20 Gonzo Facts About The Muppet Show

Frederick M. Brown, Getty Images
Frederick M. Brown, Getty Images

The namesake series starring Kermit the Frog and Miss Piggy, created by Jim Henson, debuted on American TV screens over 40 years ago. And the zany antics of Fozzy Bear, Gonzo, the Swedish Chef, and more haven’t left our pop culture consciousness since. It’s time to play the music, it’s time to light the lights, it’s time for some facts about The Muppet Show!

1. THE MUPPET SHOW WASN’T THE FIRST MUPPET SHOW.

Jim Henson originally created the Muppets for a 1955 segment called Sam and Friends, a five-minute show that aired twice a day on NBC affiliate WRC-TV in Washington D.C. from May 1955 to December 1961.

The titular character was a humanoid muppet named Sam, with appearances by an Oscar the Grouch-type monster character named Muchmellon, and Henson’s earliest surviving puppet, Pierre the French Rat, among others. Kermit also made an appearance (he was created using an old coat that once belonged to Henson’s mother), but he wasn’t yet a frog. According to a 1982 interview he was simply known as “Kermit the thing.”

2. VIRTUALLY NONE OF THE EARLY EPISODES EXIST.

Most early local TV episodes like Sam and Friends were broadcast live, and recording them would involve using a kinescope (a specialized camera that recorded a show directly from a black and white monitor as it aired live). Some existing episodes were recorded because Henson wanted to try new puppetry techniques or review a specific performance.

The Muppets eventually made regular appearances on Today beginning in 1961, and would also appear on late-night shows like The Ed Sullivan Show and The Dick Cavett Show, and variety series like The Jimmy Dean Show, as well as on Sesame Street.

3. THEY GOT THEIR BIG TV BREAK ON SATURDAY NIGHT LIVE, BUT IT WASN’T A GOOD FIT.

Muppets began appearing in sketches on Saturday Night Live’s debut season in 1975, most notably a recurring skit called “The Land of Gorch” which dealt with decidedly adult topics like alcohol abuse, adultery, and drugs. Only hired SNL writers, not Henson employees, were allowed to write the sketches, while puppeteers like Henson, Jerry Nelson, and Frank Oz performed them each week.

Of his experiences on SNL, Oz later said, “I think we didn't really belong on Saturday Night Live. I think our very explosive, more cartoony comedy didn't jive with the kind of Second City casual laid-back comedy, so the writers had a lot of trouble writing for us.”

4. THE MUPPET SHOW PILOT WAS ALL ABOUT "SEX AND VIOLENCE."

A Muppet pilot special, The Muppet Show: Sex and Violence, aired on ABC in 1975, and was supposed to be a parody of the proliferation of sex and violence on TV. The opening of the show featured guest Jaye P. Morgan looking toward the camera and saying, “This is not gonna be just another cute puppet show,” with the episode following the adventures of characters like Sam the Eagle and Dr. Teeth and The Electric Mayhem bassist Floyd Pepper putting on a pageant based on the seven deadly sins.

5. JIM HENSON USED VALENTINE’S DAY AS A DRY RUN.

A 1974 ABC pilot special was a bit more tame. Titled The Muppets Valentine Show, it features special guest star Mia Farrow helping a character named Wally (in his first and last appearance) with his writer’s block for sketches on the show about the true meaning of love.

6. THE MUPPETS ARE BRITISH.

Both pilots failed to garner enough support for ABC or any other American networks to pick up The Muppet Show as a regular series in 1976, so Henson looked across the pond. British network Associated TeleVision (ATV) decided to pick up the series, and gave Henson a deal to produce each episode at their studios in Elstree, England and broadcast them on ITV stations across the UK.

Once The Muppet Show garnered a strong fan base, the show was sold to the U.S. and other networks across the world in syndication deals.

7. BRITISH AUDIENCES GOT MORE MUPPETS.

Broadcasting methods in the UK caused shorter commercial breaks, which forced Henson and company to film an extra two minutes for each UK episode. Each extra sketch was normally positioned after a middle break, and regularly featured musical numbers or other basic setups without the participation of that week’s guest star.

8. ROWAN & MARTIN’S LAUGH-IN WAS A BIG INFLUENCE ON THE SHOW.

Henson modeled part of the whip-smart sketch framework on the show Rowan & Martin’s Laugh-In, a comedy variety series that aired from 1967 to 1973. Henson and his Muppet Show collaborators even poached a regular Laugh-In sketch called “The Cocktail Party,” for their show called "At the Dance." In both, different colorful characters met at a party to exchange one-liners.

"At the time, we were competing with cartoons, so we kept everything very short and varied, like Laugh-In,” Sesame Street executive producer and Henson colleague Lewis Bernstein said, “which was the best show on TV then.”

9. THE OPENING NUMBER HAD A LOT OF MUPPETS ... JUST NOT ALL AT ONCE.

The extravagant opening number to The Muppet Show featured the cast of Muppets singing and dancing, culminating in each character standing in five distinctive and lighted arches on stage. What seems like a single shot is actually a bit of camera trickery.

Each row was filmed individually, with puppeteers sporting one Muppet per hand, making it roughly seven puppeteers per row. Footage of each pass was then stuck together to make it look like a single performance.

10. THE MUPPETS' THEATER HAD A NAME.

The vaudeville house where the Muppets supposedly put on each performance is identified as “The Muppet Theatre” (notice the “re” spelling of theater given its London location) as seen in posters and backstage signs throughout the series.

But in the sixth episode of the first season, which aired on September 25, 1976, Kermit reveals the name of the structure as the “Benny Vandergast Memorial Theatre.”

“We owe everything to Benny,” Kermit says, “including three months back rent!” This is the only time that the theater isn’t referred to simply as “The Muppet Theatre."

11. THE THEATER IS OWNED BY SCOOTER’S UNCLE.

According to a 1991 Muppets children’s book called The Phantom of the Muppet Theater, the theater was built by a stage actor named John Stone in 1802. But in The Muppet Show, the owner of the theater is J. P. Grosse, a character first introduced in Episode 205 and Scooter’s uncle. The character only made a few appearances on the show, but a running gag with Kermit had the frog going along with whatever demands were being made in Grosse's name due to his fear of the theater’s owner.

12. HOSTING GIGS WERE EXCLUSIVE.

Out of 120 total hosts of The Muppet Show, no celebrity was allowed to host more than once during the show’s initial six-year run. (Although John Denver appeared both on the show and in two specials, John Denver and the Muppets: A Christmas Together and John Denver & the Muppets: Rocky Mountain Holiday.)

Rita Moreno hosted the first episode (and would win an Emmy Award for her appearance), while some celebrities were allowed to be co-hosts. Singers Kris Kristofferson and Rita Coolidge co-hosted in 1978 and singers Roy Rogers and Dale Evans co-hosted in May 1979.

Other hosts included eclectic stars like Johnny Cash, Julie Andrews, Peter Sellers, Harry Belafonte, Bob Hope, Liza Minnelli, Vincent Price, Ethel Merman, Diana Ross, Debbie Harry, and Alice Cooper.

13. THE MUPPETS WERE HAPPY TO LET GUEST HOSTS PLAY FAVORITES.

Since the guests wouldn’t make a repeat appearance, they could make their one and only shot count. Guests were allowed to make special requests to the writers to appear in a scene with their favorite Muppet. Miss Piggy was allegedly the most requested, with Animal as a close second.

14. FOR A VERY BRIEF TIME, GUESTS HOSTS WERE MUPPET-FIED.

Hosts were originally supposed to be given a Muppet version of themselves at the end of their appearance on the show, but the would-be tradition only lasted for the first two episodes. Only actress and singer Connie Stevens and Juliet Prowse were given their Muppet counterparts. The gifts were scrapped due to the unique Muppets being too expensive to create.

15. THE MUPPET SHOW MADE THE FOUNDING FATHERS PROUD.

The Mary Washington Colonial Chapter of the National Society of the Daughters of the American Revolution (DAR) gave The Muppet Show their Television Award of Merit in 1978. It was the first non-historical series to be honored with the award (Captain Kangaroo and Mister Rogers Neighborhood would win in subsequent years).

According to the DAR website, they are “dedicated to promoting patriotism, preserving American history, and securing America's future through better education for children,” which begs the question: Would George Washington like Kermit?

16. DON’T LET THE THEATER SETTING FOOL YOU.

Despite the vaudeville shtick, the show was not filmed in front of a full live studio audience.

"The way the show was taped, we would block and tape, which means that each piece of material would take anywhere from half an hour to several hours to tape, so it's a long, slow process,” Henson explained in an interview. “You can't really work in front of an audience that way. I mean, when we had Raquel Welch in the studio, we had a good 150 guys from neighboring studios, but it wasn't an official audience."

17. THERE WAS A LAUGH TRACK, BUT HENSON HATED IT.

To stay with the live act premise of the show, a laugh track was included early on. Henson was reluctant, but ultimately decided to keep it.

"As I look at some of the early shows, I'm really embarrassed by them,” he later said in an interview. “It's always a difficult thing to do well and to create the reality of the audience laughing. I did one special dry—without any laugh track—looked at it, and then tried it adding a laugh track to it, and it's unfortunate, but it makes the show funnier."

But Henson still managed to include some laughs at the laugh track’s expense. In episode 104, Kermit cracks a jokes that it is "up to the laugh track" whether the show is funny or not. At the end of episode 320, Kermit signs off saying, "You've been a wonderful laugh track!"

18. "MAHNA MAHNA" ORIGINATED FROM A DECIDEDLY NON-MUPPET-APPROVED MOVIE.

Most people know the distinctive four-syllable tune from a sketch that aired during The Muppet Show’s 1976 premiere, but the song came from a 1968 Italian soft-core movie called Sweden: Heaven and Hell.

Sesame Street producer Joan Ganz Cooney allegedly heard the track on the radio and asked Henson and Oz to perform it with the Muppets on the show in 1969 before the pair rehashed the music number for The Muppet Show.

19. GONZO’S CRAZY ACTS CAME OUT OF CRAZY WRITERS' ROOM IDEAS.

The Great Gonzo is best known for his weird and wacky stunts, but he started out as a completely different Muppet altogether. Henson allegedly had an unhinged character in mind, and simply chose the actual Gonzo puppet from a previous special called “The Great Santa Claus Switch,” where the puppet was a character called Snarl, the Cigar Box Frackle.

When thinking how to make the new character of Gonzo distinct, puppeteer Dave Hoelz suggested, “He might have been forgotten about during the early meetings, except that Jack Burns—who was head writer on the first season—said, ‘Yeah! Yeah! Like he does these crazy acts like eating a tire to 'Flight of the Bumblebee!'" I guess that sentence inspired the writers, so Gonzo ate his tire in the first episode and grew from there.”

Gonzo would go on to perform 20 stunts in The Muppet Show’s 120-episode run.

20. HENSON’S IDOL APPEARED IN THE SECOND SEASON.

The guest host for episode 207 was ventriloquist Edgar Bergen and his dummy, Charlie McCarthy. The pair were Henson’s heroes, inspiring him at a young age to get into puppetry. Bergen and McCarthy would also appear in The Muppet Movie, which Henson dedicated to his idol after he passed away before the release of the film.

“My act and the Muppets are both sophisticated and adult, but children love them, too, because we give children a chance to use their imaginations,” Bergen said of his experience on The Muppet Show. “They complete the illusion that our characters start."

8 Surprising Facts About Paul Newman

Hulton Archive/Getty Images
Hulton Archive/Getty Images

With roles as varied as pool shark “Fast” Eddie Felson in 1961’s The Hustler (and 1986's The Color of Money) and alcoholic lawyer Frank Galvin in 1982’s The Verdict, Paul Newman never conformed to type. The versatile actor spent decades as a movie star, auto racer, and part-time salad dressing pitchman. In honor of what would have been Newman’s 95th birthday on January 26, 2020, take a look at some lesser-known details of the performer’s life and career.

1. Paul Newman originally wanted to be a football player.

Born in Cleveland and raised in Shaker Heights, Ohio, Paul Newman was the offspring of Arthur, a sporting goods store owner, and Teresa, whose love of theater eventually proved contagious. But Newman originally had his sights set on a sports career. He played football in high school and college before enlisting in the U.S. Navy Air Corps, where he served as a radio operator (as he was ineligible to be a pilot due to being colorblind).

When Newman returned home in 1946, he attended Kenyon College in Gambier, Ohio on a football scholarship. After getting arrested for fighting and being kicked off the team, Newman decided to shift his major to theater. He eventually wound up in summer stock and then the Yale School of Drama before heading off to be a full-time actor in New York.

2. Paul Newman thought his first film was the worst movie ever made.

After stints on stage and in television, including roles in Playhouse 90, Newman was offered the starring role in 1954’s The Silver Chalice, about a Greek slave who crafts the cup used during the Last Supper. While the $1000 weekly salary was welcome, the film was not. Newman later asked friends to sit through it while drubbing it as the worst film ever made. He had better luck two years later when he played boxer Rocky Graziano in Somebody Up There Likes Me (1956). In 1958, Newman earned his first of 10 Academy Award nominations for Cat on a Hot Tin Roof.

3. Paul Newman was often mistaken for Marlon Brando.

Paul Newman and Joanne Woodward standing outdoors, circa 1962
Paul Newman and wife Joanne Woodward, circa 1962.
Hulton Archive/Getty Images

Early in their respective careers, Newman was regularly approached by people who thought he was Marlon Brando. Rather than correct them, he would oblige their request for an autograph by signing, “Best Wishes, Marlon Brando.”

4. Paul Newman frequently enjoyed faking his own death.

Newman, who was described by most who knew him as an affable man, had a mischievous streak that often manifested in practical jokes on his directors. A frequent target was George Roy Hill, who directed Newman in 1969’s Butch Cassidy and the Sundance Kid, 1973’s The Sting, and 1977’s Slap Shot. Newman cut Hill’s desk and car in half during filming of the first two films. While making Slap Shot, he crawled behind the wheel of a wrecked car and pretended he had been in an accident, much to Hill’s horror.

While making 1960’s Exodus, Newman pranked director Otto Preminger by tossing a dummy off a building knowing Preminger would think it was him: Preminger collapsed in shock. He repeated the joke during shooting of 1973’s The MacKintosh Man, tossing another dummy off a 60-foot building in front of director John Huston.

5. A movie introduced Paul Newman to racing.

It was starring in the 1969 racing film Winning that led Newman down a path of competitive racing in his private life. In 1972, Newman started driving on an amateur level before winning his first professional race in 1982. At age 70, he was part of the winning team in the 1995 Daytona 24-Hours sports car endurance race and continued to drive through 2005. The hobby was one of the few things that could get Newman, who was notoriously press-shy, to open up to media. “I’ll always talk about racing because the people are interesting and fun, the sport is a lot more exciting than anything else I do, and nobody cares that I’m an actor,” Newman said. “I wish I could spend all my time at the racetrack.”

6. Richard Nixon considered Paul Newman an enemy.

Actor Paul Newman is pictured in Venice, Italy in 1963
Archivio Cameraphoto Epoche/Getty Images

President Richard Nixon, who was no stranger to controversy, liked to keep tabs on people he considered volatile and in opposition to his politics. While that normally included political figures, his “enemies list” also included Newman. The actor earned the honor by supporting 1968 presidential candidate Hubert Humphrey and being an outspoken critic of the Vietnam War. Oddly, Newman and Nixon had some personal history: Both men shared use of a Jaguar on loan from an automobile dealer. When Newman learned that Nixon was driving the car during part of the week, he left a note saying Nixon should find no trouble operating a car with a “tricky clutch,” a nod to Nixon’s “Tricky Dick” nickname. When Nixon gathered his list of rivals in 1971, Newman’s name was on it. The actor later got a copy and had it framed.

7. Martha Stewart helped put Paul Newman’s salad dressing on the map.

Today it's not uncommon for major actors to lend their images to food and alcoholic beverages. In the early 1980s, it was unusual, though Newman wasn’t looking to make history—only salad dressing. The actor enjoyed mixing an oil and vinegar blend and giving it out to friends and family around the holidays. With friend A.E. Hotchner, Newman bottled a batch and dispensed it over the 1980 Christmas season. Martha Stewart, who was then a caterer, was living in Newman's neighborhood at the time and reported a blind taste test was in favor of the dressing. Newman agreed to put his face on the bottle and call it Newman’s Own. The dressing and the foods to come—including spaghetti sauce—generated profits that Newman donated entirely to charity. As of 2015, the company has delivered an estimated $430 million to charitable causes.

8. Paul Newman once offered part of his salary to a co-star.

While making the 1998 film Twilight with Gene Hackman and Susan Sarandon, Newman was surprised to discover that both he and Hackman were making considerably more than Sarandon, despite all three receiving equal billing. Sarandon told the BBC in 2018 that Newman then offered to give up a portion of his salary to make things equitable.

17 Animated Facts About BoJack Horseman

Netflix
Netflix

BoJack Horseman, which is getting ready to debut its final episodes on Netflix at the end of January, surprised viewers and critics with its gradual dive into the depression of an anthropomorphic horse that used to be the star of a banal, early 1990s, TGIF-type sitcom. On the series, the town of Hollywoo is made up of both humans and talking animals full of hopes, dreams, and regrets.

Will Arnett stars as the voice of the titular equine who, at the beginning of season 3, is faced with the consequences of getting what he wants: legitimate acting recognition for playing the lead in a movie about his hero, Secretariat. Breaking Bad star Aaron Paul plays BoJack's human roommate, Todd; Amy Sedaris stars as BoJack's agent, Princess Carolyn; and Alison Brie portrays BoJack's ghostwriter, Diane Nguyen.

1. BoJack Horseman’s creator and production designer have been friends since high school.

NEW YORK, NEW YORK - MAY 01: Lisa Hanawalt and Raphael Bob-Waksberg attend the after party for Netflix's "Tuca & Bertie" Tribeca Film Festival Premiere at American Cut Tribeca on May 01, 2019
Lisa Hanawalt and Raphael Bob-Waksberg attend the 2019 Tribeca Film Festival.
Astrid Stawiarz/Getty Images for Netflix

BoJack Horseman creator Raphael Bob-Waksberg and production designer/producer Lisa Hanawalt met in a high school theater class, coming up with ideas for TV shows. Even while still in high school, Bob-Waksberg had anthropomorphism on the brain. It was there that he wrote a play about a boy with udders who just wanted to fit in. While the two were in college, they teamed up to make a web comic titled Tip Me Over, Pour Me Out.

Years later, while Hanawalt was becoming a regular James Beard Award finalist for her illustration collections of characters with animal heads on human bodies, Bob-Waksberg was living like his future creation Todd: In a small bedroom "that was more of a closet" in a big beautiful Hollywood Hills house formerly owned by Johnny Depp. It gave him the idea of coming up with a character "who had every success he could have wanted and still couldn't find a way to be happy," someone who felt "simultaneously on top of the world and so isolated and alone."

Since the two had always wanted to collaborate on a television project, Bob-Waksberg proposed combining his feeling of isolation with Hanawalt's drawings.

2. Some BoJack Horseman characters are modeled on Raphael Bob-Waksberg and Lisa Hanawalt’s former classmates.

One day Bob-Waksberg asked Hanawalt, “Oh, do you remember that girl who was in our English class senior year of high school? Draw her, but as a dolphin.” Sextina Aquafina, singer of "My C*itoris is Gynormous," was born.

3. None of BoJack Horseman’s characters have tails.

A still from 'BoJack Horseman'
Netflix

Despite the fact that about half of the characters in the BoJack Horseman universe are animals, none of them have tails. That’s a decision production designer and co-producer Hanawalt made early on. "I’ve drawn a couple animal people with tails in my personal work, but it makes more sense to draw them without, and I’m not sure why,” she told Business Insider in 2015.

The only minor exception is in the season 2 episode “Escape From L.A.,” which features a scorpion—with its trademark stinger—as a prom DJ.

“So he’s got this big tail thing, but I rationalize it by saying it’s coming out of his upper back,” Hanawalt told Business Insider.

4. Michael Eisner signed off on BoJack Horseman.

Former Disney CEO Michael Eisner's Tornante Company agreed to produce the BoJack concept and sold it to Netflix. After a nervous and inexperienced Bob-Waksberg pitched the show to Eisner himself, Eisner expressed reluctance about putting another series satirizing show business on the air. Once Bob-Waksberg talked about why it was still interesting to him, Eisner agreed to just let him do it his way.

5. BoJack himself was fairly easy to come up with.

Bob-Waksberg doesn't remember where he got the name of his protagonist. "BoJack just sounded like a horse name to me," he said. "I don't know where I heard it or how I came up with it."

Hanawalt claimed that BoJack Horseman was one of the easiest characters to design, quickly picturing the sweater, the shoes, and his grumpy expression as soon as Bob-Waksberg described him to her.

6. BoJack Horseman's human characters were the hardest to create.

For Hanawalt, Diane and Todd were the hardest characters to create. "Humans are generally much trickier to draw because we’re so used to looking at and analyzing human faces," she said. "The slightest tweak makes a huge difference in how we perceive that character. Todd went through dozens of variations before we got him right, and then we changed him even more."

7. Todd Chavez is one of the first openly asexual characters on television.

Aaron Paul as Todd in 'BoJack Horseman'
Aaron Paul voices Todd Chavez in BoJack Horseman.
Netflix

Todd Chavez is one of very few television characters to use the word asexual to refer to himself, a development some critics have described as revolutionary. Other television characters who openly identify as asexual include Brad, a background character in Faking It; Valentina “Voodoo” Dunacci in Sirens; Lord Varys on Game of Thrones; and Florence, a minor character in Netflix’s Sex Education.

8. Lisa Hanawalt takes inspiration from real-life fashion to design clothing for BoJack Horseman’s characters.

“I’ll often reference celebrities,” Hanawalt told Racked in 2017 of how she comes up with character's outfits. “Like Jessica Biel, who’s actually on the show—she has the best street style, so I look at what she wears a lot. There was this leather army green one-sleeved mini dress she wore that I definitely put on a character. And I recently drew a dress that Constance Wu wore to the Critics’ Choice Awards; I love her.”

Once, Hanawalt even put Princess Carolyn in the mint green Gucci dress Katy Perry wore to the 2013 Grammy Awards. To draw the characters who work at the fictional Manatee Fair, she turned to Prada for inspiration.

“That was crazy fun to draw, and I liked that they’re the opposite of model body types,” she told Racked. “It was fun to take runway fashions and put them on manatees!”

9. Yes, that was really Sir Paul McCartney's voice you heard on BoJack Horseman.

Not every celebrity agrees to do a voice on the show—after a writer on the show "poured his heart out" to Cameron Crowe, Crowe was still too busy to voice the raven named Cameron Crowe. In season 1, the show still managed to snag J.K. Simmons to play the tortoise Lennie Turtletaub and Naomi Watts to portray herself. More celebrities followed; an unnamed guest actor told Bob-Waksberg, "Well, I guess if Naomi Watts is willing to make a fool of herself like this, I can too."

For the season 2 episode "After the Party," the show managed to get the former Beatle after some "tenacity" from the casting director Linda Lamontagne. McCartney recorded his lines in New York, with Bob-Waksberg instructing him from the studio in Los Angeles. The BoJack creator didn't know McCartney was going to do it until five minutes beforehand, when an executive producer called his cell while he was waiting to pick up a smoothie.

If he didn't do the voice, Kevin Bigley would have done an impression of Michael Bublé to end the installment.

10. Margo Martindale didn't know BoJack Horseman involved animals until after a table read.

Margo Martindale's The Millers co-star Will Arnett insisted that Martindale had to appear on his animated show. After she said she didn't want to do a cartoon, Arnett explained, "You have to do it—the part is Character Actress Margo Martindale." The day after her first BoJack table read, Martindale approached Arnett on The Millers set to tell him how much fun she had had, and how Mr. Peanutbutter oddly has a lot of doglike qualities.

Unfortunately, after Martindale was sent to jail on BoJack Horseman, her husband discovered that someone updated her real-life Wikipedia page to read that she spent the last year in prison for armed robbery. “This is what your cartoon’s done for me,” Martindale told Arnett.

11. Some actors do double or triple voice duty on BoJack Horseman.

Arnett voices both BoJack and his father, Butterscotch Horseman. Alison Brie portrays Diane Nguyen, "Vincent Adultman," and Joelle Clarke. Even Bob-Waksberg gets into the voice acting as tree frog assistant-turned-agent Charley Witherspoon.

12. BoJack Horseman’s writers love giving Amy Sedaris complicated tongue twisters.

Amy Sedaris’s character Princess Carolyn is often saddled with complex tongue twisters because the actress “hates them,” according to a Yahoo! interview with Bob-Waksberg. “She’s so annoyed,” he said “There’s a fun friction that comes out of her saying these words. Where you can almost get the sense that she doesn’t want to, but she has to, which gives it a fun charge.”

The writing team is fond of creating characters specifically for the purpose of inserting them into increasingly ridiculous word avalanches. In season 4, Amy Sedaris had several lines revolving around the fictional actress Courtney Portnoy, who portrayed “the formerly portly consort in The Seaport Resort” and “the thorny horticulturist in One Sordid Fortnight with a Short-Skirted Sorceress.”

“I enjoy doing it, and I enjoy making Amy do it,” Bob-Waksberg told Yahoo! “I think she secretly enjoys it too, even though she complains.”

13. BoJack Horseman’s running Zoe or Zelda gag was based off of a Tia and Tamera observation.

"The Zoe/Zelda thing in season one came from a Tia and Tamera observation I've had for a while," Bob-Waksberg admitted. Back in 2010, he wrote on his Tumblr that he was a Tia, despite his many Tamera qualities, and later that he was a Zoe with some very Zelda qualities.

14. Some of BoJack Horseman’s jokes take entire seasons to build.

While the mulch joke was a variation of a joke Bob-Waksberg knew for years, and the movie-star speech Rutabaga Rabbitowitz gives Princess Carolyn is something he had told to heartbroken friends before, the Marisa Tomei sneezing picture took the entire first season to come together in the writers room.

"In season 1, we were working on some episode and we knew there was some story on BoJack sneezing on Marisa Tomei that we had set up, and elsewhere, we had set up that there was a sneezing picture that BoJack hates, but everyone uses when they talk about BoJack," he explained. "It wasn’t until episode 11 that we realized, 'What if the sneezing picture is the picture of him sneezing on Marisa Tomei?' We went back to episode 2 and changed the picture and had a flashback in episode 11."

Some story arcs were invented in the writers room, like the paparazzi birds, Todd's rock opera, and the progression of Mr. Peanutbutter and Diane's relationship. Going to Boston, the Herb Kazzaz storyline, the drug trip episode, and BoJack cornering Diane at Ghostwritercon were all Bob-Waksberg's initial pitch to Netflix.

15. One BoJack Horseman episode was based off of an unused Curb Your Enthusiasm script.

"Let's Find Out" was based off of a Curb Your Enthusiasm spec script by BoJack writer Peter Knight. In his script, Larry David appears on Who Wants to be a Millionaire? with Ron Howard. When Ron Howard admits he doesn't know who Larry David is, David pretends to not know who Howard is and deliberately blows the game. In "Let's Find Out," BoJack goes on the Mr. Peanutbutter-hosted Hollywoo Stars and Celebrities: What Do They Know? Do They Know Things?? Let’s Find Out! and fumes over the fact that Daniel Radcliffe doesn't know who he is. In the end, BoJack pretends to not know who Radcliffe is, losing the game.

Radcliffe was a fan of BoJack Horseman, so he was written in as the celebrity on the game show. "I’ve seen every version of a Harry Potter joke and you guys wrote my favorite," Radcliffe told Bob-Waksberg.

16. BoJack Horseman’s creator doesn’t actually hate honeydew.

Bojack Horseman is very vocal about his hatred of honeydew, which the show refers to as the Jared Leto of fruits (“It is literally the worst part of everything it’s in,” one character explains). But Bob-Waksberg doesn’t actually mind it.

“I think good honeydew’s all right,” he told Yahoo! in 2017. “I hope this doesn’t destroy my credibility. I live in constant fear that people connect to the show because it’s such a sensitive and accurate portrayal of honeydew haters, and it’s going to come out that I myself am not a honeydew hater, and they’re going to tear me down.”

17. Raphael Bob-Waksberg thinks BoJack Horseman still has a few seasons left in it.

In an interview with Vulture, Bob-Waksberg was asked whether he was surprised when Netflix announced that season 6 would be BoJack Horseman's last; his answer was somewhere between yes and no."I thought we’d go a couple more years," he said. "But you know, it’s a business. They’ve got to do what’s right for them, and six years is a very healthy run for a TV show. Frankly, I’m amazed we got this far. So I can’t complain. I think if we premiered on any other network, or even on Netflix on any other time than when we did, I don’t know if we would’ve gotten the second season."

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