miss Piggy, and the others. According to Dillon, any Henson-birthed or -inspired puppet is a Muppet. “It’s become a catch-all term for puppets,” he says. “It’s a brand name, like Kleenex. Jim Henson came up with the name. A Muppet is used for characters that he came up with."

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