The 15 Worst Movies Ever Made

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When it comes to declaring whether a movie is “good” or “bad,” there’s no one person who can make that call. Sure, there are celebrated critics—some of whom you may always agree with—but even still, that’s just a matter of opinion. The only fair way to give a movie a general thumbs up or thumbs down is to consider a range of opinions and reviews, which is exactly what we did.

To figure out which movies both critics and audiences have deemed the worst movies ever made, we cross-referenced the lowest-rated movies on both Rotten Tomatoes and IMDb, then figured in the opinions of several critics who’ve contributed to a handful of all-time worst-ever movie lists (like this one from Empire Magazine) to calculate which films the moviegoing populace has determined to be the medium’s biggest turkeys. Here they are—in all their terrible glory.

1. BALLISTIC: ECKS VS. SEVER (2002)

Thai director Wych Kaosayananda has directed five feature films. Only once did he ever choose to use a pseudonym. That film was Ballistic: Ecks vs. Sever, the clunky action sci-fi film that starred Antonio Banderas and Lucy Liu as two former government agents each trying to get their hands on what is supposedly the world’s most dangerous weapon. But if you look at the film's credits, you’ll see that it was directed by “Kaos,” which could be a nickname—or a statement on the production itself.

In 2014, Kaosayananda admitted that the experience of making this bomb turned him off to the idea of moviemaking altogether. “For the first two years after Ballistic, I couldn't really bring myself to do movies,” the director told Film Combat Syndicate. “The experience I went through in post-production on that movie was very painful. I still did take meetings after just signing with CAA and they were doing a great job of sending me out and getting me to meet execs. I even got a couple of directing offers, but I simply didn't have an interest."

Though it’s certainly not the only film to earn a zero percent rating on the Rotten Tomatoes Tomatometer, it’s one of the few films to maintain a nothing score after more than 115 critical reviews. (Audiences were only slightly more forgiving with their 17 percent rating.) “For many viewers,” wrote AP critic Jocelyn Noveck in her review of the film, “the big question may be not whether Ecks and Sever will get together, or why they are fighting in the first place, but why am I sitting here, anyway?"

2. SUPERBABIES: BABY GENIUSES 2 (2004)

Just when we thought the ‘90s had offered up its final talking baby movie with 1993’s Look Who’s Talking Now, along came Baby Geniuses (1999). While hardly a box office behemoth with its $36 million haul, the film (which was shot for $12 million) made enough of a profit that, five years later, we got a sequel. Superbabies: Baby Geniuses 2 saw a gaggle of talking toddlers banding together to rid the world of an evildoer intent on controlling the minds of the entire human population. And it was all kind of creepy (or, according to The Wall Street Journal, “unspeakably ghastly”).

The A.V. Club’s Nathan Rabin articulated what most people were thinking when he wrote, “Why? Seriously, why? Why would anyone make a sequel to Baby Geniuses, a 1999 film whose existence, from its title on down, appeared to be a cruel joke about the gullibility of the lowest common denominator? It would be easy to say that the answer has more to do with commerce than art, but it's probably a mistake to factor art into the equation at all.”

3. UNITED PASSIONS (2015)

If Leni Riefenstahl were alive today, she probably would have been the first choice to direct United Passions, a cinematic retelling of how the Fédération Internationale de Football Association (FIFA) came to be. Unfortunately, the timing of this movie could not have been worse, or more intentional: At the same the movie was playing film festivals and art-house theaters, 16 FIFA officials were being indicted on charges of racketeering, money laundering, and wire fraud, following decades of alleged corruption wherein they used the organization to line their own pockets.

While not necessarily poorly made, the film—which stars Gérard Depardieu, Sam Neill, and Tim Roth—is propaganda at its most obvious (which isn't surprising, considering 90 percent of its production budget came directly from FIFA). Or, in the words of The Wrap’s Tim Appelo, it’s “One of those rare films so unfathomably ghastly you could write a better one while sitting through its interminable 110 minutes.”

4. JAWS: THE REVENGE (1987)

When Jaws 2 was released three years after Steven Spielberg’s groundbreaking summer blockbuster, nobody went into the theater thinking it would be able to even come close to the original. And they were right. By the time the fourth film, Jaws: The Revenge, rolled around, even the very obviously fake-looking shark couldn’t be bothered.

Though some (read: this author) consider it a guilty pleasure, the film is, well, pretty damn awful. Especially when you consider the plotline: that the shark is essentially a serial killer with a taste for the Brody family, and swims all the way from Amity Island to the Bahamas to finish off its last remaining members.

In 1987, Michael Caine—whose career was on a downswing—famously had to skip the Academy Awards, where he won a Best Supporting Actor Oscar for Woody Allen’s Hannah and Her Sisters, because he was on location shooting Jaws: The Revenge. When asked about his role as Hoagie in the shark drama, Caine admitted that, “I have never seen [the movie], but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific.”

5. BUCKY LARSON: BORN TO BE A STAR (2011)

Adam Sandler co-wrote and produced this totally misguided “comedy” about a buck-toothed grocery bagger from Iowa who, upon discovering that his ultra-conservative parents were two of the 1970s’ biggest porn stars, decides to head to Hollywood and attempt to follow in their footsteps. There’s just one very, well, small problem: Bucky is not very well endowed. Ultimately, he manages to use this shortcoming to his advantage.

“I’m not sure how many tedious sex jokes and humorless physical gags people can take before they run out of the theater screaming, but Bucky Larson: Born to Be a Star certainly tests the limits,” wrote We Got This Covered’s Amy Curtis.

6. MAC AND ME (1988)

In the wake of the amazing success of E.T. the Extra Terrestrial, every studio in Hollywood wanted in on the alien action. The most memorable of them, for all the wrong reasons, just might be MAC and Me. It’s the story of a family of aliens who are kidnapped from their home planet and brought back to Earth to be studied. After a brazen escape attempt, the youngest alien, MAC—short for Mysterious Alien Creature—befriends a young boy named Eric. Yes, it’s as blatant a rip-off as it sounds, but with none of the sincerity of the Spielberg classic. Oh, and it’s so full of product placement that it may as well have been a commercial for McDonald’s and Coke.

“Possibly aware that they have something less than a classic on their hands,” wrote the Philadelphia Daily News, “the makers of MAC and Me have cut their losses by making the film into a kind of cinematic billboard: all space is for sale.”

7. ALONE IN THE DARK (2005) 

More than a decade before Christian Slater won a Golden Globe for his role in Mr. Robot, he starred in what might have been the very worst film of 2005. Alone in the Dark, a loose adaptation of the video game, follows a detective (Slater) with a heightened sixth sense that allows him to observe the paranormal. Frankly, the plot doesn’t really matter. All you need to know is that Tara Reid co-stars as Slater’s love interest, a curator at a natural history museum, and it was directed by Uwe Boll, the temperamental moviemaker who once challenged his harshest critics to a series of boxing matches. That list only grew with the release of this bomb, with Rue Morgue’s Jovanka Vuckovic declaring that, “How Uwe Boll manages to scrape together enough investment money to give wing to this type of overblown, amateurish gibberish is truly a mystery of the cosmos.”

8. DISASTER MOVIE (2008)

The jokes practically write themselves here. For more than 20 years, Jason Friedberg and Aaron Seltzer have made a career out of spoofing popular movies and genres. They’re the guys behind the Scary Movie franchise, and are currently at work on Star Worlds Episode XXXIVE=MC2: The Force Awakens the Last Jedi Who Went Rogue. In between, there was Disaster Movie, which is arguably their biggest disaster yet, and led critic Elizabeth Weitzman to wonder: “Why would you watch a bad movie about better movies, when you could just rent the originals instead?”

The Village Voice’s Jim Ridley had an even harsher criticism: “Rushed into production with no better drape for its threadbare gags than Cloverfield, this carpet-fouling mongrel of a movie no more deserves release than do anthrax spores.” Also: It stars Kim Kardashian.

9. SIMON SEZ (1999)

We’re really not sure who told Dennis Rodman that he should try his hand at acting, but we’re holding that person responsible for the many travesties he has brought to the screen, including 1997’s Double Team (co-starring Jean-Claude Van Damme and a pre-Comeback Mickey Rourke) and this abominable actioner, in which Rodman plays the titular Simon—an Interpol agent who is tasked with saving the world from an evil arms dealer. “If you must watch it—and I shudder to imagine the circumstances under which one must—watch it in a light mood, perhaps under the influence of something,” advised critic (and Mental Floss contributor) Eric D. Snider.

10. ED (1996)

Being a star of one of the most popular television shows ever can be a double-edged sword: Sure, it brings you fame and fortune and the opportunity to hone your skills in front of an enormous audience. But when the credits on that show roll for the final time, it can be hard to escape that character. Which is probably why Friends star Matt LeBlanc thought starring in a family movie would be a smart career move just a couple seasons into Friends’s run. But there’s a difference between starring in a kids' movie and starring opposite a monkey. Unless you’re Clint Eastwood, it rarely works out.

Such was the case with Ed, in which LeBlanc stars as a minor league baseball player who could learn a lesson or two from his new teammate—a chimpanzee named Ed. Or, in most of the scenes, a dude in a chimp suit that doesn’t even bother trying to make it look realistic. Yet it was LeBlanc who got most of the blame. Writing for The New York Times, Stephen Holden said that, “Mr. LeBlanc ... is so blank that the only impression he makes is of having teeth that are very large and unnaturally white.”

11. A THOUSAND WORDS (2012)

Eddie Murphy has been one of Hollywood’s biggest comedic movie stars. He’s also been nominated for an Oscar. In addition, he has starred in a handful of truly terrible films. Just when you thought he could sink no lower than 2007’s Norbit, along came A Thousand Words. The film sees Murphy playing a fast-talking literary agent who, after lying to a spiritual guru, becomes cursed and can only speak as many words as there are leaves left on a Bodhi tree on his property. Yes, it’s all a bit of a stretch and watching Murphy trying to find ways to express himself without using words is a gag that loses its funny pretty quickly. According to The Hollywood Reporter, “Eddie Murphy should have just said the word ‘No’ to this tired, formulaic comedy."

12. SURFER, DUDE (2008)

A few years before he surprised the world by winning a Best Actor Oscar for Dallas Buyers Club (2013), a pre-McConaissance Matthew McConaughey was better known as a mediocre actor whose good looks and slacker charm made him an alright, alright, alright choice to headline a movie—usually as some sort of laid back stoner dude who’d find a reason to be shirtless much of the time. Surfer, Dude sort of did away with any pretense of a real plot … unless you think seeing a surfer have his mellow buzz chilled by an existential crisis has the makings of something you’d want to invest 83 minutes in.

Instead, the movie served more as a starring role for McConaughey’s abs. While it seems it was meant to be a stoner comedy, it even fails at that. The Houston Chronicle’s Louis B. Hicks wrote that, “Surfer, Dude is a bizarre throwback. It feels 25-30 years out of date and seems to be meant to be watched on VHS, oops, make that DVD, while stoned."

13. IT’S PAT: THE MOVIE (1994)

With the exception of Wayne and Garth, Saturday Night Live characters have a terrible track record when it comes to making the transition from small to big screen. While Julia Sweeney’s androgynous Pat brought laughs on the sketch comedy show, the joke—is Pat a man or a woman?—is simply not enough to sustain even a meager 77-minute running time.

Not even when Pat finds love with Chris, yet another person of an indeterminate gender, which just exacerbates the tediousness of the one-joke plotline. “Ever hear the one about the pic that was too bad to be released, so it escaped?,” wrote Variety critic Joe Leydon. “Well, that old joke now has a new punch line: It's Pat, a shockingly unfunny Saturday Night Live spinoff.”

14. STOLEN (2009)

The past and present collide in Stolen (also known as Stolen Lives), a less-than-enthralling murder mystery in which a detective (Jon Hamm) searching for his missing son stumbles upon a 50-year-old murder of yet another young boy, which he desperately tries to solve as a way to help find closure in his own loss.

The story unravels in two different time periods, 1958 and 2008, and is riddled with clichés in both decades. “One poorly told story would be bad enough,” wrote critic Coley Smith, “but with Stolen we have two.” To be fair, had the film not featured an impressive cast—Jessica Chastain, Josh Lucas, Morena Baccarin, and James Van Der Beek all join Hamm in this overwrought journey—it probably would have just fallen off the radar completely. But a bad film filled with familiar faces is always going to be judged more harshly.

15. KIRK CAMERON’S SAVING CHRISTMAS (2014)

“Do you ever feel like Christmas has been hijacked?” That’s the question that kicks off the trailer for this holiday offering from outspoken Evangelical Christian Kirk Cameron. Yes, the man formerly known as Growing Pains’s Mike Seaver apparently isn’t a fan of the inclusiveness that has led many people and businesses to exchange “Merry Christmas” for “Happy Holidays,” and this movie was his attempt to do something about it. So much so that, in the trailer alone, the filmmakers manage to compare the commercialization of Christmas to a carjacking, “but like of our religion. And guess what? Santa got in the car, kicked Jesus out, and was like, ‘Rolling, rolling, rolling’ and took it.” Cameron’s goal? For audiences to join him and his family and “put the Christ back into Christmas.” Not a lot of people were buying it, not even its intended audience.

The Chicago Sun-Times’s Bill Zwecker declared that, “This may be one of the least artful holiday films ever made. Even devout born-again Christians will find this hard to stomach.” Peter Sobczynski, writing for RogerEbert.com, was even more direct: “Perhaps the only Christmas movie I can think of, especially of the religious-themed variety, that seems to flat-out endorse materialism, greed and outright gluttony.” Within a month, the movie made headlines when it managed to become IMDb’s lowest-rated film.

10 Forgotten Rankin/Bass Christmas Specials

A scene from Rudolph's Shiny New Year (1976).
A scene from Rudolph's Shiny New Year (1976).
Rankin/Bass Productions

If you're prone to picturing your favorite Christmas characters as stop-motion puppets, you can thank Rankin/Bass. The production company founded by Arthur Rankin Jr. and Jules Bass found success in transforming holiday songs and myths into fully-developed television specials in the 1960s, '70s, and '80s. Their most popular specials, like Rudolph the Red-Nosed Reindeer and Frosty the Snowman, are still staples of holiday programming decades after they first aired.

But not every holiday film that played under the Rankin/Bass banner was an instant success. After adapting the most beloved Christmas stories, the company broadened its definition of holiday material, with varying degrees of success. Some films were forgettable, and others were so strange and unsettling that young viewers forced themselves to forget. Here are some Rankin/Bass specials that may be missing from holiday television marathons this year.

1. Rudolph’s Shiny New Year (1976)

Scene from Rudolph's Shiny New Year.
Rankin/Bass Productions

After the stressful events of his 1964 Christmas special, Rudolph deserved a vacation. In Rudolph's Shiny New Year (1976), the red-nosed reindeer barely has a day to rest before being sent on his next adventure. When Santa Claus and his reindeer return home to the North Pole after delivering presents on Christmas, they learn that Happy the Baby New Year is missing. It’s up to Rudolph to bring him home before midnight on New Year’s Eve or else the calendar will be stuck at December 31. And because it wouldn’t be a Rankin/Bass cartoon without a terrifying villain, a vulture named Eon the Terrible is racing to catch Happy first so he can live forever. Thankfully, Rudolph has a caveman, a Medieval knight, and Benjamin Franklin on his side.

2. The Little Drummer Boy, Book II (1976)

Scene from The Little Drummer Boy, Book II.
Rankin/Bass Productions

The Little Drummer Boy from 1968 ends with the birth of Jesus Christ, a.k.a. the events of Christmas. This meant that Rankin/Bass’s most overtly religious Christmas special wasn’t an obvious choice for a follow-up, but the studio still released one in 1976. The Little Drummer Boy, Book II is inspired by "Silver Bells"—a song whose lyrics have nothing to do with the first Christmas at Bethlehem. In the sequel, the drummer boy Aaron and the wise man Melchior join forces to protect silver bells made for baby Jesus from the Roman soldiers plotting to steal them.

3. Nestor, the Long-Eared Christmas Donkey (1977)

Scene from Nestor, the Long-Eared Christmas Donkey.
Rankin/Bass Productions

By the late 1970s, it was apparent that Rankin/Bass was running out of Christmas myths to expand into television specials. Nestor, the Long-Eared Christmas Donkey, their 1977 stop motion film, tells the story of an outcast donkey who experiences a series of traumatic events during the Roman Empire. After being bullied by other animals, left for dead by his owner, and suffering the loss of his mother, Nestor becomes a hero by carrying a pregnant Mary to Bethlehem, where she gives birth to Jesus. Needless to say, Nestor, the Long-Eared Donkey didn’t have the same cultural impact as Rudolph the Red-Nosed Reindeer.

4. The First Christmas: The Story of the First Christmas Snow (1975)

Scene from The First Christmas.
Rankin/Bass Productions

It may have a happy ending, but The First Christmas (1975) is the bleakest movie on this list. An orphaned shepherd named Lucas is taken in by a group of nuns after he’s blinded by lightning. When snow falls during the abbey’s Christmas pageant, Lucas miraculously regains his eyesight and sees snow for the first time. The story swaps Rankin/Bass's signature humor and fantasy for heavy-handed sentimentality, which may be why it didn’t land as well with kids as the company’s other holiday specials. One highlight is a voice performance by Angela Lansbury as the narrator.

5. Jack Frost (1979)

Scene from Jack Frost.
Rankin/Bass Productions

So this film from 1979 is technically a Groundhog Day special, but its connection to winter means it’s usually lumped in with the rest of Rankin/Bass’s Christmas programming. A groundhog named Pardon-Me-Pete (voiced by Buddy Hackett) narrates the story of Jack Frost. After Jack Frost falls in love with a woman on Earth, Father Winter agrees to make him human, with the catch that Jack will turn back into a sprite if he fails to obtain a house, a horse, a bag of gold, and a wife by the first sign of spring. The special is notable for its weird characters, including a villain with a clockwork horse and henchmen. And—spoiler alert!—because Jack doesn’t get the girl at the end, it’s one of the few Rankin/Bass films that doesn’t have a happy ending.

6. Rudolph and Frosty's Christmas in July (1979)

Scene from Rudolph and Frosty's Christmas in July.
Rankin/Bass Productions

In 1979, Rankin/Bass gave two of its most iconic Christmas characters—Frosty the Snowman and Rudolph the Red-Nosed Reindeer—their own movie. The studio was so confident in the product that Rudolph and Frosty's Christmas in July even had a brief theatrical release overseas. But the film has failed to take the place of the original specials in the public consciousness—maybe because seeing snow snakes terrorize Rudolph and watching an evil wizard transform into a tree were too much for younger viewers to handle.

7. Pinocchio's Christmas (1980)

Scene from Pinocchio's Christmas.
Rankin/Bass Productions

The story of Pinocchio may not be the first thing that comes to mind when you think of Christmas, but that didn’t stop Rankin/Bass from turning the classic Italian fairytale into a holiday special. Pinocchio's Christmas (1980) features many of the same themes and characters as The Adventures of Pinocchio—only this version of the tale centers around the puppet’s first Christmas. Santa Claus even makes a cameo appearance.

8. The Stingiest Man in Town (1978)

Scene from The Stingiest Man in Town.
Rankin/Bass Productions

Charles Dickens’s A Christmas Carol is one of the most widely adapted stories of all time, so of course it shows up in Rankin/Bass’s filmography. An insect named B.A.H. Humbug narrates this musical retelling from 1978, with Walter Matthau starring as Ebeneezer Scrooge. The Stingiest Man in Town joins Frosty the Snowman as one of the few Rankin/Bass Christmas productions made with traditional 2D animation instead of stop-motion.

9. The Leprechauns' Christmas Gold (1981)

Scene from The Leprechaun's Christmas Gold.
Rankin/Bass Productions

Rankin/Bass’s streak of mashing up Christmas with other holidays reached peak weirdness in 1981. That’s when the studio released The Leprechauns' Christmas Gold—a story that follows a young Irish sailor who helps a clan of leprechauns protect their gold from an evil banshee named Old Mag the Hag. By trying to create a special that could air around Christmas and St. Patrick’s Day, the filmmakers ended up with something that made little sense at any time of year.

10. The Life and Adventures of Santa Claus (1985)

Scene from The Life and Adventures of Santa Claus.
Rankin/Bass Productions

In 1970, Rankin/Bass explored how Kris Kringle became Santa Claus with Santa Claus Is Comin’ to Town. Fifteen years later, the studio produced a film that provided an alternate origin story for the character, based on L. Frank Baum's 1902 children's book of the same name. This second special wasn’t as well-received as the first. It starts with an antler-sporting sorcerer called the Great Ak finding an abandoned baby in the forest. The child is taken in and raised by wood nymphs, eventually growing up to become a jolly man who delivers toys to children—all while fighting monsters called Awgwas on the side. It ends with a council of mythical beings granting Santa Claus immortality. What was arguably Rankin/Bass’s most unusual Christmas special was also the last to use stop-motion animation.

2020 Golden Globes: The Full List of Nominees

Andrew Scott stars in Fleabag.
Andrew Scott stars in Fleabag.
Steve Schofield/Amazon Studios

Awards season is officially upon us and we're all rushing out to the movie theater—or, more frequently, our own couches—to load up on some of the year's biggest movie and television titles.

Now that the 2020 Golden Globe nominations have been announced, it's clear that Netflix's investment in original content like Martin Scorsese's The Irishman and Noah Baumbach's Marriage Story, which scored the most nominations with six, was a wise decision.

On the television side, streaming emerged victorious as well; The Crown landed a total of four nominations while Phoebe Waller-Bridge's Amazon hit Fleabag earned three, including one for "Hot Priest" Andrew Scott, who was a notable Emmy snub. Amazingly, Game of Thrones was nominated for just a single award: a Best Actor in a Drama Series nomination for Kit Harington.

Below is the full list of nominees for the 77th annual Golden Globe Awards, which will take place on January 5, 2020.

Best Motion Picture, Drama

1917
The Irishman
Joker
Marriage Story
The Two Popes

Best Motion Picture—Musical or Comedy

Once Upon a Time in Hollywood
Jojo Rabbit
Knives Out
Rocketman
Dolemite Is My Name

Best Motion Picture—Foreign Language

The Farewell
Pain and Glory
Portrait of a Lady on Fire
Parasite
Les Misérables

Best Director, Motion Picture

Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time … in Hollywood

Best Screenplay—Motion Picture

Noah Baumbach, Marriage Story
Bong Joon-ho and Han Jin-won, Parasite
Anthony McCarten, The Two Popes
Quentin Tarantino, Once Upon a Time in Hollywood
Steven Zaillian, The Irishman

Best Original Score, Motion Picture

Alexandre Desplat, Little Women
Hildur Gudnadottir, Joker
Randy Newman, Marriage Story
Thomas Newman, 1917
Daniel Pemberton, Motherless Brooklyn

Best Original Song—Motion Picture

Beautiful Ghosts, Cats
I'm Gonna Love Me Again, Rocketman
Into the Unknown, Frozen II
Spirit, The Lion King
Stand Up, Harriet

Best Actor in a Supporting Role in Any Motion Picture

Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

Best Actress in a Supporting Role in Any Motion Picture

Kathy Bates, Richard Jewell
Annette Bening, The Report
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Margot Robbie, Bombshell

Best Actor in a Motion Picture—Musical or Comedy

Daniel Craig, Knives Out
Roman Griffin Davis, Jojo Rabbit
Leonardo DiCaprio, Once Upon a Time in Hollywood
Taron Egerton, Rocketman
Eddie Murphy, Dolemite Is My Name

Best Motion Picture—Animated

Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
Lion King

Best Actor in a Motion Picture—Drama

Christian Bale, Ford v Ferrari
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes

Best Actress in a Motion Picture—Drama

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

Best Actress in a Motion Picture—Musical or Comedy

Awkwafina, The Farewell
Ana de Armas, Knives Out
Cate Blanchett, Where'd You Go, Bernadette
Beanie Feldstein, Booksmart
Emma Thompson, Late Night

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Christopher Abbott, Catch-22
Sacha Baron Cohen, The Spy
Russell Crowe, The Loudest Voice
Jared Harris, Chernobyl
Sam Rockwell, Fosse/Verdon

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Kaitlyn Dever, Unbelievable
Joey King, The Act
Helen Mirren, Catherine the Great
Merritt Wever, Unbelievable
Michelle Williams, Fosse/Verdon

Best Television Limited Series or Motion Picture Made for Television

Catch-22, Hulu
Chernobyl, HBO
Fosse/Verdon, FX
The Loudest Voice, Showtime
Unbelievable, Netflix

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Patricia Arquette, The Act
Helena Bonham Carter, The Crown
Toni Collette, Unbelievable
Meryl Streep, Big Little Lies
Emily Watson, Chernobyl

Best Performance by an Actor in a Television Series, Drama

Brian Cox, Succession
Kit Harington, Game of Thrones
Rami Malek, Mr. Robot
Tobias Menzies, The Crown
Billy Porter, Pose

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Alan Arkin, The Kominsky Method
Kieran Culkin, Succession
Andrew Scott, Fleabag
Stellan Skarsgård, Chernobyl
Henry Winkler, Barry

Best Television Series—Drama

Big Little Lies, HBO
The Crown, Netflix
Killing Eve, AMC
The Morning Show, Apple TV+
Succession, HBO

Best Performance by an Actress in a Television Series, Drama

Jennifer Aniston, The Morning Show
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Nicole Kidman, Big Little Lies
Reese Witherspoon, The Morning Show

Best Television Series—Musical or Comedy

Barry, HBO
Fleabag, Amazon
The Kominsky Method, Netflix
The Marvelous Mrs. Maisel, Amazon
The Politician, Netflix

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