15 Forgotten Video Game Mascots From the 1990s

With the growing popularity of Mario and Sonic the Hedgehog on home video game consoles in the 1990s, it seemed that almost every video game company was set on creating a lovable mascot to give their brand a unique identity. Sometimes these mascots were memorable and iconic, like Capcom’s Mega Man or Namco’s Pac-Man, but other times they failed to leave any lasting impression. Here are 15 forgotten video game mascots from the '90s.

1. ROCKY RODENT

In 1993, Japanese video game developers Irem Software Engineering created Rocky Rodent, an anthropomorphized rodent with a cool attitude and hair to match. This would-be mascot was tasked with rescuing the daughter of a restaurant owner named Pie Face Balboa from the mob. As a reward, Rocky Rodent would get an all-you-can-eat buffet. His bizarre weapon of choice was a can of hairspray, which he used to both defeat bad guys and style his hair.

2. AWESOME POSSUM

Tengen created a rival for Sonic when it released Awesome Possum... Kicks Dr. Machino's Butt for the Sega Genesis in 1993. The game featured the cool and badass Awesome Possum, who would collect empty bottles and cans instead of coins or gold rings, in an effort to clean up the forest. It was sold as an educational game for children with an environmental activist theme, but it never caught on with gamers, despite positive reviews. Maybe kids back in the '90s didn’t want to learn about recycling and Earth science while they were playing video games.

3. CROC

Originally developed for the SNES, Croc: Legend of the Gobbos was created as a 3D platformer starring Yoshi from Super Mario World. However, when Nintendo rejected the game, the developers at Argonaut Games changed Yoshi from a lovable dinosaur into a lovable crocodile named Croc, who tried to rescue furry creatures from the evil Baron Dante. Argonaut then pitched the mascot to Sony, who loved the gameplay and released it for the original PlayStation in 1997.

4. RISTAR

Released in 1995, Ristar was developed late in the Genesis's life cycle by Sonic Team, the same production company that created Sonic the Hedgehog. The mascot was a cute star who had the ability to stretch his arms in any direction to climb, swing, and grab enemies, as he explored a number of planets.

Since the character and game came out just before Sega released the 32-bit Saturn, the mascot never grew in popularity. Ristar managed to gather a cult following for its mechanics and strong gameplay, and the character has since made cameos in other Sega games, such as Shenmue, Segagaga, and Sonic & Sega All-Stars Racing.

5. GEX

In 1994, the 3DO Interactive Multiplayer console was released with the promise of high-end 32-bit gaming. To compete with established consoles like the Nintendo 64 and Sega Saturn, 3DO needed a cool mascot like Mario and Sonic to bring more attention to their video game system. Enter: Gex.

Released in 1995, Gex featured a wisecracking gecko (four years before the first appearance of the now iconic Geico Gecko) with a cool attitude and a penchant for watching TV. The game followed Gex as he tried to find remote controls hidden in TV show-themed levels to get home, but the evil Emperor Rez stood in his way.

While Gex received critical and fan acclaim, it wasn’t strong enough to bring the 3DO into the mainstream against tough competition. The 3DO was eventually discontinued two years after it was released, and Gex was then ported to the Sony PlayStation and Sega Saturn.

6. CONKER THE SQUIRREL

While he first appeared in Rareware’s Diddy Kong Racing (along with Banjo-Kazooie) for N64 in 1997, Conker the Squirrel received his own spinoff game for the Game Boy Color in 1999. Conker's Pocket Tales was a lighthearted game that followed the adventures of Conker, a cute squirrel who has to rescue his girlfriend Berri from the Evil Acorn. In 2001, Rare released Conker's Bad Fur Day, where the character went from a cute and cuddly mascot into a hard-drinking and foul-mouthed squirrel who would constantly break the fourth wall during gameplay. The game was remade in 2005 for the Xbox, under the name Conker: Live & Reloaded and later included in the Rare Replay compilation game for Xbox One in 2015.

7. BONK

While the NES and the Sega Genesis were the two systems at the center of the console wars of the late '80s and early '90s, NEC’s TurboGrafx-16 was a modest console from Japan, where it was known as the PC Engine before it was rebranded in America. The console’s mascot was Bonk, a prehistoric caveman kid whose main attack was a fierce headbutt. The mascot and game series—the first game was Bonk's Adventure released in 1990—were quite popular in Japan and Europe, but didn’t gain the same success in the U.S. due to the popularity of Mario and Sonic.

8. POCKY AND ROCKY

Released as a sequel to the 1986 Japanese arcade game KiKi KaiKai (it was called Knight Boy in limited release in the U.S.), Pocky & Rocky was developed by Natsume for the SNES in 1992. The sequel followed a young Shinto shrine princess named Pocky and her sidekick, Rocky the Tanuki, as they try to save small and cute creatures called Nopino Goblins in a top-down co-op adventure game. Pocky & Rocky received good reviews from critics and even got a sequel for the SNES in 1994, but the characters were never elevated to mascot status.

9. BATTLETOADS

Rare’s Tim and Chris Stamper created Battletoads, a co-op beat-'em-up game for the NES that featured three musclebound toads named Rash, Zitz, and Pimple as a rival to the widely popular Teenage Mutant Ninja Turtles video games of the early '90s. Battletoads was mostly known for its fun stage design and heart-stopping speed and difficulty level. The characters even crossed over with brothers Billy and Jimmy Lee from Double Dragon in an ultimate beat-'em-up action game.

While the games spawned a short-lived cartoon series and comic strip, Battletoads could never escape comparisons to TMNT. The warrior toads have not been featured in their own video game since 1994.

10. BUBSY

In 1993, a cocky bobcat with a cool attitude named Bubsy was positioned to usurp the video game mascot throne from Mario and Sonic. However, Bubsy's games didn't live up to the hype, despite being available for the Sega Genesis, SNES, PlayStation, and Atari Jaguar, where he eventually found a home as one of the console's short-lived mascots.

Bubsy in: Claws Encounters of the Furred Kind followed the titular bobcat trying to get back the world’s largest yarn ball from a fabric-stealing race of aliens known as the “Woolies.” A sequel was released in 1994 with an exclusive follow-up for the Atari Jaguar called Bubsy in: Fractured Furry Tales released later in 1994. The game series lasted for one more game with the release of Bubsy 3D: Furbitten Planet for the Sony PlayStation in 1996.

11. GLOVER

In 1998, Interactive Studios and Hasbro Interactive released a platformer called Glover, which followed the adventures of a sentient four-fingered right-handed glove, for the N64. The object of the game was to get a ball to the end of each level, while trying to solve puzzles, dodge enemies, and find lost crystals to restore the Crystal Kingdom. Glover’s life was tied to the ball, so if it fell off the platform, the glove would also die.

The gameplay was a little ahead of its time and would probably do better with motion-control consoles like the Nintendo Wii or touchscreen Android or iOS devices. As a result, Glover had poor sales and low critic ratings, which led to the cancellation of its sequel.

12. ALEX KIDD

Before the advent of Sonic, Sega had a different mascot named Alex Kidd, a small boy with big ears and monkey-like features who lived on the planet Aries, which was also known as Miracle World. The games started out in the arcades, but made their way to the Sega Master System as a mix of platforming and puzzle solving games.

Alex Kidd was featured in six games throughout the late '80s and early '90s, but never rivaled Nintendo’s Mario in popularity. Sega needed a different mascot to represent the company, so video game designers Yuji Naka, Naoto Ohshima, and Hirokazu Yasuhara created Sonic the Hedgehog in 1991.

Sega stopped making Alex Kidd games and focused all of its resources into making Sonic more popular than Mario. However, Alex Kidd still made cameos in various Sega games, such as Altered Beast, Sega Superstars Tennis, and Sonic & Sega All-Stars Racing.

13. TITUS THE FOX

Created by French video game developers Titus Interactive, Titus The Fox: To Marrakech and Back (Lagaf': Les Aventures de Moktar) was released for the Amiga and Atari ST personal computers in 1991. The video game followed the titular fox on a quest to rescue his girlfriend Suzy. He must complete 15 levels through the Sahara Desert while dodging dogs, construction workers, and giant bees to save her. It was also eventually ported to the Game Boy and Game Boy Color later in the '90s.

Unfortunately, Titus The Fox received poor ratings from critics and fans alike, and Titus Interactive ultimately filed for bankruptcy and folded in 2005.

14. BANJO-KAZOOIE

After the pair first appeared in Diddy Kong Racing for the N64 in 1997, Rare released a spin-off game starring a bear named Banjo and a bird named Kazooie in 1998. The puzzle-solving 3D platformer followed Banjo-Kazooie as they tried to stop the evil Gruntilda from stealing Banjo's sister's beauty. The game was praised for its non-linear level design, as well as its immersive graphics and deep sound design. A sequel called Banjo-Tooie was released for the N64 in 2000.

Fun Fact: The video game was originally developed as a role-playing game called Dream: Land of Giants for the SNES before it was re-developed.

15. ZERO THE KAMIKAZE SQUIRREL

In 1994, Iguana Entertainment and Sunsoft released Zero The Kamikaze Squirrel as a spin-off game of Aero the Acro-Bat, where he appeared as a sidekick. Zero’s mission was to stop an evil lumberjack named Jacques Le Sheets after he kidnapped Zero’s girlfriend (or should I say “squirrelfriend”) and started to tear down the forest to make counterfeit money.

While it received favorable reviews, Zero The Kamikaze Squirrel never caught on with gamers due to its sloppy controls, while the perception that the character was a blatant rip-off of Sonic the Hedgehog persisted.

Why Air Supply Changed the Lyrics to “All Out of Love” for American Fans

Air Supply.
Air Supply.
Peter Carrette Archive/Getty Images

Sometimes one minor detail can make all the difference. A case study for this principle comes in the form of the pop music act Air Supply, which enjoyed success in the 1980s thanks to mellow hits like “Lost in Love,” “Every Woman in the World,” and "Making Love Out of Nothing at All." Their 1980 single “All Out of Love” is among that laundry list, though it needed one major tweak before becoming palatable for American audiences.

The Air Supply duo of Graham Russell and Russell Hitchcock hailed from Australia, and it was one particular bit of phrasing in “All Out of Love” that may have proven difficult for Americans to grasp. According to an interview with Russell on Songfacts, the lyrics to the song when it became a hit in their home country in 1978 were:

I’m all out of love

I want to arrest you

By “arrest,” Russell explained, he meant capturing someone’s attention. Naturally, most listeners would have found this puzzling. Before the song was released in the United States, Air Supply’s producer, Clive Davis, suggested it be changed to:

I’m all out of love

I’m so lost without you

I know you were right

Davis’s argument was that the “arrest” line was “too weird” and would sink the song’s chances. He also recommended adding “I know you were right.”

Davis proved to be correct when “All Out of Love” reached the number two spot on the Billboard Hot 100 in February 1980.

While it would be reasonable to assume “I want to arrest you” is a common phrase of affection in Australia, it isn’t. “I think that was just me using a weird word,” Russell said. “But, you know, now [that] I think of it, it’s definitely very weird.”

Russell added that arrest joins a list of words that are probably best left out of a love song, and that cabbage and cauliflower would be two others.

[h/t Songfacts]

In 1995, You Could Smell Like Kermit the Frog

Rodin Eckenroth/Getty Images
Rodin Eckenroth/Getty Images

The mid-'90s were a great time for Kermit the Frog. In 1996 alone, he led the Tournament of Roses Parade, was the face of the 40-year-old Muppet brand, and had both a movie (Muppet Treasure Island) and a television show (Muppets Live!) to promote. His career could not have been hotter, so Kermit did what any multifaceted, single-person empire does while sitting atop his or her celebrity throne: he released a fragrance. Amphibia, produced by Jim Henson Productions, was dripping with froggy sex appeal. The unisex perfume—its slogan was "pour homme, femme, et frog"—had a clean, citrusy smell with a hint of moss to conjure up memories of the swamp. Offered exclusively at Bloomingdale's in Manhattan, it sold for $18.50 (or $32.50 for those who wanted a gift box and T-shirt).

There’s no trace of a commercial for the perfume—which is a shame, since Amphibia is a word that begs to be whispered—but a print ad and photos of the packaging still live online. The six-pack and strategically-placed towel are an apt parody ... and also deeply unsettling.

Amphibia was the most-sold fragrance at the Manhattan Bloomingdale's in the 1995 Christmas season. "Kids are buying it, grown-ups are buying it, and frogs are really hot," pitchman Max Almenas told The New York Times.

It was a hit past the Christmas season, too: The eau de Muppet was cheekily reviewed by Mary Roach—who would go on to write Stiff and Packing for Mars—in a 1996 issue of TV Guide. "I wore Amphibia on my third date ... he said he found me riveting which I heard as ribbitting, as in 'ribbit, ribbit,' and I got all defensive," she wrote. "He assured me I didn't smell like a swamp ... I stuck my tongue out at him, to which he responded that it was the wrong time of year for flies, and besides, the food would be arriving shortly."

Not to be outdone, Miss Piggy also released a fragrance a few years later. It was, naturally, called Moi.

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