5 Ways Grimm's Fairy Tales Changed After the First Edition

Katalin Szegedi, Wikimedia Commons // CC BY-SA 3.0
Katalin Szegedi, Wikimedia Commons // CC BY-SA 3.0

You probably know that the original Brothers Grimm fairy tales didn't have the same sort of kid-friendly happy endings as the Disney versions. But it’s not because Jacob and Wilhelm were a pair of deviants eager to write about child abuse. When they set out to produce their Kinder- und Hausmarchen (Children’s and Household Tales)—the first volume of which was published on December 20, 1812—the brothers viewed themselves not as authors or even really editors, but as collectors and literary historians.

The original intent of the project was to record and anthologize the oral tradition in German-speaking countries at the start of the 19th century. The Grimms were scholars, working primarily at their desks, who relied on friends and informants and the occasional written document to source the folklore that had been passed down for generations.

Although they added clear transitions where necessary to complete the tales, for the most part the Grimms stayed as true to the original sources as possible.

In 2014, Princeton University Press published The Original Folk and Fairy Tales of the Brothers Grimm, the first-ever English translation of the first edition of the Grimms' stories. In the introduction, translator Jack Zipes writes that "... the more they began gathering tales, the more they became totally devoted to uncovering the ‘natural poetry’—naturpoesie—of the German people, and all their research was geared toward exploring the epics, sagas, and tales that contained what they thought were essential truths about the German cultural heritage. Underlying their work was a pronounced romantic urge to excavate and preserve German cultural contributions made by the common people before the stories became extinct."

A drawn portrait of Jacob and Wilhelm Grimm
A portrait of Jacob and Wilhelm Grimm by their brother Ludwig Emil Grimm
Historisches Museum Hanau zeno.org, Wikimedia Commons // Public Domain

These preservation efforts are seen most clearly in the first edition, with all its lewdness and violence. But once the stories started gaining popularity, the Grimm brothers found it too tempting to alter some of the more unsavory aspects to appeal to a wider audience.

"As soon as they published their first edition, they gradually became fairly famous, and not only in the German-speaking countries—remember, Germany is not united at that point," Zipes told Mental Floss,"Their name and their collection spread like wildfire."

The effect of this growing renown was twofold: At the same time as the Grimms were working, a literate middle class was just beginning to emerge in Europe as a result of public school becoming compulsory. With the traditionally oral stories now bound in a text, the literate middle and upper classes took an interest in the tales, but imposed their Victorian Puritan sentiments on some of the rougher aspects.

As Zipes writes in his book's introduction, “Although they did not abandon their basic notions about the ‘pure’ origins and significance of folk tales when they published the second edition in 1819, there are significant indications that they had been influenced by their critics to make the tales more accessible to a general public and more considerate of children and readers and listeners of the stories.”

This was made possible by the other impact of the first edition’s renown. Although the text was only moderately well-received, people from across Europe began sending the Grimms their own versions of the stories, as they were told in their families. The influx of new material gave the brothers options to compare and intentionally conflate in an effort to get at the essence of the tale, but also as a justification for sanitizing some of the less savory aspects.

We rounded up some of the more surprising aspects of the first edition that were later cleaned up or scrubbed from the text altogether.

1. The tales become much longer.

Through a mix of receiving different, more detailed versions to base their text on and adding their own literary flourishes, the Grimms' subsequent editions were all much longer than the first. Zipes says that there was "no real cohesion" to the first edition, and this is true particularly of the form and format—while are some fully-realized stories, others read more like ideas or outlines. This reflects the Grimms' dedication to reprinting only what they heard.

"Wilhelm could not control his desire to make the tales more artistic to appeal to middle-class reading audiences," Zipes wrote. "The result is that the essence of the tales is more vivid in the two volumes of the first edition, for it is here that the Grimms made the greatest effort to respect the voices of the original storytellers or collectors."

2. Biological mothers became stepmothers.

If you grew up watching Disney movies, you learned that stepmothers are all evil witches, jealous of their beautiful stepdaughters—largely because of the remakes of the Grimms' fairytales. But in the original versions, it was Hansel and Gretel's own mother who tried to abandon her children in the forest and Snow White's real mom who not only hired a huntsman to murder the 7-year-old girl but also planned to eat her organs. In an interview with The Guardian, Zipes said "that the Grimms made the change in later editions because they 'held motherhood sacred,'" but that there were sociological grounds for the change—beyond the fear of offending potential readers—because "many women died from childbirth in the 18th and 19th centuries, and there were numerous instances in which the father remarried a young woman, perhaps close in age to the father’s eldest daughter," of whom the new wife might feel jealous.

3. Rapunzel didn't get pregnant.

In the first version of Rapunzel, the evil fairy finds out about the Prince when her naive charge wonders aloud, "Tell me, Mother Gothel, why are my clothes becoming too tight? They don't fit me any more." The reader, or listener, is to infer from this that Rapunzel has become impregnated by the Prince during their "merry time" together.

By the 1857 seventh edition, this pregnancy has been cut out of the story entirely and instead, Rapunzel accidentally reveals that she's been seeing the Prince by asking Mother Gothel why she is so much more difficult to pull up than he is—foolish and insulting, but at least not sexually active.

4. The fairies were recast.

Zipes described the supernatural element of the stories as "Kafka-esque." But while much of the text is altered to be more in line with Christianity, some improbable plot developments remain. "There is a good deal of magic in the tales, and they didn’t really take away the magic too much in the following editions," he told Mental Floss. "This miraculous transformation that occurs in the tales was generally not deleted."

That said, the brothers made a particular change to the way they cast these more fantastical elements. In the first edition, the harbingers of magic were almost always fairies—unsurprising in the fairy tale genre. But during the time that the Grimms worked, the Napoleonic wars saw the French occupy of much of German-speaking Europe. Somewhere along the line, they decided to stop using the French term "fairy"—or sometimes "faerie"—and instead replace each instance with some other vaguely mystical being. For example, in Rapunzel, the fairy became a sorceress, and in Briar Rose, better known as Sleeping Beauty, the fairies are changed into wise women.

5. Some stories got cut altogether.

The first edition of Grimm's Fairy Tales was 156 tales, and the final edition was 210—but they didn't only add stories in the interim. The deluge of similar tales they received after the first publication drew widespread acclaim gave the brothers plenty of material to work with, but certain tales just couldn't be sufficiently amended to fit a less gruesome standard. One such story was the aptly-named "How Some Children Played At Slaughtering." In it, two children play as a pig and a butcher. As part of the game, the older brother slits his younger brother's throat, killing him. When their mother finds the scene, she becomes so enraged that she kills the older brother. While she was off doing this, the youngest son drowns in the bath. Now the mother is so despondent that she hangs herself. Eventually, the father returns. When he finds his whole family dead he, too, dies—of heartbreak. Even with a liberal approach to editing, it's unlikely such a story could be Disneyified.

This story originally ran in 2015.

Audible Makes Hundreds of Audiobooks Available for Free While Schools Are Closed

This gleeful teen is probably not listening to Victor Hugo's Les Misérables.
This gleeful teen is probably not listening to Victor Hugo's Les Misérables.
max-kegfire/iStock via Getty Images

To keep kids occupied and educated at home, Audible recently launched “Audible Stories,” a completely free online library with hundreds of audiobooks that’ll stay “open” for as long as schools are closed.

The stories are split into categories like “Littlest Listeners,” “Elementary,” “Tween,” and “Teen,” so parents can easily choose an age-appropriate bedtime story for their toddlers, and high-schoolers can automatically bypass titles like ABC: Learn Your Alphabet With Songs and Rhymes. And while the platform might’ve been created mainly for the benefit of housebound schoolchildren, you definitely don’t have to be a kid to appreciate the calming adventures of A.A. Milne’s Winnie the Pooh. There’s even a “Literary Classics” section with audiobooks that appeal to listeners of any age, like Herman Melville’s Moby-Dick, Victor Hugo’s Les Misérables, and Jane Austen’s Pride and Prejudice.

Some of the audiobooks even feature the familiar voices of top-notch talent from your favorite films and television series. Westworld’s Thandie Newton narrates Jane Eyre, Scarlett Johansson lends her versatile voice to Alice’s Adventures in Wonderland, and Rachel McAdams brings her own spirited spin to Anne of Green Gables. The crown jewel of the site is probably Harry Potter and the Philosopher’s Stone, read by Stephen Fry.

You don’t need an Audible account or the Audible app to access the platform. Just open "stories.audible.com" in any web browser on any device. And if you want to take a break from listening, Audible will save your spot (but only for the most recent audiobook you’ve played).

The digital library is not just for English-speaking users—there are titles narrated in French, German, Spanish, Italian, and Japanese, too, including foreign-language versions of classics like Rudyard Kipling’s The Jungle Book and J.M. Barrie’s Peter Pan. If you're interested in Audible's full offering, you can try out a 30-day free trial.

Looking for something to do while you listen? Here’s how to grow your own yeast for sourdough bread.

At Mental Floss, we only write about the products we love and want to share with our readers, so all products are chosen independently by our editors. Mental Floss has affiliate relationships with certain retailers and may receive a percentage of any sale made from the links on this page. Prices and availability are accurate as of the time of publication.

The Top 25 Bestselling E-Books on Amazon Right Now

Is she reading Harry Potter for the 15th time?
Is she reading Harry Potter for the 15th time?
grinvalds/iStock via Getty Images

Right now, the ability to access books on your tablet or phone—without leaving your house or waiting days for an order to arrive in the mail—seems more magical than ever. With just about every book at your fingertips, however, it might be a little difficult to decide which one to choose.

You could ask for recommendations from friends and family, or use this website, which specializes in personalized reading lists based on books you’ve already read and loved. Or you could check out Amazon’s current list of bestselling e-books—updated by the hour—to see what the general population just can’t get enough of. As of this morning (March 31), Elle Marr’s highly anticipated thriller The Missing Sister sits in the number one spot; since its publication date isn’t until April 1, that means it’s gotten to the top of the list on pre-orders alone.

There are several other riveting thrillers on the list, including Dean Koontz’s latest, In the Heart of the Fire, and Christopher Greyson’s murder mystery The Girl Who Lived. Plenty of other genres are well-represented, too, from Stephen R. Covey’s classic self-help book The 7 Habits of Highly Effective People to Jory John’s charming children’s story The Bad Seed.

And, of course, it would hardly seem like a bestseller list if Harry Potter didn’t make an appearance or two. According to this data, more than a few people are spending their quarantine time reading (or re-reading) J.K. Rowling’s beloved series—Harry Potter and the Sorcerer’s Stone and Harry Potter and the Chamber of Secrets are at number seven and number 17, respectively.

Look through March 31’s top 25 below:

  1. The Missing Sister by Elle Marr // $5
  1. Girl, Stop Apologizing by Rachel Hollis // $13
  1. Wall of Silence by Tracy Buchanan // $5
  1. The Bad Seed by Jory John // $13
  1. The Overdue Life of Amy Byler by Kelly Harms // $2
  1. Where the Forest Meets the Stars by Glendy Vanderah // $5
  1. Harry Potter and the Sorcerer’s Stone by J.K. Rowling // $9
  1. The Last Bathing Beauty by Amy Sue Nathan // $5
  1. The 7 Habits of Highly Effective People by Stephen R. Covey // $6
  1. When We Believed in Mermaids by Barbara O’Neal // $5
  1. Rough Edge by Lauren Landish // $4
  1. The Library at the Edge of the World by Felicity Hayes-McCoy // $1
  1. If You Tell by Gregg Olsen // $2
  1. Now, Then, and Everywhen by Rysa Walker // $5
  1. The Girl Who Lived by Christopher Greyson // $10
  1. Rain Will Come by Thomas Holgate // $5
  1. Harry Potter and the Chamber of Secrets by J.K. Rowling // $9
  1. The Other Family by Loretta Nyhan // $5
  1. In the Heart of the Fire by Dean Koontz // $2
  1. Little Fires Everywhere by Celeste Ng // $10
  1. Pete the Cat and the Missing Cupcakes by James Dean // $8
  1. The Splendid and the Vile by Erik Larson // $15
  1. Unlimited Memory by Kevin Horsley // $10
  1. Lift Her Up by T.S. Joyce // $1
  1. In an Instant by Suzanne Redfearn // $5

At Mental Floss, we only write about the products we love and want to share with our readers, so all products are chosen independently by our editors. Mental Floss has affiliate relationships with certain retailers and may receive a percentage of any sale made from the links on this page. Prices and availability are accurate as of the time of publication.

SECTIONS

arrow
LIVE SMARTER