10 Fabulous Facts About Absolutely Fabulous

BBC
BBC

In the early 1990s, long before it was acceptable for women on TV to act in a juvenile manner, BBC scored a major hit with Absolutely Fabulous, a.k.a. Ab Fab, which featured two British women who behaved badly—chain-smoking and abusing drugs and alcohol. Jennifer Saunders played Edina, a publicist who said “sweetie darling” a lot and raised a mature-for-her-age daughter, Saffy (Julia Sawalha). Edina’s best friend was Patsy (Joanna Lumley), a model-turned-fashion magazine director who donned a beehive hairdo and came out as transgender (and also said “sweetie darling” a lot). She also enjoyed the booze, and asked important questions like, “Who dies in their own vomit these days? Nobody.” Edina’s nameless mother (June Whitfield) and Eddy’s personal assistant, Bubble (Jane Horrocks), also added flavor to the show.

The story began in 1990 when Saunders and Dawn French were a part of sketch TV show French and Saunders. Saunders did an eight-minute skit as Edina and French played Saffy. A few years later, while on hiatus from the show, Saunders jotted down the idea for what would become the pilot for Ab Fab. “At the beginning it was all about Saffy and Edina, because when I first wrote it, Patsy was a sort of add-on character who supported Edina in her awfulness,” Saunders told Out Magazine. “But actually I just love working in a double act.” 

The series originally aired off and on between 1992 and 2003, with a total of eight specials sprinkled between 1996 and 2012 (including a 2012 Summer Olympics special). In 2016, Fox Searchlight distributed Absolutely Fabulous: The Movie, written by Saunders. The film revived the debauched antics of the friends and included an opening sequence in which Edina accidently killed Kate Moss. Here are 10 fabulous facts about the series.

1. JENNIFER SAUNDERS BASED THE SHOW'S CHARACTERS ON REAL PEOPLE.

By the time Saunders created the sketch on French and Saunders, designer fashion was becoming more widespread, and she knew a fashion publicist. “I thought, ‘That’s a genius job for a sitcom character,’ so we did her as a sketch,” Saunders told Lena Dunham during an interview with Lenny. “We also had another friend who had an absolutely bonkers mother who was eccentric and wild, and me and Dawn just combined the two.” Patsy was originally a “low-life journalist,” but Lumley’s background as a model helped shaped the character into someone who was more polished.

2. IT DEVELOPED A DEVOTED FOLLOWING IN THE GAY COMMUNITY.


BBC

When discussing the series, Saunders told V Magazine that the reason the show was such a hit with the gay community is because "[gay people] refused to be offended—and I admire them for that. Thank God you’re hanging on in there.” Looking back on the series, Lumley said that all the gay references seemed normal to her. “It’s really normal that one of [Edina’s] ex-husbands now lives with his young boyfriend,” she said. “It’s completely normal that [Edina] wants Saffy to be a lesbian or that Serge [Edina’s long lost son] is gay and living in New York. It’s completely normal that Patsy is transgender.” Lumley also said she thinks Patsy makes a good drag queen, “because Patsy’s quite tall,” she said. “You just want to get your good yellow wig on.”

3. IT PROBABLY WOULDN’T FARE WELL IN TODAY’S CULTURALLY SENSITIVE CLIMATE.

When Vanity Fair asked Saunders if Ab Fab would air today with the same jokes intact, she said: “I think it’s a tricky time for comedy, because people are now so aware of not offending, and everyone is quite precious now about their identity. I don’t think we could make half the jokes we did then.”

In fact, Saunders admitted that she did run into some issues while working on the 2016 feature version of the series. “If you write a movie, you have raft of lawyers telling you who you can offend and who you can’t offend, and who’s going to sue you and who won’t,” she said. “So, it was quite an issue, I have to say.”

4. AMERICA (UNSUCCESSFULLY) TRIED TO ADAPT THE SHOW.

In 2009, James Burrows directed a U.S. version of the show, which was set in L.A. It starred Kathryn Hahn as Edina, Kristen Johnston as Patsy, and Zosia Mamet as Saffy. Fox jettisoned the pilot, and Jon Plowman, executive producer of British Ab Fab, knew why. “The trouble with doing Ab Fab in America is that it will have to end with Edina and Saffy hugging, Patsy giving up drink and drugs, and them all hugging mum,” he said. “It won’t work. It’ll be too nice.”

5. THE SHOW WAS INFLUENCED BY THE BAND BANANARAMA.

Lumley and Saunders were guests on The Graham Norton Show and Lumley said in the ’80s, she and Dawn French used to party with the group. “Bananarama were the hardest drinking girls I’d ever met in the ’80s,” Saunders said. “I never met girls who drunk so hard. They drunk so much vodka. I remember one of them opening a cab door and coming out ass first, and I thought it most brilliant thing I’d ever seen.”  

6. SAUNDERS SAID IT WAS "PAINFUL" TO PORTRAY EDINA.

Edina wears clothing that are two sizes too small because she refuses to wear anything that fits her. “Edina gets to wear some extraordinary costumes but they’re always so painful,” Saunders told Elle. “When I think of Edina, I think of painful shoes and painful clothes.”

7. IT’S A FEMINIST SHOW.

“It’s never been about them finding a relationship, or defining themselves by having to have a man,” Saunders told Vanity Fair. “They live life entirely on their own terms as women, and to be honest, men don’t really affect them much. I mean, occasionally they want sex, but who doesn’t? They’re not defined by normality. They create their own normality.”

8. JULIA SAWALHA’S FAVORITE SCENE TO FILM INVOLVED BOMBAY MIX.

BuzzFeed asked Sawalha, who played Edina’s daughter, what the funniest scene she had to shoot was. She said it was the moment when Edina asked her if she wanted to nibble on some Bombay mix. “It was my most painful scene moment,” she said. “It took about half an hour, because she had to come up behind me and say [puts on accent] ‘Bombay mix.’ And for a week she did it and for a week in rehearsals I couldn’t hold it together, and on the night it had that thing of I know it’s coming, and it just went on and on and on.”

9. A MENTION OF IVANA TRUMP LED TO AN ENCOUNTER WITH DONALD TRUMP.

Twenty years ago, Patsy mentioned Ivana Trump in an episode. As Lumley told Vanity Fair, Trump got wind of it and invited Lumley to a party in London. “He was with Marla Maples then, and first she came and was the sweetest little character: ‘Oh, I think you’re so gorgeous, you look so beautiful,’” Lumley said. “And then the Donald came along, with that Brillo Pad hair stretched across his head, and gave me a very odd look, as if he was sizing up a horse or something. And after examining me, he muttered, ‘Yes, she’s quite good-looking, she’s a bit like Ivana.’”

10. SAUNDERS AND LUMLEY ACCIDENTALLY MADE PATSY AND EDINA RELATABLE.


BBC

In an interview with Lena Dunham, Lumley stated that Edina and Patsy were “really vile and dreadful” people. However, Lumley had fans coming up to her saying the characters reminded them of people they knew. “And some people would queue up to say, ‘My mother and my aunt are just like you and Eddy, and this is a picture of them.’ And you go, ‘Oh, no, how great. Well done, you. But oh my God, we are awful.’ And they went, ‘Oh, yeah, they love it. They go out, they get drunk.’ And you go, ‘Oh my God, we weren’t trying to teach people to get drunk.’”

Lumley further explained they didn’t set out to do that. “I don’t think we had expected that, because we painted them with such broad brushstrokes. We were trying to be high satire.”

10 Forgotten Rankin/Bass Christmas Specials

A scene from Rudolph's Shiny New Year (1976).
A scene from Rudolph's Shiny New Year (1976).
Rankin/Bass Productions

If you're prone to picturing your favorite Christmas characters as stop-motion puppets, you can thank Rankin/Bass. The production company founded by Arthur Rankin Jr. and Jules Bass found success in transforming holiday songs and myths into fully-developed television specials in the 1960s, '70s, and '80s. Their most popular specials, like Rudolph the Red-Nosed Reindeer and Frosty the Snowman, are still staples of holiday programming decades after they first aired.

But not every holiday film that played under the Rankin/Bass banner was an instant success. After adapting the most beloved Christmas stories, the company broadened its definition of holiday material, with varying degrees of success. Some films were forgettable, and others were so strange and unsettling that young viewers forced themselves to forget. Here are some Rankin/Bass specials that may be missing from holiday television marathons this year.

1. Rudolph’s Shiny New Year (1976)

Scene from Rudolph's Shiny New Year.
Rankin/Bass Productions

After the stressful events of his 1964 Christmas special, Rudolph deserved a vacation. In Rudolph's Shiny New Year (1976), the red-nosed reindeer barely has a day to rest before being sent on his next adventure. When Santa Claus and his reindeer return home to the North Pole after delivering presents on Christmas, they learn that Happy the Baby New Year is missing. It’s up to Rudolph to bring him home before midnight on New Year’s Eve or else the calendar will be stuck at December 31. And because it wouldn’t be a Rankin/Bass cartoon without a terrifying villain, a vulture named Eon the Terrible is racing to catch Happy first so he can live forever. Thankfully, Rudolph has a caveman, a Medieval knight, and Benjamin Franklin on his side.

2. The Little Drummer Boy, Book II (1976)

Scene from The Little Drummer Boy, Book II.
Rankin/Bass Productions

The Little Drummer Boy from 1968 ends with the birth of Jesus Christ, a.k.a. the events of Christmas. This meant that Rankin/Bass’s most overtly religious Christmas special wasn’t an obvious choice for a follow-up, but the studio still released one in 1976. The Little Drummer Boy, Book II is inspired by "Silver Bells"—a song whose lyrics have nothing to do with the first Christmas at Bethlehem. In the sequel, the drummer boy Aaron and the wise man Melchior join forces to protect silver bells made for baby Jesus from the Roman soldiers plotting to steal them.

3. Nestor, the Long-Eared Christmas Donkey (1977)

Scene from Nestor, the Long-Eared Christmas Donkey.
Rankin/Bass Productions

By the late 1970s, it was apparent that Rankin/Bass was running out of Christmas myths to expand into television specials. Nestor, the Long-Eared Christmas Donkey, their 1977 stop motion film, tells the story of an outcast donkey who experiences a series of traumatic events during the Roman Empire. After being bullied by other animals, left for dead by his owner, and suffering the loss of his mother, Nestor becomes a hero by carrying a pregnant Mary to Bethlehem, where she gives birth to Jesus. Needless to say, Nestor, the Long-Eared Donkey didn’t have the same cultural impact as Rudolph the Red-Nosed Reindeer.

4. The First Christmas: The Story of the First Christmas Snow (1975)

Scene from The First Christmas.
Rankin/Bass Productions

It may have a happy ending, but The First Christmas (1975) is the bleakest movie on this list. An orphaned shepherd named Lucas is taken in by a group of nuns after he’s blinded by lightning. When snow falls during the abbey’s Christmas pageant, Lucas miraculously regains his eyesight and sees snow for the first time. The story swaps Rankin/Bass's signature humor and fantasy for heavy-handed sentimentality, which may be why it didn’t land as well with kids as the company’s other holiday specials. One highlight is a voice performance by Angela Lansbury as the narrator.

5. Jack Frost (1979)

Scene from Jack Frost.
Rankin/Bass Productions

So this film from 1979 is technically a Groundhog Day special, but its connection to winter means it’s usually lumped in with the rest of Rankin/Bass’s Christmas programming. A groundhog named Pardon-Me-Pete (voiced by Buddy Hackett) narrates the story of Jack Frost. After Jack Frost falls in love with a woman on Earth, Father Winter agrees to make him human, with the catch that Jack will turn back into a sprite if he fails to obtain a house, a horse, a bag of gold, and a wife by the first sign of spring. The special is notable for its weird characters, including a villain with a clockwork horse and henchmen. And—spoiler alert!—because Jack doesn’t get the girl at the end, it’s one of the few Rankin/Bass films that doesn’t have a happy ending.

6. Rudolph and Frosty's Christmas in July (1979)

Scene from Rudolph and Frosty's Christmas in July.
Rankin/Bass Productions

In 1979, Rankin/Bass gave two of its most iconic Christmas characters—Frosty the Snowman and Rudolph the Red-Nosed Reindeer—their own movie. The studio was so confident in the product that Rudolph and Frosty's Christmas in July even had a brief theatrical release overseas. But the film has failed to take the place of the original specials in the public consciousness—maybe because seeing snow snakes terrorize Rudolph and watching an evil wizard transform into a tree were too much for younger viewers to handle.

7. Pinocchio's Christmas (1980)

Scene from Pinocchio's Christmas.
Rankin/Bass Productions

The story of Pinocchio may not be the first thing that comes to mind when you think of Christmas, but that didn’t stop Rankin/Bass from turning the classic Italian fairytale into a holiday special. Pinocchio's Christmas (1980) features many of the same themes and characters as The Adventures of Pinocchio—only this version of the tale centers around the puppet’s first Christmas. Santa Claus even makes a cameo appearance.

8. The Stingiest Man in Town (1978)

Scene from The Stingiest Man in Town.
Rankin/Bass Productions

Charles Dickens’s A Christmas Carol is one of the most widely adapted stories of all time, so of course it shows up in Rankin/Bass’s filmography. An insect named B.A.H. Humbug narrates this musical retelling from 1978, with Walter Matthau starring as Ebeneezer Scrooge. The Stingiest Man in Town joins Frosty the Snowman as one of the few Rankin/Bass Christmas productions made with traditional 2D animation instead of stop-motion.

9. The Leprechauns' Christmas Gold (1981)

Scene from The Leprechaun's Christmas Gold.
Rankin/Bass Productions

Rankin/Bass’s streak of mashing up Christmas with other holidays reached peak weirdness in 1981. That’s when the studio released The Leprechauns' Christmas Gold—a story that follows a young Irish sailor who helps a clan of leprechauns protect their gold from an evil banshee named Old Mag the Hag. By trying to create a special that could air around Christmas and St. Patrick’s Day, the filmmakers ended up with something that made little sense at any time of year.

10. The Life and Adventures of Santa Claus (1985)

Scene from The Life and Adventures of Santa Claus.
Rankin/Bass Productions

In 1970, Rankin/Bass explored how Kris Kringle became Santa Claus with Santa Claus Is Comin’ to Town. Fifteen years later, the studio produced a film that provided an alternate origin story for the character, based on L. Frank Baum's 1902 children's book of the same name. This second special wasn’t as well-received as the first. It starts with an antler-sporting sorcerer called the Great Ak finding an abandoned baby in the forest. The child is taken in and raised by wood nymphs, eventually growing up to become a jolly man who delivers toys to children—all while fighting monsters called Awgwas on the side. It ends with a council of mythical beings granting Santa Claus immortality. What was arguably Rankin/Bass’s most unusual Christmas special was also the last to use stop-motion animation.

2020 Golden Globes: The Full List of Nominees

Andrew Scott stars in Fleabag.
Andrew Scott stars in Fleabag.
Steve Schofield/Amazon Studios

Awards season is officially upon us and we're all rushing out to the movie theater—or, more frequently, our own couches—to load up on some of the year's biggest movie and television titles.

Now that the 2020 Golden Globe nominations have been announced, it's clear that Netflix's investment in original content like Martin Scorsese's The Irishman and Noah Baumbach's Marriage Story, which scored the most nominations with six, was a wise decision.

On the television side, streaming emerged victorious as well; The Crown landed a total of four nominations while Phoebe Waller-Bridge's Amazon hit Fleabag earned three, including one for "Hot Priest" Andrew Scott, who was a notable Emmy snub. Amazingly, Game of Thrones was nominated for just a single award: a Best Actor in a Drama Series nomination for Kit Harington.

Below is the full list of nominees for the 77th annual Golden Globe Awards, which will take place on January 5, 2020.

Best Motion Picture, Drama

1917
The Irishman
Joker
Marriage Story
The Two Popes

Best Motion Picture—Musical or Comedy

Once Upon a Time in Hollywood
Jojo Rabbit
Knives Out
Rocketman
Dolemite Is My Name

Best Motion Picture—Foreign Language

The Farewell
Pain and Glory
Portrait of a Lady on Fire
Parasite
Les Misérables

Best Director, Motion Picture

Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time … in Hollywood

Best Screenplay—Motion Picture

Noah Baumbach, Marriage Story
Bong Joon-ho and Han Jin-won, Parasite
Anthony McCarten, The Two Popes
Quentin Tarantino, Once Upon a Time in Hollywood
Steven Zaillian, The Irishman

Best Original Score, Motion Picture

Alexandre Desplat, Little Women
Hildur Gudnadottir, Joker
Randy Newman, Marriage Story
Thomas Newman, 1917
Daniel Pemberton, Motherless Brooklyn

Best Original Song—Motion Picture

Beautiful Ghosts, Cats
I'm Gonna Love Me Again, Rocketman
Into the Unknown, Frozen II
Spirit, The Lion King
Stand Up, Harriet

Best Actor in a Supporting Role in Any Motion Picture

Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

Best Actress in a Supporting Role in Any Motion Picture

Kathy Bates, Richard Jewell
Annette Bening, The Report
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Margot Robbie, Bombshell

Best Actor in a Motion Picture—Musical or Comedy

Daniel Craig, Knives Out
Roman Griffin Davis, Jojo Rabbit
Leonardo DiCaprio, Once Upon a Time in Hollywood
Taron Egerton, Rocketman
Eddie Murphy, Dolemite Is My Name

Best Motion Picture—Animated

Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
Lion King

Best Actor in a Motion Picture—Drama

Christian Bale, Ford v Ferrari
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes

Best Actress in a Motion Picture—Drama

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

Best Actress in a Motion Picture—Musical or Comedy

Awkwafina, The Farewell
Ana de Armas, Knives Out
Cate Blanchett, Where'd You Go, Bernadette
Beanie Feldstein, Booksmart
Emma Thompson, Late Night

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Christopher Abbott, Catch-22
Sacha Baron Cohen, The Spy
Russell Crowe, The Loudest Voice
Jared Harris, Chernobyl
Sam Rockwell, Fosse/Verdon

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Kaitlyn Dever, Unbelievable
Joey King, The Act
Helen Mirren, Catherine the Great
Merritt Wever, Unbelievable
Michelle Williams, Fosse/Verdon

Best Television Limited Series or Motion Picture Made for Television

Catch-22, Hulu
Chernobyl, HBO
Fosse/Verdon, FX
The Loudest Voice, Showtime
Unbelievable, Netflix

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Patricia Arquette, The Act
Helena Bonham Carter, The Crown
Toni Collette, Unbelievable
Meryl Streep, Big Little Lies
Emily Watson, Chernobyl

Best Performance by an Actor in a Television Series, Drama

Brian Cox, Succession
Kit Harington, Game of Thrones
Rami Malek, Mr. Robot
Tobias Menzies, The Crown
Billy Porter, Pose

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Alan Arkin, The Kominsky Method
Kieran Culkin, Succession
Andrew Scott, Fleabag
Stellan Skarsgård, Chernobyl
Henry Winkler, Barry

Best Television Series—Drama

Big Little Lies, HBO
The Crown, Netflix
Killing Eve, AMC
The Morning Show, Apple TV+
Succession, HBO

Best Performance by an Actress in a Television Series, Drama

Jennifer Aniston, The Morning Show
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Nicole Kidman, Big Little Lies
Reese Witherspoon, The Morning Show

Best Television Series—Musical or Comedy

Barry, HBO
Fleabag, Amazon
The Kominsky Method, Netflix
The Marvelous Mrs. Maisel, Amazon
The Politician, Netflix

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