13 Things You Might Not Know About Diff'rent Strokes

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If you were tuned in to a television anytime between 1978 and 1986, you were likely exposed to the phenomenon that was NBC’s Diff’rent Strokes. A star vehicle for precocious kid actor Gary Coleman, Strokes mined comedy from the odd coupling of millionaire Mr. Drummond (Conrad Bain) and his dead housekeeper’s orphaned children, Arnold (Coleman) and Willis (Todd Bridges).

The show ran for eight seasons and is likely as notable for the melodrama surrounding its young stars as it is for anything they did onscreen. Have a look at 13 facts Willis was, at some point or another, probably discussing.  

1. It Made the Schedule Because The Little Rascals Didn’t.

NBC President Fred Silverman knew he wanted to do something with Gary Coleman, the polished 10-year-old who had gotten attention for his commercial spots. (Coleman was so poised that at one point he was believed to be a little person.) The actor taped a pilot for a Little Rascals update in 1978, but the network declined to move forward. Still anxious to find a project, Silverman slotted him in a script about two brothers from Harlem who move into a posh Manhattan penthouse. While Bain was the ostensible star of the show, it was Coleman’s portrayal of Arnold that entertained audiences: The show never fell outside of the top 30 during its first three seasons.

2. White Supremacists Were Not Fans.

While Strokes was never a highly politicized series, some viewers were uncomfortable with the idea of a rich white millionaire adopting two black children. After the show premiered, Bain received letters from the Ku Klux Klan that were threatening in nature and sealed in wax by a Grand Dragon; Todd Bridges claimed he was also harassed by self-identified Klan members.  

3. The Title May Have Been Inspired by Muhammad Ali.

According to the Yale Book of Quotations, boxing great Ali (who made a cameo in a 1979 episode) was quoted by the Great Bend Daily Tribune in 1966 as saying, “Different strokes for different folks.” Musician Syl Johnson further popularized the phrase in a 1968 song. Prior to the stylized title, producers considered calling it 45 Minutes from Harlem.  

4. Gary Coleman Sat Out Episodes Over Money.

Despite being the main attraction of Strokes, Coleman was paid a fairly paltry $1,800 per episode when the show debuted. His parents—who also happened to be his managers—successfully argued for a raise to $30,000 per episode. By 1981, the promise of lucrative syndication money led to another request; this time the protracted contract negotiations had Coleman sitting on the sidelines for the first episodes of the fourth season. His salary was eventually increased to $70,000 per episode, making him NBC’s highest-paid comedic actor for a period of time.

5. Coleman Tweaked His Catchphrase.

According to series writer Ben Starr, the character of Arnold had a line that was scripted as, “What are you talking about, Willis?” When Coleman read it, he compressed it into what would become one of the most pervasive catchphrases of the 1980s: “Whatchoo talkin’ ‘bout, Willis?” The writers wanted to be careful to partition it out in future seasons so it wouldn’t wear out its welcome, but that wasn’t entirely successful: By the late 1990s, Coleman was so tired of the line he refused to say it.

6. It Cornered the Market on 'Very Special' Episodes.

Sitcoms tackled serious themes at least as far back as the 1970s, when Edith Bunker was assaulted in a particularly jarring episode of All in the Family. But it wasn’t until the 1980s that comedies regularly took movie-of-the-week themes and used them to garner press attention for a substantial bump in ratings. In 1983, Strokes aired a two-part episode about child molestation where Gordon Jump (later known as Maytag’s Lonely Repairman) attempts to seduce Arnold and his friend. The show was so successful that Very Special Episodes devoted to bulimia, epilepsy, alcoholism, and the dangers of hitchhiking followed; fittingly, Strokes' last-ever episode in 1986 was Very Special, featuring Arnold investigating a steroid scandal for the school newspaper.

7. Alan Thicke Co-Wrote the Theme Song.

Best known either for his role as affable dad Jason Seaver on Growing Pains or affable father of singer Robin Thicke, Alan spent time in the ‘80s composing a quantity of memorable television music. In addition to writing the theme song for The Facts of Life, Thicke sang on and co-wrote the music and lyrics to the Diff’rent Strokes theme. In 2012, an interviewer got Thicke's son to sing part of it.

8. Coleman Had A Kidney Transplant During Its Run.

Coleman’s short stature was the result of drugs given to the youngster to address a genetic birth defect: he was born with one atrophied kidney and the other already failing. By age five, he had received his first kidney transplant. After getting a second one in 1984 and facing another operation in 1986, Coleman opted for dialysis four times daily instead. Through it all, the drugs given to manage his condition resulted in a suppressed growth phase. By age 14, Coleman knew he wouldn’t grow beyond four feet eight inches. One episode of the series was even devoted to his character coming to grips with the same affliction.

9. Arnold Appeared on Other Shows.

With NBC executives eager to have Coleman use his magic on the rest of their schedule, Arnold was jettisoned to Silver Spoons, Strokes spinoff The Facts of Life, and even on the wholly-unrelated Steven Spielberg-produced anthology series Amazing Stories. In “Remote Control Man,” a henpecked husband is able to transform his domestic existence into something out of a sitcom, running into Arnold along the way.

10. Coleman Lobbied to Be Less of a Kid.

As he neared adulthood, a teenaged Coleman began to grow very weary of playing an adolescent Arnold. For the last season, he successfully petitioned the writers to place Arnold in high school in order to feed more mature plots like dating and driving, with less jumping into Mr. Drummond’s lap. He also convinced NBC to give him a dramatic role in 1985 as the lead in a TV movie, Playing with Fire, about a child arsonist who wants to set the family dog ablaze. Like his Very Special Episodes, it ends with a strong message for would-be firebugs: “Get therapy.” 

11. Todd Bridges Played a Guy Who Sold Drugs to a Younger Todd Bridges.

Life after Strokes was not kind to its juvenile performers. Dana Plato, who portrayed Kimberly Drummond, struggled with substance abuse and once robbed a convenience store before dying of a drug overdose in 1999. A near-unemployable Coleman died in 2010 of complications owing to a fall, and Bridges was involved in a series of drug-related incidents before settling down. For a 2000 Fox docudrama about the making of the show, Bridges plays a drug dealer who sells drugs to an actor playing his younger self. In a 2006 TV movie, his real-life sister, Verda, portrays his mother.    

12. Willis Won the Publisher’s Clearing House Sweepstakes.

A 2013 ad campaign for wish-fulfillment Publishers Clearing House used archival footage from old sitcoms to portray characters answering the door and seeing the “Prize Patrol.” In a spot fashioned out of Diff’rent Strokes footage, Arnold is chagrined to find out Willis has won the million-dollar prize.  

13. Coleman Said Goodbye to Arnold on The Fresh Prince of Bel-Air.

Despite being vocal about wanting to move on from the show, Coleman agreed to reprise the character of Arnold for the 1996 series finale of The Fresh Prince of Bel-Air. After the Banks clan decides to separate to pursue separate opportunities, Will (Will Smith) shows their home to prospective buyers, including Arnold and Mr. Drummond, who provides some meta commentary after Arnold deploys his catchphrase. “You know, Arnold,” he says, “those things were a lot funnier when you were still a little child.”  

12 Behind-the-Scenes Secrets of Easter Bunnies

This child clearly can't get enough Easter Bunny in her life.
This child clearly can't get enough Easter Bunny in her life.
Dan Kitwood/Getty Images

Every year, thousands of families, church groups, and event planners enlist entertainment companies to dispatch a costumed bunny for their Easter celebrations. These performers often endure oppressive heat, frightened children, and other indignities to bring joy to the season.

It can be a thankless job, which is why Mental Floss approached several hares and their handlers for some insight into what makes for a successful appearance, the numerous occupational hazards, and why they can be harassed while holding a giant carrot. Here’s a glimpse of what goes on under the ears.

1. They might be watching netflix under the mask.

Has a bunny ever seemed slow to respond to your child? He or she might be in the middle of a binge-watch. Jennifer Ellison, the sales and marketing manager for San Diego Kids’ Party Rentals and a bunny wrangler during the Easter season, says that extended party engagements might lead their furry foot soldiers to seek distractions while in costume. “We book the bunny by the hour and he is often booked for multiple hour blocks,” she says. “Listening to music definitely helps the time pass.” One of her bunny friends who does a lot of shopping mall appearances has even rigged up a harness that can cradle a smart phone. “It sits above the bunny's nose, resting right at eye level for the performer inside, easily allowing the performer to stream Netflix, scroll through Facebook, or check emails.”

2. They can’t walk on wet grass.

Bunnies that appear at private functions, like backyard parties or egg hunts, have to maintain the illusion of being a character and not a human in a furry costume. According to Albert Joseph, the owner of Albert Joseph Entertainment in San Francisco and a 30-year veteran of Easter engagements, one of the cardinal rules is never to set foot on wet grass. Why? “They wear regular shoes under their giant bunny feet,” he says. “If they step on wet grass and then walk on cement, they’ll make a human foot print, not a bunny print.”

3. There’s a reason they might not pick up your kid.

Bunnies might be amenable to posing for a photo with your child on their lap, but they’re probably not going to grab the little tyke and sweep them off their feet. According to Steve Rothenberg, a veteran performer and owner of Talk of the Town Entertainment in Rockville, Maryland, deadlifting a kid is against the rules. “The last thing you want is to lift them up and have them knock off your head,” he says.

4. Giant carrots will invite inappropriate behavior.

A person dressed as the Easter bunny.
As the 3-foot-long carrot proves, adults are easily the least mature guests at a child's Easter party.
lisafx/iStock via Getty Images Plus

Joseph’s warren of party bunnies usually come equipped with a 3-foot-long giant carrot as a prop. While children are amused by the oversized vegetable, the adults at the parties usually can’t help making observations. “Practically every visit, there’s always someone saying, ‘My, what a big carrot you have,’” he says.

On one occasion, Joseph attended a function at a retirement home. One of the women, who he estimated to be in her 80s, commented on his big feet in a lascivious manner. “She told me she was in room 37.”

5. Clothes make the bunny.

Easter bunny at the White House.
Every year, a well-dressed Easter bunny visits Washington, D.C. for the annual White House Easter Egg Roll.
Mark Wilson/Getty Images

While “naked” (i.e., unclothed) bunnies remain popular, Ellison’s lineup also includes Mr. Bunny, a “classy lad with a top hat and vest,” and a Mrs. Bunny sporting a purple dress. Why would kids care if a bunny has sartorial sense? “Kids can probably better relate to a giant, furry character if it's dressed like a human,” Ellison says. “[And] we just thought the costumes looked cute.”

6. They can’t wear dark clothing underneath.

If a bunny wants to wear a black shirt under his or her fur, it stands to reason there wouldn’t be any issue: It's all hidden from sight. But Joseph insists that his cast stick with white apparel only. In addition to being cooler, it serves a practical function. “There’s always an opportunity to see a little something around the neckline or near the feet,” he says. Light clothing helps preserve the character.

7. They use an upholstery cleaner for their heads.

Most bunny costumes can be tossed in any regular washing machine, with the feet going in a larger commercial-use unit. But the heads, which are typically massive and unwieldy, get special attention. “You know those upholstery cleaners you can rent from a grocery store?” Joseph asks. “We use those. There’s a wand attachment to it for cleaning carpet.”

8. There’s a trick to keeping cool.

Costumes made of fake fur in the spring can be a recipe for disaster—or at least some lightheadedness. While none of the bunnies we profiled had experienced fainting spells, Ellison says that the trick to staying cool is actually adding a layer underneath the outfit. “Light, breathable clothing underneath the suit usually does the trick, but some people choose to wear an ice vest under the suit as well.”

Many bunnies also work in intervals: 45 to 50 minutes “on,” and 10 to 15 minutes in a private area to cool off and drink water. “Clients are usually understanding and sympathetic of the bunny and will allow even more breaks if necessary,” Ellison says.

9. Mints are essential.

Bunnies may favor carrots and grass, but their human operators need something other than that in order to deal with the humidity. Rothenberg says that his bunnies usually nibble on mints while working a crowd. “They’ll typically chew gum or have some kind of mint to keep their throat from drying out,” he says.

10. They use bunny handlers to prevent knockdowns.

A person dressed as the Easter bunny.
An Easter Bunny makes a young girl's day.
Alex Wong/Getty Images

Any professional bunny knows that having an assistant watching their back is the best way to ensure an appearance goes smoothly. “Your vision is limited and you can’t really look to the left or right,” Rothenberg says. “Having an assistant prevents kids from running up behind you.”

11. They have damaged butts.

In order to ease apprehensive kids, Joseph advocates for his bunnies to squat near a child rather than bend over. “It gets them at a child’s level so they can touch and feel for themselves,” he says. “But a bunny that does a lot of squatting winds up needing their [costume] butts re-sewn. I’ve repaired a lot of them.” Joseph will also invite mothers to sit on the bunny’s lap so fearful children are more likely to approach. “You don’t want to prod the kid,” he says.

12. They’re not just for easter.

While bunny costume season is a fleeting few weeks, companies are happy to roll out their rabbits for other occasions. Once, Ellison sent out a bunny for a customer’s Alice in Wonderland-themed gathering. “The client wanted the White Rabbit, so we dressed up our bunny in a vest and top hat and gave him an over-sized pocket watch. It worked out great.”

This piece originally ran in 2017.

The 48 Most Frequently Banned Wedding Songs

Bogdan Kurylo/iStock via Getty Images
Bogdan Kurylo/iStock via Getty Images

Who among us hasn't attended a wedding and cringed at the playlist? In 2017, stats/polling site FiveThirtyEight asked more than two dozen professional DJs who had DJ’d around 200 weddings what songs couples ban from their weddings and, after surveying 182 wedding playlists, came up with a list of 48 songs. They gave each song a percentage, which represents the share of weddings that banned the song.

The first 10 on the list represent silly dances people like to do but shouldn’t do, like The Chicken Dance, The Macarena, and The Electric Slide. After that, the list starts to see overplayed songs like “Don’t Stop Believin',’” “Total Eclipse of the Heart,” “Dancing Queen,” and “Sweet Caroline,” and call-and-response songs like “Shout.” The list contains a mix of new and old hip-hop, R&B, and pop hits, and several songs ended up tied.

Interestingly, a few songs from FiveThirtyEight’s 2016 ultimate wedding playlist also appear on the banned list, including “Hey Ya!,” “Uptown Funk,” “Sweet Caroline,” and “Call Me Maybe.”

You may or may not agree with this list, but don’t feel bad if you decide to ban any of these songs from your own wedding playlist—chances are, someone out there agrees with you.

  1. “The Chicken Dance”

  1. “Cha-Cha Slide” // DJ Casper

  1. “Macarena” // Los Del Rio

  1. “Cupid Shuffle” // Cupid

  1. “YMCA” // Village People

  1. “Electric Boogie (Electric Slide)” // Marcia Griffiths

  1. “Hokey Pokey”

  1. “Wobble” // V.I.C.

  1. “Happy” // Pharrell Williams

  1. “Shout” // Isley Brothers

  1. “Love Shack” // The B-52's

  1. “We Are Family” // Sister Sledge

  1. “Blurred Lines” // Robin Thicke

  1. “Celebration” // Kool & The Gang

  1. Cotton Eye Joe” // Rednex

  1. “Dancing Queen” // ABBA

  1. “Don’t Stop Believin’” // Journey

  1. “Single Ladies” // BeyoncÉ

  1. “Sweet Caroline” // Neil Diamond

  1. “Turn Down for What” // DJ Snake & Lil Jon

  1. “Watch Me (Whip/Nae Nae)” // SilentÓ

  1. “Hot in Herre” // Nelly

  1. “Mony Mony” // Billy Idol

  1. “All About That Bass” // Meghan Trainor

  1. “Baby Got Back” // Sir Mix-a-Lot

  1. “Booti Call” // Blackstreet

  1. “Gangnam Style” // Psy

  1. “Save a Horse (Ride a Cowboy)” // Big & Rich

  1. “Stayin’ Alive” // Bee Gees

  1. “Sweet Home Alabama” // Lynyrd Skynyrd

  1. “Uptown Funk” // Mark Ronson & Bruno Mars

  1. “Wagon Wheel” // Nathan Carter

  1. “What Do You Mean?” // Justin Bieber

  1. “All of Me” // John Legend

  1. “Bohemian Rhapsody” // Queen

  1. “Brown Eyed Girl” // Van Morrison

  1. “Call Me Maybe” // Carly Rae Jepsen

  1. “Footloose” // Kenny Loggins

  1. “Get Low” // Lil Jon

  1. “Hey Ya!” // Outkast

  1. “Hotline Bling” // Drake

  1. “I Will Survive” // Gloria Gaynor

  1. “My Heart Will Go On” // CÉline Dion

  1. “SexyBack” // Justin Timberlake

  1. “Shake It Off” // Taylor Swift

  1. “Sugar” // Maroon 5

  1. “Total Eclipse of the Heart” // Bonnie Tyler

  1. “You Shook Me All Night Long” // AC/DC

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