For 70 years, the Federal Bureau of Investigation has been alerting the public to some of the most dangerous criminals in their midst. The organization's 10 Most Wanted list has become an iconic portrait of federal pursuit—referenced, parodied, and posted all around the world. For more on this famous rundown of felonious fugitives, check out these facts about how the Bureau approaches the most dangerous list in circulation today.
1. The FBI's 10 Most Wanted list started over a card game.
The notion of “wanted” posters has been around since the 1700s, when slave owners circulated descriptions of runaway slaves in an effort to force their return. The idea of itemizing society’s most hardened criminals originated in 1949, when a newspaper wire story profiled several “tough guys” who were in the Bureau’s sights. The writer had quizzed FBI director J. Edgar Hoover during a game of cards. After seeing how popular the story became, Hoover approved the idea of circulating a top 10 list as a way of soliciting tips and other assistance from the general population. The first name on the list, released March 14, 1950, was Thomas Holden, who had murdered his wife and two of her relatives. Holden was arrested after a newspaper reader in Oregon recognized his photo and alerted authorities.
2. You need to be really bad to make the FBI's 10 Most Wanted list.
Not just any run-of-the-mill felon is suitable for this kind of scrutiny. Typically, criminals who appear on the list are fugitives who have a long history of disobeying the law, have current charges of a serious nature, are believed to pose a considerable threat to the public, and have potential to be captured based on knowledge submitted by citizens. To make the list, all 56 FBI field offices are tasked with submitting names for consideration. From there, the FBI’s Criminal Investigative Division and the Office of Public and Congressional Affairs weed out candidates for final approval by the FBI’s deputy director.
3. Having distinctive features can help you make the FBI's 10 Most Wanted list.
FBI, Getty Images
In selecting fugitives they think the public could provide information on, the FBI looks at the ease with which someone could be recognized. A person with unremarkable features might blend in more easily, but a criminal with a peculiar facial quirk or who otherwise stands out in a crowd might be more likely to be featured.
4. Most of the fugitives featured on the FBI's 10 Most Wanted list have been captured.
As of 2020, the FBI had featured a total of 523 criminals in the 10 Most Wanted rundown. The Bureau says that 488 of those individuals were eventually captured, with the publicity of the list being a key reason. Of those 486, 162 were apprehended based on information shared by a tip.
5. The FBI's Most Wanted list is not always a list of 10.
Nice round number that it is, the FBI can’t always restrict their criminal prey to a list of 10. If names on a list are part of a string of arrests, the sheet can drop to seven or eight names before being replenished. If criminals are co-conspirators, it might grow to 16. Anyone numbering 11 or beyond is labeled as a “Special Addition,” which is a polite way of saying a person is so dangerous that their capture is imperative. Ramzi Ahmed Yousef, who planned the 1993 World Trade Center bombing, is just one example.
6. One guy remained on the FBI's Most Wanted list for more than 32 years.
At one time, the FBI might have considered changing their list from the 10 Most Wanted to “Victor Manuel Gerena and Nine Other Fugitives.” In 1983, Gerena was working as an armored truck escort when he decided to swipe $7 million from a Wells Fargo truck. Gerena tied up his co-workers and injected them with a mixture of aspirin and water to make them sleepy, then took off and disappeared. It turned out Gerena was a pawn in a larger robbery scheme involving a Puerto Rican separatist group. In total, 19 men associated with the heist were either caught or killed. Gerena, however, remains at large—though he was finally removed from the list in 2016. Though the FBI didn’t specify why, removal is usually only on condition of the perpetrator’s death, dismissal of charges, or the belief they’re no longer a public menace.
7. The FBI's 10 Most Wanted list changes with the times.
Looking at the list from different decades reveals a lot about which types of crimes happened to be in fashion during a given era. According to the FBI, bank robbers and car thieves populated the sheet in the 1950s. In the 1970s, counterculture figures engaged in sabotage or kidnappings took over. Today, terrorists and white-collar criminals are most likely to be the most wanted.
8. California is a hotbed of most wanted activity.
The FBI maintains a breakdown of crimes perpetuated by offenders in various states, and California doesn’t come out looking too good. Of the 519 criminals to make an appearance since 1950, 58 committed a crime in the Golden State. Illinois (38) and New York (33) are also prone to harboring Most Wanted activity. Alaska, Hawaii, North Dakota, and Rhode Island have never had one.
9. There's no time limit on being added to the FBI's 10 Most Wanted list.
Not all subjects have committed contemporary crimes. In 2014, the FBI added William Bradford Bishop Jr. to the list even though his crime—murdering his wife, mother, and children with a hammer—took place 38 years earlier in 1976. Bishop had been at large the entire time before the FBI made a “surprise” entry to the list, hoping someone might recognize the then-79-year-old with the aid of age-advancing imagery. After two years on the list, he was removed due to a lack of viable leads and because Bishop was no longer believed to be a danger to the public at large.
10. Only 10 women have ever made the FBI's 10 Most Wanted list.
Of the 519 criminals who have been featured on the list, only 10 of them—or less than two percent—were women. Ruth Eisemann-Schier was the first woman to earn the notorious distinction; she was added to the list in 1968 and wanted for kidnapping, extortion, and other crimes. She was eventually apprehended on March 5, 1969 and ended up pleading guilty at her trial. She was sentenced to seven years in prison but paroled after four on the condition that she return to her native country of Honduras.
11. The FBI's Most Wanted list has an app.
If you feel like scoping out your neighborhood for fugitives, the FBI has an app available via iTunes that guides you through their list and also allows you to be alerted to missing children or other public assistance situations in your region. It’s free, and if you have a tip that leads to capture or resolution, you might even get a reward.
When it comes to furnishing your kitchen with all of the appliances necessary to cook night in and night out, you’ll probably find yourself running out of counter space in a hurry. The ChopBox, which is available on Indiegogo and dubs itself “The World’s First Smart Cutting Board,” looks to fix that by cramming a bunch of kitchen necessities right into one cutting board.
In addition to giving you a knife-resistant bamboo surface to slice and dice on, the ChopBox features a built-in digital scale that weighs up to 6.6 pounds of food, a nine-hour kitchen timer, and two knife sharpeners. It also sports a groove on its surface to catch any liquid runoff that may be produced by the food and has a second pull-out cutting board that doubles as a serving tray.
There’s a 254nm UVC light featured on the board, which the company says “is guaranteed to kill 99.99% of germs and bacteria" after a minute of exposure. If you’re more of a traditionalist when it comes to cleanliness, the ChopBox is completely waterproof (but not dishwasher-safe) so you can wash and scrub to your heart’s content without worry.
According to the company, a single one-hour charge will give you 30 days of battery life, and can be recharged through a Micro USB port.
The ChopBox reached its $10,000 crowdfunding goal just 10 minutes after launching its campaign, but you can still contribute at different tiers. Once it’s officially released, the ChopBox will retail for $200, but you can get one for $100 if you pledge now. You can purchase the ChopBox on Indiegogo here.
Mental Floss has affiliate relationships with certain retailers and may receive a small percentage of any sale. But we choose all products independently and only get commission on items you buy and don't return, so we're only happy if you're happy. Thanks for helping us pay the bills!
Steve McQueen stars in The Thomas Crown Affair (1968).
MGM Home Entertainment
In the vast landscape of crime cinema—from movies about murder investigations to small-time crooks to gangster pictures—the heist movie holds a special place in the heart of many fans. There's something about watching all of that planning come together, seeing the often clashing personalities of the characters work side-by-side, and even sometimes laughing or crying as it falls apart, that holds a special fascination. Perhaps because there's a certain satisfaction to seeing all the pieces click into place that more chaotic crime films just can't give you.
In the long history of crime cinema, there have been dozens of heist films ranging in size from small jobs to massive capers, but only a select few stand out as the perfect combination of planning and execution, of character chemistry and filmmaking intricacy. With those factors in mind, we took a look back at the long history of heist films and picked 25 of our very favorites (presented here in chronological order).
1. The Asphalt Jungle (1950)
Billed as a story of "the city under the city," John Huston's The Asphalt Jungle is the godfather of all modern heist films, and it's easy to see how the various hallmarks of the genre grew out of this gritty, taut caper. It's got a mastermind fresh out of prison, a down-on-his-luck hood looking to turn his life around, and a climactic heist sequence where everything starts to unravel. It's a foundational document in the subgenre, and still holds up as a tense noir masterpiece.
2. Rififi (1955)
After he was blacklisted in his home country, American director Jules Dassin went to France and produced what many people still consider to be the finest heist film ever made. Rififi bears many marks of influence from The Asphalt Jungle, but takes things into more stylized territory, particularly when it comes to the centerpiece heist. It unfolds completely free of dialogue, but the film has set it up so well that the silence is enough to keep you on the edge of your seat. It even features the crooks descending on their target from above, something numerous later heist films (including Dassin's Topkapi) would embrace.
3. The Ladykillers (1955)
Part of the appeal of heist films has always been the number of ways in which the plan can go wrong, whether it's in the execution or in the clash of personalities within the gang of criminals. The Ladykillers, one of the most distinctly British crime films ever made, has a bit of both. It features a wickedly iconic performance from Alec Guinness, an essential turn from Peter Sellers, and a final act that devolves in pure impish mayhem when the various crooks all turn on each other as their elderly landlady looks on. (If the title sounds familiar, it might be because Joel and Ethan Coen remade it with Tom Hanks in 2004.)
4. The Killing (1956)
The best heist filmmakers are often the most intricate thinkers, which means it's no surprise that Stanley Kubrick absolutely nailed his turn at the subgenre. The story of a tightly orchestrated racetrack robbery, The Killing unfolds in a somewhat nonlinear style, as Kubrick shows you one character's role, then rewinds the timeline a bit to show you what another character was doing at the exact same time. It's a risky structure, but it pays off spectacularly in Kubrick's hands, and it all builds to one of the most beautifully ironic endings in crime cinema history.
5. Bob le Flambeur (1956)
Jean-Pierre Melville's Bob le flambeur is another of those classic '50s heist films that's still influencing the subgenre in a major way today. A sleek, incredibly stylish, and sexy film about an aging gambler who hatches a plan to rob a casino, the film is a masterclass in balancing the intricate setup of the central heist with the often tumultuous lives of its characters. The arc of the title character (Roger Duchesne) in particular builds in a truly spectacular way, until the final minutes are positively quaking with tension.
6. The Thomas Crown Affair (1968)
If you wanted to make a cool movie in the 1960s, casting Steve McQueen got you halfway to where you wanted to be. The Thomas Crown Affair stars McQueen as a bored millionaire who can basically do whatever he wants with his time, and what he wants is to stage extremely intricate robberies just to see if he can. Then along comes Faye Dunaway, and Crown's plans get just a little more complicated. While John McTiernan's 1999 remake is fun in its own right, it's hard to touch the pure effortless cool of the original.
7. The Italian Job (1969)
Ideally, you want a heist film that can pull out of some kind of spectacular caper setpiece while also making you care about the characters pulling said caper off through some combination of a great script and great chemistry. Some films do one better than the other, but The Italian Job manages to excel at both. Even now, more than 50 years after its release, it stands as one of the funniest films on this list. And while the Mini Cooper car chase remains an iconic piece of heist movie history, the final scene on the bus is almost as impressive.
8. The Sting (1973)
Most heist films are about a group of guys who are going somewhere to get something, whether it's a bank or a casino or a fancy house. The Sting, anchored by the pure magic that is the Paul Newman/Robert Redford team-up, flips that and tells a story about two con artists who make the heist come to them. It's got all the hallmarks of a great heist picture, from the assembly of the team to the planning to the teasing out of the relationship with the target, but it all unfolds with an amusing sense of reversal. By the final scene, you're just as giddy that it all came together as the characters are.
9. Dog Day Afternoon (1975)
Some heist films spend most of their time setting up the caper, while others prefer to leap into it right at the beginning. No matter where they start, there's usually a clear indication that there was a plan. Dog Day Afternoon, Sidney Lumet's white-hot bank robbery picture starring Al Pacino in what is arguably his best performance, makes it clear that the crooks at the center of the story did have a plan. It was just a plan with a whole lot of flaws, and the very human response to how all of those flaws reveal themselves throughout the film makes for one of the most raw displays of empathy in crime cinema history.
10. Blue Collar (1978)
After making a name for himself as a writer with films like Taxi Driver, Paul Schrader chose this story of down-on-their-luck auto workers who plot to rob their union's safe as his directorial debut. It remains, even today, a searing portrait of income inequality, middle class pain, and the way those with power manipulate the powerless into thinking they might be able to get some of their own. Yaphet Kotto, Harvey Keitel, and Richard Pryor all turn in powerful performances, and the whole film is a masterclass in how to use the hook of a heist plot to say something bigger.
11. Thief (1981)
Michael Mann remains one of crime cinema's greatest living practitioners, and he came out of the gate swinging in the subgenre with his directorial debut. Thief is the story of a safecracker (James Caan in top form) who longs for a fulfilling life beyond criminal pursuits after he gets out of prison. Of course, in classic crime cinema fashion, he finds that having it all isn't as within reach as he'd like. Thief features some of the best scenes of fiery, authentic safe-cracking in cinema, and remains one of the highlights of both Mann and Caan's stellar careers.
12. Die Hard (1988)
Whether or not Die Hard is a Christmas movie is still up for debate. What's not up for debate is its place in the pantheon of gripping, high-octane heist films. While it's best remembered for its action setpieces that take place around the heist, the inciting incident of John McTiernan's legendary film is indeed Hans Gruber and crew plotting to steal a corporation's stash of bearer bonds under the guise of a terrorist hostage situation. It's got everything you want from a great heist, from manipulating law enforcement to drilling a safe to an amazing mastermind at the head of it all. They just didn't count on a barefoot New York cop who's really into Roy Rogers to come and steal their thunder.
13. Reservoir Dogs (1992)
Quentin Tarantino has hyped his debut film in countless interviews as a heist film where you never see the actual heist, and it's true that Reservoir Dogs never shows us exactly what happened during the planned diamond robbery at the heart of the story. So why is it on this list? Because, through a combination of careful character work, planning sequences, and absolute mayhem as everything goes wrong, Tarantino allows us to piece the heist together in our heads. By the end we feel like we were there with the characters even if we weren't.
14. Heat (1995)
At two hours and 50 minutes long, Michael Mann's Heat is the very definition of an epic crime film, and from the outside looking in it seems so massive that you might wonder what the filmmaker is possibly filling it with. Once that opening armored car robbery hits, though, the film moves at such a blistering pace that we're left wishing it was even longer. The film is best remembered now as the first time Robert De Niro and Al Pacino shared the screen, but it should be just as remembered for one of the greatest shootout sequences in film history.
15. Bottle Rocket (1996)
Wes Anderson's debut feature is his take on "what if a group of total weirdos and idiots tried to pull a heist," with everything the Wes Anderson style implies about that—and the result is an unforgettably quirky entry in the subgenre. The practice heist in which the main characters (played by Owen and Luke Wilson) steal from a predetermined list of items within one of their family homes, remains a classic Wes Anderson moment.
16. Out of Sight (1998)
Before he made a trilogy of stylish, impossibly star-packed heist films in the 2000s, Steven Soderbergh turned his eye for genre cinema to this adaptation of Elmore Leonard's novel of the same name, about a U.S. Marshal's budding romance with a bank robber she just happens to meet as he's escaping prison. George Clooney and Jennifer Lopez bring the sex appeal, Don Cheadle and Steve Zahn bring the comedy, and Soderbergh brings his eye for setups and payoffs to one of the best crime films of the 1990s.
17. Sexy Beast (2000)
At its core, Sexy Beast is less about a heist than it is about a retired criminal who can't shake the demons of his past, which arrive on his doorstep in the form of a sociopathic colleague (Ben Kingsley at the peak of his powers) who demands he do one more job for him. Through this lens of regret and fear and tension, director Jonathan Glazer also manages to deliver one of the most spectacular heist setpieces of all time, as a crew breaks into a vault by drilling through the wall of a filled swimming pool.
18. Ocean's Eleven (2001)
Steven Soderbergh is one of those directors who feels as much like a perpetual student of film as he is a filmmaker, so it makes sense that if he was going to make a star-filled heist film on the scale of Ocean's Eleven, he'd try to make the ultimate heist movie. While the sheer amount of stuff going on in Ocean's Eleven might mean it doesn't always succeed in certain respects like its heist cinema ancestors, the film still plays today as an endlessly entertaining, utterly stylish, and effortlessly witty take on the subgenre that has just about everything you could ever want in a heist film.
19. Inside Man (2006)
Spike Lee's Inside Man is a film that promised in its trailers to show us "the perfect bank robbery," and it hooks us immediately by throwing us right into things with very little prologue or sense of a plan. The plan for this perfect robbery is only revealed to the audience at the same speed as it's revealed to the NYPD detective (Denzel Washington) and the secretive fixer (Jodie Foster) who are watching it unfold from the outside as the robbery's mastermind (Clive Owen) moves forward with an agenda we can't see coming. Lee pushes the film at a breathless pace, delivering twist after twist with the grace of a master, until we finally see the whole game board.
20. The Town (2010)
What Heat was for Los Angeles, Ben Affleck's The Town is for Boston. Affleck clearly learned a lot of his tricks from Mann, but what's most striking about The Town—aside from its structural similarities to Heat—is the way that Affleck and company take that sensibility then twist it to defy our expectations. What starts with a gloriously tense opening robbery setpiece and builds to a big last job ultimately becomes a standoff not between a cop and a crook who respect each other, but between two best friends who are supposed to be on the same side, each longing for their own version of freedom.
21. Fast Five (2011)
The Fast & Furious films began as a solid street racing franchise before becoming globe-hopping action spectaculars that defy all laws of motion and speed. Fast Five is the pivot point between those two eras of the franchise, and the one that leans most heavily on heist movie conventions. As Dominic Toretto and his crew plot to steal a drug lord's safe and a relentless DSS agent (Dwayne "The Rock" Johnson, in his first appearance in the series) tries to bring them down, the film builds and builds in its ambition. By the end, a giant safe is racing through the streets of Rio, and from that daring heist on the franchise would never be the same.
22. Hell or High Water (2016)
There are a lot of films out there (Arthur Penn's brilliant Bonnie and Clyde among them) that stage a series of bank robberies in an effort to set up some kind of fiery last stand between the robbers and law enforcement, but few of them unfold with the intricacy of Hell or High Water. Chris Pine and Ben Foster shine as two brothers who've planned a high-stakes series of bank robberies, complete with a money-laundering scheme, to save their family's land. The plan is elegant in its simplicity, but grows increasingly complicated as a wise Texas Ranger (Jeff Bridges) closes in. It all builds to one of the most emotional climaxes of any film on this list.
23. Baby Driver (2017)
You'd think a film that's ostensibly about the getaway driver wouldn't necessarily lean as heavily on the heist elements, but Edgar Wright's clever car chase musical Baby Driver manages to find room for them in between all the driving. Wright's hero, Baby (Ansel Elgort), is a young man who is gifted behind the wheel yet just wants to escape the criminal life. But what's supposed to be his last job puts him in deeper than he's ever been before. Come for the car chases, stay for the complexity of the setup and the fallout that heist movie fans crave.
24. Logan Lucky (2017)
Yes, Steven Soderbergh is on this list three times. And yes, he deserves it. After completing his Ocean's trilogy and playing in various other subgenres for a while, Soderbergh returned to heist pictures with this hilarious story of two brothers who try to turn their family's luck around by robbing Charlotte Motor Speedway in the middle of a busy race weekend. The accents alone—particular Daniel Craig's turn as an explosives expert named "Joe Bang"—are worth the price of admission, but the heist itself is also every bit as satisfying and intricate as anything Danny Ocean's crew ever pulled off.
25. Widows (2018)
After the success of 12 Years a Slave, Steve McQueen could have made a lot of different movies. What he chose was a team-up with Gone Girl author Gillian Flynn to tell the story of a group of women driven to desperation after the deaths of their criminal husbands. Together they hatch a plan to rob a local corrupt politician based on an idea one of their husband's left behind, and in so doing find their own power. What's perhaps most striking about Widows is that it could have worked as a very straightforward heist film. In McQueen and Flynn's hands, though, it becomes a twist-filled ensemble drama about so much more than planning and executing a job.