15 Supercalifragilisticexpialidocious Julie Andrews Quotes

20th Century Fox/Getty Images
20th Century Fox/Getty Images

With her saccharine movies and sugary voice, it would be easy for Julie Andrews to cross the line from sweet to cloying. Yet for more than 60 years, the Oscar-winning actress/singer/author has managed to enchant audiences of all ages with her iconic roles in everything from Mary Poppins to The Sound of Music to The Princess Diaries.

Yet just because she sings about raindrops on roses and whiskers on kittens doesn’t mean that Andrews doesn’t have an edge. “I hate the word wholesome,” she once declared. In celebration of the beloved movie star’s 82nd birthday, we’ve assembled some of Andrews’s most memorable quotes on everything from being typecast to Mary Poppins's personal habits.

1. ON MAKING THE TRANSITION FROM STAGE TO SCREEN

Mary Poppins was the first movie I made and The Sound of Music was the third. I was as raw as I could be. God knows I did not have the right or the ability in those days to say anything like a mentor. The only thing I did feel was that I could contribute to helping the kids feel natural, making them laugh off the set so that they were easy with me on the set. We had some good times." — From a 2015 interview with HitFix

2. ON THE FRIGHTFUL NATURE OF SUCCESS

“Success is terrifying. Like happiness, it is often appreciated in retrospect. It’s only later that you place it in perspective. Years from now, I’ll look back and say, ‘God, wasn’t it wonderful?” — From a 1966 interview with This Week

3. ON SMILING THROUGH CHALLENGING TIMES

“I was raised never to carp about things and never to moan, because in vaudeville, which is my background, you just got on with it through all kinds of adversities.” — From a 2010 interview with The Telegraph

4. ON AVOIDING TYPECASTING

“I think the hardest thing in a career even as lovely as I’ve had is not to go on being typecast, to keep trying new things. As much as possible, I do try to do that.” — From a 2015 interview with HitFix

5. ON BEING A BADASS

“I’ve got a good right hook.” — From Julie Andrews: An Intimate Biography, by Richard Stirling

6. ON BEING GRATEFUL

“A lot of my life happened in great, wonderful bursts of good fortune, and then I would race to be worthy of it.” — From a 2004 interview with The Guardian

7. ON THE CHANGING DEFINITION OF “SUCCESS”

“You never set out to make a bad movie. You always hope that you’re making a good one. We’re sad about them, inasmuch as they damage the career. In those days it was important, but not as important as it is today, to keep making success after success after success. It’s terrifying today. You can maybe have one so-so movie but you’ve got to come back with another that’s huge, if possible, and that must be very, very difficult for young talent.” — From a 2004 interview with the Academy of Achievement

8. ON THE COLLABORATIVE NATURE OF FILMMAKING

“It is a collaborative medium. If you’re lucky, everyone wants to do just that. You never set out to make a failure; you want a success. In the case of The Sound of Music, everyone was willing to bond and make it work. That is the best kind of working conditions. You don’t want to go in feeling that something’s wrong or that you’re not connecting. Thus far I’ve been really blessed.” — From a 2015 interview with HitFix

9. ON HOW THE PROS DO IT

“Remember: the amateur works until he can get it right. The professional works until he cannot go wrong.” — From Julie Andrews’s autobiography, Home: A Memoir of My Early Years

10. ON BELIEVING IN MIRACLES

“I do think that’s true [that miracles are happening every day]. If you can take the time to look. It took me a while to learn that, though some children know it instinctively and they do have wonder when they are kids. But the trouble is, as we grow older, we lose it.” — Interview with American Libraries Magazine

11. ON LOSING CONTROL

“I can’t drink too much without getting absolutely silly. And drugs have, mercifully, never worked, so I think I’m far more frightened of being out of control.” — From a 2004 interview with The Guardian

12. ON FINDING INSPIRATION

"It comes from anyplace. Truthfully, once the antennae are kind of up I’m always thinking or looking or feeling." — From an interview with American Libraries Magazine

13. ON THE REALITY OF “HAPPILY EVERY AFTER”

"As you become older, you become less judgmental and take offense less. But marriage is hard work; the illusion that you get married and live happily ever after is absolute rubbish." — From a 1982 interview with The New York Times

14. ON LUCK AND LONGEVITY

“When careers last as long as mine—and it’s been a lot of years now—I’m very fortunate that I’m still around. All careers go up and down like friendships, like marriages, like anything else, and you can’t bat a thousand all the time. So I think I’ve been very, very lucky.” — From a 2010 interview with The Telegraph

15. ON HOW MARY POPPINS IS JUST LIKE US

“Does Mary Poppins have an orgasm? Does she go to the bathroom? I assure you, she does." — From a 1982 interview with The New York Times

This Innovative Cutting Board Takes the Mess Out of Meal Prep

There's no way any of these ingredients will end up on the floor.
There's no way any of these ingredients will end up on the floor.
TidyBoard, Kickstarter

Transferring food from the cutting board to the bowl—or scraps to the compost bin—can get a little messy, especially if you’re dealing with something that has a tendency to roll off the board, spill juice everywhere, or both (looking at you, cherry tomatoes).

The TidyBoard, available on Kickstarter, is a cutting board with attached containers that you can sweep your ingredients right into, taking the mess out of meal prep and saving you some counter space in the process. The board itself is 15 inches by 20 inches, and the container that fits in its empty slot is 14 inches long, 5.75 inches wide, and more than 4 inches deep. Two smaller containers fit inside the large one, making it easy to separate your ingredients.

Though the 4-pound board hangs off the edge of your counter, good old-fashioned physics will keep it from tipping off—as long as whatever you’re piling into the containers doesn’t exceed 9 pounds. It also comes with a second set of containers that work as strainers, so you can position the TidyBoard over the edge of your sink and drain excess water or juice from your ingredients as you go.

You can store food in the smaller containers, which have matching lids; and since they’re all made of BPA-free silicone, feel free to pop them in the microwave. (Remove the small stopper on top of the lid first for a built-in steaming hole.)

tidyboard storage containers
They also come in gray, if teal isn't your thing.
TidyBoard

Not only does the bamboo-made TidyBoard repel bacteria, it also won’t dull your knives or let strong odors seep into it. In short, it’s an opportunity to make cutting, cleaning, storing, and eating all easier, neater, and more efficient. Prices start at $79, and it’s expected to ship by October 2020—you can find out more details and order yours on Kickstarter.

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

8 Things You Might Not Know About Bruce Willis

Bruce Willis.
Bruce Willis.
Daiki Tomidokoro, Flickr // CC BY 2.0

From his turns as unlikely action hero John McClane in the Die Hard series to smaller supporting roles in 1994’s Pulp Fiction and 1995’s Nobody’s Fool, Bruce Willis has consistently surprised audiences with his eclectic career choices. For more on Willis, including his recording career and how he made movie history with 1988’s original Die Hard, keep reading.

1. Bruce Willis was born in West Germany.

Walter Bruce Willis, the son of a military man, was born on March 19, 1955, while his father was stationed in Idar-Oberstein, West Germany. Just two years later, parents David and Marlene Willis moved to Carneys Point, New Jersey, where he spent part of his time in both high school and at Montclair State University trying his hand at acting. After his sophomore year, Willis decided to leave college and head to New York City to pursue a performing career.

2. Bruce Willis may have been one of the best bartenders in New York City.

While auditioning for acting roles and scoring the occasional break—he appeared in an off-Broadway play, Heaven and Earth, in 1977—Willis tended bar at Chelsea Central on New York City's Upper West Side. According to actor John Goodman, who knew Willis before either of them became famous, Willis was notable even then. “Bruce was the best bartender in New York,” Goodman told The New York Post in 2017. “He kept an entire joint entertained all night. He just kept the show going. He was amazing.”

3. Bruce Willis was cast in Moonlighting even though ABC thought the role was “uncastable.”

Bruce Springsteen and Cybill Shepherd in Moonlighting (1985)
Bruce Springsteen and Cybill Shepherd in Moonlighting.
ABC

Willis had done only some stage work and bit parts in movies like 1980’s The First Deadly Sin with Frank Sinatra and 1982’s The Verdict with Paul Newman before he went in to audition for ABC’s Moonlighting, a send-up of detective dramas. At the time, the role of David Addison was proving so difficult to cast that the network was looking to pay creator Glenn Gordon Caron, director Bob Butler, and co-star Cybill Shepherd to abandon the project. Then Willis auditioned, beating out 3000 other hopefuls and securing the part. The series ran from 1985 to 1989.

4. Thanks to Die Hard, Bruce Willis changed Hollywood salaries forever.

While doing Moonlighting, Willis spent his hiatus shooting feature films like 1987’s Blind Date with Kim Basinger. But it was 1988’s Die Hard that cemented him as a big-screen attraction. The action film about a New York City cop trapped in a Los Angeles skyscraper with his estranged wife and a group of terrorists was a hot commodity, and 20th Century Fox agreed to pay Willis the then-astronomical sum of $5 million for the role. (Richard Gere and Clint Eastwood were also considered.) At the time, major stars like Tom Cruise and Michael J. Fox were getting roughly $3 million a picture. The payday for Willis had other performers taking notice, and salaries reportedly went up as a result.

“It was an enormous amount of money at the time,” Willis told Entertainment Weekly in 2007. “And I was a TV actor! The day after I signed the deal, every actor in Hollywood’s salary went up to $5 million.”

5. The Bruce Willis movie Hudson Hawk was based on a song.


Getty Images

Following Die Hard, Willis was a proven box office commodity that could help projects get made. In 1991, he starred in Hudson Hawk, a critical and commercial disappointment about a jewel thief with a love of music who is hired to steal from the Vatican. The film was based in part on a song written by musician Robert Kraft in 1981. Kraft knew Willis, then a bartender and actor, and shared it with him. Over the years, the two continued to shape the song, adding characters and stories. Eventually, it wound up in the hands of screenwriters Stephen De Souza and Daniel Waters.

6. Bruce Willis all but disappeared in Nobody’s Fool.

In contrast to conventional wisdom of the era, Willis parlayed his success as an action hero into opportunities to work with actors and directors he found interesting—even if it meant taking a small supporting role. (Willis spent just 22 minutes onscreen in 1994’s Pulp Fiction as boxer Butch Coolidge.) For 1995’s Nobody’s Fool, he passed on his normal $15 million fee to take $1400 a week since it meant working with Paul Newman. (Newman had forgotten the then-unknown Willis was a bit player in Newman’s 1982 film, The Verdict.) Because Willis felt so strongly Nobody’s Fool was Newman’s film, he opted out of having his photo included in the press kit and his name wasn’t in the production notes.

7. Bruce Willis had his own cartoon series.

In 1996, Willis lent his voice to Bruno the Kid, a syndicated animated series about an 11-year-old spy named Bruno who convinces his handlers he’s really an adult. “Bruno” was Willis’s nickname growing up as well as the name of his musical alter ego. In 1987, Willis released an album, The Return of Bruno, along with a cable special. The cartoon lasted one season.

8. Bruce Willis never finished shooting one of his movies.

In 1997, Willis started shooting Broadway Brawler, a romantic comedy about a washed-up hockey player falling in love. Just 20 days into shooting, Willis used his powers as producer to fire director Lee Grant, Grant’s husband and producer Joe Feury, cinematographer William Fraker, and wardrobe designer Carol Oditz—all reportedly over creative differences. The problems continued even after replacement director Dennis Dugan was brought on board. Rather than continue to waste money on the $28 million movie, studio Cinergi opted to shut it down. Cinergi’s parent company, Disney, absorbed the production costs in exchange for Willis agreeing to star in three Disney movies: Armageddon (1998); The Sixth Sense (1999), Willis’s biggest hit to date; and The Kid (2000).