17 Secrets of Magicians

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Whether they're performing a big illusion that makes a tiger disappear or showing off card tricks on a table, magicians spend years perfecting their performances. We spoke to several from across the country (and beyond) to find out how they learn their trade, the type of resource they spend thousands of dollars on, what they hate most at shows, and the one question they really wish you'd stop asking.

1. THEY DON'T GO TO MAGIC SCHOOL.

Surprise: There’s no Hogwarts School of Witchcraft and Wizardry out there. "There's no real training," says Dave Taylor (a.k.a. Magic Dave) from Southend-on-Sea in England. "It's all personal experience, lecture notes, DVDs, books, etc. You can go to workshops, but for most things you have to be self-taught." One big asset, he notes, is a local magic club, which can provide feedback on shows.

Randy Follis, a magician from southwest Missouri, agrees: "The training is mostly independent. Researching books, DVDs, and—if you're fortunate enough to find them—fellow magicians." After that, all that's left is a lot of hard work and practice, practice, practice.

2. THEY SPEND THOUSANDS OF DOLLARS ON BOOKS.

“Most magicians are serious scholars," says Las Vegas magician Xavier Mortimer. "I don't know any professional magicians who don't have their own extensive libraries about our craft." (One notable example, Harry Houdini, assembled close to 4000 books on magic and spiritualism, now held at the Library of Congress.)

The costs of those books can add up, though: "Most books are small print runs, for a small audience, which can lead to high prices," Mortimor says. As an example, Denny Haney, who owns the Denny and Lee Magic Shop in Baltimore, Maryland, says that one book he sells—Soirees Fantastique by the French illusionist Christian Fechner—goes for $3000.

3. THEY MIGHT SPEND A YEAR PERFECTING ONE TRICK.

Magicians are nothing if not obsessive. Danny Whitson, a comedian and magician from Knoxville, Tennessee, says he spent a year in front of the mirror mastering one particular move. "It sounds insane," he says, "but a great magician is always learning."

All that rehearsing can take a toll on loved ones. "You spend most of your time rehearsing a trick over and over again, to the point where it annoys everyone else around you," Taylor says. "My wife threatened (jokingly) to leave me if I kept playing with a Rubik's Cube after I spent a solid two weeks learning the ins and outs of a trick."

4. THEY CAN EARN THOUSANDS OF DOLLARS PER GIG.

Magicians can earn more than you might think, but it depends on the type of gig. "Corporate gigs pay the most at $800 to $2500, then your bars, clubs, festivals $300 to $1000, and a birthday party $200 to $500," Whitson says.

While that might seem substantial, as Taylor notes, "you are self-employed, so you could work lots in a week and then the next two weeks have nothing. Then, there's the task of advertising yourself, administration, rehearsals, prop maintenance, etc., which take up your time. You might only have two shows in a week for two hours and get paid £500 [about $675], but you still work a full week doing everything else.”

5. THEY AREN'T ALLOWED TO HAVE BAD DAYS.

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"Being a pro magician basically means you are selling a product—yourself," Taylor says. "You have to convince your audience you are the best even when you don't feel like it." That means pulling through a bad show, or a bad day, with a smile: "If you're in an office you can be in a bad mood. If you are in front of hundreds of people performing that's another matter."

6. CONNECTING WITH THE AUDIENCE CAN BE MORE IMPORTANT THAN THE TRICKS.

Doc Eason, a legendary magician who performs at the Magic Castle in Hollywood, California, and at the Stonebridge Inn in Snowmass, Colorado, is known for his incredible memory; he does one trick where he memorizes the names of 20 people in the audience as well as a card held by each person. Despite the impressive feat, Eason says, “The trick is not the thing ... what is the thing is connecting with the audience. Without connection, you just become a clever person who learned to do a few cool things." Establishing that connection is a matter of eye contact and remembering the names of the people in the audience, Eason says—which requires plenty of practice in front of friends, family, and then strangers before taking to the stage.

7. THEY HATE CELL PHONES MORE THAN HECKLERS.

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Magicians have probably dealt with hecklers (“I know how you did that!”) since they first stood on a stage. But today’s electronics are considerably more annoying, performers say, what with people constantly recording the show, checking messages, or texting during performances. “Holding audience attention is increasingly difficult," Eason says. However, he doesn't ban cell phones, since that can "start a show on a hostile note."

Randy Forster, a magician from Delaware, handles the annoyances of technology by turning them into an opportunity for humor. He'll open a show with a comment like, “If you have any devices with you with an on-off button, such as a snow-blower or generator, please turn them off now.” Should someone’s phone ring, he’ll say, “We’ll just hold the show until you get that,” or “Put the phone on speaker so we can all hear.”

8. THEY'RE NOT ONE-SIZE-FITS-ALL.

Haney says there are several types of magicians: those who specialize in close-up magic (like card tricks on a table), illusionists (think Siegfried and Roy or David Copperfield), mentalists (those who pretend to perform mind-reading), the "bizarre" (think sword swallowers), and children’s entertainers (balloon animals), among others. While some may do one or more types of magic, they generally stick to one category, and develop routines that play to their own strengths.

That's worth keeping in mind when you're hiring a magician. Although many magicians are happy to accommodate special requests, keep their specialty in mind—"someone who does close-up [magic] might hate animal tricks and wouldn’t do them within the scope of a close-up act. Each has its place," Haney says.

9. THEY'RE TIRED OF THE DORKY STEREOTYPES.

"The media gives magicians a bad name sometimes," Taylor says. "Think Howard Wolowitz on Big Bang Theory with his cheesy, annoying manner and performing at inappropriate times." Then there's the memorable Gob Bluth from Arrested Development, whose ineptitude as a magician is matched only by the obnoxiousness of his personality. Magicians like Taylor aim to change those unpleasant associations: "Many magicians, like myself, try to make the magic cool. Not over-the-top cool, but entertaining enough that you’ll talk about it in the pub that night and be impressed and not use 'geeky' to describe it."

10. THEY'VE HEARD ALL YOUR JOKES BEFORE.

Rich Bloch, a magician, inventor of magic effects, and owner of Dickens Parlour Theater in Millville, Delaware, says that when you think you’re being clever by asking the magician, “Can you make my husband disappear?” or “Can you saw my wife in half?” or “Can you change this dollar into a $1000?”—you aren’t. Also, the magician has probably heard the joke “How’s tricks?” before, even if they laugh with wide-eyed amazement like you’re the first person to ever crack it.

11. DON'T ASK THEM TO WORK FOR FREE …

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Taylor’s pet peeve is someone asking, "Can you work for free?" or saying "I don't have much of a budget, but it will be great exposure for you."

"Unfortunately, exposure won't feed my family or pay my phone bill," he explains. "And I hate to say it, but 99.99 percent of these ‘exposure’ gigs don't lead to anything else. You wouldn't ask your electrician to work for free so why ask entertainers to?”

12. … OR TO EXPLAIN THE TRICKS.

As tempted as you may be to learn how a trick is done, don’t ask unless you’re paying for a private lesson. Once you learn, you’ll probably be disappointed, our sources say. “It’s usually something very simple,” Haney says. “It’s always more fun to be amazed.”

13. THERE ISN'T NECESSARILY A PENALTY FOR REVEALING HOW TRICKS ARE DONE.

While revealing a trick can lead to some ostracism for magicians, doing so won't get them sent to magicians' jail. For one thing, magic tricks aren't copyrightable, so it can be hard to prove ownership, and there's usually plenty of resources out there explaining tricks already. They have occasionally even been revealed in court—as when David Copperfield was forced to reveal the method behind his Lucky #13 trick after a participant claimed he'd dislocated his shoulder during a Las Vegas performance.

But there are certain centerpiece tricks—ones the magician created or purchased for thousands of dollars—that can ruin a magician's act if their mechanics are revealed. For example, Bloch has a trick where he copies someone’s signature while he’s blindfolded; it's a key part of his act, so revealing how it's done could be devastating. If a trick like that is unmasked, a magician might sue, as when Teller of Penn & Teller filed a lawsuit against a Belgian entertainer who posted a YouTube video of an illusion similar to one of Teller's signature tricks, and promised to reveal the secret behind it for $3050. Even though magic tricks aren't specifically copyrightable, Teller won his lawsuit because he'd registered his trick as a "dramatic work," which is protected by copyright.

14. THEY AVOID USING TRICK DECKS.

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Although there are numerous trick card decks out there, Haney and Bloch both say a good magician needs only a standard Bicycle deck. “If you have a funny back, if people don’t recognize it, they automatically suspect it’s a trick deck,” Haney says.

15. THEIR TRICKS DON'T ALWAYS GO AS PLANNED.

Magicians sometimes perform in unusual environments—outdoors, at birthday parties, etc. Taylor remembers the time he was performing in a church hall for a corporate event and fell victim to its old wooden floor, which was riddled with gaps between the boards. "I was doing an escape from a replica set of Victorian prisoner chains and it's supposed to take 20 seconds in total," he says. But just as he went to flee, he realized he couldn't move his legs. "Turns out the chain had got trapped in the floor, meaning I couldn't get my feet out of the set of chains. I was stuck to the floor and could hear the music ticking away. Panicking, I grabbed hold of the cloth [that was supposed to drop and reveal him] and covered my feet with it as I yanked at the floorboards. I spent about 30 seconds of hell trying to subtly escape from the chains while talking to the audience as cool as I could. With a large yank, I managed to get my feet free, injuring an ankle in the process, and hobbled off stage as soon as I could."

Occasionally, even the little "disasters" turn out OK. Follis says he was once working a restaurant when a couple's dollar bill, which was part of his trick, got "a little too close the flame and burned—only a little, but clearly visible." In a panic, he tried to replace the dollar, but the couple "insisted on keeping it as it was their first date and they thought it would make a great story." The next Halloween, the same couple came to his show, sat in the second row, and told him how much they enjoyed the performance—followed soon after by an invitation to perform for their first family Christmas as a couple.

16. MISDIRECTION IS KEY.

“The essence of a magic performance is misdirection," Bloch says. "Not as in causing someone to look here rather than there, but displacing their expectations." He compares magic to humor, which often seems funny because of the unexpected turns a joke or a skit takes. "The unexpected is what causes the laughter reaction," Bloch explains. "Magic is the same. People expect an assistant to remain stable on the table, yet she floats, so you are changing the direction of their expectations.”

17. MAGIC TRICKS CAN HELP PEOPLE WHO HAVE BEEN INJURED OR WHO HAVE DISABILITIES.

Over the years, magicians have realized that learning to do tricks can be a valuable form of physical therapy. Haney says a customer bought a trick for his wife who had suffered a stroke; her doctor had said she’d never use her right hand again, but the trick gave her a goal to focus on, and she ended up regaining the use of her hand.

Several magicians have created programs that combine magic with other forms of physical and psychological therapy: David Copperfield founded Project Magic in 1981 to teach people with disabilities how to do sleight of hand work as a means to improve their dexterity, problem-solving skills, and self-confidence. After being in a debilitating car accident in 1988, magician Kevin Spencer created a “Healing of Magic” program that uses simple magic tricks to boost physical skills and motivational levels. According to his website, the concepts of “magic therapy” are now being used in more than 2000 hospitals, schools, and rehabilitation facilities worldwide.

Celebrate the Holidays With the 2020 Harry Potter Funko Pop Advent Calendar

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Funko

Though the main book series and movie franchise are long over, the Wizarding World of Harry Potter remains in the spotlight as one of the most popular properties in pop-culture. The folks at Funko definitely know this, and every year the company releases a new Advent calendar based on the popular series so fans can count down to the holidays with their favorite characters.

SIGN UP TODAY: Get exclusive deals, product news, reviews and more with the Mental Floss Smart Shopping Newsletter!

Right now, you can pre-order the 2020 edition of Funko's popular Harry Potter Advent calendar, and if you do it through Amazon, you'll even get it on sale for 33 percent off, bringing the price down from $60 to just $40.

Funko Pop!/Amazon

Over the course of the holiday season, the Advent calendar allows you to count down the days until Christmas, starting on December 1, by opening one of the tiny, numbered doors on the appropriate day. Each door is filled with a surprise Pocket Pop! figurine—but outside of the trio of Harry, Hermione, and Ron, the company isn't revealing who you'll be getting just yet.

Calendars will start shipping on October 15, but if you want a head start, go to Amazon to pre-order yours at a discount.

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

11 Secrets of Astronauts

Wikimedia Commons, Public Domain
Wikimedia Commons, Public Domain

In the 60 or so years that the job has existed, astronauts have captured the public's imagination. And while many people might think they have some idea of what being an astronaut is like, thanks to the glut of portrayals in movies, real astronauts will tell you that working for NASA is much different from what you see on the screen. In between exciting tasks like spacewalks, they have to worry about less glamorous aspects of the job—like finding lost items that floated away and using the toilet in microgravity.

Mental Floss spoke with two former NASA astronauts about the realities of preparing for and experiencing life in space. Read on to learn about the most annoying parts of the job, the ways they have fun, and their honest opinions about astronaut food.

1. Astronauts come from a range of different fields.

There’s no one direct path to becoming an astronaut. If someone knows they want to be an astronaut from a young age, they need to build credentials in a specific field before they can get the attention of NASA. "They're looking for people who are qualified, meaning that they're high-achieving military people or people from civilian life, generally with an advanced degree," Mike Massimino, a former NASA astronaut and professor of mechanical engineering at Columbia University, tells Mental Floss.

To be considered for NASA’s astronaut program, candidates must have U.S. citizenship, hold a master's degree in a STEM field, and have at least two years of related post-grad professional experience or at least 1000 hours of pilot-in-command time on jet aircraft. Two years toward a doctoral program in STEM, a completed doctor of medicine or doctor of osteopathic medicine degree, or completion of a nationally recognized test pilot school program are also accepted in place of a master's degree. Because space flight crews require diverse skill sets, the criteria doesn’t get more specific than that.

"I was a Ph.D. research engineer professor when I was picked," Massimino says. "I've flown in space with engineers, with test pilots, helicopter pilots for the military. I've also flown in space with a geologist, I've flown in space with an oceanographer, and I've flown in space with a veterinarian. So it's really varied. There's not just one route."

2. Astronaut training involves everything from class work to military survival exercises.

NASA astronaut Garrett Reisman on a spacewalk in May 2010.NASA's Marshall Space Flight Center, Flickr // CC BY-NC 2.0

Candidates accepted into the astronaut program must complete years of training before they're ready for spaceflight. A lot of that training takes place in the classroom and involves learning about different space vehicles and systems. Astronauts also undergo physical training in the real world. According to Garrett Reisman, former NASA astronaut and the director of space operations at SpaceX's headquarters in Hawthorne, California, one of the most intense courses has nothing to do with preparing for life in space.

"We do the same SERE [survive, evade, resist, escape] training that military aviators go through," he tells Mental Floss. "The idea is that if you fell out of an aircraft over enemy terrain, you got to know how to survive without help. You have to learn to live off the land, what plants you can eat, how to make a shelter and all those things."

The T-38 jets astronauts fly as part of their training have ejectable seats, so landing somewhere unfamiliar is a possibility. But astronauts only fly over the continental U.S., so they likely won't ever need to use the full extent of their SERE training. "What are the odds that you parachute down and there’s not a Starbucks right there?" Reisman jokes. "All you need to do is give me a Starbucks gift card and I’ll be fine."

3. Exercise is a vital part of the job.

Exercising is more than a way to pass time in space: It’s essential to an astronaut’s health. The human body isn’t used to moving around without the force of gravity, and for this reason, all astronauts must make resistance exercises part of their daily routine.

"You do have to spend two hours every day exercising," Reisman says. "If you're up there for a long period of time, you can lose a lot of your bone and your muscle mass if you do nothing, so the way we get around that is by doing intense resistance exercise."

Astronauts can lose up to 20 percent of their muscle mass on an 11-day space flight due to the lack of gravity [PDF]. But zero gravity also makes free weights useless, so instead, astronauts maintain their strength by using a device outfitted with two small canisters that create a vacuum they can pull against with a long bar. A bike and treadmill (with a harness) are also available on the International Space Station. Strength is required to perform certain emergency procedures when the ship re-enters Earth's gravitational field, so staying fit in space is vital.

4. Astronauts do most of their work on Earth.

Astronaut Mike Massimino practices repairing a portion of the Hubble Space Telescope while training at NASA's Johnson Space Center in Houston, Texas.NASA Hubble Space Telescope, Flickr // CC BY 2.0

In order to become one of the few people to travel to space, astronauts must be willing to do a lot of work at home. "A NASA astronaut’s job is mainly spending your time on Earth," Massimino says. "You're going to spend the vast majority of your time on the ground, either training or working on technical issues or helping other people fly." Throughout his nearly two decades with NASA, Massimino spent less than a month total in space. Reisman was with NASA for 12 years and spent a cumulative 107 days of his career in space.

5. Astronauts don't make as much money as you think.

One of the biggest misconceptions astronauts hear about their work relates to their salary. While they are paid decently, astronauts don’t collect the massive paychecks some people might assume comes with such a high-profile job. "We don't make a heck of a lot of money," Massimino says. "We make a standard government salary."

Astronauts are paid according to the federal government's General Schedule pay scale. Most federal jobs are assigned a General Schedule (GS) grade that determines their starting salary, and the pay increases as they gain experience. Astronauts either qualify for grades GS 13 or 14 (the highest grade is GS 15) and make between $104,898 and $161,141 per year. For comparison, Fish and Wildlife administrators are paid similarly at the right experience level.

6. Astronauts lose things (but not for long).

Even in a place as tight as a space station, astronauts still manage to misplace their belongings. Thanks to the lack of gravity, anything they let go of immediately drifts away, which can cause problems when they’re not paying attention. Massimino recalls one incident that happened to his crewmate Mike Good: "He had his grandfather’s watch with him, and he comes up to me and goes, 'Mass, I can’t find the watch.' We’re looking all over the place and I stop after a minute and go, 'Mike, it’s inside here somewhere.'"

They eventually found it trapped inside the airlock. The air filter is another common place where lost items end up: Without gravity interfering, the air flow will carry any floating objects there. "One thing we would say is, 'If you can’t find something, just wait,'" Massimino says. "You'd wake up in the morning and look at the filter and see like aspirin and a piece of Velcro or something, because everything eventually would get there."

7. Astronaut opinions on the food in space are mixed.

Despite its reputation, space food has some fans in the astronaut community. "Astronaut food is great," Massimino says. "We had ravioli, lasagna, shrimp cocktail, fajitas. It was fantastic."

Reisman holds a much different opinion of the meals he ate in space. "It’s terrible. You don’t go to the space station for the food," he says. While he didn’t love the American and Russian provisions that made up most of his diet in space, he did have nice things to say about food from other agencies. "The Japanese and the Europeans, when their astronauts would fly, they had special food that was provided by their space agencies. The Japanese sent up yakitori and miso soup and that was delicious. And the Europeans had pâté. That was much better."

8. Astronauts find time to have fun.

NASA astronaut Mike Massimino smiles during some extravehicular activity (EVA).NASA Hubble Space Telescope, Flickr // CC BY 2.0

Between work, meals, and exercise, astronauts don’t have a ton of free time in space. Duties like maintenance, installing equipment, and conducting experiments take up the majority of their day. Sneaking in recreation usually means staying up past their scheduled bedtime, which Reisman confirms most astronauts do. One of his favorite activities to do aboard the International Space Station was taking pictures of Earth. "You could take photographs of places on Earth that are special to you. I got a picture of my hometown, which is pretty cool. As far as I know, no human ever photographed that particular town from space before."

9. Astronauts think movies set unrealistic standards.

The science isn’t the only thing that’s unrealistic about Hollywood’s portrayal of space travel. "I think the biggest misconception is that we're all tall and good-looking," Reisman says. When working as a technical advisor for 2019's Ad Astra, he jokingly brought up this gripe with the movie’s star Brad Pitt. "I said, 'I’m kind of pissed off at you. Think about who they cast to be astronauts in all these movies and TV shows. Matt Damon, Matthew McConaughey, George Clooney, Brad Pitt. People meet me and they’re disappointed.'"

Reisman doesn't hold this against the actors, however. Pitt reminded him that the stars portraying astronauts on screen have plenty to be envious of themselves. "Brad said: 'Well, Garrett, I can't actually fly a spaceship. The only talent I have is being able to stand in a certain spot and read something that someone else wrote. I got nothing else.'"

10. Going to the bathroom in space is an ordeal.

If you’ve ever wondered how astronauts poop in space, the answer is: with great difficulty. "Taking a dump was not easy," Reisman confirms. Without the help of gravity, using a toilet in space becomes a complicated operation. Astronauts must strap their feet down to keep from floating away and create a perfect seal between the toilet seat and their butt cheeks. The toilet itself uses a vacuum hose to suction up the waste. The process is so complex that using a space toilet is part of an astronaut’s training. It's not unusual for a bathroom break that normally takes a few minutes on Earth to last half an hour in space.

11. In such a competitive field, astronauts need to be persistent.

NASA's astronaut training program is extremely competitive. The agency selected just 12 people out of a pool of 18,353 candidates in 2017, which comes out to an acceptance rate of 0.065 percent. Massimino had to apply four times before he made it into the program.

"I was rejected outright twice while I was in grad school. The third time I got an interview and failed the eye exam, so was medically disqualified." NASA considers candidates with less than 20/20 vision today as long as it's correctable, but that wasn't the case when Massimino was applying. "I went through some vision training with an optometrist, and I was able to teach my eyes to see a little better. I was able to apply a fourth time, and I was picked on my fourth try."

According to Massimino, that level of commitment to his goal ended up being relevant to the job itself. "The job is a lot of late-night simulations, you have to pass exams, you have to work with your teammates. And unless you have a real interest in it, it's going to be tough."