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The 10 Best Bottle Episodes of Your Favorite TV Shows

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Those of us who are old enough to vividly remember the plot lines of such so-bad-they’re-good television shows as The Brady Bunch, Three’s Company, The Dukes of Hazzard, Benson, MacGyver, and Magnum P.I. probably recall that characters always seemed to be accidentally locking themselves in a meat locker/elevator/fill-in-your-favorite-tiny-contained space. Sometimes once per season. While it may have seemed like honest-to-goodness laziness on the part of the shows’ writers, the more likely reason for these single-location episodes was simply lack of money.

Here’s how it works: Television shows are divided into seasons, and each season has its own individual budget. The bulk of that money is spent on the season’s tent pole episodes, i.e. the season premiere, the season finale and any episode that requires a top-dollar guest star, exotic locale, or extensive special effects. Which means that at some point in the season, a showrunner is going to be scrambling to come up with an idea that can be shot on the cheap. Enter “the bottle episode.”

Purportedly coined by the makers of the original Star Trek series, the show’s frequent battles with budgetary constraints resulted in many stripped-down scenarios for the Enterprise, which they referred to as “ship-in-a-bottle” episodes. A typical bottle episode features just one or two regular cast members working together to solve a single problem. Locations, too, are limited to ideally just one. And there are no expensive special effects to be found. Just a couple of actors spending 30 to 60 minutes playing off of each other. 

As television has continued to up its game in the entertainment department, competing with movies both narratively and aesthetically, producers have gotten smarter about their bottle episodes. Like their low-budget Hollywood counterparts, they’re replacing money with creativity, creating more personal, character-driven pieces to drive the season forward and create some of the most beloved episodes in a show’s run. Here are 10 of the great ones.

1. Breaking Bad—Season 3, Episode 10: “Fly” (2010)

If the teaser for Breaking Bad’s final season—which premieres on AMC on Sunday—is any indication of its pace, you’re going to want to bring along an inhaler. It’s the show’s typical breakneck speed that makes “Fly” such a standout episode. Tensions are running high between meth-makers Walter and Jesse, and both of them are keeping secrets. When a fly finds its way into the lab, Walter—sleep-deprived and already teetering on the edge—sets about killing it to avoid any contamination. But this sucker won’t die and the ceilings in that meth lab are high. (No pun intended.) As Jesse looks on and eventually assists Walter in his mission, their inner turmoil plays out in subtle yet gripping ways, both in their dialogue and actions. That virtually every second of the episode’s 47 minutes happens in one location with just the two leading actors makes it a perfect example of television at its barest. That they hired moviemaker Rian Johnson (Brick, Looper) to direct the episode makes it truly cinematic.

2. Community—Season 2, Episode 8: “Cooperative Calligraphy” (2010)

As out there as some of its plotlines may stray, Community has succeeded in becoming one of television’s most self-aware shows. The cast and crew seem to revel in the fact that they’re still on the air (and with good reason, as they’ve been on the scheduling chopping block since the show’s debut). Their boldest move yet may have been “Cooperative Calligraphy,” which is best described as a bottle episode about bottle episodes. As the study group of misfit co-eds packs up their belongings to depart for an on-campus puppy parade, Annie realizes that yet another one of her precious pens has gone missing and insists that no one will leave the room until she uncovers the culprit. Minutes later, Abed realizes what is happening and declares, “I hate bottle episodes. They’re wall-to-wall facial expressions and emotional nuance. I might as well sit in a corner with a bucket on my head.” As the episode continues to unfold, the classmates learn more than they needed to know about each other—like that Abed keeps track of the menstrual cycles of the female group members—and do their best to stay true to Abed’s description of what a bottle episode looks like.

3. Family Guy—Season 8, Episode 17: “Brian & Stewie” (2010)

Okay, so it probably doesn’t save any money to set an animated show in one location and feature just two of the regular actors. But Seth MacFarlane’s ode to the “trapped in a bank vault” trope as part of Family Guy’s 150th episode is worth noting for the sheer audacity it takes to force this setup upon a talking dog and a wise-beyond-his-years baby. Like any great bottle episode, the show is completely character-driven (it’s the only episode that doesn’t feature any cutaways), with Brian and Stewie eventually revealing how much they care about each other—but only after they get drunk, partake in a fair amount of gun violence, and devise an innovative (and disgusting) way to make sure Stewie doesn’t end up with diaper rash.

4. The Sopranos—Season 3, Episode 11: “Pine Barrens” (2001)

Note to the networks: Indie film directors make fantastic bottle episode directors. Before he became a series regular in season five, Steve Buscemi directed what is arguably one of The Sopranos’ single best episodes: “Pine Barrens.” Though it’s not a one-location episode, the bulk of the action centers on Paulie and Christopher getting lost in the woods after an attempt to collect a debt from a Russian mobster goes horribly wrong. Totally unprepared for facing the elements, right down to their unlined leather jackets, the duo must overcome bad cell phone reception and the possibility that there’s a highly-skilled solider attempting to hunt them down to find their way out of the forest (or at least lead mob boss Tony Soprano to them for rescuing). Paulie’s relationship to Christopher was always one of the show’s most interesting, alternating between fatherly and competitive. This episode forces them to confront their issues head-on, in a language and with a humor that is completely their own.

5. Mad About You—Season 6, Episode 9: “The Conversation” (1997)

Though it aired for seven seasons, Mad About You—starring Paul Reiser and Helen Hunt as married couple Paul and Jamie Buchman—has been largely forgotten. Which is unfortunate, considering that it often pushed the conventions of typical sitcom-making. In the show’s sixth season, director Gordon Hunt channeled his inner Ingmar Bergman to do the unthinkable: drop a camera on the floor of the Buchmans’ apartment and leave it there. For the entire show. Whether the actors were in the shot or not. The only image that stays constant is the door of their baby daughter Mabel’s room, as they attempt to let her cry herself to sleep, leaving the audio to drive the narrative. The result is a 20-minute conversation filmed in one take that was broadcast uninterrupted so as not to lose the flow. It was pretty revolutionary stuff, and they knew it (and made a clever nod to it in the closing credits).

6. Homicide: Life On The Street—Season 1, Episode 5: “Three Men And Adena” (1993)

The bottle episode made an early appearance on the police drama Homicide: Life on the Street. Midway through the first season, Martin Campbell (who refreshed the James Bond franchise with Casino Royale) directed this Emmy Award-winning episode, in which detectives Frank Pembleton and Tim Bayliss have 12 hours to solicit a confession from Risley Tucker for the murder of an 11-year-old girl. The episode plays out almost entirely in the interrogation room as a single conversation between the two officers and their suspect. And it’s one big power play, with each man taking a turn in the hot seat. This is an example of a police procedural at its most gripping: partners playing the good cop/bad cop game, and a suspect turning the tables on his interrogators. In the end, there is no confession, and the case (which is based on the real-life murder of Latonya Kim Wallace) remains unsolved; but the detectives’ impressions—of each other and Tucker’s guilt—have been forever altered. It’s a near-flawless example of the power the camera holds and how a simple shift of an angle can add a new dimension to the viewer experience.

7. The X-Files—Season 1, Episode 8: “Ice” (1993)

Like a television version of John Carpenter’s The Thing, “Ice” slowed the sci-fi juggernaut down just long enough for audiences to see what would happen when their beloved special agents Fox Mulder and Dana Scully were forced to work against each other. After being called to Alaska to investigate the mysterious deaths of a group of geophysicists, Mulder and Scully determine that an alien parasite is to blame, and they’ve got the samples to prove it. But the agents disagree on whether to preserve or destroy the deadly organisms and just about everything else. No one is sure who has been infected and who hasn't, and the agents each have different methods for figuring it out. The divisive nature of this particular mission helped to introduce the often-complex relationship these two would have throughout the series, and gave them the dramatic flexibility to establish that early on.

8. Seinfeld—Season 2, Episode 6: “The Chinese Restaurant” (1991)

When Seinfeld co-creator Larry David originally pitched the idea of “The Chinese Restaurant” to the executives at NBC, they rejected it outright, believing that the audience would be bored by the lack of storyline, which consisted of Jerry, George, and Elaine waiting for a table—in real time—at a Chinese restaurant before hitting up a screening of Plan 9 from Outer Space. But for a series that was popularly referred to as “a show about nothing,” an episode that was literally about nothing seemed apropos. So David wasn’t about to let the idea die so quickly, even threatening to quit if the show didn’t air as written. The execs relented, and the episode was a hit. While not a bottle episode from a cost-savings standpoint (the restaurant was unique to this storyline), the close quarters/couple of friends formula became a staple of the series, and was repeated just a few months later in the next season with the equally funny “The Parking Garage.”

9. All in the Family—Season 8, Episode 19: “Two's a Crowd” (1978)

Like so many other sitcoms of its time period, this late-season episode of All in the Family used the “locked together in a room” device as its setup. But where it stands out among the show’s nine seasons is in its humanization of the irascible Archie Bunker. When Archie and his son-in-law Mike accidentally lock themselves in the storeroom of a bar, they decide to pass the time by depleting the supply of alcohol that surrounds them. After a few drinks too many, Archie talks about his difficult upbringing, complete with an abusive father. Archie’s monologue on his life—and why he is the man he is—is a genuinely moving piece of drama in an otherwise comedic series that brings the show’s two male leads closer together (even if Archie doesn’t remember it when he wakes up).

10. Star Trek—Season 1, Episode 14: “Balance Of Terror” (1966)

If you’re going to invent the terminology, you’d better have a list of episodes that fit the bottle bill. Star Trek certainly does, beginning in season one, when the Romulans make their first appearance in “Balance of Terror.” When Captain Kirk learns that a Romulan ship has destroyed several nearby outposts, he sets about finding it so that he may destroy it (despite the vessel’s invisibility shield, of course). The episode morphs into a game of cat and mouse between Kirk and his Romulan counterpart, as the two ships race each other toward the neutral zone. Relying on banter over visuals, the episode is refreshingly dialogue-heavy, giving Kirk and his cronies (including Spock, Sulu and Uhura) the chance to explore more than just the great unknown; they get to talk about their feelings. Fun side note: Mark Lenard, who played the Romulan captain in this episode, would later return to play Sarek, Spock’s father.

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11 Things You Didn't Know About Dolly Parton
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Over the past 50-some years, Dolly Parton has gone from a chipper country starlet to a worldwide icon of music and movies whose fans consistently pack a theme park designed (and named) in her honor. Dolly Parton is loved, lauded, and larger than life. But even her most devoted admirers might not know all there is to this Backwoods Barbie.

1. YOU WON'T FIND HER ON A DOLLYWOOD ROLLER COASTER.

Her theme park Dollywood offers a wide variety of attractions for all ages. Though she's owned it for more than 30 years, Parton has declined to partake in any of its rides. "My daddy used to say, 'I could never be a sailor. I could never be a miner. I could never be a pilot,' I am the same way," she once explained. "I have motion sickness. I could never ride some of these rides. I used to get sick on the school bus."

2. SHE ENTERED A DOLLY PARTON LOOK-A-LIKE CONTEST—AND LOST.


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Apparently Parton doesn't do drag well. “At a Halloween contest years ago on Santa Monica Boulevard, where all the guys were dressed up like me, I just over-exaggerated my look and went in and just walked up on stage," she told ABC. "I didn’t win. I didn’t even come in close, I don’t think.”

3. SHE SPENT A FORTUNE TO RECREATE HER CHILDHOOD HOME.

Parton and her 11 siblings were raised in a small house in the mountains of Tennessee that lacked electricity and indoor plumbing. When Parton bought the place, she hired her brother Bobby to restore it to the way it looked when they were kids. "But we wanted it to be functional," she recounted on The Nate Berkus Show, "So I spent a couple million dollars making it look like I spent $50 on it! Even like in the bathroom, I made the bathroom so it looked like an outdoor toilet.” You do you, Dolly.

4. SHE WON'T APOLOGIZE FOR RHINESTONE.


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Parton is well-known for her hit movies Steel Magnolias and 9 to 5, less so for the 1984 flop Rhinestone. The comedy musical about a country singer and a New York cabbie was critically reviled and fled from theaters in just four weeks. But while her co-star Sylvester Stallone has publicly regretted the vehicle, Parton declared in her autobiography My Life and Other Unfinished Business that she counts Rhinestone's soundtrack as some of her best work, especially "What a Heartache."

5. SHE IS MILEY CYRUS'S GODMOTHER, SORT OF.

"I'm her honorary godmother. I've known her since she was a baby," Parton told ABC of her close relationship with Miley Cyrus. "Her father (Billy Ray Cyrus) is a friend of mine. And when she was born, he said, 'You just have to be her godmother,' and I said, 'I accept.' We never did do a big ceremony, but I'm so proud of her, love her, and she's just like one of my own." Parton also played Aunt Dolly on Cyrus's series Hannah Montana.

6. SHE RECEIVED DEATH THREATS FROM THE KU KLUX KLAN.

A photo of Dolly Parton on stage
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In the mid-2000s, Dollywood joined the ranks of family amusement parks participating in "Gay Days," a time when families with LGBT members are encouraged to celebrate together in a welcoming community environment. This riled the KKK, but their threats didn't scare Dolly. "I still get threats," she has admitted, "But like I said, I'm in business. I just don't feel like I have to explain myself. I love everybody."

7. TO PROMOTE LITERACY, SHE STARTED HER OWN "LIBRARY."

In 1995, the pop culture icon founded Dolly Parton's Imagination Library with the goal of encouraging literacy in her home state of Tennessee. Over the years, the program—built to mail children age-appropriate books—spread nationwide, as well as to Canada, the UK, and Australia. When word of the Imagination Library hit Reddit, the swarms of parents eager to sign their kids up crashed the Imagination Library site. It is now back on track, accepting new registrations and donations.

8. PARTON'S HOMETOWN HAS A STATUE IN HER HONOR.

A stone's throw from Dollywood, Sevierville, Tennessee is where Parton grew up. Between stimulating tourism and her philanthropy, this proud native has given a lot back to her hometown. And Sevierville residents returned that appreciation with a life-sized bronze Dolly that sits barefoot, beaming, and cradling a guitar, just outside the county courthouse. The sculpture, made by local artist Jim Gray, was dedicated on May 3, 1987. Today it is the most popular stop on Sevierville's walking tour.

9. THE CLONED SHEEP DOLLY WAS NAMED AFTER PARTON.

In 1995 scientists successfully created a clone from an adult mammal's somatic cell. This game-changing breakthrough in biology was named Dolly. But what about Parton inspired this honor? Her own groundbreaking career? Some signature witticism or beloved lyric? Nope. It was her legendary bustline. English embryologist Ian Wilmut revealed, "Dolly is derived from a mammary gland cell and we couldn't think of a more impressive pair of glands than Dolly Parton's."

10. SHE TURNED DOWN ELVIS.

After Parton made her own hit out of "I Will Always Love You," Elvis Presley's manager, Colonel Tom Parker, reached out in hopes of having Presley cover it. But part of the deal demanded Parton surrender half of the publishing rights to the song. "Other people were saying, 'You're nuts. It's Elvis Presley. I'd give him all of it!'" Parton admitted, "But I said, 'I can't do that. Something in my heart says don't do that.' And I didn't do it and they didn't do it." It may have been for the best. Whitney Houston's cover for The Bodyguard soundtrack in 1992 was a massive hit that has paid off again and again for Parton.

11. SHE JUST EARNED TWO GUINNESS WORLD RECORDS.

Parton is no stranger to breaking records. And on January 17, 2018 it was announced that she holds not one but two spot in the Guinness World Records 2018 edition: One for Most Decades With a Top 20 Hit on the US Hot Country Songs Chart (she beat out George Jones, Reba McEntire, and Elvis Presley for the honor) and the other for Most Hits on US Hot Country Songs Chart By a Female Artist (with a total of 107). Parton said she was "humbled and blessed."

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15 Fascinating Facts About Blood Simple
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Ethan and Joel Coen hadn’t made a feature film of their own until they set out to write, direct, produce, and edit Blood Simple, a bloody Texas-set noir about a cuckold husband named Julian Marty (Dan Hedaya) who hires a private detective (M. Emmet Walsh) to murder his cheating wife (Frances McDormand) and her lover (John Getz). The filmmakers wanted a small budget like a horror film, but preferred making an entertaining B-film. Before production started, the Coens created a two-minute trailer and showed it to investors, which allowed them to raise an impressive $750,000 (which was half of the final budget).

In January of 1985, the movie was released in theaters and grossed $2,150,000. In its 2000 theatrical re-release, the movie added another $1.7 million to its box office haul. The low-budget film set the standard for the wave of American indie films to come, and it established the Coens as two of the most important voices in cinema. It also launched the careers of Frances McDormand and cinematographer Barry Sonnenfeld (who would later turn to directing).

Here are 15 facts about the noir thriller, which arrived in theaters on this day in 1985.

1. ITS TITLE WAS INSPIRED BY DASHIELL HAMMETT’S RED HARVEST.

“It’s an expression he used to describe what happens to somebody psychologically once they’ve committed murder,” Joel Coen told Time Out. “They go ‘blood simple’ in the slang sense of ‘simple,’ meaning crazy. But it’s left up to the audience to ponder the implications; they’re never spelled out in the film itself.”

2. THE COENS SPECIFICALLY WROTE THE PART OF LOREN VISSER FOR M. EMMET WALSH.

Blood Simple started something else that we’ve done pretty much on every subsequent movie, which was that we’ve always written parts for specific actors,” Joel Coen said in the book My First Movie. The brothers knew Walsh from the film Straight Time, in which he played a sleazy character. “Actually, it was a more interesting character than what we came up with in Blood Simple inasmuch as it was more ambiguous,” Joel said. They offered him the part without having him audition, but ran into a dilemma. “All I remember is we didn’t know what the hell to call him,” Ethan said. “I mean, what the hell do you call him when you meet him? M?”

3. THE COENS—AND MANY OF THE CAST AND CREW—HAD NEVER BEEN ON A FILM SET BEFORE.

Joel Coen admitted in My First Movie, “The first day of shooting on Blood Simple was the first time I’d ever been on a feature movie set in any capacity, even as a visitor.” Coen had previously worked as an assistant editor on horror films, including 1981’s The Evil Dead. Coen mentioned how Sonnenfeld would throw up after looking at the dailies, because he was so nervous working on the film. “Everyone was in the same boat,” Joel said. “The gaffer had never gaffered a feature. The sound guy, the mixer on the set, had never mixed a feature.”

4. THE COENS CHOSE TO MAKE A FILM NOIR BECAUSE OF THE GENRE’S PRACTICALITY.

Dan Hedaya and M. Emmet Walsh in 'Blood Simple' (1984)
Janus Films

The Coens liked hard-boiled fiction authors James M. Cain, Dashiell Hammett, and Raymond Chandler, and used them to their advantage in writing the script. “It’s certainly a genre that is entertaining, and we also picked it for very practical reasons,” Ethan said. “We knew we weren’t going to have a big budget. The financing would not allow it. We could build something on the genre and the appeal it has.”

“It’s also a genre that allows you to get by rather modestly in some ways,” Joel added. “You can limit the number of characters, put them into a confined set. There’s no need to go for large-scale effects or scatter them through the film, and those cost a lot of money. So it was a pragmatic decision that determined what film we would make.”

5. BUT THEY DIDN’T WANT TO PARODY FILM NOIR.

In a 1985 interview, featured in the book The Coen Brothers: Interviews, Ethan said, “When people call Blood Simple a film noir, they’re correct to the extent that we like the same kind of stories that the people who made those movies like. We tried to emulate the source that those movies came from rather than the movies themselves.” They didn’t want to make “a venetian blind movie,” but movies like The Conformist and The Third Man inspired the look of Blood Simple.

Because of the comedic elements in the film, some people might think the movie is trying to parody the thriller genre. “On one hand, it is a thriller, and, on the other, it is funny,” Ethan said. “But certainly the film is supposed to work as a thriller and I don’t think it would work as both at once.”

6. THEY BORROWED AN INVESTMENT TACTIC FROM SAM RAIMI.

Their friend Sam Raimi had shot a trailer for his film The Evil Dead and raised $60,000 toward the budget after showing it to investors. “He financed the movie using a common thing that people making exploitation movies had used, which was a limited partnership,” Joel said in My First Movie. “What we also borrowed from Sam and the other models was that I presented more of an action exploitation type movie than it ended up being, and in fact than we knew it would be.”

The Coens didn’t know many people, so they decided to take a projector and the trailer to entrepreneurs’ homes in New York, Texas, and Minnesota. “If you call people up and say, ‘Can you give me 10 minutes so I can present an opportunity to invest in a movie?’ They’re going to say, ‘No, I don’t need this,’ and hang up the phone,” Joel said in My First Movie. “But it’s slightly different if you call and say, ‘Can I come over and take 10 minutes and show you a piece of film?’ All of a sudden that intrigues them and gets your foot in the door.” Eventually, all 65 investors made a profit from their investment.

The investor trailer finally surfaced online and features Bruce Campbell in the Dan Hedaya role.

7. NONE OF THE MAJOR STUDIOS WANTED TO DISTRIBUTE IT.

The Coens took time editing the film, and started shopping the movie around in 1984. Warner Bros. rejected it, but an indie company agreed to distribute it with a slight change. “We took it to Crown International Pictures and the guy would say, ‘If you have some nudity you can put in there maybe we can distribute it,’” Joel said in My First Movie. “We saw everybody from the studios to the lowliest sleaze-bucket distributors in L.A. And they all said no.” Circle Films picked up the movie after seeing a screening of it at the Toronto Film Festival. When the movie came out with good reviews, Warner tried to buy it from Circle to no avail.

8. M. EMMET WALSH COULDN’T BLOW SMOKE RINGS.

At first the actor was skeptical of starring in a movie where he probably wouldn’t make any money, but he gave the Coens a chance. Joel asked Walsh if he could blow a smoke ring from cigarette smoke and he said he would try. “I just couldn’t do it,” Walsh said. “I worked and worked on it, but I started to make myself sick.” The Coens brought in a smoke machine to make the smoke rings but the machine broke during filming. “The script gal says, ‘Give me a damn cigar. I grew up with five brothers smoking behind a barn,’” Walsh said. “So they give her a cigar and she starts making these incredible smoke rings. I said to myself, ‘My God, this is how you make a movie!’ Later on, I went outside and saw her puking her brains out. That was Blood Simple.”

9. THE COENS HAD AN INCIDENT WITH ONE OF THEIR POTENTIAL INVESTORS.

“There was one investor we went to and we hit his car, parking,” Ethan said in My First Movie. “And we had this big debate out on the driveway [about] whether we should tell him we hit his car before the sales pitch or after the sales pitch. We decided that we wouldn’t tell him until we showed him the movie and made the sales pitch.” The investor decided against investing in the film.

10. FRANCES MCDORMAND REFUSED TO BE “THEATRICAL” IN THE MOVIE.

John Getz and Frances McDorman in 'Blood Simple' (1984)
Janus Films

Up until she starred in Blood Simple, the future Oscar-winner had mainly done theater and some TV. In an interview with William Dafoe for Bomb Magazine, she told him her approach to playing Abby Marty. “The only choice I made was not to be theatrical,” she said. “I never moved my face and my mouth’s always open like I’m terrified—I was a lot of the time. I just did whatever they told me to do, which was perfect for the character, but it’s not like I made that decision as a character choice. It was from not knowing what to do.”

11. JOEL COEN WOOED FRANCES MCDORMAND WITH LITERATURE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

12. THE COENS RELEASED A SHORTER VERSION OF THE FILM.

Blood Simple got the Director’s Cut treatment in 2001, but instead of adding material to the re-release of the movie, the Coens removed a few minutes from it. “We always thought it was rather kind of clumsy, the editing,” Joel told Hollywood.com. “It was interesting to go in and try to tighten the movie up.” “Before, the original version was like an old lady with a walker, and now it just has a cane,” Ethan said. The newer version also brought back the Four Tops’ “It’s the Same Old Song,” which had been in the original theatrical release but had been replaced with Neil Diamond’s “I’m a Believer” in the VHS release.

13. THE COENS THINK THE MOVIE IS “PRETTY DAMN BAD.”

A scene from 'Blood Simple' (1984)
Janus Films

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature, in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

14. ZHANG YIMOU REMADE THE FILM.

Director Zhang Yimou—who directed House of Flying Daggers and Heroremade Blood Simple in 2009 as A Woman, A Gun and A Noodle Shop. The move is set in a Chinese noodle shop in a desert, and in similar fashion, the plot centers on a man trying to kill his wife and her lover.

15. BLOOD SIMPLE BEGAT RAISING ARIZONA AND FARGO.

Two years after Blood Simple was released, the Coens wrote-directed their follow-up, Raising Arizona, which wasn’t anything like Blood Simple. “In essence, after having completed Blood Simple, we wanted to make something completely different,” Ethan said. “We didn’t know what, but we wanted it to be something funny that had a very quick rhythm. We also wanted to use Holly Hunter, who has been a friend of ours for a long time. So it really wasn’t the story that was the origin of the project, but Holly Hunter, her personality and, by extension, the character we had conceived for her to play. In contrast, Blood Simple took shape from an idea for a screenplay.” It should be noted Hunter provided her voice on an answering machine in Blood Simple.

More than a decade after Blood Simple came out, the Coens released Fargo. The Coens’ dealings with investors for Blood Simple inspired the film’s businessmen. “It was raising money for Blood Simple that we met all of these business guys who could wear the suits, get bundled up in the park and slog out in the snow and meet us in these, like, coffee shops,” Joel said in My First Movie. “We came back to that whole thing in Fargo: the car salesman, the guy who owns the bowling alley, you know, whatever.”

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