15 Lovely Facts About Girl With A Pearl Earring

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wikimedia commons

Despite a deceptively simple composition, Johannes Vermeer's Girl with a Pearl Earring has captured the imaginations of art fans around the world. While little is certain about the girl behind the mesmerizing gaze, here's what we do know about this now-legendary work.

1. No one knows for sure who the girl is.

Scholars estimate the painting was completed in 1665. The painting is an example of a type of work called a tronie. Popular in the Dutch Golden Age, tronies were paintings that focused on the face of a subject with an added element of fantasy or an exaggeration of expression that differentiates them from portraits.

2. Speculation on her identity led to a novel, movie, and stage production.

All titled Girl with a Pearl Earring, these works began with American novelist Tracy Chevalier, whose 1999 historical novel spun a love story between Vermeer and a servant girl turned muse. In 2004, Chevalier's book was adapted into an acclaimed feature film, starring Scarlett Johansson and Colin Firth. Then in 2008, a stage adaptation was produced in London.

Though the story is compelling, it may not have been grounded in historical fact. Historian J.M. Montias suggested that a household servant modeled for Vermeer’s Milkmaid, but not this particular masterpiece.

3. The girl may be Vermeer's daughter.

Journalists Jean-Louis Vaudoyer and Lawrence Weschler have proposed that the lovely girl who sat for Vermeer was in fact the eldest of his 10 children, Maria. She might also be the model in Art of Painting and Young Woman with a Pearl Necklace.

4. The girl in the painting may be an artist in her own right.

In 2014, Benjamin Binstock, a specialist on Renaissance and Baroque art, declared that Maria may have been more than just Girl with a Pearl Earring's model—she might also have been the artist who created one fifth of the works attributed to her father. These "misfit" Vermeers that might be Maria's include Mistress and Maid, Girl With a Red Hat, and Woman with a Lute. Notably, each includes a model wearing a familiar earring.

5. Girl with a Pearl Earring isn't its only name.

The painting has alternately been called Girl In A Turban, Head Of Girl In A Turban, The Young Girl With Turban, and Head of a Young Girl.

6. The painting also has a nickname.

Often Girl with a Pearl Earring is referred to as the "Mona Lisa of the North." This is partially because of the girl's curious expression, and in part because of the mystery surrounding the piece itself.

7. The uncertainty of her story is a key to its allure.

When Girl with a Pearl Earring toured the U.S. in 2013, the painting drew a massive turnout at each of its stops. Assistant curator of San Francisco’s de Young museum told The Wall Street Journal, "Sometimes the questions are more intriguing because they can't be answered. Who was she? What was she thinking? What was her relationship with Vermeer? The mystery is part of its popularity."

8. Her earring might have religious overtones.

Some scholars have theorized that Girl with a Pearl Earring may be a portrait of chastity, making a connection between the painting and the teachings of early 17th century bishop St. Francis De Sales, who wrote, "Both now and in the past it has been customary for women to hang pearls from their ears; as Pliny observed, they gain pleasure from the sensation of the swinging pearls touching them. But I know that God's friend, Isaac, sent earrings to chaste Rebecca as a first token of his love. This leads me to think that this jewel has a spiritual meaning, namely that the first part of the body that a man wants, and which a woman must loyally protect, is the ear; no word or sound should enter it other than the sweet sound of chaste words, which are the oriental pearls of the gospel."

9. Vermeer likely used the same earring for another of his paintings.

A similar teardrop pearl can be spotted in A Woman Brought A Letter By A Maid. Vermeer often reused props, models, and settings in his works.

10. It probably wasn’t a real pearl.

In December of 2014, Vincent Icke, a professor of Theoretical Astronomy, wrote in New Scientist that the light reflecting off the earring in Girl with a Pearl Earring wouldn't match that of an actual pearl.

The size of the pearl also makes it suspect. Curators Quentin Buvelot and Ariane van Suchtelen explained, "Large pearls were rare and ended up in the hands of the richest people on the planet. In the seventeenth century, cheaper glass pearls, usually from Venice, were also quite common. They were made from glass, which was lacquered to give it a matte finish. Maybe the girl is wearing such a handcrafted 'pearl'."

11. Its black background was once a glossy green.

Modern restorations of the painting found trace amounts of indigo and weld, a glaze mixture that would have made the dark underpainting glisten. Over the centuries, pigments in the glaze have broken down to change the painting’s color.

12. The paint used for the turban was incredibly expensive.

Made from a crushed deep blue semi-precious stone called lapis lazuli, the ultramarine paint Vermeer used on the turban was one only a few of his contemporaries dared employ. Despite ultramarine's high price tag, Vermeer notably used the color even in times of financial hardship, possibly thanks to funding from his generous patron Pieter van Ruijven.

13. Vermeer may have used mechanical means to create this painting and many more.

The Dutch master's distinctive style avoids hard lines, relying on shades of light and shadow alone. Art historians have long debated whether mechanical means may have helped Vermeer render light in this way. A camera obscura is the most popular theory, and the 2013 documentary Tim's Vermeer followed an experiment that seemed to prove that Vermeer's method included a careful arrangement of mirrors to guide his hand in painting.

14. This priceless painting sold for next to nothing.

More than two hundred years passed between the painting's creation and its sale at auction in 1881. There, Dutch Army officer and art collector Arnoldus Andries des Tombe purchased Girl with a Pearl Earring for just 2 guilders with a 30-cent premium. Upon des Tombe's death in the winter of 1902, the work was willed to The Hague's art museum the Mauritshuis, where it can still be seen today.

15. Girl with a Pearl Earring will never leave home again.

In recent years, The Mauritshuis loaned Girl with a Pearl Earring to Japan, Italy and the United States for exhibitions. But once this tour concluded in July of 2014, the museum announced the painting would stay in their collection within their walls indefinitely. And so Girl with a Pearl Earring joined the ranks of Botticelli's Birth of Venus, Picasso's Guernica, and Les Demoiselles d'Avignon as works sworn to stay safe in their home museums for all time.

Art

15 Colorful Facts About Georgia O’Keeffe

Georgia O’Keeffe’s enchanting floral still life paintings are now a deeply ingrained part of American culture—so much so that they often eclipse her other colorful accomplishments. For a more complete portrait of the artist, who was born on November 15, 1887, brush up on these 15 little-known facts about her.

1. Flower paintings make up a small percentage of Georgia O'Keeffe's body of work.

Though Georgia O'Keeffe is most famous for her lovingly rendered close-ups of flowers—like Black Iris and Oriental Poppies—these make up just about 200 of her 2000-plus paintings. The rest primarily depict landscapes, leaves, rocks, shells, and bones.

2. Georgia O'Keeffe rejected sexual interpretations of her paintings.

For decades, critics assumed that O'Keeffe's flowers were intended as homages—or at the very least, allusions—to the female form. But in 1943, she insisted that they had it all wrong, saying, “Well—I made you take time to look at what I saw and when you took time to really notice my flowers you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don’t.” So there.

3. Georgia O'Keeffe was not a native of the American Southwest.


Joe Raedle/Getty Images

O'Keeffe was actually born on a Wisconsin dairy farm. She'd go on to live in Chicago; New York City; New York’s Lake George; Charlottesville, Virginia; and Amarillo, Texas. She first visited New Mexico in 1917, and as she grew older, her trips there became more and more frequent. Following the death of her husband in 1946, she moved to New Mexico permanently.

4. Georgia O'Keeffe’s favorite studio was the backseat of a Model-A Ford.

In an interview with C-SPAN, Carolyn Kastner, former curator of the Georgia O'Keeffe Museum in Santa Fe, New Mexico, explained how the artist customized her car for this use: "She would remove the driver's seat. Then she would unbolt the passenger car, turn it around to face the back seat. Then she would lay the canvas on the back seat as an easel and paint inside her Model-A Ford."

Painting inside the car allowed O'Keeffe to stay out of the unrelenting desert sun, where she painted many of her later works. The Model-A also provided a barrier from the bees that would gather as the day wore on.

5. Georgia O'Keeffe also painted skyscrapers.

While nature was O'Keeffe's main source of inspiration, the time she spent in 1920s Manhattan spurred the creation of surreal efforts like New York With Moon, City Night, and The Shelton with Sunspots.

6. Georgia O'Keeffe immersed herself in nature.

While in New Mexico, O’Keeffe spent summers and falls at her Ghost Ranch, putting up with the region's hottest, most stifling days in order to capture its most vivid colors. (The rest of the year she stayed at her second home, located in the small town of Abiquiu.) When she wasn't painting in her Model-A, O'Keeffe often camped out in the harsh surrounding terrain, to keep close to the landscapes that inspired her.

7. Not even bad weather could keep Georgia O'Keeffe away from her work.

The artist would rig up tents from tarps, contend with unrelenting downpours, and paint with gloves on when it got too cold. She went camping well into her 70s and enjoyed a well-documented rafting trip with photographer Todd Webb at age 74. Her camping equipment is occasionally exhibited at the Georgia O'Keeffe Museum.

8. Georgia O'Keeffe married the man behind her first gallery show.

"At last, a woman on paper!" That’s what modernist photographer and gallery owner Alfred Stieglitz cried when he first saw O'Keeffe's abstract charcoal drawings. He was so enthusiastic about this series of sketches that he put them on display—before consulting their creator.

When O'Keeffe arrived at his gallery, she wasn't pleased, and brusquely introduced herself: "I am Georgia O'Keeffe and you will have to take these pictures down." Despite their rocky beginnings, Stieglitz and O'Keeffe quickly made amends, and went on to become partners in art and in life.

9. Georgia O'Keeffe and Alfred Stieglitz wrote 25,000 pages of love letters to each other.

When the pair met in 1916, Stieglitz was famous and married; she was unknown and 23 years his junior. All the same, they began writing to each other often (sometimes two or three times a day) and at length (as many as 40 pages at a time). These preserved writings chart the progression of their romance—from flirtation to affair to their marriage in 1924—and even document their marital struggles.

10. Georgia O'Keeffe served as a muse to other artists.

Thanks in part to Stieglitz, O'Keeffe was one of the most photographed women of the 20th century. Stieglitz made O'Keeffe the subject of a long-term series of portraits meant to capture individuals as they aged, and she made for a striking model. Though he died in 1946, the project lived on as other photographers sought out O'Keeffe in order to capture the beloved artist against the harsh New Mexican landscapes she loved so dearly.

O'Keeffe later wrote:

"When I look over the photographs Stieglitz took of me—some of them more than 60 years ago—I wonder who that person is. It is as if in my one life I have lived many lives. If the person in the photographs were living in this world today, she would be quite a different person—but it doesn't matter—Stieglitz photographed her then."

11. Georgia O'Keeffe quit painting—three times.

The first break spanned several years (the exact number is a matter of debate), when O'Keeffe took on more stable jobs to help her family through financial troubles. In the early 1930s, a nervous breakdown led to her hospitalization, and caused her to set aside her brushes for more than a year.

In the years leading up to her death in 1986, failing eyesight forced O'Keeffe to give up painting entirely. Until then, she fought hard to keep working, enlisting assistants to prepare her canvas and mix her oil paints for pieces like 1977's Sky Above Clouds/Yellow Horizon and Clouds. She managed to use watercolors until she was 95.

12. After going blind, Georgia O'Keeffe turned to sculpting.


By Alfred Stieglitz - Phillips, Public Domain, Wikimedia Commons

Although her vision eventually made painting impossible, O'Keeffe's desire to create was not squelched. She memorably declared, "I can see what I want to paint. The thing that makes you want to create is still there.” O'Keeffe began experimenting with clay sculpting in her late 80s, and continued with it into her 96th year.

13. Georgia O'Keeffe is the mother of American Modernism.

Searching for what she called “the Great American Thing,” O'Keeffe was part of the Stieglitz Circle, which included such lauded early modernists as Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Paul Strand, and Edward Steichen. By the mid-1920s, she had become the first female painter to gain acclaim alongside her male contemporaries in New York's cutthroat art world. Her distinctive way of rendering nature in shapes and forms that made them seem simultaneously familiar and new earned her a reputation as a pioneer of the form.

14. Georgia O'Keeffe blazed new trails for female artists.

In 1946, O’Keeffe became the first woman to earn a retrospective at the Museum of Modern Art. Twenty-four years later, a Whitney Museum of American Art retrospective exhibit introduced her work to a new generation. Fifteen years after that, O'Keeffe was included in the inaugural slate of artists chosen to receive the newly founded National Medal of Arts for her contribution to American culture.

15. Georgia O'Keeffe wasn't fearless, but she rejected fear.

O'Keeffe was purported to have said, "I've been absolutely terrified every moment of my life and I've never let it keep me from doing a single thing I wanted to do."

These Amazing Jigsaw Puzzles Feature Artworks by Female Artists From Around the World

JIGGY
JIGGY

There are many different reasons why people might choose a traditional jigsaw puzzle over Candy Crush, Untitled Goose Game, or another smartphone-optimized activity. There’s a tactile satisfaction in the process of fitting the pieces together that you don’t necessarily get from the smooth surface of your phone, for one. It’s also something you can enjoy with a group.

For Kaylin Marcotte, it was a way to unwind at night after seemingly endless days working as theSkimm’s very first employee. Though the low-tech nature of jigsaw puzzling was part of the appeal, she didn’t see why the designs themselves needed to be quite so old-fashioned. So she decided to found her own puzzling company, JIGGY.

This week, JIGGY debuted its first collection, featuring artworks from emerging global female artists. If you’re thinking en vogue modern art sounds like just the thing to fill your blank wall space, Marcotte agrees: The puzzles come with puzzle glue and even a custom precision tool to help you apply it smoothly, so you can frame and hang your creation after completion. If you’re more of a puzzle repeater than a puzzle displayer, that’s fine, too—just pop the pieces back into their sustainable glass container until next time.

The contributing artists hail from all over the world, and each artwork embodies a distinctive style. “Bathing with Flowers” by Slovenia’s Alja Horvat depicts a lush tropical atmosphere, while “BerlinMagalog” by Diana Ejaita (based in Germany and Nigeria) combines bold contrasts with soft patterns to capture the complexity of feminine strength.

jiggy puzzle bathing with flowers
"Bathing with Flowers" by Alja Horvat.
JIGGY

JIGGY puzzle “BerlinMagalog” by Diana Ejaita
“BerlinMagalog” by Diana Ejaita.
JIGGY

In Australia-based Karen Lynch’s “Flamingo Playground,” a building-sized flamingo innocuously stalks across a picturesque, populated beach. And then there’s “The Astronaut” by Seattle’s Emma Repp, a whimsical, vibrant illustration of outer space that brilliantly contrasts the bleak and sometimes terrifying abyss we’re so used to seeing in movies like Gravity (2013) or First Man (2018).

JIGGY puzzle “Flamingo Playground,”
"Flamingo Playground" by Karen Lynch.
JIGGY

JIGGY puzzle “The Astronaut”
“The Astronaut” by Emma Repp.
JIGGY

The full collection comprises three 450-piece puzzles for $40 each, and three 800-piece puzzles for $48 each—you can find out more about the artists and shop for your favorite puzzle here.

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