15 Creepy Facts About Carrie

Scream Factory
Scream Factory

Brian De Palma has never met a genre he can’t tackle. Throughout his near-50-year career in Hollywood, he has famously dabbled in action films (Mission: Impossible, Snake Eyes), crime dramas (Carlito’s Way, The Untouchables), psychological thrillers (Raising Cain, Body Double), film noirs (Black Dahlia, Femme Fatale), and expletive-filled gangster movies (Scarface). But to this day, Carrie—his 1976 adaptation of Stephen King’s first novel—remains one of his most impressive achievements. And not just because it still manages to scare the bejesus out of audiences, even if they know what’s coming next. Here are 15 things you might not have known about the Oscar-nominated horror film.

1. IT WAS STEPHEN KING’S FIRST BIG-SCREEN ADAPTATION.

Author Stephen King poses at the premiere of IT in Bangor, Maine
Scott Eisen, Getty Images for Warner Bros.

Carrie marked a number of firsts for the soon-to-be bestselling author: In addition to being his first published novel, it was also the first of his stories to be made into a film. In the more than 40 years since the book’s release, King’s work has formed the basis for more than 100 movies, television movies, series, and episodes.

2. KING WAS PAID $2500 FOR THE FILM RIGHTS.

While speaking at a book event in Fort Myers, Florida in 2010, King recalled that he was paid just $2500 for the movie rights to Carrie—which may seem like a pittance, but he has no regrets. “I was fortunate to have that happen to my first book,” King said.

3. KING THOUGHT DE PALMA HANDLED THE MATERIAL IN A “MORE ARTISTIC” WAY THAN HE HAD.

Five years after the film’s release, King praised De Palma’s adaptation, noting that:

"De Palma's approach to the material was lighter and more deft than my own—and a good deal more artistic ... The book seems clear enough and truthful enough in terms of the characters and their actions, but it lacks the style of De Palma's film. The book attempts to look at the ant farm of high school society dead on; De Palma's examination of this 'High School Confidential' world is more oblique ... and more cutting.”

More than a quarter-century later, in a 2007 interview with Nightline, King seemed slightly less enthusiastic when he said that, "Carrie is a good movie. It hasn't aged as well as some of the other ones. But it's still pretty good."

4. KING’S NAME WAS MISSPELLED IN THE TRAILER.

King was such a newcomer at the time of Carrie's release his first name was actually misspelled in the movie's trailer (it was written as Steven, not Stephen).

5. THE STARS OF CARRIE COULD HAVE BEEN THE STARS OF STAR WARS.

Brian De Palma ended up casting for Carrie at the same time his good friend George Lucas was doing the same for a little sci-fi film he was making called Star Wars. So the two made the rather unorthodox decision to hold joint auditions, which ended up becoming a bit confusing. De Palma liked Amy Irving for the lead in Carrie, but she was also considered for Princess Leia in Star Wars. William Katt also auditioned for Star Wars, alongside Kurt Russell.

6. AMY IRVING AND WILLIAM KATT HAD DATED IN REAL LIFE.

Before being cast as Sue Snell and Tommy Ross, Bates High School’s golden couple, Irving and Katt had actually dated. “It was like a year before we tested for Carrie," Irving explained. "We were only together for a short time and then we became friends. Suddenly, we were tested for this film together. We tested with a scene that wasn't in the film, one of our big scenes that was cut out. It was in the back seat of a car and it was very physical. We were lucky because we'd been through that; we were very comfortable with each other, it was easy. We didn't end up having much together in the final print."

There was another personal connection within the film for Irving: her character’s mother in the film was played by her actual mom, Priscilla Pointer.

7. BRIAN DE PALMA DIDN’T SEE SISSY SPACEK AS CARRIE.

Though De Palma was a fan of Spacek’s work, he was convinced that he had already found his Carrie in another actress. His decision to let Spacek audition at all was mostly out of courtesy to her husband, Jack Fisk, the film’s art director. "He told me that if I wanted to, I could try out for the part of Carrie White,” Spacek recounted to Rolling Stone. "There was another girl that he was set on and unless he was really surprised, she was the one. I hung up and decided to go for it."

Spacek showed up at her audition in an old dress she hadn’t worn since grade school and with her hair slicked back with Vaseline. When she was done, she waited in the parking lot while her husband reviewed her audition with the rest of the production team. After Fisk came out to tell her that the part was hers, “We sped off before anybody could change his mind,” Spacek said.

8. IT WAS JOHN TRAVOLTA’S FIRST FILM.

John Travolta in 'Carrie' (1976)
Scream Factory

Travolta’s star was on the rise because of his role in Welcome Back, Kotter, but Carrie marked his big-screen debut.

9. PIPER LAURIE THOUGHT SHE WAS MAKING A SATIRE.

Piper Laurie, who earned an Oscar nomination for her role as Carrie’s fanatical mother, was all but retired when she agreed to play Margaret White (her last feature had been The Hustler in 1961). But her interpretation of the script was quite different than De Palma’s intention—which she didn’t realize until filming began.

"Once De Palma revealed that he didn’t want a satirical approach and said, ‘You’re going to get a laugh if you do that,’ I realized that he didn’t want laughs, at least not in our conscious performing,” Laurie told HollywoodChicago.com in 2011. "I just fully embraced the reality of what I was playing. I must say that I enjoyed having the childlike freedom to play act and be the evil witch. It was very freeing and fun to do."

Nancy Allen, who played mean girl Chris Hargensen, also believed that she and Travolta were there as a sort of comic relief; it wasn’t until she saw the final cut that she realized they were actually the villains.

10. SISSY SPACEK KEPT IN CHARACTER BY KEEPING TO HERSELF.

In order to fully embrace the alienation her character faces, Spacek spent most of the production isolated from the rest of the cast. In a 2013 interview with Vulture, co-star P.J. Soles recalled how on "the first or second day, Sissy came over to a group of us, maybe at lunch, I don’t remember, and said, ‘I love you guys, we’re going to have a great shoot, I’m very excited to be working on this. But I just want to let you guys know, I’m going to alienate myself from you. I want to feel that alienation. But I really like you and afterwards we’ll party and we’ll have a great time. But don’t take it personally. I just want to let you know I’m doing it on purpose because I want to get into the part.’ We all really respected her for that, and that made us even more eager and able to be as mean as we could to her, because we knew it was going to help her."

11. SISSY SPACEK WAS A HIGH SCHOOL HOMECOMING QUEEN.

Sissy Spacek in Carrie (1976)
Scream Factory

Okay, so maybe “Prom Queen” holds more clout. But somewhere in Spacek’s teenage possessions is the glitzy headgear she sported when she was crowned homecoming queen at Quitman High School in Texas.

12. SPACEK WAS ADAMANT THAT HER OWN HAND APPEAR IN THE FINAL SCENE.

Though De Palma wanted to get a stunt person for the final scene, where Sue Snell visits Carrie’s grave, Spacek insisted that it needed to be her hand that was shown, which required her to be buried in the ground. “I laughed about that,” Spacek told NPR. "I do all my own foot and hand work, and always have."

13. SPACEK LOVED TO WITNESS MOVIEGOERS’ REACTIONS TO THE ENDING.

“When I was in New York, and Carrie came out, I would go to theaters just for the last five minutes of the film to watch everyone jump out of their chairs,” Spacek recalled. “People are all relaxed. The music is really beautiful and relaxing, and all of a sudden that comes up, and people just go crazy.”

14. THERE ARE NODS TO PSYCHO.

Though De Palma had hoped to convince Bernard Herrmann to score the film, the legendary composer—who was best known for his collaborations with Orson Welles and Alfred Hitchcock—passed away in 1975, before Carrie went into production. But his influence is still felt throughout the film.

"When we originally put temporary music tracks on the film, we used a lot of Herrmann's music,” De Palma told Cinefantastique. "In the end, we used a very famous Italian piece of music for the processional walk to the grave—Albinoni I think it was … The flexing sound is very Psycho. I put in a temporary track and for all the flexes I put in a Psycho violin. We couldn't find the right sound, but anyway, it worked. Bernard came up with it, and Bernard, I'm glad we used it again!"

Carrie’s school, Bates High School, is yet another nod to Hitchock’s 1960 classic.

15. STEPHEN KING WOULD HAVE LOVED TO SEE LINDSAY LOHAN IN THE ROLE.

When word first spread in 2011 that a remake of Carrie was in the works, King was surprised: “Why, when the original was so good? I mean, not Casablanca, or anything, but a really good horror-suspense film, much better than the book.” But when it came to recasting the lead and choosing a new director, King had some ideas—specifically, “Lindsay Lohan as Carrie White… hmmm. It would certainly be fun to cast. I guess I could get behind it if they turned the project over to one of the Davids: Lynch or Cronenberg."

21 Fun Facts About Elf

Warner Home Video
Warner Home Video

Everyone knows the best way to spread Christmas cheer is singing loud for all to hear! But the second best way is to enjoy Elf. Revel in the giddy glow of this modern holiday classic with a slew of secrets from behind the scenes.

1. Jim Carrey was initially eyed to play Buddy the elf.

When David Berenbaum's spec script first emerged in 1993, Carrey was pre-Ace Ventura: Pet Detective and attached to front the Christmas film. However, it took another 10 years to get the project in motion, at which time Saturday Night Live star Will Ferrell was signed to star. Carrey would go on to headline his own Christmas offerings—the live-action How The Grinch Stole Christmas and the CGI animated A Christmas Carol.

2. Will Ferrell worked as a mall Santa.


Warner Bros.

And his A Night at the Roxbury co-star Chris Kattan was his elf. This was back when the pair were pre-Saturday Night Live, and part of the comedy troupe The Groundlings. Ferrell recollected to Spliced Wire, "I have some experience playing Santa Claus … Chris Kattan was my elf at this outdoor mall in Pasadena for five weeks, passing out candy canes. It was hilarious because little kids could care less about the elf. They just come right to Santa Claus. So by the second weekend, Kattan had dropped the whole affectation he was doing and was like (Ferrell makes a face of bitter boredom), 'Santa's over there, kid.'"

3. Director Jon Favreau favored practical effects.

Inspired by the Christmas specials he grew up with, Favreau explained in the film's commentary track that he employed “old techniques” instead of CGI whenever possible. This included stop-motion animation, and using forced perspective to make Buddy look like a giant among his elf peers. For North Pole scenes, two sets were built—one larger scale for the actors playing elves, the other smaller to make Buddy and Santa look big. These elements where then carefully overlaid in camera, using lighting to blend the seams.

4. Snow was often computer-generated.


Warner Home Video

Some effects just couldn't be practical. These included the snowflakes that drift over the opening credits, and many of the snowballs in Buddy's pivotal fight scene. It's probably not much of a shocker that much of these were added in post, considering Buddy's perfect aim. But to further underscore the drama that is a snowball fight in frosty New York, Favreau asked composer John Debney to give this section a Western vibe that would recall The Magnificent Seven.

5. Elf's production design was heavily influenced by Rudolph The Red-Nosed Reindeer.

The classic stop-motion Christmas special from 1964 gave a memorable presentation of Santa's winter wonderland to which Favreau wanted to pay tribute. The elves' costumes in Elf were inspired by those worn by Hermey and his peers in the animated film. And Elf's workshops were modeled after the Rankin/Bass designs, as were the stop-motion animals of the area. The production did secure permission for these allusions, and was even granted the privilege of using the company's signature snowman.

6. There's a Christmas Story cameo.

Peter Billingsley, who memorably played the Red Ryder-wanting Ralphie in the 1983 holiday classic, popped in to play Ming the elf. It's an uncredited role, but between the glasses and those bright baby blue eyes, Billingsley stands out as an A Christmas Story Easter egg. This marks just one of many Billingsley and Favreau's collaborations. Billingsley has been a producer on several of Favreau's film and television projects.

7. Jon Favreau played multiple parts in Elf.

Jon Favreau directs Will Ferrell in 'Elf' (2003)
Alan Markfield, New Line Productions

As a writer/director/actor, Favreau has often appeared in his own films. He fronted Made with friend Vince Vaughn, and later found a sweet supporting role for himself in Iron Man. You may have picked him out as the doctor in Elf, but on the DVD commentary, Favreau revealed he also tapped in to his inner narwhal and provided the voices for some of the stop-animation critters who see Buddy off from the North Pole. He also voiced the rabid raccoon Buddy encounters.

8. Baby buddy was fired.

To play the bubbly baby version of the titular elf, Favreau had initially cast twin boys whose blonde curly hair made them great little doubles for the mop-topped Ferrell. However, the production ran into a problem when the boys couldn't perform. Instead of smiling and crawling as needed, they cried relentlessly. To replace them, brunette triplet girls were brought in, who were far perkier and more playful, and thereby ready for their close-ups.

9. Buddy was bullied in an early version.

In first drafts of Berenbaum's Elf script, Buddy's decision to seek out his dad was in part because he was being hassled by the actual elves for being different. Favreau pushed to take out this element. He preferred to keep the North Pole characters warm, even when Buddy bugs them. In the DVD commentary, Favreau offers, “It explained why Buddy was doing all these good things in New York if he grew up in a world where everybody was so sweet even when he’s obviously screwing everything up and doesn’t fit in at all.”

10. Elf hockey hit the cutting room floor.

Poor Buddy accidentally wreaks all kinds of havoc on his elf community because of his ungainly size. One such scene of his well-meaning mayhem featured Buddy playing hockey on a frozen pond. The friendly game becomes unintentionally violent when the too-big Buddy takes to the ice. Though it was shot, it ended up being chopped from the finished film.

11. Elf was shot on location in New York when it counted.

Like many productions, this one took advantage of the financial benefits of filming in Canada, and much of Elf was shot in sound stages in Vancouver. However, when Buddy comes to New York, it was important to Favreau to shoot on location whenever possible. This includes all the Manhattan exteriors, as well as scenes shot at Rockefeller Center, Central Park, and Central Park West, where Buddy's dad lives.

12. Some of Elf’s sets were built in a horror factory.

Okay, technically it was an abandoned mental hospital, where the production team constructed the interior sets for Walter's Central Park West apartment, Gimbels's lavish toy department, and that grim prison cell. The facility is called Riverview Hospital, and it has played host to a long list of film and television productions, including The X-Files, Final Destination 2, Jennifer's Body, and See No Evil 2.

13. Macy's stood in for Gimbels.

The sprawling department store that takes up a whole block in Manhattan was digitally altered to transform into Elf's Gimbels. A bit awkward: Gimbels was once a real department store, and a noted rival of Macy's. Though immortalized here and in the 1947 classic Miracle on 34th Street, the department store closed its doors in 1987, its 100th year of operation.

14. Will Ferrell broke James Caan.


Warner Home Video

The Academy Award-nominated star of The Godfather was hired to play Walter in part because Favreau wanted a stern persona to play against Ferrell's giddy Buddy, and Caan took the comedy of Elf seriously. He knew it was crucial for Walter to be annoyed—never amused—by his supposed son's antics. But when it came to the blood test scene where Buddy bellows when pricked by a needle, Caan cracked. Watch closely and you'll see he turns away from the camera so as not to ruin the take.

15. The studio didn't get a joke from the mailroom sequence.

This was the last set piece shot for Elf, and one that filmmakers were wavering on from its conception late in production. Grizzled Mark Acheson's casting as Buddy's drinking buddy concerned execs because of the line, "I'm 26 years old." The studio noted the actor does not look 26, to which Favreau—who had previously cast Acheson in a small role that had been cut before production—responded that this disconnect was part of the joke.

16. Will Ferrell went method with those jack-in-the-boxes.

In the scene where Buddy suffers as a toy tester, he's subjected to popping open an endless stream of menacing jack-in-the-boxes. The anxiety etched on Ferrell's face in these scenes is real. Rather than standard jack-in-the-boxes that would pop at the song's end, these were remote controlled by Favreau, who purposely manipulated their timing to toy with his star and get authentic reactions.

17. Will Ferrell frolicked all over New York City in character.

The final day of Elf's New York shooting was pared down from a massive crew to just three people: its star, its director, and one cameraman. Together, this trio traveled around the city, looking for mischief for Buddy to get into with random passersby turned background extras. This included him leapfrogging across a pedestrian walk, happily accepting flyers, and getting his shoes shined, all of which made it into the movie's cheerful montage.

18. That epic burp was real, but overdubbed.

Though uncredited, that lengthy belch came not from Ferrell, but from noted voice actor Maurice LaMarche, who might be best known for Brain of Pinky and the Brain. LaMarche shared his secret to such an impressive burp with The A.V. Club, saying, "I’ve always been able to do this weird effect, where I turn my tongue, not inside out, but almost. I create a huge echo chamber with my tongue and my cheeks, and by doing a deep, almost Tuvan rasp in my throat, and bouncing it around off this echo chamber, I create something that sounds very much like a sustained deep burp."

19. Elf made its star stick.

In the movie, Buddy is happy to gobble down an endless supply of sweets, including maple syrup-coated spaghetti and cotton balls made of cotton candy. But this sugary diet played havoc on Ferrell, who told About Entertainment, "That was tough. I ingested a lot of sugar in this movie and I didn't get a lot of sleep. I constantly stayed up. But anything for the movie, I'm there. If it takes eating a lot of maple syrup, then I will—if that's what the job calls for."

20. Will Ferrell refuses to make Elf 2.

Though the comedian reprised the role of Ron Burgundy for Anchorman 2: The Legend Continues and returned as Mugatu in Zoolander 2, he flat out rejected the possibility of bringing back Buddy, even after being offered a reported $29 million. In December of 2013, he told USA TODAY, "I just think it would look slightly pathetic if I tried to squeeze back in the elf tights: Buddy the middle-aged elf."

21. Elf became a hit Broadway musical.

From November 2010 to January 2011, Elf the musical ran on Broadway, boasting songs like "World's Greatest Dad," "Nobody Cares About Santa," and "The Story of Buddy The Elf." This run was a huge success, taking in more than $1.4 million in one week, a record for the Al Hirschfield Theater where it debuted. Plus, The New York Times called it, "A splashy, peppy, sugar-sprinkled holiday entertainment." A revival hit in time for Christmas 2012, and national tours have been recurring.

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