12 R.L. Stine Quotes

David Livingston, Getty Images
David Livingston, Getty Images

You would never know from his books that Goosebumps and Fear Street author R.L. Stine used to write joke books for kids under the name Jovial Bob Stine. Here's some wit, wisdom, and a few stories from the man himself as he turns 75.

1. ON HIS INTRODUCTION TO HORROR

“[It] was Pinocchio. My mother read it to me every day before naptime when I was three or four. The original Pinocchio is terrifying. First he smashes Jiminy Cricket to death with a wooden mallet. Then he goes to sleep with his feet up on the stove and burns his feet off! I never forgot it!”

From an interview with Harper Collins

2. ON WHAT SCARED HIM AS A KID

"I was afraid of lots of things ... I had this one fear. I'd have to park my bike in the garage after dark, and I always thought something would be lurking in the garage. I used to take my bike and just throw it in so I wouldn't have to go in there. That's a painful way to go through childhood, I think ... But in a way, it's kind of lucky. It helped me out later, because now, when I write these scary books for kids, I can think back to that feeling of panic. I can remember what it felt like, and then I can bring that feeling to my books."

From an interview with Reading Rockets

3. ON WRITING HORROR

“There’s no formula. I think you have to create a very close point of view. You have to be in the eyes of the narrator. Everything that happens, all the smells, all the sounds; then your reader starts to identify with that character and that’s what makes something really scary.”

From an interview with Mediabistro

4. ON BEING SCARED OF THINGS HE READS OR SEES IN MOVIES

"People say, 'Your book keeps giving me chills,' but I don't know what that feeling is. Horror always makes me laugh. Normal adult things scare me, but not things from a book or a movie."

From an interview with the Village Voice

5. ON THE BIGGEST PROBLEM FACING KIDS TODAY

"When I was a kid we had childhoods; we didn't have to be sophisticated and cool. We could just be kids ... I think the biggest problem is that kids are growing up too fast and not having fun just being a kid. It's a very tough job to be a kid."

From an interview with Teen Ink

6. ON HIS WRITING PROCESS

"I think of the titles first. I think I work backwards from most authors. Most authors get an idea for a story and they start to write it, and then later they think of a title. But I think of the title first and then the title sort of leads me to the story ... I know the ending, so then I know I can always get there. I plan out every book first before I write a word. I do a chapter-by-chapter outline of every book. So before I start to write, I know everything that’s going to happen in the book. I have it all planned, and then I can just enjoy the writing. I’ve done all the hard part. I’ve done the thinking before I start to write."

From an interview with The Author Hour

7. ON MEETING RAY BRADBURY

"A few years ago I got to meet Ray Bradbury for the first time, and it’s so hard to meet your heroes! I was so nervous. It was at the LA Times book festival at a campus near UCLA, and he was sitting in a booth eating a hot dog. And I thought, 'I have to say something to him. I have to say how important he was to me.' When I went over, I was shaking. I was so nervous to meet him. I was like one of my kids, you know? And I went over and I shook hands and I said, 'Mr. Bradbury, you’re my hero.' And he was so nice. We shook hands and he said, 'Well, you’re a hero to a lot of other people!' It was such a nice thing to say. I was totally choked up. I couldn’t even talk. It was such a sweet thing."

From an interview with The Strand Magazine

8. ON CATS VERSUS DOGS

"I've always been a dog person. Had one most of my life. You can tell I don't like cats—because I've written so many books with evil cats. It's much harder to imagine an evil dog."

From an interview with Colby Marshall

9. ON THE BEST ADVICE HE HAS EVER GOTTEN

"An editor once wrote on the top of a manuscript I'd written: 'Needs more lore.' MORE LORE is the best advice I ever got."

From an interview with C2E2

10. ON HIS FAVORITE FAN LATTER

"My all-time favorite letter was from a boy who wrote, 'Dear R. L. Stine, I've read 40 of your books and I think they're really boring. ' Isn't that perfect?"

From an interview with Teen Ink

11. ON WRITING FOR ADULTS VERSUS WRITING FOR KIDS

"It’s like a runner who’s used to doing sprints and then decides to do a marathon. When I write for kids it has to be kind of believable, but they also have to know it’s a fantasy. But when you write horror for adults, every detail has to be real. I actually had to do research on things like vegetation on the Outer Banks."

As told to Diane Brady of Bloomberg

12. ON WHAT ADVICE HE WOULD GIVE TO KIDS WHO WANT TO BE WRITERS

"My advice is to read, read, read. Don't just read one author. Read as many different kinds of things as you can. Later, when you start to write seriously, all the things you read before remain in your brain and will help you with your writing."

From a live chat with CNN

This article originally ran in 2013.

20 Memorable Virginia Woolf Quotes

Getty Images
Getty Images

Born on January 25, 1882, Virginia Woolf was a true writer’s writer. With flowing prose and a courageous pen, she dissected every topic from the idiocy of warfare to the joys of sex. We've picked 20 lines that rank among her all-time best—which is no easy feat.

1. On recorded history

“Nothing has really happened until it has been described.”

— Said to a young acquaintance,Nigel Nicholson, who later became a successful publisher, memoirist, and politician

2. On writing about nature

“Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces.”

— From her 1928 novel, Orlando: A Biography

3. On translating comedy

“Humor is the first of the gifts to perish in a foreign tongue.”

—From the essay collectionThe Common Reader, First Series (1925)

4. On time

“Time, unfortunately, though it makes animals and vegetables bloom and fade with amazing punctuality, has no such simple effect upon the mind of man. The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.”

—From Orlando: A Biography

5. On being an honest writer

“If you do not tell the truth about yourself you cannot tell it about other people.”

From The Moment and Other Essays (1947)

6. On sexism

“As long as she thinks of a man, nobody objects to a woman thinking.”

—From Orlando: A Biography

7. On writing fiction

“Fiction is like a spider’s web, attached ever so lightly perhaps, but still attached to life at all four corners.”

—From her seminal 1929 essay “A Room of One’s Own”

8. On questioning the status quo

“Let us never cease from thinking—what is this ‘civilisation’ in which we find ourselves? What are these ceremonies and why should we take part in them? What are these professions and why should we make money out of them?”

— From her anti-war essay “Three Guineas” (1938)

9. On fashion

“There is much to support the view that it is clothes that wear us and not we, them; we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking.”

—From Orlando: A Biography

10. On food

virginia woolf

A photo of author Virginia Woolf, who was famous for writing To The Lighthouse and Orlando.

George Charles Beresford, Wikimedia Commons // Public Domain

“One cannot think well, love well, sleep well, if one has not dined well.”

— From “A Room of One’s Own”

11. On getting older

“I don’t believe in ageing. I believe in forever altering one’s aspect to the sun.”

—From her diary (entry dated October 2, 1932)

12. On artistic integrity

“So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say. But to sacrifice a hair of the head of your vision, a shade of its colour, in deference to some Headmaster with a silver pot in his hand or to some professor with a measuring-rod up his sleeve, is the most abject treachery.”

— From “A Room of One’s Own”

13. On the universe

“When you consider things like the stars, our affairs don’t seem to matter very much, do they?”

—From the novel Night and Day (1919)

14. On personal growth

“I am made and remade continually. Different people draw different words from me.”

—From her 1931 novel The Waves

15. On society

“At one and the same time, therefore, society is everything and society is nothing. Society is the most powerful concoction in the world and society has no existence whatsoever.”

—From Orlando: A Biography

16. On evaluating literature

“The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities… into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions—there we have none.”

—From The Common Reader, Second Series (1935)

17. On passion

“Blame it or praise it, there is no denying the wild horse in us. To gallop intemperately; fall on the sand tired out; to feel the earth spin; to have—positively—a rush of friendship for stones and grasses, as if humanity were over, and as for men and women, let them go hang—there is no getting over the fact that this desire seizes us pretty often.”

—From the novel Jacob’s Room (1922)

18. On the past

“Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title.”

—From Jacob’s Room

19. On words

“Of course, you can catch them and sort them and place them in alphabetical order in dictionaries. But words do not live in dictionaries, they live in the mind. If you want proof of this, consider how often in moments of emotion when we most need words we find none. Yet there is the dictionary; there at our disposal are some half-a-million words all in alphabetical order. But can we use them? No, because words do not live in dictionaries, they live in the mind.

“Look once more at the dictionary. There beyond a doubt lie plays more splendid than Anthony and Cleopatra, poems lovelier than the 'Ode to a Nightingale,' novels beside which Pride and Prejudice or David Copperfield are the crude bunglings of amateurs. It is only a question of finding the right words and putting them in the right order. But we cannot do it because they do not live in dictionaries, they live in the mind.”

—From “Craftsmanship,” a BBC radio address Woolf delivered on April 20, 1937 (listen to a portion of it here)

20. On life and its interruptions

“I meant to write about death, only life came breaking in as usual.”

— From her diary (entry dated February 17, 1922)

bonus: a common misquote

“You cannot find peace by avoiding life.”

These wise words are often mistakenly cited as Woolf’s. In reality, another writer came along and gave them to her—57 years after she died! Here’s what went down: In 1998, author Michael Cunningham released his Pulitzer Prize-winning novel The Hours. This story includes a fictionalized version of Virginia Woolf, who delivers the above line.

Write a Letter to Shakespeare’s Juliet for a Chance to Spend Valentine’s Day in Her Romantic Verona Home

Airbnb
Airbnb

Shakespeare didn’t specify which luxurious Italian estate was home to Juliet and her family in Romeo and Juliet, but hopeless romantics have linked a certain 13th-century house in Verona to the Capulets for many years. A balcony was even added during the 20th century to mirror the famous scene from Shakespeare’s play.

Now, Airbnb is offering one pair of star-crossed lovers the opportunity to stay in the house for Valentine’s Day. To apply, you have to write a letter to Juliet explaining why you and your sweetheart would be the ideal guests for the one-night getaway. The winner will be chosen by the Juliet Club, an organization responsible for answering the 50,000 letters addressed to Juliet each year.

juliet's house in verona, italy
Airbnb

If you’re chosen, you won’t just get to spend the evening reenacting the few happy parts of Romeo and Juliet—you’ll also be treated to a candlelight dinner with a cooking demonstration by Michelin-starred Italian chef Giancarlo Perbellini, access to a personal butler for the duration of your stay, tours of both the house and the city of Verona, and the chance to read and answer some letters sent to Juliet. Even the bed you’ll sleep in is especially romantic—it’s the one used in Franco Zeffirelli’s 1968 film adaptation of Romeo and Juliet.

juliet's house in verona, italy
Airbnb

juliet's house in verona, italy
Airbnb

And, of course, you’ll be giving yourself the ultimate Valentine’s Day gift: Freedom from the pressure to plan a perfect Valentine’s Day. The contest is open now through February 2, 2020, and you can apply here.

Mental Floss has affiliate relationships with certain retailers and may receive a small percentage of any sale. But we choose all products independently and only get commission on items you buy and don't return, so we're only happy if you're happy. Thanks for helping us pay the bills!

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