10 Directors Who Turned Down Star Wars

Barry King / Contributor
Barry King / Contributor

Since the first Star Wars movie was released in 1977, the space opera has become a bona fide pop culture phenomenon. And while working on a Star Wars film would seem to be a boon to any filmmaker's career, several well-known directors have passed on the chance to direct Han Solo, Princess Leia, Chewbacca, and the rest of the gang. Even J.J. Abrams, director of the upcoming The Force Awakens, initially turned down the job because he wanted to stay loyal to the Star Trek franchise.

"There were the very early conversations, and I quickly said that, because of my loyalty to Star Trek and also just being a fan, I wouldn't even want to be involved in the next version of those things," Abrams told Empire magazine. "I declined any involvement very early on. I'd rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them."

A few weeks later, however, Abrams made a deal with Disney to helm Star Wars: Episode VII. But here are 10 other noted filmmakers who turned down the chance to direct a Star Wars movie. 

1. DAVID LYNCH

In 1980, David Lynch gained commercial and critical acclaim for The Elephant Man, which earned eight Academy Award nominations, including Best Picture and Best Director. Afterwards, George Lucas approached Lynch about directing Return of the Jedi. The filmmaker turned down the offer because he didn’t understand the movie and wasn’t a big fan of the science fiction genre.

“I went to meet George Lucas, who had offered me the third Star Wars to direct, and I’ve never even really liked science fiction,” Lynch said in an interview. “I like elements of it, but it needs to be combined with other genres. And, obviously, Star Wars was totally George’s thing.” Oddly, Lynch ended up turning down Return of the Jedi to helm the film adaptation of Dune in 1984. Return of the Jedi was (unsurprisingly) a huge hit, while Dune was a box office bomb.  

2. STEVEN SPIELBERG

David Lynch wasn't George Lucas’ first choice to direct Return of the Jedi; that honor belongs to Steven Spielberg. But because of a credit dispute with the Directors Guild of America, Spielberg was unable to accept the job because of his clout and membership in the organization. As a result, Lucas left the DGA after they fined him $250,000.

In 2002, Spielberg revealed that he wanted to helm a Star Wars prequel film, but this time around, Lucas turned him down. “I've asked [Lucas]. He won't let me do one. I wanted to do one 15 years ago, and he didn't want me to do it. I understand why—Star Wars is George's baby. It's his cottage industry and it's his fingerprints. He knows I've got Jurassic Park and Raiders. But George has Star Wars and I don't think he feels inclined to share any of it with me."

In addition, when Disney announced its acquisition of Lucasfilm and plans to release Episode VII in 2015, Spielberg once again turned down an opportunity to helm a Star Wars movie. "No! No!,” he told Access Hollywood. “It's not my genre. It's my best friend George's genre."

Fun Fact: Spielberg was uncredited as a second unit director on 2005's Revenge of the Sith. He helped Lucas design a few of the actions sequences during pre-production, namely Anakin Skywalker and Obi-Wan Kenobi’s lightsaber duel. He wanted to experience using Industrial Light & Magic’s pre-visualisation software and techniques.

3. GUILLERMO DEL TORO

Horror and fantasy filmmaker Guillermo del Toro is responsible for some of the most creative genre films made in the last 20 years, including The Devil’s Backbone, Pan’s Labyrinth, and the Hellboy movies. In 2012, Disney and Lucasfilm called del Toro to find out if he was interested in making Episode VII.

"We got one phone call to my agent saying, 'Is Guillermo interested?'" del Toro told The Playlist. "And basically I have so much stuff already of my own." Though he did add that, “it was very nice to be asked, but believe it or not, I'm busy enough."

4. NEILL BLOMKAMP

Neill Blomkamp’s Elysium was produced by Simon Kinberg, who has been heavily involved with the resurgence of the Star Wars franchise since Disney acquired the property from Lucasfilm in 2012. Kinberg broached the idea of making a Star Wars movie with Blomkamp, but the filmmaker declined because he wasn't comfortable with the idea of adapting someone else's work, especially as part of such a beloved film series.

5. DAVID CRONENBERG

After the box office and critical success of Scanners in 1981, Lucas approached David Cronenberg to helm Return of the Jedi. "I got a phone call once asking if I was interested in directing one of the Star Wars sequels,” Cronenberg told The Hollywood Reporter. “And instead of saying 'Oh my God, yes!' I said, 'Well, you know, I don't really do other people's material.' Click. I don't know how far it would have gone, but it ended there." 

6. BRAD BIRD

After making such widely popular animated movie as The Incredibles (2004) and Ratatouille (2007) for Pixar, Lucasfilm reached out to Brad Bird about joining up with the Star Wars franchise to direct Episode VII. He turned them down because of a scheduling conflict with his own project for Disney, Tomorrowland, which he co-wrote with Damon Lindelof.

“I’ve known Kathy [Kennedy] for a while and I know George [Lucas]," Bird explained to The Hollywood Reporter. “And they did come to me. But the problem was, the schedule they had in mind made it impossible to do ... unless I dropped Tomorrowland.”

7. MATTHEW VAUGHN

British filmmaker Matthew Vaughn was in talks to direct Star Wars: Episode VII ever since Disney acquired Lucasfilm in 2012. Allegedly, he left X-Men: Days of Future Past, after making X-Men: First Class in 2011, to direct Episode VII, but a deal with Disney never got as far as initial negotiations. Reports allege that there were "creative differences."

8. DAVID FINCHER

In 2012, Star Wars producer Kathleen Kennedy spoke with David Fincher about the possibility of directing Episode VII. While the meeting didn’t turn into the job, Fincher revealed what he wanted to do for a Star Wars movie.

"I talked to Kathy about it, but I think that it's a different thing from ... I don't know what Disney-Lucasfilm will be like," Fincher told Total Film. "It's tricky. My favorite is The Empire Strikes Back. If I said, 'I want to do something more like that,' then I'm sure the people paying for it would be like, 'No! You can't do that! We want it like the other one with all the creatures!'" (It's worth noting that one of Fincher's earliest gigs was as an assistant cameraman and matte photographer for Industrial Light & Magic, where he worked on Return of the Jedi.)

9. PAUL VERHOEVEN

Before Irvin Kershner landed in the director's chair for The Empire Strikes Back, producers were interested in bringing on Paul Verhoeven, as they were fans of his Golden Globe-nominated World War II picture Soldier of Orange and felt he could take on The Empire Strikes Back as his next project. After Verhoeven showed producers his follow-up film, the highly controversial Spetters, he never heard back from Lucasfilm again.

10. IRVIN KERSHNER

Although Irvin Kershner directed The Empire Strikes Back in 1980, he turned down the opportunity to direct its follow up, Return of the Jedi. Despite the critical and commercial success of Episode V, Kershner felt that he had spent enough time in the Star Wars universe.

In an interview with Vanity Fair, Kershner explained, “After working for two years and nine months doing Empire, and having it take so much out of my life and having given me so much, I felt that it was a complete experience and it was time to move on.”

BONUS: QUENTIN TARANTINO

While Lucasfilm never actually asked Quentin Tarantino to helm a Star Wars movie, the director expressed some very strong feelings about Disney when Entertainment Weekly asked him if he’d ever be interested in the job. “I could so care less,” he said. “No, sorry. Especially if Disney’s going to do it. I’m not interested in the Simon West version of Star Wars.”

Turn Your LEGO Bricks Into a Drone With the Flybrix Drone Kit

Flyxbrix/FatBrain
Flyxbrix/FatBrain

Now more than ever, it’s important to have a good hobby. Of course, a lot of people—maybe even you—have been obsessed with learning TikTok dances and baking sourdough bread for the last few months, but those hobbies can wear out their welcome pretty fast. So if you or someone you love is looking for something that’s a little more intellectually stimulating, you need to check out the Flybrix LEGO drone kit from Fat Brain Toys.

What is a Flybrix LEGO Drone Kit?

The Flybrix drone kit lets you build your own drones out of LEGO bricks and fly them around your house using your smartphone as a remote control (via Bluetooth). The kit itself comes with absolutely everything you need to start flying almost immediately, including a bag of 56-plus LEGO bricks, a LEGO figure pilot, eight quick-connect motors, eight propellers, a propeller wrench, a pre-programmed Flybrix flight board PCB, a USB data cord, a LiPo battery, and a USB LiPo battery charger. All you’ll have to do is download the Flybrix Configuration Software, the Bluetooth Flight Control App, and access online instructions and tutorials.

Experiment with your own designs.

The Flybrix LEGO drone kit is specifically designed to promote exploration and experimentation. All the components are tough and can totally withstand a few crash landings, so you can build and rebuild your own drones until you come up with the perfect design. Then you can do it all again. Try different motor arrangements, add your own LEGO bricks, experiment with different shapes—this kit is a wannabe engineer’s dream.

For the more advanced STEM learners out there, Flybrix lets you experiment with coding and block-based coding. It uses an arduino-based hackable circuit board, and the Flybrix app has advanced features that let you try your hand at software design.

Who is the Flybrix LEGO Drone Kit for?

Flybrix is a really fun way to introduce a number of core STEM concepts, which makes it ideal for kids—and technically, that’s who it was designed for. But because engineering and coding can get a little complicated, the recommended age for independent experimentation is 13 and up. However, kids younger than 13 can certainly work on Flybrix drones with the help of their parents. In fact, it actually makes a fantastic family hobby.

Ready to start building your own LEGO drones? Click here to order your Flybrix kit today for $198.

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The 45 Best Movies on Netflix Right Now

Adam Sandler stars in Uncut Gems (2019).
Adam Sandler stars in Uncut Gems (2019).
A24

With thousands of titles available, browsing your Netflix menu can feel like a full-time job. If you're feeling a little overwhelmed, take a look at our picks for the 45 best movies on Netflix right now.

1. Uncut Gems (2019)

Adam Sandler is Howard Ratner, a gambling addict who sees opportunity in every game and in every customer who walks into his Diamond District jewelry store. When NBA player Kevin Garnett insists on taking a rare opal out on loan and giving his championship ring as collateral, Howard can't resist the urge to use it as fuel for his vice. Directed by Josh and Benny Safdie, the film has been called among the best of Sandler's career. —Jake Rossen

2. The Irishman (2019)

Martin Scorsese’s long-in-the-making epic brings together three of the mob genre’s heaviest hitters in Robert De Niro, Al Pacino, and Joe Pesci. But the story of Frank Sheeran (De Niro), who alleged he befriended and then betrayed union leader Jimmy Hoffa (Pacino), isn’t your typical organized crime movie. It takes its time to examine the toll of a criminal life, from the alienation of Sheeran’s family to the fate that awaits old men no longer capable of resolving their problems with violence. The de-aging effects aren’t always convincing, but Scorsese’s ability to weave a captivating gangster tale remains timeless. —JR

3. Marriage Story (2019)

Director Noah Bambauch drew raves for this deeply emotional drama about a couple (Adam Driver, Scarlett Johansson) whose uncoupling takes a heavy emotional and psychological toll on their family. —JR

4. Dolemite Is My Name (2019)

Eddie Murphy ended a brief sabbatical from filmmaking following a mixed reception to 2016's Mr. Church with this winning biopic about Rudy Ray Moore, a flailing comedian who finds success when he reinvents himself as Dolemite, a wisecracking pimp. When the character takes off, Moore produces a big-screen feature with a crew of inept collaborators. —JR

5. Avengers: Infinity War (2018)

When Marvel promised a comic book film of unprecedented scale with Avengers: Infinity War, they were not messing around. This film, one of 2018’s biggest, was the culmination of a decade of planning, casting, and cinematic storytelling all pulled into one massive movie event. It would be impressive for its ambition and scope alone, but it’s also perhaps the best attempt yet to tell a comic book crossover story on the big screen. —Matthew Jackson

6. The Ballad of Buster Scruggs (2018)

Fans of the Coen brothers get a trail mix of stories in this anthology set in the Old West. A gunslinger (Tim Blake Nelson) proves to be a little too arrogant when it comes to his skills; an armless and legless man (Harry Melling) who recites Shakespeare for awed onlookers begins to grow suspicious of his caretaker’s motives; a dog causes unexpected grief while following a wagon train. Knitted together, the six stories total are probably the closest we’ll get to a Coen serialized television series that this feature was once rumored to be. —JR

7. Spider-Man: Into the Spider-Verse (2018)

Spider-Man may have been in the middle of a Disney and Sony power struggle, but that didn't stop this ambitious animated film from winning the Oscar for Best Animated Feature at the 2019 Academy Awards. Using a variety of visual style choices, the film tracks the adventures of Miles Morales (Shameik Moore), who discovers he's not the only Spider-Man in town. —JR

8. Roma (2018)

Alfonso Cuarón’s tribute to his upbringing in 1970s Mexico City tells the story of a housekeeper (Yalitza Aparicio) watching over the children of her employers after their father runs off with his mistress. Cuarón’s film is a living photograph, an intensely personal story that holds no major surprises aside from the sheer craft it took to make it a reality. —JR

9. Okja (2017)

If you didn’t think the adventure of a young girl and her super pig could make you pump your fist in the air, it’s time to check out this quirky firecracker from Parasite director Bong Joon-ho. Thought-provoking and breathtaking? That’ll do, super pig. —Scott Beggs

10. Green Room (2016)

Here's a film that starts with an uncomfortable arrangement (a young punk band has booked a gig for a den of Nazi skinheads) and descends from there into expertly crafted cold-sweat terror. Though it's primarily a siege scenario, the band barricading themselves in the dressing room after witnessing a skinhead-on-skinhead murder, the story goes in more directions (figuratively and geographically) than you'd expect. Writer-director Jeremy Saulnier never lets it get stagnant. He barely lets you catch your breath. —Eric D. Snider

11. Hell or High Water (2016)

Taylor Sheridan's Oscar-nominated Hell or High Water follows two brothers (Chris Pine and Ben Foster) who take to bank robberies in an effort to save their family ranch from foreclosure; Jeff Bridges is the drawling, laconic lawman on their tail. —JR

12. Moonlight (2016)

Barry Jenkins’s trailblazing film, which won the Oscar for Best Picture, chronicles the life of Chiron (Alex Hibbert, Ashton Sanders, Trevante Rhodes) as he grows up under the burden of his own and others’ responses to his homosexuality. It’s a stirring portrait anchored by phenomenal performances (including an Oscar-earning turn from Mahershala Ali). —SB

13. Swiss Army Man (2016)

Vibrant, effervescent, and deeply weird, Paul Dano stars in this musical collage as a depressed loner stranded on an island until he finds a talking, farting corpse played by a very post-Harry Potter Daniel Radcliffe. They save one another and, together, attempt to get back to civilization while singing the praises of Jurassic Park. —SB

14. The Witch (2015)

Delicately crafted with an eye toward historical accuracy, this existential horror film focuses on a New England farming family in the wilds of 1630 who believe a witch has cursed them. Anya Taylor-Joy’s standout performance acts as a guide through the possessed-goat-filled insanity. —SB

15. The Lobster (2015)

Colin Farrell stars in a black comedy that feels reminiscent of screenwriter Charlie Kaufman's work: A slump-shouldered loner (Farrell) has just 45 days to find a life partner before he's turned into an animal. Can he make it work with Rachel Weisz, or is he doomed to a life on all fours? By turns absurd and provocative, The Lobster isn't a conventional date movie, but it might have more to say about relationships than a pile of Nicholas Sparks paperbacks. —JR

16. Room (2015)

A woman (Brie Larson) is held captive by a deeply disturbed man for seven years. During that time, her son (Jacob Tremblay) has never experienced the outside world. That kind of set-up is usually reserved for thrillers, but Room is not as interested in Larson’s potential escape as much as it is in her courage giving her son sanctuary in an unsafe space. Larson won an Academy Award for the role. —JR

17. Ex Machina (2014)

Alex Garland's quiet—and quietly subversive—robot parable didn't arrive with all the hype of a major studio sci-fi release, but still manages to outdo most big-budget android tales. As the enigmatic CEO of a robotics company, Oscar Isaac uses an underling (Domhnall Gleeson) to test his eerily lifelike AI (Alicia Vikander). But Gleeson may be the one who's really being tested. —JR

18. Locke (2013)

The camera rarely wavers from Tom Hardy in this existential thriller, which takes place entirely in Hardy's vehicle. A construction foreman trying to make sure an important job is executed well, Hardy's Ivan Locke grapples with some surprising news from a mistress and the demands of his family. It's a one-act, one-man play, with Hardy making the repeated act of conversing on his cell phone as tense and compelling as if he were driving with a bomb in the trunk. (Oscar-winner Olivia Colman and her fellow Fleabag co-star Andrew Scott, a.k.a. "The Hot Priest," are two of the people whose voices we hear on the other end of the line.) —JR

19. Snowpiercer (2013)

Years before Bong Joon-ho made Oscar history in 2020 with Parasite, he adapted French graphic novel Le Transperceneige into Snowpiercer (which was recently turned into a television series with Jennifer Connelly). In a dystopian future—in sci-fi, there may not be any other kind—a train carrying cars separated by social class circles the globe. Soon, the have-nots (led by Chris Evans) decide to defy authority and get answers from those in charge. —JR

20. Enemy (2013)

Jake Gyllenhaal has an uneasy feeling that his exact double—a man who looks like him but is substantially more successful—is intruding on his own life. The Gyllenhaal collision is the foundation for this psychological thriller from director Denis Villeneuve, who offers no pat answers but an effective undercurrent of dread. —JR

21. Under the Skin (2013)

Scarlett Johansson explores alien seduction as a being from another world who arrives on Earth to pursue companionship. Unfortunately, she prefers short-term commitments. This erotic sci-fi drama was nominated for Best British Film at the BAFTA awards, the British equivalent of the Oscars. —JR

22. Her (2013)

The perils of falling in love with artificial intelligence are at the core of Her, which features a terrific performance by Joaquin Phoenix as a rumpled office worker who finds his soulmate in something without a soul: An Alexa-esque disembodied voice (Scarlett Johansson). —JR

23. The Master (2012)

Director Paul Thomas Anderson delivers a steady but absorbing tale of a World War II veteran (Joaquin Phoenix) who falls under the spell of a charismatic philosopher (Philip Seymour Hoffman) whose teachings soon become the focus of a cult movement. Both Phoenix and Hoffman were nominated for Academy Awards. Of the films he’s directed, which include 1997’s Boogie Nights and 2004’s There Will Be Blood, Anderson has said The Master is his favorite. —JR

24. Drive (2011)

On paper (like in the pulp novel it's based on), Nicolas Winding Refn's tale of a taciturn getaway driver whose life spins out of control is familiar. But on the screen, the combination is uniquely intoxicating—a fresh, lurid, melancholy neo-noir with a hint of existential crime thriller and, for some reason, an '80s-ish techno-pop soundtrack. Spinning its uncommonly entertaining yarn out of perilous characters and nightmarish scenarios, it feels dazzlingly original. —ES

25. The Social Network (2010)

This exhilarating account of how a total jerk started Facebook is even more alarming given what we've learned about Mark Zuckerberg and Facebook since then. Jesse Eisenberg's crisp lead performance, Aaron Sorkin's verbose dialogue, and David Fincher's energetic direction combine to make this a cautionary tale of Shakespearean proportions. It might be the best document of how the internet and social media have fundamentally changed us. —ES

26. Scott Pilgrim vs. The World (2010)

A rare adaptation for writer/director Edgar Wright brings Bryan Lee O’Malley’s popular graphic novel series to life. Michael Cera is perfectly cast in the title role as an awkward young man who is determined to win the heart of the woman he loves (Mary Elizabeth Winstead) by literally winning video game-style battles against her “Seven Evil Exes.” Wright throws every trick in his book at the screen, and the result is a film you can watch again and again. —MJ

27. The King's Speech (2010)

From laughingstock to maestro of one of Great Britain’s finest public addresses, The King’s Speech tells the true story of King George VI’s triumph over stuttering. The film took home Oscars for Best Picture, Best Director (Tom Hooper), Best Actor (Colin Firth), and Best Original Screenplay (David Seidler). —James L. Menzies

28. A Serious Man (2009)

Larry Gopnik (Michael Stuhlbarg) is a man whose faith is being tested at home, at work, and all points in between. A Serious Man is equal parts dark comedy and existential drama, and it’s a perfect encapsulation of why the Coen brothers are masters at their craft. —JS

29. Brooklyn's Finest (2009)

An ensemble cast (Richard Gere, Don Cheadle, Ethan Hawke, and Wesley Snipes) navigate the temptations and pitfalls inherent in police work in this drama from director Antoine Fuqua. Producer John Langley also created the long-running reality TV series Cops for Fox. —JR

30. Moon (2009)

Sam Bell (Sam Rockwell) has been alone on a lunar mining mission for three years, but his isolation comes to an end one day when a stranger shows up at his facility—and this mystery man happens to look just like him. —Jay Serafino

31. Inglourious Basterds (2009)

Quentin Tarantino’s Nazi-hunting, scalp-retrieving mission is available to stream without the danger of highly flammable nitrate film reels. Our introduction to Christoph Waltz as a charming villain, who faces off against Brad Pitt’s American GI and Mélanie Laurent’s French Jewish cinema owner as everyone tries to kill Hitler. —SB

32. The Duchess (2008)

Few people can pull off the role of an 18th century aristocrat as well as Keira Knightley. In this case, she's forced to contend with a cruel and philandering husband (Ralph Fiennes) who makes it clear that his only use for his wife is for her to produce a male heir. But the Duchess knows that two can play at this game, and begins a scandalous (and not-quite-hidden) affair with a rising politician (Dominic Cooper). Come for the compelling period drama, stay for the stunning costumes. —Jennifer M. Wood

33. There Will Be Blood (2007)

It was Citizen Kane for the new century: a sprawling epic about a flawed, wealthy man who lets his own power destroy him, directed by a wunderkind already revered by most of Hollywood. Paul Thomas Anderson and stars Daniel Day-Lewis and Paul Dano all do some of their best work in the story of a duplicitous oilman who meets his match in the fiery son of a preacher. —ES

34. Pan's Labyrinth (2006)

Following the end of the Spanish Civil War, a young girl (Ivana Baquero) escapes the turmoil of her militant stepfather and ill mother by exploring a hidden labyrinth that houses a variety of strange creatures. Director Guillermo del Toro was praised for his specialty: weaving a fairy tale with sharp edges. —JR

35. The Pianist (2002)

Chronicling the true story of Polish-Jewish pianist Władysław Szpilman (Adrien Brody), The Pianist is widely considered one of the best World War II accounts ever committed to film. As Nazis overrun Warsaw, Szpilman tries to maintain his sanity by clinging to the only thing that makes sense in an increasingly senseless world: His love of music. —JR

36. Y Tu Mamá También (2001)

The controversially sensual road movie that put Gael García Bernal and Diego Luna on the international map scored an Oscar nomination for writer/director Alfonso Cuarón. It's hard to believe he followed up this drug-and-sex-filled coming-of-age trip with a Harry Potter movie. —SB

37. The Matrix (1999)

Keanu Reeves utters many a "whoa" on his way through this sci-fi classic about a computer programmer who discovers reality is just an artificial simulation. Bullet Time is still just as spectacular as it was when the film premiered more than 20 years ago. —JR

38. Jerry Maguire (1996)

Sports agent Tom Cruise wrestles with clients—including the charismatic and Oscar-winning Cuba Gooding Jr.—as well as love in Cameron Crowe's winning dramedy that continued Cruise's run of '90s hits. —JR

39. Howards End (1992)

James Ivory's adaptation of E.M. Forster's 1910 novel tells the story of free-spirited Londoner Margaret Schlegel (Emma Thompson) who befriends a dying woman, Ruth Wilcox (Vanessa Redgrave), who ends up bequeathing Margaret her beloved country home, Howards End. It's a stroke of luck for Margaret, who is about to be ousted from the home she has leased for years, but the Wilcox family feels that something is amiss. As Ruth's widower attempts to investigate the situation, he finds himself falling under Margaret's spell. —JMW

40. Silence of the Lambs (1991)

Not only did a gory horror film win Best Picture at the Oscars that year, it also won the other four top categories—Best Director, Best Actor, Best Actress, and Best Adapted Screenplay—a feat achieved only twice before (by It Happened One Night and One Flew over the Cuckoo’s Nest). Turns out America has a taste for cannibalism when it’s impeccably acted, smartly directed (by Jonathan Demme), and creepy as all hell. It remains one of the best examples of "art-house" horror.

41. She's Gotta Have It (1986)

Spike Lee’s feature directorial debut also sees him playing one of three men under the thumb of Nola Darling (Tracy Camilla Johns). None of them can stand Nola’s gender-reversing approach to casual relationships, and the three hope to goad her into living a monogamous life. Nola, however, wants to pursue happiness on her own terms, not society’s. Lee’s love letter to Brooklyn is still a standout in his filmography, which quickly grew to include 1989’s Do the Right Thing and 1992’s Malcom X. —JR

42. E.T. the Extra-Terrestrial (1982)

The 1980s were a pretty great decade for Steven Spielberg (even more so if you believe he's the true director of Poltergeist), and followed up Raiders of the Lost Ark with this instant sentimental classic about a boy and his alien friend. Spielberg's sappiness would get the better of him in duds like Always, but here he found the right blend of emotion and nostalgia by giving it a bitter undercurrent (Elliott's parents' divorce, the inevitable farewell) to remind us that even the sweetest memories often have tinges of sorrow. —ES

43. Raiders of the Lost Ark (1981)

All four Indiana Jones movies are on Netflix, but the original still stands its ground as the best in the series and one of the finest action movies ever made. Indy (Harrison Ford) pursues the Lost Ark of the Covenant while evading and diverting Nazis chasing the power the Ark is believed to contain. —JR

44. Taxi Driver (1976)

Robert De Niro drew justifiable accolades for his portrayal of Travis Bickle, a mentally askew cab driver in the hellscape of 1970s New York City in director Martin Scorsese's gutter noir masterpiece. —JR

45. Monty Python and the Holy Grail (1975)

The Monty Python team delivers their best-known work, a silly and sharply satirical feature that uses the King Arthur legend as a springboard for sequences that feature brave-but-armless knights and highly aggressive rabbits. Opening to mixed reviews, it’s since become a perennial entry in lists of the best comedies ever made. —JR