12 Things You Might Not Know About Grace Jones

Larry Ellis/Getty Images
Larry Ellis/Getty Images

Grace Jones has been many things during her years in the spotlight: dancehall queen, artistic muse, style icon, rebel, villainous Bond girl/henchwoman. She got her start on the runways in the 1970s, but soon Jones was on the cover of magazines, topping the U.S. dance charts with disco and R&B hits like "Pull Up to the Bumper" and "Slave to the Rhythm," and befriending and influencing major players in the art and fashion worlds. And though she once made headlines for her onstage antics and drug-fueled partying, her enduring legacy has been her commitment to individuality, her fierce personality, and her defiance of social mores.

Before she headlines Pride Island at New York City's Pride festival in June 2019, here are 12 facts you might not know about the woman The New York Times once called "a high priestess of the outré."

1. Grace Jones's age is a bit of a mystery.

Grace Jones attends a signing of her memoir in 2015.
Grace Jones attends a signing of her memoir in 2015.
Chris Jackson/Getty Images

Grace Beverly Jones was born in Spanish Town, Jamaica, on May 19. As for the year, 1948 is very popular on several websites, but Jones disagrees. "They say I'm a lot older than I actually am," Jones wrote in her 2015 autobiography, I'll Never Write My Memoirs. "In the press, on the internet, they add about four years to my actual age … I don't care at all. I like to keep the mystery."

2. Grace Jones grew up in a strict, religious household.

Grace's parents were both young and strict Pentecostals (her mother was the niece of a high-ranking bishop in the church). Before she turned 6, her parents immigrated to America to build a new home. According to Jones, they left their children in Jamaica because they "believed it was for the best," since children growing up in America weren't disciplined sternly enough. Instead, Grace and her four siblings were raised by her mother's mother "and her petty, brutal husband." Known as Mas P—short for Master P; his first name was Peart—her step-grandfather was a strict disciplinarian who regularly beat Jones and three of her siblings (a fourth sibling, her sister Pam, spent these years living with their great-grandmother).

Eventually, her parents sent for their children, and a 12-year-old Grace and her siblings joined them in New York (where her youngest brother was born). Although she was a shy and scared child, Jones became a rebellious and outspoken teenager whose behavior often clashed with her religious upbringing.

3. Grace Jones was once roommates with Jessica Lange and Jerry Hall.

As a teenager, Jones began her career as a model and eventually got picked up by Wilhelmina Models. Eventually, she became frustrated by the lack of bookings and moved to Paris in 1970 to work with a brand new agency called Euro Planning. The first three models to join were Jones, Jerry Hall, and Jessica Lange. The three were roommates and fast friends, and Jones wrote that they continue to "help each other and inspire each other."

4. Grace Jones defied gender norms.

The cover of Grace Jones's 1981 album, Nightclubbing.

The cover of Grace Jones's 1981 album, Nightclubbing.

Jones is well known for embracing androgyny. Some of her most striking iconography has her hair in a flattop, her strong cheekbones and jawline sharply contoured, and her clothing tailored in the most angular way possible. "I like dressing like a guy. I love it," she told Interview magazine in 1984. "The future is no sex. You can be a boy, a girl, whatever you want."

5. Grace Jones turned down a role in Blade Runner—and immediately regretted it.

Grace Jones attends a movie premiere in 1984.

Grace Jones attends a movie premiere in 1984.

Fox Photos/Hulton Archive/Getty Images

Jones caught the acting bug while attending Onondaga Community College in Syracuse, New York, where she was majoring in Spanish. After playing the role of "Stinkweed" in a 1968 avant-garde play written by a theater teacher she has called her first crush, Jones dropped out and bounced between Philadelphia and New York City while auditioning and piecing together work as a go-go dancer.

It was the beginning of an interesting career in film. She did a number of independent action and horror films, as well as starring in 1984's Conan the Destroyer alongside Arnold Schwarzenegger. Her most famous role was likely that of May Day in A View to a Kill (1985); Jones played a villainous assassin who seduced (then died saving) Roger Moore's James Bond.

Surprisingly, before those two blockbuster films, Jones turned down the role of the replicant Zhora in Blade Runner without reading the script. At the time, she was working with the photographer and art director Jean-Paul Goude, who, Jones recalled, thought the film would be "too commercial, and I would become too Hollywood. I would become a sellout." The night after she turned down the role, she was flying to Paris and read the script on the plane. She loved the concept and changed her mind. Unfortunately, by the time her flight landed and she could call the studio, actress Joanna Cassidy had already been cast.

6. Grace Jones's first album included a Sondheim number, Édith Piaf's signature song, and "Tomorrow" from the musical Annie.

Jones began dabbling in music while she was still modeling in Paris in the mid-'70s. She released a single called "I Need A Man" on a French label in 1975; it, and the following year's "Sorry," didn't make much of a splash. But in 1977 she signed with Island Records, and producer Tom Moultan (known as the father of disco) began working on the first of three albums they did together.

Her first album, 1977's Portfolio, had a fairly unusual selection of songs. The first three tracks were disco-fied Broadway show tunes—Stephen Sondheim's "Send in the Clowns," A Chorus Line's "What I Did for Love," and "Tomorrow" from Annie. New remixes of her earlier two singles were included, as well as a new song she co-wrote called "That's the Trouble." But the pièce de résistance, as it were, was her seven-and-a-half minute interpretation of "La Vie en Rose." It became her first big international hit, and it's one she still performs live.

7. Grace Jones was a Studio 54 mainstay.

Covers of various Grace Jones albums and singles.

Jones relocated to New York City and quickly became a notorious regular at Studio 54 when it opened in 1977. In I'll Never Write My Memoirs, which she named after the opening line from her 1981 song "Art Groupie," she called herself "the wildest party animal ever" and Studio 54 was a "palace of dreams" where the beautiful people danced and partied and the fashion was as important as the music. "This was where disco became more full-on, and ballooned into the outrageous and, ultimately, the camp," Jones wrote.

Jones also discussed her extensive drug use. An advocate for trying everything at least once, she tried LSD, heroin, and "had my very first ecstasy pill in the company of Timothy Leary, which is a bit like flying to the moon with Neil Armstrong."

8. Grace Jones has a son with French designer Jean-Paul Goude, who was a constant creative partner.

Cover of Grace Jones's Island Life album

Jones met French graphic designer Jean-Paul Goude in New York, and the two began a creative and romantic partnership that resulted in some of the best work of either of their careers. "In 1977 or '78, I met Grace and it was a period of decadence," Goude told WWD in 2009. "People were still doing lots of drugs and I had been working so hard for so long and she made me part of her lifestyle, made me go out dancing at Studio 54. She became an obsession and we did everything together."

Although Goude is an often controversial figure for his portrayal of black women, Grace Jones was his most famous muse. Together, their post-modern, avant-garde imagery made Jones a visual icon—some of the most striking photographs including the image of her naked in a cage (a similar image was later used for his 1982 book Jungle Fever), her Nightclubbing album cover and her Island Life cover photo. Jones and Goude dated until 1984 and had a child, Paulo, together.

9. Grace Jones has a lifetime ban from Disney World.

Grace Jones performs in Los Angeles in 2016.
Grace Jones performs in Los Angeles in 2016.
Frazer Harrison/Getty Images for FYF

Jones frequently flashes audiences or goes topless during performances, but apparently "the Most Magical Place on Earth" didn't appreciate the showmanship. During a live show at Florida's then-Downtown Disney House of Blues in 1998, Jones "pulled her top off, then proceeded to light up and smoke a doobie—on stage," according to The Orlando Sentinel. She was slapped with a lifetime ban from Disney properties.

10. Grace Jones and Andy Warhol made a scene at Arnold Schwarzenegger's wedding.

Grace Jones and Andy Warhol met during their Studio 54 days, and by the mid-'80s, they were old friends. So when they were both invited to Arnold Schwarzenegger's 1986 wedding to Maria Shriver, they decided to go together. Predictably, they were late. They flew into Hyannis Port, Massachusetts, on her private plane;Jones did her makeup during the flight and when they landed, she dressed in the airport bathroom. And then, "at the exact moment when Arnold and Maria are on their knees finishing off their special, intimate ceremony, we arrive," she wrote. "The doors noisily crack open and they turn around to see what the commotion is, and it is, guess who, Grace and Andy. Late. They didn't say anything, but you could see from the looks on their faces that they were not at all impressed." In Schwarzenegger's autobiography, he said he and Shriver "were delighted" Warhol and Jones showed up, but that "they were like gunslingers coming in through the swinging doors of a saloon in a Western movie."

11. Grace Jones hasn't seen her husband since the early 2000s.

Grace Jones performs in Sydney, Australia in 2009.
Grace Jones performs in Sydney, Australia in 2009.
Gaye Gerard/Getty Images

Grace Jones has had a number of high-profile relationships through the years—Goude, her former bodyguard-turned-actor Dolph Lundgren, stuntman and bodybuilder Sven-Ole Thorsen—but the only time she married was to a Turkish man she met in Belgium, Atila Altaunbay. In 1996, the two essentially eloped in Brazil while she was traveling for work, and then her father performed another marriage ceremony at their family home in Syracuse. Jones knew Altaunbay was a bit younger than her (at the time, she was in her mid- to late-forties), but as she wrote in her memoir, "when we did the paperwork, I found out that he was a few years younger than I thought he was … It turned out my husband was 24."

Eventually they split, but not legally. "We're not divorced," she wrote, stating that after their breakup he went back to his family, who had never approved of her. "I can't find him to get the divorce sorted."

12. You can watch her in action on her documentary, Bloodlight and Bami.

Grace Jones met director Sophie Fiennes when she profiled Jones's brother, Bishop Noel Jones, in a 2002 documentary called Hoover Street Revival about his L.A. church. They hit it off and Jones suggested they do a project together. Fifteen years and at least a dozen years worth of footage later, the two presented the documentary Grace Jones: Bloodlight and Bami at the 2017 Toronto International Film Festival. The film—which takes its name from the Jamaican slang for the red light that glows when an artist is recording (bloodlight) and a traditional Jamaican fried cassava flatbread (bami)—got praise for showing the multiple sides of Jones, from electrifying concert footage to intimate meals with her family in Jamaica.

Bloodlight and Bami is available on Amazon Prime and Hulu.

11 Great Gifts for Retro Gaming Fans

No Starch Press/Amazon
No Starch Press/Amazon

Video games are more realistic, expansive, and ambitious than ever, but there’s one thing that most modern titles can’t offer: a hit of nostalgia. If you’re shopping for the retro gaming enthusiast in your life, check out these 11 gift suggestions that promise to level up their holiday season.

1. Pac-Man Ghost Light Table Lamp; $30

The Pac-Man Ghost Light Table Lamp is pictured
Paladone/Amazon

Liven up a stagnant work area or nightstand with this cool LED lamp in the likeness of Pac-Man’s ghost nemesis. It can flash in a variety of different colors, and at a compact 8 inches tall, you can buy more than one to haunt your living space.

Buy It: Amazon

2. Street Fighter II Home Arcade; $245

Street Fighter II Arcade Cabinet.
ARCADE1UP/Amazon

Relive the sweaty palms and raw fingertips of your youth with this Street Fighter II arcade cabinet from Arcade1Up. The entire package is true to its classic arcade roots, with era-appropriate artwork adorning the outside and buttons and joysticks that look like they were transported right out of a '90s Pizza Hut. But this cabinet comes with a bonus: Instead of just getting Street Fighter II: Champion Edition, it also plays Street Fighter ll: The New Challengers and Street Fighter ll Turbo. If you're not in the mood for competitive play, the company also offers a retro Star Wars arcade cabinet, featuring games based on A New Hope, The Empire Strikes Back, and Return of the Jedi.

Buy It: Amazon

3. Level One Donkey Kong T-Shirt; $41

A Level One 'Donkey Kong' T-shirt is pictured
80sTees.com

Show off your love of arcade gaming with this cool design that depicts Mario’s earliest challenge: navigating the barrel-tossing rage of a giant ape.

Buy It: 80sTees.com

4. Playstation Coasters; $12

A set of four Playstation coasters is pictured
Paladone/Amazon

Keep beverage stains off your gaming-adjacent furniture with this set of four coasters depicting classic Playstation controller buttons.

Buy It: Amazon

5. SEGA Genesis Mini-Console: $79

Sega Mini Classic System.
Sega/Amazon

Flash back to the Genesis era with this retro console that features over 40 games from SEGA’s heyday, including Sonic the Hedgehog, Earthworm Jim, and Virtua Fighter. The system also features a port of the arcade version of Tetris, which never actually made its way to the original Genesis.

Buy It: Amazon

6. Sock It to Me Retro Gaming Socks; $11

Sock It to Me Retro Gaming Socks are pictured
Sock It To Me/Amazon

Keep it professional in a suit but game on underneath with these dress socks featuring iconic game controllers from Nintendo, Microsoft, and Sony.

Buy It: Amazon

7. The Game Console: A Photographic History from Atari to Xbox; $19


No Starch Press/Amazon

Take in a photographic history of gaming consoles, from the vintage devices of the ‘70s like the Magnavox Odyssey on through Nintendo’s reign and the emergence of Sony and Microsoft. In all, 86 consoles are on display, ending with the era of the PS4 and Wii U.

Buy It: Amazon

8. Nintendo Super Mario Bowser Vs. Mario 3-Pack Diorama; $26

A Nintendo Super Mario and Bowser diorama is pictured
World of Nintendo/Amazon

Let other people display fine art. You can show off this diorama depicting the biggest rivalry in retro gaming between Mario and Bowser. You'll also get a Bob-Omb figurine, just in case you want to recreate one of the duo's video game battles.

Buy It: Amazon

9. Playstation Wallet; $25

A Playstation wallet is pictured
SONY PlayStation/Amazon

Keep your cards and cash in one place with this Playstation-shaped wallet. There's even a button-snap opening in the shape of the system's disc tray.

Buy It: Amazon

10. Pong Shirt; $38

A 'Pong' T-shirt is pictured
80sTees.com

Go so retro that Millennials won’t even know what you’re referencing with this nod to the popular game Pong.

Buy It: 80sTees.com

11. The Legend of Zelda Ugly Christmas Sweater; $39

Legend of Zelda Ugly Christmas Sweater
Nintendo/Amazon

It may call itself ugly, but those pixelated images of Link from Legend of Zelda are nothing but gorgeous to retro gamers. There's also a Mario version, if the portly Italian plumber is more your style.

Buy It: Amazon

Mental Floss has affiliate relationships with certain retailers and may receive a small percentage of any sale. But we choose all products independently and only get commission on items you buy and don’t return, so we’re only happy if you’re happy. Thanks for helping us pay the bills!

15 Secrets of Sesame Street Puppeteers

Abby Cadabby, Suki Lopez, and Elmo (L-R) on Sesame Street
Abby Cadabby, Suki Lopez, and Elmo (L-R) on Sesame Street
HBO

For 50 years and more than 4500 episodes, Sesame Street has been imparting valuable moral, ethical, and social lessons to young audiences using a sprawling cast of puppets. The Sesame characters—Big Bird, Elmo, Oscar the Grouch, Cookie Monster, Bert and Ernie, the Count, and others—have become instantly recognizable to generations of viewers. But behind every memorable character is a human performer, one tasked with juggling the technical demands of puppet operation without losing the humor and heart that makes their furry counterpart so memorable.

To get a better sense of what goes into this unique skill set, Mental Floss spoke with three veteran Sesame Street performers during the show’s semicentennial celebration. Here’s what they had to say about crossed puppet eyes, grooming habits, and enjoying a long career finessing felt.

1. Sesame Street puppeteers usually get started lending a (right) hand.

Though there’s no definitive set of directions for puppeteers to get to Sesame Street, a number of performers selected to work on the show begin as apprentices with one specific task: operating the right hand of characters alongside the veteran cast members. “A lot of performers will almost only do right hands for a very long time,” Ryan Dillon, the puppeteer behind Elmo, tells Mental Floss. “Some characters, like Cookie Monster, require two performers with two practical hands.”

Dillon started working on Sesame Street in 2005 at the age of 17. He performed as a right hand and as supporting characters for years before scoring the Elmo role in 2013. Throughout that training, he accompanied the main puppeteer, who uses their dominant (usually right) hand to control the mouth and the other to control the left hand. The newcomer will manipulate the right, a duty informally known as right handing. “It’s a great training ground,” Dillon says. “You’re working directly next to a performer with years of experience. You become one character together.”

2. Sesame Street puppeteers have tricks for making their characters emote.

Abby Cadabby, Elmo, and Big Bird (L-R) appear in a scene from 'Sesame Street'
(L-R) Abby Cadabby, Elmo, and Big Bird delve into fine art.
HBO

Peter Linz, who portrays Ernie (among other characters) on the series, tells Mental Floss that getting a puppet to exhibit a personality takes some finessing. “You have to show the entire range of human emotion through something that doesn’t have an expression,” he says. Linz, who also teaches classes on puppeteering, says that there are some techniques to get puppets to show off their mood, however. “You can make them look sad by having them look down. You can get them to smile by opening their mouth. If they’re angry, maybe you close their mouth and then shake their arms ever so slightly. There are degrees of subtlety in all of that.”

Linz says the audience does part of that work themselves, projecting their own feelings onto a puppet. The ultimate proof might be in the example of Miss Piggy. While not a Sesame Street cast member, Linz says it’s telling that people often seem to believe the vivacious and flirtatious porcine character bats her eyes. “She can’t,” he says. The puppet doesn’t have that ability.

3. Not all Sesame Street puppets can perform the same tasks.

Sesame Street utilizes three major varieties of character. There’s the full-body puppet, like Big Bird and Snuffleupagus; “bag” puppets with two articulated hands, like Cookie Monster; and hand-and-rod puppets that have arms controlled by thin rods. “Elmo is a hand-and-rod puppet,” Dillon says. “[The difference means] some puppets can do things others can’t. Cookie Monster can pick things up. Elmo can, but it takes longer. You need to stop [filming] and attach something to his hands with tape or a pin.”

4. Sesame Street puppeteers rely on a key design element to connect to their audience.

Grover, Oscar the Grouch, and Elmo from 'Sesame Street' are pictured
Grover, Oscar the Grouch, and Elmo.
Zack Hyman/HBO

It can be difficult to communicate that a puppet is able to focus a pair of fixed eyes on something, whether it’s another character, an object, or the audience. But Linz says that the Sesame Street crew and the rest of the Muppets were designed by Henson with that in mind. “The eyes are just two black dots against a white background,” he says. “But all the characters are ever so slightly cross-eyed. There’s a triangle between the eyes and nose and a point where it looks like they’re looking right into the camera.” It’s a sensitive illusion. Turning the puppet even slightly, he says, and they will wind up looking at something else.

5. Sesame Street puppeteers can spend their entire day crouched on the floor.

Being a Sesame Street puppeteer requires more than just having performing chops. On set, characters that may be at waist level with their human co-stars are operated by performers crouched below frame, often on wheeled boards called rollies. “The first day or two, your back and everything else is sore,” Dillon says. “It engages your whole body. Your arm is up in the air performing.” Some actors, Dillon says, have developed knee issues as a result of a career bent over. Fortunately, not every scene requires contortions. Some sets are built raised so performers can stand up straight. Other times, they’ll have to situate themselves horizontally. Scenes set on a stoop usually mean the performer is lying down behind the steps.

6. Sesame Street puppeteers have input into character design.

Elmo, Abby Cadabby, and Rosita (L-R) pose with fans of 'Sesame Street'
(L-R) Elmo, Abby Cadabby, and Rosita pose with fans.
Zack Hyman/HBO

Lurking in the offices of Sesame Workshop is a puppet factory that, according to Dillon, houses a number of "Anything Muppets"—blank designs that may one day be used as the template for a brand-new character. In 1991, performer Carmen Osbahr got an opportunity to get in on the ground floor of conceptualizing a character when she helped originate Rosita (top right), the first regular bilingual Muppet on the series. “They had a meeting and asked what I had in mind,” Osbahr tells Mental Floss. “I was able to tell them I wanted a monster and I wanted live hands because I wanted to be able to play a musical instrument. I wanted her to be active and colorful. I didn’t want a petite, tiny little monster.” Both Osahr and Rosita have been a presence on the show ever since.

7. Sesame Street puppeteers have material for a blooper reel, but you’ll probably never see it.

Puppet manipulation takes concentration and effort. Occasionally, the cast of Sesame Street can find themselves flubbing a take. According to Osbahr, that’s often due to trying to coordinate left and right hands. “The main thing is props,” she says. “Grabbing stuff is easy, but if you want to pour something into a cup or write a letter, that’s hard. You think you’ll have a glass but just miss it.” Performers can also fall off their rollies, sending their counterparts tumbling out of the frame.

8. Each Sesame Street character has a dedicated puppeteer—with a couple of exceptions.

Actress Amanda Seyfried (L) appears on 'Sesame Street' with Abby Cadabby
Actress Amanda Seyfried with Abby Cadabby.
Richard Termine/HBO

When it comes to Sesame Street characters, there is one sacrosanct rule—aside from right handing, no puppet will have more than one puppeteer. “We feel strongly each Muppet has a dedicated performer,” Dillon says. “If there were two or three Elmos, you would see a copy of a copy.” However, illnesses or personal appearances can make that rule difficult to follow every time. If Dillon can’t make a shoot, a performer will step in to operate the puppet, with Dillon going in to provide the voice later.

The cast can also cover for one another if a scene requires two characters who are normally operated by the same actor. Both Bert and Grover, for example, are played by actor Eric Jacobson. If the two share screen time, Dillon might step in to perform one of them, with Jacobson recording his lines later.

9. Sesame Street puppeteers have a specific way of handling their puppets to keep them clean.

Day after day of manipulating puppets can lead to issues with cleanliness. Performer sweat can dampen the foam insides, while body oils and other contaminants can affect their fur coats. To avoid being dirtied, Linz says performers and production members try to pick up the puppets by the scruff of their necks. “We don’t want to put our oily hands on their faces,” Linz says. Puppets are also usually delivered to and from the set by a team of “Muppet wranglers,” and stored in the workshop where they’re built and maintained. To dry out a puppet, they’re sometimes placed on a wooden stand. A hair dryer set on low might also be used to dry a sweaty interior.

10. Sesame Street puppeteers work very, very closely together.

The characters from 'Sesame Street' are pictured
The puppet cast of Sesame Street.
HBO

Owing to the frequent proximity of puppets in frame, Sesame Street puppeteers are usually working near or virtually over other performers. “We try to be very aware and conscious of the people around us,” Dillon says. “Mistakes happen. Elmo has big feet, and Abby Cadabby has big feet, so you’ll often hit the other person with a foot. It doesn’t hurt.”

11. Guest stars will talk directly to Sesame Street characters—not just the puppeteers.

Sesame Street has played host to many guest stars over the decades, from actors to First Lady Michelle Obama. According to Osbahr, their human guests will often address the character even off-camera. “Most everybody who visits us talks to the character like they’re alive,” she says. “The moment we bring a character down [to rest], we have a conversation, but it’s great to have a relationship with a character and a celebrity. They’ll talk to Elmo, Rosita, Cookie Monster, and we’re talking to them right back.”

12. Sesame Street puppeteers can take years to get fully comfortable with a character.

Actress Blake Lively (L) poses with Cookie Monster on the set of 'Sesame Street'
Actress Blake Lively (L) poses with Cookie Monster.
Zack Hyman/HBO

For many performers, it can take years before they feel like they’re fully inhabiting their character. “You can be so focused on doing something right, you forget to have fun with the character,” Osbahr says. “By the fourth season, that’s when I started letting go, taking risks, having fun. You stop having to think about it.”

Fortunately, it’s not uncommon for performers on Sesame Street to spend decades on the show, which means there's plenty of time to adjust. Carol Spinney, who portrayed Big Bird and Oscar the Grouch, retired in 2018 after 49 years as a cast member. Osbahr says the familial atmosphere encourages longevity. “I’ve been with this group of people for 30 years,” she says. “We’ve shared a lot of incredible memories together.”

13. Sesame Street puppeteers can sometimes mourn a puppet who is declared “toast.”

Made of foam and other delicate materials, Sesame Street puppets have a shelf life. Depending on use, wear, and handling, they might last a few years before needing to be replaced. Linz says two new Ernies have recently been made after one began sloughing off foam inside, a symptom the production calls “toast” because the foam resembles toast crumbs.

Even with replacements, the legacy of characters can still live on. Linz uses an Ernie with the same mouth plate that was used by Jim Henson as far back as 1982.

14. Sesame Street puppeteers have to work backward.

Actor Anthony Mackie appears on 'Sesame Street' with Cookie Monster
Actor Anthony Mackie with Cookie Monster.
Jesse Grant/HBO

The most surprising aspect of working as a Sesame Street puppeteer? According to Linz, it’s the fact that performers often have to essentially work backwards. Because they’re crouched below the camera frame, puppeteers need to watch a monitor placed low to the ground to see what the camera sees. “When you move your arm to the right, the arm on the monitor moves to the left,” he says. “You’re seeing the image the audience sees.”

15. Yes, Sesame Street puppets are technically Muppets.

Sometimes there's confusion over whether the puppets that appear on Sesame Street actually constitute Muppets, or whether that term is reserved for non-Sesame projects like The Muppet Show or other endeavors featuring Kermit, Miss Piggy, and the others. According to Dillon, any Henson-birthed or -inspired puppet is a Muppet. “It’s become a catch-all term for puppets,” he says. “It’s a brand name, like Kleenex. Jim Henson came up with the name. A Muppet is used for characters that he came up with."

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