25 Things You Might Not Know About The Shining

Heeeeeere's Jack Nicholson.
Heeeeeere's Jack Nicholson.
Warner Home Video

Stanley Kubrick's The Shining is widely considered to be among the best big-screen adaptations of a Stephen King story—and with good reason. (Even though King himself isn't much of a fan.) Even if you've seen the movie 100 times, there's still probably a lot you don't know about what went on behind the scenes.

1. STANLEY KUBRICK HAD AN INTEREST IN HORROR LONG BEFORE HE MADE THE SHINING.

Evening Standard/Getty Images

Stanley Kubrick is known for his forays into different genres—and horror was a genre that piqued his interest. In the early '70s, he was in consideration to direct The Exorcist. But he ended up not getting the job because he only wanted to direct the film if he could also produce it. Kubrick later told a friend that he wanted “to make the world’s scariest movie, involving a series of episodes that would play upon the nightmare fears of the audience.”

2. THE FILM WAS INSPIRED BY AN EPISODE OF OMNIBUS.

In 1952, Kubrick worked as the second unit director on one episode of the television series Omnibus. But it was a different episode, about poker players getting into a fight, that inspired parts of The Shining.

According to Kubrick, “You think the point of the story is that his death was inevitable because a paranoid poker player would ultimately get involved in a fatal gunfight. But, in the end, you find out that the man he accused was actually cheating him. I think The Shining uses a similar kind of psychological misdirection to forestall the realization that the supernatural events are actually happening.”

3. KUBRICK DIDN'T EVEN READ THE SCREENPLAY THAT STEPHEN KING WROTE.

 Horror writer Stephen King attends a signing session for his new novel 'Lisey's Story' at Borders bookstore on Oxford Street on November 7, 2006 in London, England
Jeremy O'Donnell, Getty Images

According to one of Kubrick’s biographers, David Hughes, King wrote an entire draft of a screenplay for The Shining. Kubrick didn’t even deem it worth a glance, which makes sense as he once called King’s writing “weak.” Instead, Kubrick worked with Diane Johnson on the screenplay because he was a fan of her book, The Shadow Knows. The two ended up spending eleven weeks working on the script.

4. BUT KUBRICK STILL HAD QUESTIONS FOR KING.

This is a legendary story that King apparently still tells at some book readings. Stanley Kubrick called him at seven in the morning to ask, “I think stories of the supernatural are fundamentally optimistic, don’t you? If there are ghosts then that means we survive death.” When King responded with the question of how hell fit into that picture, Kubrick simply responded, “I don’t believe in hell.”

5. KUBRICK WAS SURROUNDED BY FAMILY.

The executive producer of the film was Kubrick’s brother-in-law, Jan Harlan. Christiane Kubrick and Vivian Kubrick—his wife and daughter, respectively—helped with both the design and the music, though Vivian might be more well-known for the on-set documentary that she made titled, The Making Of The Shining. The 30-minute film, which aired on the BBC, was a very rare look into Kubrick’s directing styles. (You can watch it above.)

6. KING WAS "DISAPPOINTED" IN KUBRICK'S ADAPTATION.

In 1983, King told Playboy, “I’d admired Kubrick for a long time and had great expectations for the project, but I was deeply disappointed in the end result. Parts of the film are chilling, charged with a relentlessly claustrophobic terror, but others fell flat.”

He didn’t like the casting of Jack Nicholson either, claiming, “Jack Nicholson, though a fine actor, was all wrong for the part. His last big role had been in One Flew Over the Cuckoo’s Nest, and between that and the manic grin, the audience automatically identified him as a loony from the first scene. But the book is about Jack Torrance’s gradual descent into madness through the malign influence of the Overlook—if the guy is nuts to begin with, then the entire tragedy of his downfall is wasted.”

7. KUBRICK WASN'T THERE FOR LOCATION SHOOTS.

Kubrick hated to fly and refused to leave England toward the end of his life, so he was not in attendance when the opening credits of The Shining were shot. A second unit crew headed to Glacier National Park in Montana, where they filmed from a helicopter.

8. ROOM 217 WAS SWITCHED TO ROOM 237 AT THE REQUEST OF THE TIMBERLINE LODGE.

In the book, the spooky events are set in Room 217, not Room 237. Oregon's Timberline Lodge, which was used as the hotel’s exterior for some shots, is to blame for this swap. The Lodge’s management asked for the room number to be changed so that guests wouldn’t avoid Room 217. There is no Room 237 in the hotel, so that number was chosen. The website of The Timberline Lodge notes, “Curiously and somewhat ironically, room #217 is requested more often than any other room at Timberline.”

9. "ALL WORK AND NO PLAY MAKES JACK A DULL BOY" HAS MANY DIFFERENT TRANSLATIONS.

The iconic sentence actually changes meaning for foreign translations of the film, at Kubrick’s request. In German versions, the phrase translates to: “Don’t put off till tomorrow what you can do today.” The Spanish translation is: “Although one will rise early, it won’t dawn sooner.” In Italian: “He who wakes up early meets a golden day.”

10. RUMORS ABOUND THAT KUBRICK ACTUALLY TYPED ALL OF THOSE "ALL WORK" PAGES.

No one is quite sure whether Kubrick typed 500 pages of “All work and no play makes Jack a dull boy.” Kubrick didn’t go to the prop department with this task, using his own typewriter to make the pages. It was a typewriter that had built-in memory, so it could have turned out the pages without an actual person. But the individual pages in the film contain different layouts and mistakes. Some claim that it would have been characteristic of the director to individually prepare each page. Alas, we’ll never know—Kubrick never addressed this question before he died.

11. THERE'S A HIDDEN PLAYGIRL MAGAZINE IN THE FILM.

Warner Home Video

Kubrick is famous for being a particularly detail-oriented director. So when Jack Torrance is seen reading a Playgirl in the lobby of the Overlook before he gets hired, it’s probably not meaningless. There is an article in the issue about incest, so the most common theory is that Kubrick was subtly implying that Danny may have experienced sexual abuse. Another article advertised on the cover is “Interview: The Selling of (Starsky & Hutch’s) David Soul.” Perhaps Kubrick was throwing in some extra foreshadowing. Regardless, no normal hotel leaves copies of Playgirl lying around, so the magazine serves as an immediate red flag in the film.

12. IT WAS DANNY LLOYD'S ONLY MOVIE.

The Shining seemed to introduce a promising child star in Dan Lloyd. He ended up having a role in a TV film two years later, but that was the extent of his acting career. “We kept trying for several years ... until I was in high school and I stopped at about 14 with almost no success," he told the New York Daily News.

13. LLOYD DIDN'T KNOW HE WAS MAKING A HORROR MOVIE.

Danny Lloyd in 'The Shining' (1980)
Warner Home Video

To protect Dan, who was 5 when he made the film, Kubrick told him that they were filming a drama. He didn’t even see the actual film until he was 16. He said later, “I just personally don’t find it scary because I saw it behind the scenes. I know it might be kind of ironic, but I like funny films and documentaries.”

14. JACK NICHOLSON IMPROVISED THE "HEEERE'S JOHNNY" LINE.

Jack Nicholson is responsible for the only line from The Shining to make it onto AFI’s Top 100 Movie Quotes. While filming the scene in which Jack breaks down a bathroom door with an axe, Nicholson shouted out the famous Ed McMahon line from The Tonight Show Starring Johnny Carson. The catch phrase worked and stayed in the film. Some behind-the-scenes footage (which can be seen above) shows Nicholson’s method acting before filming the iconic scene.

15. NICHOLSON WROTE A SCENE.

In addition to improvising one of the most famous lines of the film, Nicholson actually wrote an entire scene. He felt a particularly deep understanding of Jack Torrance's berating of his wife while he’s trying to write.

In an interview with The New York Times, Nicholson explained, “That’s what I was like when I got my divorce. I was under the pressure of being a family man with a daughter and one day I accepted a job to act in a movie in the daytime and I was writing a movie at night and I’m back in my little corner and my beloved wife Sandra, walked in on what was unbeknownst to her, this maniac—and I told Stanley about it and we wrote it into the scene.”

16. KUBRICK AND SHELLEY DUVALL DID NOT GET ALONG.

Jack Nicholson, Shelley Duvall, and Danny Lloyd in The Shining (1980)
Warner Home Video

Though he had a good relationship with Nicholson, Kubrick was notoriously brutal on Shelley Duvall during filming. In her words, “From May until October I was really in and out of ill health because the stress of the role was so great. Stanley pushed me and prodded me further than I’ve ever been pushed before. It’s the most difficult role I’ve ever had to play.” The scene in which Wendy is swinging a bat at Jack is an example of this pushing. The scene actually made it into The Guinness Book of Records because it took 127 takes, the most for a scene with spoken dialogue.

17. SLIM PICKENS WAS OFFERED THE ROLE OF DICK HALLORANN.

Slim Pickens had already worked with Kubrick before. He played Major T. J. King Kong in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Regardless, he was a particularly strange pick for the role of Dick Hallorann because the character is black in the book. Pickens chose to not work with Kubrick again, as he did not like the strenuous Dr. Strangelove shoots. The role then went to Scatman Crothers.

18. THE OVERLOOK HOTEL DOESN'T MAKE SENSE FROM A SPATIAL PERSPECTIVE.

Rob Ager, an observant fan of The Shining, noticed that there are many aspects to the set of The Overlook Hotel that make no sense. For example, Ullman’s office has a window to the outside, but there are rooms surrounding the office, making that window impossible. This is the case for many of the windows in the film—they don’t work in context. There is also a hallway in the Colorado Lounge that essentially appears out of nowhere. Ager created a video (which you can watch above) in which he maps out the nonsensical visuals.

The executive producer of The Shining, Jan Harlan, has stated that this was intentional. “The interiors don’t make sense," he said in 2012. "Those huge corridors and ballrooms couldn’t fit inside. In fact, nothing makes sense.”

19. MUCH OF THE SET BURNED DOWN.

Toward the end of shooting, a fire broke out and destroyed multiple sets. According to the set still photographer, “It was a huge fire in there one night, massive fire, we never really discovered what caused that fire and it burned down two soundstages and threatened a third at Elstree Studios. It was an eleven alarm fire call, it was huge.” The rebuild of one of these soundstages cost an estimated $2.5 million.

There’s a famous picture of Kubrick laughing in front of this wreckage. Perhaps he’s laughing because he knows the novel ends with The Overlook Hotel burning down.

20. THE FILM REQUIRED 900 TONS OF SALT.

And that was just for the final scene! At the end of The Shining, Jack chases young Danny through a snow-covered hedge maze before finally dying. To create the elaborate, wintery maze, it took a lot of salt and crushed Styrofoam.

21. THE FILM TOOK FIVE YEARS TO MAKE.

Kubrick is notorious for his lengthy film productions. Sources differ on how long shooting itself lasted, but it probably went on for almost a year. Around the time he was making the film, Kubrick said, “There is a wonderful suggestive timeliness [that the structure] of making a movie imposes on your life. I’m doing exactly the same as I was doing when I was 18 and making my first movie. It frees you from any other sense of time.”

22. THERE IS AN ORIGINAL, DIFFERENT ENDING.

Jack Nicholson in The Shining (1980)
Warner Home Video

It’s not uncommon for a film’s ending to change in post-production, but Kubrick changed the ending of the film after it had been playing in theaters for a weekend. The film version is lost, but pages from the screenplay do exist. The scene takes place after Jack dies in the snow. Ullman visits Wendy in the hospital. He tells her, “About the things you saw at the hotel. [A lieutenant] told me they’ve really gone over the place with a fine tooth comb and they didn’t find the slightest evidence of anything at all out of the ordinary.” He also encourages Wendy and Danny to stay with him for a while. The film ends with text over black, “The Overlook Hotel would survive this tragedy, as it had so many others. It is still open each year from May 20th to September 20th. It is closed for the winter.”

Roger Ebert deemed the cut a good decision. According to him, “Kubrick was wise to remove that epilogue ... it pulled one rug too many out from under the story.”

23. IT WAS THE FOLLOW-UP TO BARRY LYNDON, KUBRICK'S WORST-RECEIVED FILM.

Things weren’t looking good for Kubrick after Barry Lyndon was released in 1975. Film reviewer Tim Robey noted, “It was not the commercial success Warner Bros. had been hoping for.” The film cost $11 million to make and earned $9.5 million in the United States, though it did have a good life in foreign box offices. According to Hughes, the film would have had to earn $30 million to be profitable.

The Shining did a lot better financially. The film cost $19 million to make and it went on to earn $47 million in the United States. It was one the top 10 highest-grossing films of 1980.

24. IT HAS INSPIRED MANY CONSPIRACY THEORIES.

So many film theorists have their own takes on The Shining that these conspiracies star in their own film: the documentary Room 237. One theory is that Kubrick helped to fake the moon landing and The Shining is his confession. Another claims that the film is truly about the genocide of Native Americans. Yet another theory reads the film as a story about the Holocaust and concentration camps.

Leon Vitali, Kubrick’s personal assistant during filming, has since denied these theories. “I was falling about laughing most of the time," he said of the documentary. "There are ideas espoused in the movie that I know to be total balderdash.”

25. ITS MOST FAMOUS FAN SITE IS RUN BY THE DIRECTOR OF TOY STORY 3.

Lee Unkrich runs The Overlook Hotel, which contains tons of pictures and behind-the-scenes information about the film. “I started the site purely for selfish reasons," Unkrich told Vulture in 2013. "I’ve been collecting stuff from The Shining over the years, and I just wanted to have one place where they could be organized.” Unkrich was also one of the people who helped fund the Room 237 documentary.

But, undeniably the most fun part about Unkrich's obsession with The Shining is finding the hidden references in various Pixar films, including Toy Story 3: Sid’s carpet is very similar to a carpet in the Overlook Hotel. A garbage truck’s license plate reads “RM237.” And Trixie chats online with a dinosaur toy down the street who happens to have the screen name “Velocistar237.”

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14 Burning Facts About Lucifer

Tom Ellis stars as Lucifer Morningstar in Lucifer.
Tom Ellis stars as Lucifer Morningstar in Lucifer.
JOHN P. FLEENOR/NETFLIX © 2020

He's in the details, he makes deals, and he lost an epic fiddle contest in Georgia. Lucifer Morningstar (not a stage name) has played a lot of roles in popular culture, but he had never been a nightclub-owning amateur detective in Los Angeles until he got his own TV show on Fox in 2016.

In Lucifer, Tom Ellis plays the titular demon, who has left hell and the punishment business in order to get a little Earthside R&R in the City of Angels. Just as Dracula went from rotten-skinned monster to debonair seducer in literature, Lucifer’s version of the devil (who comes to us courtesy of Californication creator Tom Kapinos) is all tailored suits, wry smiles, and addictive flirtation. He’s also very, very persuasive and people just have a tendency to tell him their deepest, darkest secrets—which is the next best thing to having a superpower when you're trying to solve mysteries alongside a cynical cop (played by Lauren German) … even if she is immune to those charms.

As you catch up with the hit series on Netflix (season 5 dropped in late August) and prepare for its upcoming sixth and final season, here are some facts to know about Lucifer.

1. Supernatural predicted Lucifer’s arrival.

The long-running, beloved genre show Supernatural welcomed Lucifer into the world with a joke. In "The Devil in the Details," episode 10 of Supernatural's 11th season, their show's Lucifer (played by Mark Pellegrino) joked that if he ever got out of his cage in hell, he'd move to Los Angeles to solve crimes. Fans of Eric Kripke’s series might have been surprised five days later when Lucifer's first episode landed on Fox and showed the titular demon (played here by Tom Ellis) doing exactly that.

2. Though Lucifer isn’t a Supernatural spinoff, both shows exist in a similar universe.

Though Supernatural and Lucifer aren’t officially related, both shows occupy somewhat of a shared universe and feature some of the same mythical characters. They also clearly have a shared affinity, as both shows have made sly nods to each other over the years.

3. Lucifer is a loose adaptation of a Neil Gaiman comic book character.

Tom Ellis and Aimee Garcia in Lucifer.John P. Fleenor/Netflix © 2020

The main character of Lucifer is less an adaptation of the embodiment of evil from religious texts and more an official riff on the Lucifer that Neil Gaiman, Sam Kieth, and Mike Dringenberg created for The Sandman comic book series for DC Comics. Lucifer eventually got his own spin-off comic book series.

4. Lucifer star Tom Ellis had no idea the show was a loose adaptation of a Neil Gaiman comic book character.

When asked if he used the Gaiman comics as research for his character in Lucifer, Ellis admitted that he wasn’t even aware the show was adapted from a comic book series. "It is a loose adaptation," he told Digital Spy in 2016. “I hadn't used anything from the comic to start with. But since then Neil Gaiman, who was behind the original incarnation, has got in touch with me. He told me he really enjoyed the pilot, so that was nice—it was almost like one of the parents giving us their blessing.”

5. Watch Lucifer carefully and you’ll spot some Neil Gaiman Easter eggs.

To honor its original creator, Lucifer has featured nods to some of Gaiman’s other work. Most notably, Chloe (Lauren German) reads Gaiman's Coraline to her daughter Trixie (Scarlett Estevez), and references Trixie conning her father into reading her "the book about the sneezing panda," which is a reference to Gaiman's book Chu's Day.

6. There was a petition to stop Lucifer from airing before it ever even premiered.

Tom Ellis stars in Lucifer.John P. Fleenor/Netflix

Before a single episode of Lucifer had ever even aired, the conservative group One Million Moms rallied to get the show canceled. They garnered 11,000 signatures on a petition that objected to the series because they felt it would glamorize the devil. The incident was a bit of déjà vu for Gaiman, since Sandman faced similar calls for cancellation when it was published.

7. There was also a petition to save Lucifer from cancellation.

When Lucifer was canceled after three seasons (due to low ratings), fans fought back and kept the series alive with the social media hashtag #SaveLucifer. Fox sold the series to Netflix, which produced a fourth season with a penultimate episode titled "Save Lucifer." Netflix then renewed the series for a fifth season, which premiered on August 21, 2020 and was initially scheduled to be its last. However, in June—just two months ahead of the season 5 premiere—Netflix surprised and delighted the show’s massive fan base by announcing that they had greenlit a sixth and (this time definitely) final season.

8. Lucifer's Tom Ellis comes from a family of pastors.

Irony works in mysterious ways. While appearing on The Rich Eisen Show, Ellis explained that while he's playing the Lord of Hell, his father, sister, and uncle are all pastors. They're all also big fans of his acting work.

9. There are no Christmas episodes of Lucifer.

That may not be surprising given the main character's predilections, but it's surprising considering that Christmas-themed shows are a staple of the TV industry in search of extra nudges to entice their viewership. Refusing to make Christmas-themed episodes is a big diversion from the norm. It's a bold choice, but it falls in line with the show never mentioning Jesus Christ (not even when someone stubs a toe).

10. Lucifer never smokes on the show.

Tom Ellis as Lucifer Morningstar, D.B. Woodside as Amenadiel, and Lauren German as Chloe Decker in Lucifer.John P. Fleenor/Netflix © 2020

Beginning with the very first episode, there are several times where Lucifer can be seen just as he's about to light a cigarette, stubbing one out, or tapping ash into an ashtray, but you'll never see him actually take a drag and inhale. Still, even the fact that he's got them raises the important question: Why does the devil need to smoke?

11. Lauren German describes Chloe and Lucifer's relationship as "sad fireworks."

There's no better way to say it. Since the beginning, their reluctant partnership and blooming intimacy has been an exploration of conflicting emotions. That includes the looming revelation of something Lucifer has been telling Chloe since the beginning: That he's the devil. While describing their relationship as "sad fireworks," German also told TV Guide, “There's a lot of love and respect there, and her vulnerability is more present than ever before—but that can often be the most intoxicating element in a relationship. Someone that keeps you on your toes can be thrilling.”

12. Lucifer's nightclub has a fitting name.

Lucifer means "light bringer" in Latin so it's perfect that his club, Lux, is also the SI standard unit for measuring luminescence. Plus, Club Hell was already taken.

13. Lucifer star Tom Ellis has got some serious air piano chops.

D.B. Woodside and Tom Ellis in Lucifer.John P. Fleenor/Netflix © 2020

One of the perks of owning your own nightclub is that you can play piano whenever you want. And if you're immortal, you've got all the time in the universe to take lessons. (Just ask Groundhog Day’s Phil Connors.) Lucifer plays and sings a lot on the show, and while it's Ellis doing the singing, it's not him at the keys. “I’m very good at air piano, let me put it that way!" Ellis told TV Insider about his talent for faking it.

14. Lucifer drives a 1962 Chevrolet Corvette C1.

If you're wondering the make and model of Lucifer's automotive object of desire, now you know. The classic is sleek, a little dangerous, and has a mix of sharp angles and softer edges, matching the main character nicely. Plus, it's the last of its kind: 1962 was the final year the C1 chassis was available on the Corvette.