15 Facts About Vincent van Gogh's Sunflowers

LEX VAN LIESHOUT/AFP/Getty Images
LEX VAN LIESHOUT/AFP/Getty Images

Nineteenth century Dutch artist Vincent van Gogh had a unique perspective on the world, which he presented through breathtaking Post-Impressionistic paintings. But before he caught the world's imagination, before he created The Starry Night, this mercurial man dedicated himself to the surreal and beautiful wonder of Sunflowers.

1. SUNFLOWERS ARE NOT ONE PAINTING, BUT TWO SERIES OF PAINTINGS.

The first set of four is known as The Paris Sunflowers. These were created when the artist lived with his brother Theo in the City of Light, ahead of moving to Arles in the south of France in 1888. That August, van Gogh began the Arles Sunflowers while renting four rooms in a yellow house.

2. IT'S EASY TO DISTINGUISH THE TWO SETS FROM ONE ANOTHER.

The Arles Sunflowers are posed in vases, poking skyward; the Paris series presents the flowers lying on the ground.

3. THE ARLES SUNFLOWERS WERE PAINTED FOR PAUL GAUGUIN.

Vincent van Gogh's 'Sunflowers'
By Vincent Van Gogh - The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH., Public Domain, Wikimedia Commons

Paul Gauguin, the French Post-Impressionist painter, was an admired friend and colleague of van Gogh's. Through letters, the pair planned for Gauguin to visit Arles in October of 1888 so that the two artists might work alongside each other. Ahead of Gauguin's arrival, van Gogh decided he would decorate the Yellow House with paintings to please his guest. The first wave was of sunflowers.

4. VAN GOGH LOVED WORKING ON SUNFLOWERS.

Though he battled with mental illness and self-doubt, the painter found joy in creating the Arles Sunflowers. In August of 1888, he wrote to his beloved brother Theo, "I am hard at it, painting with the enthusiasm of a Marseillais eating bouillabaisse, which won't surprise you when you know that what I'm at is the painting of some sunflowers."

5. VAN GOGH INITIALLY PLANNED TO MAKE 12 SUNFLOWER PAINTINGS IN ARLES.

In the same letter to Theo, Vincent wrote, "If I carry out this idea there will be a dozen panels. So the whole thing will be a symphony in blue and yellow. I am working at it every morning from sunrise on, for the flowers fade so quickly."

Van Gogh finished four that month. Then in January of 1889, he revisited the subject with three paintings known as The Repetitions, because they were copies of his third and fourth versions from his August series.

6. TODAY THERE ARE ONLY FIVE KNOWN ARLES SUNFLOWERS.

Between his initial version and their repetitions, by 1889, there were seven Arles Sunflowers. However, over the years, two have been lost to the public. The first of the initial versions was sold into a private collection. The second was destroyed by fire during World War II. So when museums refer to the Arles Sunflowers, they are referencing the third and fourth of the initial version, and the three Repetitions.

7. GAUGUIN WAS IMPRESSED.

Gauguin declared Sunflowers "a perfect example of the style that was completely Vincent." After two months in Arles, Gauguin asked if he could trade one of his pieces for one of van Gogh's Sunflowers.

8. THE ARLES SUNFLOWERS ARE PART OF A WIDER COLLECTION OF WORKS.

Instead of creating a dozen panels of sunflowers, van Gogh followed his Sunflowers with a string of portraits, including Joseph Roulin (The Postmaster), Patience Escalier (The Old Peasant), and Paul-Eugène Milliet (The Lover). Next came a series that came to be known as Toiles de 30-Décoration. All painted on size 30 canvases, this wave featured a variety of topics, including gardens, bedrooms, portraits, and a depiction of the yellow house itself. This collection came to be known as "Décoration for the Yellow House." Most were made before van Gogh's breakdown that winter, during which he infamously mutilated his ear.

9. VAN GOGH INTENDED HIS ARLES SUNFLOWERS TO BE PART OF A TRIPTYCH.

Vincent van Gogh's 'Sunflowers'
By Vincent van Gogh - repro from art book, Public Domain, Wikimedia Commons

In January of 1889, van Gogh wrote to Theo, explaining how he felt the third and fourth Sunflowers from Arles would brilliantly frame his first repetition of Berceuse, a portrait of a woman in a rocking chair. He wrote, "I picture to myself these same canvases between those of the sunflowers, which would thus form torches or candelabra beside them." He provided a sketch of what he had in mind, and would later execute it in his display at the 1890 art show Les XX.

10. SUNFLOWERS USED GROUNDBREAKING COLOR.

    Art critics still marvel at the detail and depth van Gogh drew out of layering shades of yellow. But BBC notes that such colors were new to painters, reporting, "These series of paintings were made possible by the innovations in manufactured pigments in the 19th century. Without the vibrancy of the new colors, such as chrome yellow, van Gogh may never have achieved the intensity of Sunflowers." Alternately, without an artist like van Gogh, these colors may have never had their potential fulfilled.

    11. VAN GOGH NEVER SOLD A SINGLE ONE OF HIS SUNFLOWERS.

      In his lifetime, van Gogh only sold one self-portrait, and The Red Vineyard at Arles, notably part of Décoration for the Yellow House. Following his death on July 29, 1890, all of his Sunflowers went to Theo.

      12. SUNFLOWERS ARE AMONG VAN GOGH'S MOST POPULAR PAINTINGS.


      By Vincent van Gogh - repro from art book, Public Domain, Wikimedia Commons

      Sunflowers are displayed all over the globe. Paintings from the Paris series can be found in Amsterdam's Van Gogh Museum, New York City's Metropolitan Museum of Art, Bern's Museum of Fine Arts, and the Netherlands's Kröller-Müller Museum. One of the initial Arles series can be found in London's National Gallery, the other in Munich's Neue Pinakothek. The Repetitions are on display in the Van Gogh Museum, the Philadelphia Museum of Art, and Tokyo's Sompo Japan Museum of Art.

      13. MUSEUMS COLLABORATED TO BRING SUNFLOWERS TOGETHER.

      The advantage to van Gogh's Sunflowers being scattered is that they are accessible to people across the world. The downside, however, is that few people will ever get to see them as a collection, as intended. But in 2014, two of these paintings were wrangled for a special exhibit in London. The Van Gogh Museum lent their Repetitions piece to the National Gallery for the first reunion of the pieces in nearly 60 years.

      14. THERE ARE MAJOR OBSTACLES TO EXHIBITING SUNFLOWERS TOGETHER.

      "There are two reasons," van Gogh expert Martin Bailey explained to The Telegraph of the reasons why it's difficult to show Sunflowers as a series. "First, they are fragile works, and for conservation reasons they either cannot travel at all or are only allowed to in very exceptional circumstances. Secondly, they are probably the most popular paintings in all the galleries that own them, so the owning institutions are very reluctant to allow them to leave."

      15. NEW TECHNOLOGY BROUGHT A FULL COLLECTION OF SUNFLOWERS TO THE MASSES.

      Vincent van Gogh's 'Sunflowers' at the National Gallery in London
      Mary Turner/Getty Images

        In 2017, the National Gallery employed the new streaming technology of Facebook Live to create a “virtual exhibition” that brought together five paintings of the Arles Sunflowers series. The groundbreaking presentation featured expert curators taking turns presenting their Sunflowers to the video-streaming audience, complete with 15-minute lectures. This marked the first time this many Sunflowers were shown together since they left Theo's home on their way to building van Gogh's legacy. And from pioneering colors to cutting-edge exhibitions, van Gogh's Sunflowers came full circle.

        Paris Musées Digitized More than 100,000 Major Artworks and Made Them Downloadable

        “Setting Sun on the Seine at Lavacourt” by Claude Monet
        “Setting Sun on the Seine at Lavacourt” by Claude Monet
        Paris Musées, CC0

        The museums of Paris are home to some of the most influential artworks on Earth, and if you live outside France, you no longer need a passport to see them. As Smithsonian reports, Paris Musées—the organization behind 14 of the city's iconic museums—has digitized more than 100,000 paintings and other pieces of art and made them freely available to the public.

        The institutions under Paris Musées's umbrella include the Petit Palais, Musée d’Art Moderne de la Ville de Paris, and Maison de Balzac. It started sharing the work in its inventory online in 2016, and has since uploaded more than 320,000 pictures.

        Roughly a third of the images in that digital collection were published in January 2020. This recent update was part of Paris Musées's initiative toward embracing open-access art. Every one of the 100,000-plus images uploaded in this month fall under the Creative Commons Zero license, which means they are fully in the public domain. Works like "Young Ladies on the Banks of the Seine" by Gustave Courbet, “Setting Sun on the Seine at Lavacourt” by Claude Monet, and "Portrait of Ambroise Vollard” by Paul Cézanne, are now not only free to view, but free to download as well.

        "Portrait of Ambroise Vollard” by Paul Cézanne
        "Portrait of Ambroise Vollard” by Paul Cézanne
        Paris Musées, CC0

        Paris Musées eventually hopes to transition all the out-of-copyright items in its collection—which comprises roughly 1 million works—to a Creative Commons Zero license. The most recent image dump is just the first round, and other art will become available gradually as the institution carefully evaluates the copyright status of each piece. It plans to someday expand its public domain artworks to external platforms like Wikimedia Commons, but for now, you can find them on Paris Musées's website.

        [h/t Smithsonian]

        Apple Wants to Show Off Your Best Night Mode Photos as Part of a New Campaign

        Austin Mann, Apple
        Austin Mann, Apple

        Calling all aspiring photographers who nabbed an iPhone 11 for the express purpose of trying out its fancy camera capabilities: It’s time for your night mode photos to see the light of day.

        As Travel + Leisure reports, Apple is currently hosting a competition to find the best night mode photos taken on an iPhone 11, iPhone 11 Pro, or iPhone 11 Pro Max. You can submit your photos through January 29, after which a carefully selected team of experts will evaluate all submissions and announce the five winning images on March 4.

        Judges include Arem Duplessis, the former design director of The New York Times Magazine; Darren Soh, an award-winning photographer from Singapore; Tyler Mitchell, the first black photographer to shoot the cover of American Vogue (his subject, rather memorably, was Beyoncé); and several other esteemed members of the industry.

        golden gate bridge shot on iphone 11
        The Golden Gate Bridge, shot on an iPhone 11 Pro.
        Jude Allen, Apple

        In addition to appearing on Apple’s homepage and Instagram (which has more than 21 million followers), the photos could also be featured in digital campaigns, Apple stores, third-party photo exhibitions, or even on physical billboards. In addition to all the exposure, the winners will be paid a licensing fee in exchange for granting the company complete freedom to use their work for one year.

        To submit your shots, you can either share them on a public Instagram, Twitter, or Weibo account with the hashtags #ShotoniPhone and #NightmodeChallenge, or email your images to shotoniphone@apple.com—just be sure to title your files in this format: ‘firstname_lastname_nightmode_iPhonemodel.’

        If you’re new to the iPhone 11 and aren’t quite sure how to snap photos in night mode, it’s easier than you might realize. The feature comes on automatically in dim or dark places and decides on a capture time for you (which you can always adjust). And if you think editing your photos afterward will increase your chances of winning the competition, that’s fine, too: Apple will accept photos edited in the app or even with non-Apple software.

        You might want to avoid capturing the Eiffel Tower after dark, however—here’s why.

        [h/t Travel + Leisure]

        SECTIONS

        arrow
        LIVE SMARTER