10 Surprising Facts About Burt Reynolds

Universal Pictures
Universal Pictures

If your first memory of Burton Leon Reynolds is from the 1993 film Cop and a Half, then you’re probably too young to remember—or even realize—that Burt Reynolds was once Hollywood's biggest movie star. To put it in perspective: Every year from 1973 to 1984, Reynolds was listed as one of Quigley’s “Top 10 Money Makers,” and held the top spot on the annual poll from 1978 to 1982 (the only other person to boast a record five consecutive years at the top of the list is Bing Crosby, back in the 1940s).

After a serious knee injury and subsequent car accident ended a promising football career at Florida State University, Reynolds found his way into acting. He got his start in a series of television roles, including a regular gig on the western series Riverboat, then hit the big screen big time with his breakout role in John Boorman’s 1972 backwoods classic, Deliverance.

Reynolds followed Deliverance up with such hits as Smokey and The Bandit (a film Playboy called “the Gone with the Wind of good-ol’-boy movies”), Semi-Tough, The Cannonball Run, and The Best Little Whorehouse in Texas. Though he hit a bit of a rough patch for a few years, all of that changed when Reynolds agreed to star in Boogie Nights, Paul Thomas Anderson’s 1997 ode to pornography, which earned the actor a Golden Globe award, a Best Supporting Actor Oscar nomination, and one of the biggest comebacks of the decade. Here are 10 things you may not have known about the mustachioed Hollywood icon, who passed away on September 6, 2018 at the age of 82.

1. HE TURNED DOWN SOME MAJOR ROLES.

Over the course of a near-60-year career, one is bound to pass on some prime roles. And Reynolds turned down a lot, including (by his own admission in the video above) Han Solo in Star Wars, R.P. McMurphy in One Flew Over the Cuckoo’s Nest, Edward Lewis in Pretty Woman, and John McClane in Die Hard. Although he doesn't regret that final one: “I don’t regret turning down anything Bruce Willis did,” Reynolds told Piers Morgan.

More notably, and perhaps more regrettably, Reynolds turned down a chance to play James Bond in 1969. As Reynolds explained it: “In my infinite wisdom, I said to [producer] Cubby Broccoli, ‘An American can’t play James Bond. It just can’t be done.’ And they really tried to talk me into it. It was a 10-minute discussion. Finally they left. Every night, I wake up in a cold sweat.”

The role Reynolds laments turning down the most, however, is a role that was written specifically with him in mind. When director James L. Brooks approached him about playing Garrett Breedlove in 1983’s Terms of Endearment, Reynolds balked, instead taking a role in Hal Needham’s Stroker Ace. “When it came time to choose between Terms and Stroker, I chose the latter because I felt I owed Hal more than I did Jim,” Reynolds explained (Needham also directed Smokey and the Bandit, Hooper, and The Cannonball Run). “Nobody told me I could have probably done Terms and Universal would have waited until I was finished before making Stroker.” The role went to Jack Nicholson, who took home the Oscar for Best Supporting Actor in 1984.

2. HE POSED NUDE IN A 1972 ISSUE OF COSMOPOLITAN.

It may be common knowledge that Burt Reynolds posed naked in Cosmopolitan. What may be less known is that he regretted that decision. “I’m very embarrassed by it,” Reynolds told Piers Morgan. Editor Helen Gurley Brown asked Reynolds to do the photo shoot after the two appeared together on The Tonight Show. “I thought it would be a kick,” Reynolds said. The issue came out only a short time before Deliverance was released in theaters and all 1.6 million copies of the magazine sold out.

Despite the popularity of the spread, Reynolds came to believe that it may have distracted from the critical reception of Deliverance. “I thought it cost some actors in Deliverance an Academy Award,” Reynolds told Morgan. “I think it cost Jon [Voight]. I think it cost Ned Beatty, who certainly deserved an Oscar nomination. I think it hurt me, too.”

3. HE TURNED DOWN HIS OSCAR-NOMINATED ROLE IN BOOGIE NIGHTS. SEVEN TIMES.

Burt reynolds in 'Boogie Nights'
New Line Cinema

Paul Thomas Anderson was adamant that Burt Reynolds play iconoclastic porn producer Jack Horner in his 1997 masterpiece, Boogie Nights, despite Reynolds’s aversion to the material. Anderson asked seven times, and got seven passes from Reynolds. “One night—the eighth time—[Anderson] came to my hotel room,” Reynolds recalled. “And I said, ‘Look, you don’t get it.’ And I went a little berserk. And at the end of the tirade, he said, ‘If you can do that in the movie, you’ll get nominated for an Academy Award.’ And he was right.”

4. AN ON-SET STUNT CAUSED HIM A LIFE OF PAIN.

The 1980s weren’t always kind to Reynolds. "I can't believe I did all those bad films in a row until I looked at the list," he said. During the filming of 1984’s City Heat, Reynolds was struck in the face by a metal chair and shattered his jaw. He developed TMJ as a result of the injury and ended up losing 40 pounds due to his inability to eat solid food. The shocking weight loss fueled speculation that Reynolds had contracted AIDS, a rumor he spent years refuting. He also developed a severe drug dependency as a result of the chronic and debilitating pain he suffered from TMJ; at one point Reynolds was taking up to 50 Halcion sleeping pills a day.

Reynolds eventually kicked the pill addiction, but was not so lucky with the pain. He suffered daily from the decades-old injury for the rest of his life.

5. HE HAD AN IMPROMPTU PIE FIGHT WITH DOUBLE DARE HOST MARC SUMMERS ON THE TONIGHT SHOW.

Burt Reynolds had just finished up his segment as a guest on The Tonight Show with Jay Leno in 1994 and had shifted over to make way for the next guest, TV show host Marc Summers (Double Dare, Unwrapped). Reynolds became visibly irritated with Summers for, ostensibly, turning his back on him while he was speaking to Leno. Summers then made the comment to Reynolds, “I’m still married, by the way.” This jab precipitated a water fight between the two combatants: Reynolds dumped his mug on Summers’s lap, Summers retaliated, so on and so forth. The donnybrook culminated in a rather violent pie fight followed by a very awkward hug.

“This was not a bit,” Summers explained. “I didn’t know what to expect. He was going through a divorce with Loni Anderson at the time and he was angry ... He hugged me and said, ‘I only did that because I really like you.’ You wait to get on The Tonight Show your whole life. You’re sitting next to Burt Reynolds. He drops water on your crotch, then you get into a pie fight!”

6. HE PISSED OFF ELMORE LEONARD.

Reynolds was a longtime admirer of writer Elmore Leonard. After reading Leonard’s novel, Stick, Reynolds decided that he wanted to direct and star in the film version. Things did not go well.

After watching Reynolds’s first cut of the film, the studio pushed back its release date and forced him to re-shoot the second half of the movie, much to the actor/director’s dismay. “I turned in my cut of the picture and truly thought I had made a good film,” Reynolds told the Los Angeles Times. “Word got back to me quickly that the [studio] wanted a few changes … I gave up on the film. I didn't fight them. I let them get the best of me.”

The biggest blow came from Elmore Leonard. "Leonard saw the film the day he was interviewed for a Newsweek cover and told them he hated it,” Reynolds shared. “After his comment, every critic attacked the film and he wouldn't talk to me. When I re-shot the film, I was just going through the motions. I'm not proud of what I did, but I take responsibility for my actions. All I can say—and this is not in way of a defense—is if you liked the first part of Stick, that's what I was trying to achieve throughout.”

7. HE DABBLED IN THE NIGHTCLUB BUSINESS.

Burt Reynolds’s foray into the booming 1970s nightclub business was a short-lived one. He opened Burt’s Place in the late 1970s at the Omni International Hotel in downtown Atlanta. The club’s most notable feature was a stained glass dance floor that featured a rendering of Burt’s face and the words, “Burt’s Joint”—which was odd, considering that wasn’t even the name of the establishment. Burt’s Place/Joint closed after a year.

8. MARLON BRANDO WAS NOT A FAN OF REYNOLDS.

Coming up in the movie business, Burt Reynolds was a huge Marlon Brando fan. Brando did not share the sentiment. When Reynolds was being considered for the role of Michael Corleone in 1972’s The Godfather, Brando adamantly declared that if Reynolds was given the role, he would remove himself from the project. The rest is history.

Brando later said about Reynolds, “He is the epitome of something that makes me want to throw up … He is the epitome of everything that is disgusting about the thespian … He worships at the temple of his own narcissism.” Ouch! To be fair, in the same conversation, Brando admitted that he had never even met Reynolds.

9. HE RELEASED AN ALBUM.


Mercury/Phonogram

Hot off his success in Deliverance and his nude spread in Cosmo, a solo album seemed like the next, most Hollywood-appropriate course of action.

Reynolds released his debut record, “Ask Me What I Am,” in 1973 and somehow this gem seems to have evaded critics and fans alike. We do know that the album came with a double-sized poster of Reynolds in a blue jumpsuit and cowboy hat. You can listen to a track on YouTube, but if you must hear it in its entirety, it’s available on Amazon.

10. HE DIDN'T THINK DELIVERANCE COULD BE RE-MADE TODAY.

“They keep talking about a remake, but I don’t think you could find four actors crazy enough to do it,” Reynolds said. “Not by any stretch of the imagination were we white water experts. We’d quit for the day and come back and practice. We got to the point where we were more proficient, or at least we didn’t get tipped over all the time. I have to admit that, in spite of the danger, or maybe because of the danger, it was the most fun I ever had.”

Reynolds often said that Deliverance is the finest of all of his films.

15 Clever Breaking Bad Easter Eggs Hiding in Better Call Saul

Patrick Fabian, Rhea Seehorn, Bob Odenkirk, Jonathan Banks, Michael Mando, Giancarlo Esposito, and Tony Dalton in Better Call Saul.
Patrick Fabian, Rhea Seehorn, Bob Odenkirk, Jonathan Banks, Michael Mando, Giancarlo Esposito, and Tony Dalton in Better Call Saul.
James Minchin/AMC

As evidenced by Breaking Bad, Vince Gilligan and his cohorts have an eye for detail that’s nearly unrivaled. If anything, Better Call Saul—which is originally set several years before the events of Breaking Bad—only proves the point. The series, which is about to kick off its fifth season, focuses on Jimmy McGill (soon to become Saul Goodman) and is full of references to its progenitor, some of which are pure fun, and some of which add a deeper meaning to what we already know. Here are 15 clever Breaking Bad Easter eggs hiding in Better Call Saul.

**Warning: Plenty of spoilers ahead for both series.**

1. Being Kevin Costner

In a throwaway moment in Breaking Bad, Saul mentions to Walt that he once convinced a woman he was Kevin Costner (“If you’re committed enough, you can make any story work”), and in the finale of the first season of Better Call Saul, we see the exact moment he was referring to. In case we thought that Saul was just making the story up for the sake of a pep talk, here’s the proof otherwise.

2. Neighborhood mainstay

If the diner where Jimmy first meets with the Kettlemans looked familiar to you, it’s for good reason. Loyola’s Diner featured in Breaking Bad as a mainstay of Mike’s—he met with Jesse there, as well as Lydia. It’s also, incidentally, a very real restaurant in Albuquerque. And while we’re on the subject of Mike and food, he’s been shown to be fond of pimento cheese sandwiches in both series.

3. Address unknown

David Costabile as Gale Boetticher in 'Breaking Bad'
Ursula Coyote, AMC

In Better Call Saul, it’s shown that Jimmy's office is at 160 Juan Tabo Boulevard (which is a real nail salon). Those of you with a head for directions might also recall that that’s the same street that the ill-fated chemist Gale Boetticher lives on, at 6353 Juan Tabo Boulevard. Breaking Bad fans were thrilled when the karaoke-loving chemist appeared in Season 4 of Better Call Saul (with hopefully more to come).

4. The Ignacio connection

Michael Mando as Nacho Varga in Better Call Saul
Michael Mando as Nacho Varga in Better Call Saul.
Michele K. Short/AMC/Sony Pictures Television

When he’s kidnapped by Walt and Jesse after refusing to help a busted Badger, Saul spits out a variety of nonsense in an attempt to stay alive. He also drops a name: Ignacio. So who is he talking about? As we learn in Better Call Saul, this refers to Nacho, who’s become one of the secondary leads on the show. “Nacho” is a nickname, short for Ignacio, which makes sense as a connection given how closely he’s been working with Jimmy/Saul.

5. Cheap tricks

Bob Odenkirk and Rhea Seehorn in 'Better Call Saul'
Michele K. Short, AMC/Sony Pictures

There’s another callback to the first time that Walt, Jesse, and Saul meet. Despite still having his hands tied behind his back, when Saul agrees to help Walt and Jesse, he tells them to each put a dollar in his pocket in order to secure attorney-client privilege. It seems that Saul got that idea from Kim, who, when she decides to help Jimmy after discovering he’s falsified evidence, tells him to give her a dollar for exactly the same reason.

6. Old afflictions

Bob Odenkirk as Jimmy McGill and Mel Rodriguez as Marco Pasternak in 'Better Call Saul'
Bob Odenkirk as Jimmy McGill and Mel Rodriguez as Marco Pasternak in Better Call Saul.
Michele K. Short/AMC/Sony Pictures Television

In yet another reference to that fateful first meeting, we learn that Saul isn’t bluffing when he tells Walt and Jesse that he has bad knees. He says the same thing when cops apprehend him in the first season of Better Call Saul. As to why he’s got bad knees to begin with, it all comes from his time as “Slippin’ Jimmy,” when he used to stage falls in order to earn a little bit of money.

7. Car talk

Bryan Cranston and Aaron Paul in 'Breaking Bad'
Ursula Coyote, AMC

Saul Goodman drives a white 1997 Cadillac DeVille with the vanity plate “LWYRUP.” Jimmy McGill’s ride is much more modest: a yellow Suzuki Esteem with a red door. That said, in the pilot of Better Call Saul, we very briefly see a white Cadillac DeVille—Jimmy parks his car next to it, in a truly blink-and-you-miss-it allusion to what’s to come. (Gus, notably, is driving the same blue Volvo in both shows.)

8. Home sweet home

In Better Call Saul, one of the retirement homes that Jimmy visits in his quest to find new clients for his growing elder law business is Casa Tranquila. If it sounds familiar, that's because it's a key location in Breaking Bad as the home of Hector Salamanca, and the place where he kills his longtime nemesis Gus Fring. It’s a nice touch to revisit the location, especially given the fact that Better Call Saul gives us the story as to how Hector wound up in a wheelchair in the first place.

9. What's your poison?

There’s also a nice bit of brand continuity with the made-up tequila Zafiro Añejo. Gus poisons a bottle to get back at Don Eladio in Breaking Bad, and we see the same blue bottle pop up in Better Call Saul when Jimmy and Kim scam a cocky stock broker named Ken. Ken, for his part, seems to be reaping a constant stream of bad karma, as he’s also in Breaking Bad as a victim of Heisenberg’s wrath. He swipes Walt’s parking spot—and has his car set on fire for his trouble.

10. The little piggy

Though Mike is hard as nails, he’s got a soft spot the size of Texas for his granddaughter Kaylee. He gifts her a pink pig plush in Better Call Saul, which crops up again in Breaking Bad under slightly less cute circumstances. He uses the doll as a distraction when an assassination attempt is made on his life.

11. Word games

Giancarlo Esposito as Gus Fring in 'Breaking Bad'
Ursula Coyote, AMC

The first letters of the episode titles of the second season of Better Call Saul are an anagram for “FRING’S BACK.” It’s a granular sort of trick that the creators have pulled off before: four of the episodes of season two of Breaking Bad spell out “Seven Thirty-Seven Down Over ABQ.” In the season finale, a 737 plane does indeed go down over Albuquerque, or ABQ.

12. Sentimental value

Given that Saul’s Breaking Bad office has a lot of strange objects in it, it’d be easy to miss the octagonal desk. As it turns out, the offices of Saul Goodman aren’t the desk’s first home: it’s seen in the background of Kim’s office in Better Call Saul. It’s retroactive, sure, but it’s still nice to know that Saul has some mementos around.

13. Movie night

Bob Odenkirk and Rhea Seehorn in 'Better Call Saul'
Ursula Coyote, AMC/Sony Pictures Television

There’s also a little sentimental value in the name of Saul’s holding company, Ice Station Zebra Associates, which he uses to help Walt launder money in Breaking Bad. As we discover in Better Call Saul, Ice Station Zebra is Kim’s favorite movie, due to her father’s affection for it. Though Kim is physically absent from Breaking Bad, small details seem to tie back to her all the time.

14. Set dressing

Krazy-8, may he rest in peace, also shows up in Better Call Saul. The van that he drives has the logo for Tampico Furniture on it, and he’s wearing a uniform with the logo as well. Tampico is where Walt, as he recalls in Breaking Bad, bought Walter Jr.’s crib. Unfortunately, those fond memories aren’t quite enough to save Krazy-8’s skin.

15. Beware of bugs

Before Mike leaves Philly for Albuquerque, a bartender tells him to be mindful of tarantulas. The spider plays a key role in Breaking Bad later on, as a young boy’s pursuit of the bug puts him in Walt’s path—and Todd’s path, by proxy. Determined to make a good impression on Walt, and knowing that there can’t be any witnesses to what they’re doing, Todd shoots the boy in one of the most shocking and cold-blooded moments in the entire series.

An earlier version of this story ran in 2018.

This Land Is Your Land: The Story Behind America's Best-Known Protest Song

American singer Woody Guthrie, circa 1960.
American singer Woody Guthrie, circa 1960.
Woody Guthrie: Getty Images. Landscape: iStock/mammuth

Few songs are more ingrained in the American psyche than "This Land Is Your Land," the greatest and best-known work by folk icon Woody Guthrie. For decades, it's been a staple of kindergarten classrooms "from California to the New York island," as the lyrics go. It's the musical equivalent of apple pie, though the flavor varies wildly depending on who's doing the singing.

On its most basic level, "This Land Is Your Land" is a song about inclusion and equality—the American ideal broken down into simple, eloquent language and set to a melody you memorize on first listen. The underlying message, repeated throughout the song, makes the heart swell: "This land was made for you and me."

But there's more to "This Land Is Your Land" than many people realize—two verses more, in fact. Guthrie's original 1940 draft of the song contains six verses, two of which carry progressive political messages that add nuance to the song's overt patriotism. These controversial verses are generally omitted from children's songbooks and the like, but they speak volumes about Guthrie's mindset when he put pen to paper 80 years ago.

 

Guthrie wrote "This Land Is Your Land" in a divey hotel room in New York City. He'd just landed in Manhattan after years of rambling across the country and meeting impoverished people affected by the Dust Bowl and Great Depression. Throughout his travels in the late '30s, Guthrie was haunted by Kate Smith's hit recording of Irving Berlin's "God Bless America." Guthrie found Berlin's song to be jingoistic and out of touch with the reality facing many of his fellow citizens. So he set about writing a response.

Guthrie originally titled his rejoinder "God Blessed America"—emphasis on the past tense—but eventually changed his tone. Instead of doing a sarcastic parody, he wrote a song that pulls double-duty, celebrating America's natural splendor while criticizing the nation for falling short of its promise. In the "lost" fourth verse, Guthrie decries the notion of private property, suggesting America is being carved up by the wealthy:

There was a big high wall there that tried to stop me.
The sign was painted, said: 'Private Property.'
But on the backside, it didn't say nothing.
This land was made for you and me.

The sixth and final verse in the original manuscript references the poor folks Guthrie saw living on government assistance during the Great Depression:

One bright sunny morning in the shadow of the steeple,
By the relief office I saw my people;
As they stood there hungry, I stood there wondering if
God blessed America for me?

When Guthrie first recorded the song in 1944, he included the verse about private property but left out the one about the relief office. That original recording was lost until the '90s, however, so for years, all anyone knew was the version Guthrie recorded for 1951's Songs to Grow On. Guthrie's rendition on that album features neither the "no trespassing" verse nor the one about the relief office, which he never actually recorded.

It's unclear why the 1944 recording with the "private property" verse was never released, or why Guthrie edited out the radical stuff for the 1951 version. (He also chopped out both controversial verses when he first published the lyrics in the 1945 pamphlet Ten of Woody Guthrie's Songs.) It may have had something to do with the mounting anti-communist furor that would lead to the Red Scare of the late '40s and early '50s. As a pro-union communist sympathizer, Guthrie and his fellow rabble-rousing folky buddy Pete Seeger had already faced industry blacklisting in the early '40s.

"We did one program on CBS Radio, and a newspaper reported out, said, 'Red minstrels try to get on the networks,'" Seeger told NPR. "And that was the last job we got."

Woody Guthrie, circa March 1943.
Woody Guthrie, circa March 1943.
Penn State, Flickr // CC BY-NC 2.0

Regardless of which verses are included, "This Land Is Your Land" is terrific for singing. That was by design. Guthrie likely stole the melody from the Carter Family's 1935 tune "Little Darling, Pal of Mine," which itself was patterned after an old gospel hymn titled "When the World's On Fire" (sometimes called "Oh, My Loving Brother"). "This Land" was a perfect fit for classrooms and campsites, where the song would take on new life.

 

In the early '50s, famed American folklorist Alan Lomax came up with a nifty plan for preserving the nation's musical heritage. He approached legendary music publisher Howie Richmond with the idea of including rural folk songs—the kind he'd been documenting for the Library of Congress—in school music textbooks. Richmond, who had become Guthrie's publisher in 1950, loved the idea, and to sweeten the deal for textbook publishers, he lowered his usual licensing rates and offered "This Land Is Your Land" for just $1.

That's how "This Land Is Your Land" went viral and became nearly as ubiquitous as the national anthem, even without the radio play and jukebox real estate of Smith's "God Bless America." While the versions distributed to America's impressionable youth lacked "no trespassing" and "relief office" verses, the song's original lyrics were never forgotten. Following Guthrie's death in 1967, artists like Seeger continued performing the "lost verses," lest people forget the anger that inspired the song.

But regardless of Guthrie's intentions, "This Land Is Your Land" has come to mean different things to different people. That's part of what makes it so timeless. When President Ronald Reagan used the song at his victory party in 1984, after it had been used by Walter Mondale's campaign, both sides were probably trying to evoke feel-good patriotism. The same goes for Reagan's advisors and allies who were invoking Bruce Springsteen's "Born in the U.S.A." during rallies and in newspaper articles. Reagan himself name-checked Springsteen and his "message of hope" during a rally in Hammonton, New Jersey. The president either didn't know or didn't care that "Born in the U.S.A." was another song about loving your country but hating how poorly it treats some of its citizens.

Ironically, the Boss had begun performing "This Land Is Your Land" in the early '80s. On the version included on the Live 1975–85 box set, Springsteen gives his audience the backstory about Irving Berlin and refers to "This Land" as "just about one of the most beautiful songs ever written." And, when given the opportunity to perform the song with Pete Seeger at Barack Obama's pre-inauguration concert in 2009, he readily agreed to sing all the verses at Seeger's insistence.

Over the years, "This Land Is Your Land" has been covered by everyone from the Mormon Tabernacle Choir to former Rage Against the Machine guitarist Tom Morello, who performed the song in Zuccotti Park during an Occupy Wall Street protest in 2011. Lady Gaga sang a snippet to open her Super Bowl halftime show in 2017, causing fans and critics to speculate about whether she was making a political statement. She mashed it up with "God Bless America," so it's a safe bet she knew the history of the song.

 

There may be even more officially recorded versions in years to come. Much like what has been done with ubiquitous songs like "Happy Birthday" and "We Shall Overcome" (which Seeger toured with and taught across the country at rallies and protests throughout the '50s and '60s), there is a push to have "This Land Is Your Land" enter the public domain. The Brooklyn rock band Satorii filed a lawsuit in 2016 challenging the copyrights held by the Richmond Organization and its subsidiary, Ludlow Music, and maintain that since Guthrie only wrote the lyrics and not that pilfered melody, he shouldn't have been able to register the song in the first place, nor should Ludlow have been able to own the copyright. The suit is ongoing.

Whether it enters the public domain, as one imagines Guthrie would have wanted, or doesn't, "This Land Is Your Land" isn't going anywhere. The song has been adopted and modified by Native Americans, Swedish anti-Nazi troubadours, and people all over the globe who find truth and comfort in Guthrie's words, however they choose to interpret them.

"The whole idea of a land is your spot on Earth, you know," Woody's daughter Nora told NPR. "A spot where you can claim safety, sanity."

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