20 Star Wars Movie Locations You Can Visit in Real Life

Jonathan Olley // Lucasfilm
Jonathan Olley // Lucasfilm

While most of the Star Wars saga has been filmed on sound stages in England and Australia, the filmmakers behind the ongoing space opera have sometimes traveled to real-life places to create the alien worlds of a galaxy far, far away. Here are 20 Star Wars movie locations you can visit in real life.

1. AJIM, TUNISIA

George Lucas used various locations around Tunisia to film exteriors for the desert planet Tatooine, most notably the ferry port town of Ajim. The town was used for the exteriors of Obi-Wan Kenobi’s home, which was actually an old mosque, plus the Mos Eisley Spaceport in A New Hope.

2. THE HÔTEL SIDI DRISS // MATMATAT-AL-QADIMAL, TUNISIA

The Hôtel Sidi Driss in Matmatat-Al-Qadimal, Tunisia was used as the Lars homestead (Luke Skywalker’s childhood home) in A New Hope. The hotel consists of five pits, four of them reserved for lodging and sleeping, the fifth dubbed the “Star Wars pit.” Guests can dine in the Lars family dining room, now the hotel’s restaurant. The set dressings were removed after filming in 1976, but returned in the year 2000 in order to film scenes for Attack of the Clones. Ever since, the decorations have remained. Fittingly, it's more commonly known as the "Star Wars hotel."

3. DEATH VALLEY NATIONAL PARK, CALIFORNIA

George Lucas used Death Valley National Park for pickup shots after shooting in Tunisia for A New Hope and Return of the Jedi. The area between Sierra Nevada and the Mojave Desert, along with Tunisia, were used to make the desert planet of Tatooine come to life, most notably in the scene when Obi-Wan Kenobi meets Luke Skywalker, C-3PO, and R2-D2 for the first time.

For Return of the Jedi, Twenty Mule Team Canyon in Death Valley was used to film the scene in which C-3PO and R2-D2 travel to Jabba's Palace.

4. HARDANGERJØKULEN GLACIER, NORWAY

The Empire Strikes Back's snowy opening battle scene on the ice planet Hoth was filmed on the Hardangerjøkulen Glacier, the sixth largest glacier in Norway.

5. FINSE, NORWAY

At the foot of the Hardangerjøkulen glacier is the small railroad town of Finse, Norway, which is located between Oslo and Bergen, and was used as the Rebel Alliance’s Echo Base on Hoth in The Empire Strikes Back. While shooting in 1979, a snowstorm hit the small town, allowing director Irvin Kershner to shoot two key scenes: Luke Skywalker's escape from the Wampa cave, as well as the young hero's interaction with the spirit of Obi-Wan Kenobi before he is rescued by Han Solo. Both scenes were shot just outside of the Finse 1222 Hotel.

6. TIKAL NATIONAL PARK // TIKAL, GUATEMALA

In A New Hope, Lucas used ancient Mayan ruins, located in Guatemala's Tikal National Park, as the exterior of the Rebel Alliance’s Massassi Outpost.

7. YUMA DESERT, ARIZONA

Instead of returning to Tunisia for Return of the Jedi, the film's producers chose to shoot Buttercup Valley in Arizona's Yuma Desert for the Sarlacc Pit sequence. Jabba's Sail Barge and the Sarlacc Pit took more than five months to build, and more than 5500 cast and crew members lodged in Yuma during filming in 1982.

8. REDWOOD NATIONAL AND STATE PARKS, CALIFORNIA

California's Redwood National and State Parks portrayed the Forest Moon of Endor, the Ewoks’ home world, in Return of the Jedi. Several scenes, such as the speeder bike chase and the Ewok ambush, were shot in the parks’ many redwood groves in Marin County, which is close to Lucas’s home at Skywalker Ranch.

9. GRINDELWALD, SWITZERLAND

Most of Attack of the Clones and Revenge of the Sith were shot at Fox Studios Australia in Sydney using green screen. However, Lucas would occasionally send crews out to capture scenery in various locations around the world for the plate photography used in background shots.

One of the real-life places shot for Revenge of the Sith was the beautiful mountain range of Grindelwald, Switzerland, which was used as the backdrop for the planet Alderaan, Princess Leia’s home.

10. VILLA DEL BALBIANELLO // LENNO, ITALY

The Lake Retreat where Anakin Skywalker and Padme Amidala go into hiding in Attack of the Clones is located at the Villa del Balbainello in Lenno, Italy. Originally built in 1787, the villa overlooks Lake Como and served as a monastery before it was turned over to the National Trust of Italy in 1988. Villa del Balbainello makes another appearance at the end of Attack of the Clones, as the location for Anakin and Padme’s wedding.

11. ROYAL PALACE OF CASERTA // CASERTA, ITALY


The Palace of Caserta in southern Italy, just northeast of Napoli, was used to shoot the interiors of the Theed Royal Palace on Naboo in The Phantom Menace and Attack of the Clones. Originally built for Bourbon King Charles III in the 1750s, the Palace of Caserta is also the largest royal residence in the world.

12. PHANG NGA BAY // PHUKET, THAILAND

The beautiful island backdrop of Phang Nga Bay in Thailand was used as plate photography for the planet Kashyyyk, Chewbacca’s birthplace, in Revenge of the Sith. For certain scenes, shots of Guilin, China were combined with Phang Nga Bay.

13. WHIPPENDELL WOOD // WATFORD, ENGLAND

Lucas used England's Whippendell Wood for two scenes in The Phantom Menace: In the first instance, it's where Qui-Gon Jinn and Obi-Wan Kenobi meet Jar-Jar Binks; the other shows the Wood as a sacred place for Jar-Jar's species, the Gungans.

14. PLAZA DE ESPAÑA // SEVILLE, SPAIN

The beautiful Plaza de España in Seville, Spain was used for the exterior of Theed on Naboo in Attack of the Clones. Anakin and Padme walk through the plaza before the pair go into hiding in the Lake Country.

15. MOUNT ETNA // SICILY, ITALY

Hayden Christensen and Ewan McGregor in 'Revenge of the Sith'
Lucasfilm

Although Lucas actually didn’t shoot on Mount Etna, his team used Italy’s most active volcano for plate photography for the epic light saber battle between Obi-Wan and Anakin at the end of Revenge of the Sith. Mount Etna was actually erupting during filming, so Lucas sent a film crew to capture its flowing lava.

16. SKELLIG MICHAEL, IRELAND

Daisy Ridley in 'Star Wars: The Last Jedi'
Lucasfilm

The island planet of Ahch-To, which the exiled Luke Skywalker called home at the end of The Force Awakens, is actually the island of Skellig Michael, which is located about 7 miles off the southwest coast of Ireland. Around 600 CE, a group of monks built a monastery that sits more than 600 feet above sea level, along with hundreds of rock steps to reach the top. Today, it’s a popular tourist attraction for Star Wars fans because it’s where Rey received her Jedi training in The Last Jedi.

17. RUB' AL KHALI DESERT // ABU DHABI, UAE

Daisy Ridley in 'Star Wars: The Force Awakens'
Lucasfilm

From Rey’s scavenger marketplace to Poe Dameron and Finn’s crash landing in The Force Awakens, the desert planet of Jakku was filmed in a large section of the Rub' al Khali desert known as “The Empty Quarter,” which is located a few hours away from Abu Dhabi in the United Arab Emirates. The Star Wars cast and crew filmed for six months in the largest contiguous sand desert in the world under the production title “Avco,” named after the L.A. movie theater where director J.J. Abrams watched the original Star Wars for the first time in 1977.

18. SALAR DE UYUNI // POTOSÍ, BOLIVIA

Located near the crest of the Andes is Salar de Uyuni, the Earth’s largest salt flat. It stretches more than 4000 square miles across southwest Bolivia and was used as the filming location for Crait, a mineral planet covered in white salt and red soil where the Resistance held its last stand against the First Order in The Last Jedi. The salt flat was created when prehistoric lakes dried up during the last Ice Age and left more than 10 billion tons of natural salt behind.

19. LAAMU ATOLL, MALDIVES

A still from 'Rogue One'
Industrial Light & Magic, a division of Lucasfilm Entertainment

During the climax of Rogue One: A Star Wars Story, the Rebel Alliance, led by Jyn Erso (Felicity Jones), breaks into an Imperial Base located on the planet Scarif to steal the top secret blueprints for the Death Star.

Director Gareth Edwards used Gan and Berasdhoo—two very large islands in the Laamu Atoll island cluster in the Maldives—as the filming location for Scarif, a remote tropical planet in the Outer Rim. "Scarif is based on a paradise world, so we had to go to paradise to film it," Edwards said during Star Wars Celebration in 2016.

In addition, the interior of the Imperial Security Complex on Scarif was mostly filmed in the Canary Wharf Underground Station in London, England. Film crews worked on an exciting chase scene through the subway station between midnight and 4 a.m. when it was closed to the public.

20. DUBROVNIK, CROATIA

In The Last Jedi, Canto Bight is a casino city on the planet Cantonica, where Finn and Rose embark on a mission to find a master codebreaker to disable the First Order’s new weapon. Director Rian Johnson used the walled seaside city of Dubrovnik, Croatia as the filming location for the lavish city.

Dubrovnik, which is known as the “Pearl of the Adriatic,” was also used as the filming location for King’s Landing on Game of Thrones. So the Croatian city gets double the nerd cred for Game of Thrones and Star Wars fans alike.

10 Forgotten Rankin/Bass Christmas Specials

A scene from Rudolph's Shiny New Year (1976).
A scene from Rudolph's Shiny New Year (1976).
Rankin/Bass Productions

If you're prone to picturing your favorite Christmas characters as stop-motion puppets, you can thank Rankin/Bass. The production company founded by Arthur Rankin Jr. and Jules Bass found success in transforming holiday songs and myths into fully-developed television specials in the 1960s, '70s, and '80s. Their most popular specials, like Rudolph the Red-Nosed Reindeer and Frosty the Snowman, are still staples of holiday programming decades after they first aired.

But not every holiday film that played under the Rankin/Bass banner was an instant success. After adapting the most beloved Christmas stories, the company broadened its definition of holiday material, with varying degrees of success. Some films were forgettable, and others were so strange and unsettling that young viewers forced themselves to forget. Here are some Rankin/Bass specials that may be missing from holiday television marathons this year.

1. Rudolph’s Shiny New Year (1976)

Scene from Rudolph's Shiny New Year.
Rankin/Bass Productions

After the stressful events of his 1964 Christmas special, Rudolph deserved a vacation. In Rudolph's Shiny New Year (1976), the red-nosed reindeer barely has a day to rest before being sent on his next adventure. When Santa Claus and his reindeer return home to the North Pole after delivering presents on Christmas, they learn that Happy the Baby New Year is missing. It’s up to Rudolph to bring him home before midnight on New Year’s Eve or else the calendar will be stuck at December 31. And because it wouldn’t be a Rankin/Bass cartoon without a terrifying villain, a vulture named Eon the Terrible is racing to catch Happy first so he can live forever. Thankfully, Rudolph has a caveman, a Medieval knight, and Benjamin Franklin on his side.

2. The Little Drummer Boy, Book II (1976)

Scene from The Little Drummer Boy, Book II.
Rankin/Bass Productions

The Little Drummer Boy from 1968 ends with the birth of Jesus Christ, a.k.a. the events of Christmas. This meant that Rankin/Bass’s most overtly religious Christmas special wasn’t an obvious choice for a follow-up, but the studio still released one in 1976. The Little Drummer Boy, Book II is inspired by "Silver Bells"—a song whose lyrics have nothing to do with the first Christmas at Bethlehem. In the sequel, the drummer boy Aaron and the wise man Melchior join forces to protect silver bells made for baby Jesus from the Roman soldiers plotting to steal them.

3. Nestor, the Long-Eared Christmas Donkey (1977)

Scene from Nestor, the Long-Eared Christmas Donkey.
Rankin/Bass Productions

By the late 1970s, it was apparent that Rankin/Bass was running out of Christmas myths to expand into television specials. Nestor, the Long-Eared Christmas Donkey, their 1977 stop motion film, tells the story of an outcast donkey who experiences a series of traumatic events during the Roman Empire. After being bullied by other animals, left for dead by his owner, and suffering the loss of his mother, Nestor becomes a hero by carrying a pregnant Mary to Bethlehem, where she gives birth to Jesus. Needless to say, Nestor, the Long-Eared Donkey didn’t have the same cultural impact as Rudolph the Red-Nosed Reindeer.

4. The First Christmas: The Story of the First Christmas Snow (1975)

Scene from The First Christmas.
Rankin/Bass Productions

It may have a happy ending, but The First Christmas (1975) is the bleakest movie on this list. An orphaned shepherd named Lucas is taken in by a group of nuns after he’s blinded by lightning. When snow falls during the abbey’s Christmas pageant, Lucas miraculously regains his eyesight and sees snow for the first time. The story swaps Rankin/Bass's signature humor and fantasy for heavy-handed sentimentality, which may be why it didn’t land as well with kids as the company’s other holiday specials. One highlight is a voice performance by Angela Lansbury as the narrator.

5. Jack Frost (1979)

Scene from Jack Frost.
Rankin/Bass Productions

So this film from 1979 is technically a Groundhog Day special, but its connection to winter means it’s usually lumped in with the rest of Rankin/Bass’s Christmas programming. A groundhog named Pardon-Me-Pete (voiced by Buddy Hackett) narrates the story of Jack Frost. After Jack Frost falls in love with a woman on Earth, Father Winter agrees to make him human, with the catch that Jack will turn back into a sprite if he fails to obtain a house, a horse, a bag of gold, and a wife by the first sign of spring. The special is notable for its weird characters, including a villain with a clockwork horse and henchmen. And—spoiler alert!—because Jack doesn’t get the girl at the end, it’s one of the few Rankin/Bass films that doesn’t have a happy ending.

6. Rudolph and Frosty's Christmas in July (1979)

Scene from Rudolph and Frosty's Christmas in July.
Rankin/Bass Productions

In 1979, Rankin/Bass gave two of its most iconic Christmas characters—Frosty the Snowman and Rudolph the Red-Nosed Reindeer—their own movie. The studio was so confident in the product that Rudolph and Frosty's Christmas in July even had a brief theatrical release overseas. But the film has failed to take the place of the original specials in the public consciousness—maybe because seeing snow snakes terrorize Rudolph and watching an evil wizard transform into a tree were too much for younger viewers to handle.

7. Pinocchio's Christmas (1980)

Scene from Pinocchio's Christmas.
Rankin/Bass Productions

The story of Pinocchio may not be the first thing that comes to mind when you think of Christmas, but that didn’t stop Rankin/Bass from turning the classic Italian fairytale into a holiday special. Pinocchio's Christmas (1980) features many of the same themes and characters as The Adventures of Pinocchio—only this version of the tale centers around the puppet’s first Christmas. Santa Claus even makes a cameo appearance.

8. The Stingiest Man in Town (1978)

Scene from The Stingiest Man in Town.
Rankin/Bass Productions

Charles Dickens’s A Christmas Carol is one of the most widely adapted stories of all time, so of course it shows up in Rankin/Bass’s filmography. An insect named B.A.H. Humbug narrates this musical retelling from 1978, with Walter Matthau starring as Ebeneezer Scrooge. The Stingiest Man in Town joins Frosty the Snowman as one of the few Rankin/Bass Christmas productions made with traditional 2D animation instead of stop-motion.

9. The Leprechauns' Christmas Gold (1981)

Scene from The Leprechaun's Christmas Gold.
Rankin/Bass Productions

Rankin/Bass’s streak of mashing up Christmas with other holidays reached peak weirdness in 1981. That’s when the studio released The Leprechauns' Christmas Gold—a story that follows a young Irish sailor who helps a clan of leprechauns protect their gold from an evil banshee named Old Mag the Hag. By trying to create a special that could air around Christmas and St. Patrick’s Day, the filmmakers ended up with something that made little sense at any time of year.

10. The Life and Adventures of Santa Claus (1985)

Scene from The Life and Adventures of Santa Claus.
Rankin/Bass Productions

In 1970, Rankin/Bass explored how Kris Kringle became Santa Claus with Santa Claus Is Comin’ to Town. Fifteen years later, the studio produced a film that provided an alternate origin story for the character, based on L. Frank Baum's 1902 children's book of the same name. This second special wasn’t as well-received as the first. It starts with an antler-sporting sorcerer called the Great Ak finding an abandoned baby in the forest. The child is taken in and raised by wood nymphs, eventually growing up to become a jolly man who delivers toys to children—all while fighting monsters called Awgwas on the side. It ends with a council of mythical beings granting Santa Claus immortality. What was arguably Rankin/Bass’s most unusual Christmas special was also the last to use stop-motion animation.

2020 Golden Globes: The Full List of Nominees

Andrew Scott stars in Fleabag.
Andrew Scott stars in Fleabag.
Steve Schofield/Amazon Studios

Awards season is officially upon us and we're all rushing out to the movie theater—or, more frequently, our own couches—to load up on some of the year's biggest movie and television titles.

Now that the 2020 Golden Globe nominations have been announced, it's clear that Netflix's investment in original content like Martin Scorsese's The Irishman and Noah Baumbach's Marriage Story, which scored the most nominations with six, was a wise decision.

On the television side, streaming emerged victorious as well; The Crown landed a total of four nominations while Phoebe Waller-Bridge's Amazon hit Fleabag earned three, including one for "Hot Priest" Andrew Scott, who was a notable Emmy snub. Amazingly, Game of Thrones was nominated for just a single award: a Best Actor in a Drama Series nomination for Kit Harington.

Below is the full list of nominees for the 77th annual Golden Globe Awards, which will take place on January 5, 2020.

Best Motion Picture, Drama

1917
The Irishman
Joker
Marriage Story
The Two Popes

Best Motion Picture—Musical or Comedy

Once Upon a Time in Hollywood
Jojo Rabbit
Knives Out
Rocketman
Dolemite Is My Name

Best Motion Picture—Foreign Language

The Farewell
Pain and Glory
Portrait of a Lady on Fire
Parasite
Les Misérables

Best Director, Motion Picture

Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time … in Hollywood

Best Screenplay—Motion Picture

Noah Baumbach, Marriage Story
Bong Joon-ho and Han Jin-won, Parasite
Anthony McCarten, The Two Popes
Quentin Tarantino, Once Upon a Time in Hollywood
Steven Zaillian, The Irishman

Best Original Score, Motion Picture

Alexandre Desplat, Little Women
Hildur Gudnadottir, Joker
Randy Newman, Marriage Story
Thomas Newman, 1917
Daniel Pemberton, Motherless Brooklyn

Best Original Song—Motion Picture

Beautiful Ghosts, Cats
I'm Gonna Love Me Again, Rocketman
Into the Unknown, Frozen II
Spirit, The Lion King
Stand Up, Harriet

Best Actor in a Supporting Role in Any Motion Picture

Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

Best Actress in a Supporting Role in Any Motion Picture

Kathy Bates, Richard Jewell
Annette Bening, The Report
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Margot Robbie, Bombshell

Best Actor in a Motion Picture—Musical or Comedy

Daniel Craig, Knives Out
Roman Griffin Davis, Jojo Rabbit
Leonardo DiCaprio, Once Upon a Time in Hollywood
Taron Egerton, Rocketman
Eddie Murphy, Dolemite Is My Name

Best Motion Picture—Animated

Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
Lion King

Best Actor in a Motion Picture—Drama

Christian Bale, Ford v Ferrari
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes

Best Actress in a Motion Picture—Drama

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

Best Actress in a Motion Picture—Musical or Comedy

Awkwafina, The Farewell
Ana de Armas, Knives Out
Cate Blanchett, Where'd You Go, Bernadette
Beanie Feldstein, Booksmart
Emma Thompson, Late Night

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Christopher Abbott, Catch-22
Sacha Baron Cohen, The Spy
Russell Crowe, The Loudest Voice
Jared Harris, Chernobyl
Sam Rockwell, Fosse/Verdon

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Kaitlyn Dever, Unbelievable
Joey King, The Act
Helen Mirren, Catherine the Great
Merritt Wever, Unbelievable
Michelle Williams, Fosse/Verdon

Best Television Limited Series or Motion Picture Made for Television

Catch-22, Hulu
Chernobyl, HBO
Fosse/Verdon, FX
The Loudest Voice, Showtime
Unbelievable, Netflix

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Patricia Arquette, The Act
Helena Bonham Carter, The Crown
Toni Collette, Unbelievable
Meryl Streep, Big Little Lies
Emily Watson, Chernobyl

Best Performance by an Actor in a Television Series, Drama

Brian Cox, Succession
Kit Harington, Game of Thrones
Rami Malek, Mr. Robot
Tobias Menzies, The Crown
Billy Porter, Pose

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Alan Arkin, The Kominsky Method
Kieran Culkin, Succession
Andrew Scott, Fleabag
Stellan Skarsgård, Chernobyl
Henry Winkler, Barry

Best Television Series—Drama

Big Little Lies, HBO
The Crown, Netflix
Killing Eve, AMC
The Morning Show, Apple TV+
Succession, HBO

Best Performance by an Actress in a Television Series, Drama

Jennifer Aniston, The Morning Show
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Nicole Kidman, Big Little Lies
Reese Witherspoon, The Morning Show

Best Television Series—Musical or Comedy

Barry, HBO
Fleabag, Amazon
The Kominsky Method, Netflix
The Marvelous Mrs. Maisel, Amazon
The Politician, Netflix

SECTIONS

arrow
LIVE SMARTER