11 Surprising Facts About She’s All That

Miramax
Miramax

The late 1990s saw a resurgence of teen romantic comedies, like 10 Things I Hate About You, Can’t Hardly Wait, and 1999’s She’s All That. The movie opened Super Bowl weekend and was the number one movie at the box office. It went on to gross $103,166,989 worldwide and even today still ranks as the ninth highest-grossing teen romance film (the films in the Twilight series occupy the top five spots on that list).

Freddie Prinze Jr. starred as Zack, a high schooler who makes a bet with Dean (Paul Walker) that he will groom the nerdy Laney (Rachael Leigh Cook) into a prom queen. A modern adaptation of Pygmalion and My Fair Lady, the film launched Prinze’s leading man career, and also featured early performances from Kieran Culkin, Gabrielle Union, Usher, and rapper Lil’ Kim. The soundtrack played an important part in the movie, too: Sixpence None the Richer’s “Kiss Me” and Fatboy Slim’s “The Rockafeller Skank” propelled She’s All That into iconic territory. Here are 12 surprising facts about the movie to celebrate its 20th anniversary.

1. M. Night Shyamalan did an uncredited rewrite of the script.

In 2013, M. Night Shyamalan told Movies.com that he “ghost-wrote the movie,” though the credit solely went to R. Lee Fleming Jr., who stated Shyamalan lied about writing the script. But former Miramax employee Jack Lechner confirmed Shyamalan’s involvement. “He did a solid rewrite,” Lechner told Entertainment Weekly. “He made it deeper, made the characters richer. I can see how Fleming would say it’s his movie, and I can see why M. Night would say it’s his movie. They’re both right.”

One of Shyamalan’s contributions to the rewrite was the ending graduation scene. “He came up with an idea of when he was in high school, somebody streaked across their campus at graduation, which I thought was fun but I didn’t know quite how to do that given the constraints of our rating and also the time that I had to do it,” She’s All That director Robert Iscove told Cosmopolitan. “That’s why I did the graduation with Freddie just getting up and tossing the soccer ball to her.”

2. Personality was the most important thing the filmmakers were looking for in casting Laney.

Besides Rachael Leigh Cook, the producers considered Leelee Sobieski, Mena Suvari, and Jordana Brewster for Laney. “She had to be beautiful, self-deprecating, funny, withdrawn, and all that,” Iscove told The Daily Beast about the role. Yet looks weren’t the only thing that mattered. “Times have changed a lot in Hollywood, but back when we did the movie, it was very much the Hollywood standard [to cast] a beautiful girl,” Iscove told Cosmopolitan. “It was going to be our Clark Kent moment. You’re never going to get the ugly duckling to really transform … certainly [not] back then. [So] it was more the quality of the actor that we wanted to go for, someone who could have the range from being very standoffish and cerebral and in her head, and then open up and be warmer and interact with the people and be more than, ‘How beautiful.’”

3. The film was released on the anniversary of Freddie Prinze's death.

Prinze's famous actor-comedian dad, Freddie Prinze, committed suicide on January 28, 1977 (he was pulled off life support the next day), when Prinze Jr. was just 10 months old. The movie came out on January 29, 1999—22 years after the tragedy. Because of the anniversary, Prinze wasn't feeling up to attending the premiere.

“I had crazy visions like something bad was going to happen. But I got there and everyone seemed to enjoy it,” he told The Daily Beast. “I’ve only seen the film once and it was in that weird frame of mind, so I’ve never really gotten the opportunity to properly appreciate it."

4. It helped make "Kiss Me" a worldwide hit.

Sixpence None the Richer recorded the song “Kiss Me” in 1997 for their eponymous album and released it as an official single in 1998. When the song was used in the film, it peaked at number two on the Billboard charts and remained in the top 10 for 16 straight weeks. In 1999, the song was ubiquitous; it also appeared on Dawson’s Creek a couple of times. As lead singer Leigh Nash told Pop Entertainment, a man from Columbia Records came to a showcase they did in L.A. and heard them play “Kiss Me.” “He knew it was the single and I imagine had heard it before, but he thought it would be perfect for a summer movie. Actually, it wasn’t a summer movie, it came out in the end of January, I think. But, he was right. It definitely was a hit with the young folks.”

5. Kieran Culkin didn't know why he was wearing hearing aids.

Kieran Culkin’s character, Simon, wore hearing aids in the movie, which seemed arbitrary to the actor. “It’s one of those movies that always seems to be on—and I only know that because friends are always telling me, and then they’ll ask, ‘Why did you have hearing aids?’ and I’ll be like, ‘I don’t f***ing know!’” he told The Daily Beast.

6. The "Hoover" scene was added to appeal to young male moviegoers.

Two bullies try to mess with Simon (Culkin) by putting pubic hairs on a piece of pizza, but Zack intervenes and forces the guys to “hoover” their own creation. Though the pubic hairs were made of corn stalks, the studio bosses wanted to keep the PG-13 rating. “There were hours of conversations about, ‘Well, how many corn stalks do we put on the pizza? Has he torn out all of his pubes, or only a couple of pubes?’ But now it’s one of those great, groan-worthy moments,” Iscove told The Daily Beast.

Iscove explained to Cosmo that the scene was intended to cater to men, who don’t typically like going to see romantic comedies. “So in order for them not to veto it, a certain amount of hot girls and a certain amount of gross-out [were necessary], which is why Laney starts at the beginning hocking the loogie, which is a little bit disgusting—but guys are immediately with her and with the movie. And the pube stuff keeps them going so that they can get to the romance later on. We were careful to tread that line."

7. Prinze and Dulé Hill tap danced together.

Dulé Hill wasn’t allowed to tap dance during the prom scene, but he would tap dance on set. “When we were shooting the volleyball sequence at the beach, I heard him sliding and tapping his feet on the wood, and I said, ‘Are you tap dancing?’ And he said, ‘I’m a hoofer, man.’ And that’s how we bonded,” Prinze Jr. told The Daily Beast. “We started going to this dance studio in Hollywood and we’d tap dance. We did it all the time. Eventually, I turned a room in my house into a tap dance studio and we’d put on rap music, tap dance, and drink scotch until like 4 in the morning.” The two friends reunited on Hill’s show Psych in 2010 when Prinze made a guest appearance.

8. Jodi Lynn O'Keefe had a major crush on Paul Walker.

In an interview with Cosmopolitan, Jodi Lyn O’Keefe admitted she had a crush on Paul Walker. “I was like, ‘What is that beautiful human being?’ I think we all felt that way, like, we all walked onto the set and it was like, ‘Who is this Adonis?’ He was a doll baby, that’s what I called him. He was just one of the sweetest men I’d ever met. It’s terrible when anyone passes too soon. I remember it knocked the breath out of me. I felt really heartbroken for his daughter, because that was what we talked about the most when we were at work, we talked about his daughter, and it just felt so tragic and wrong, so early in his life.”

9. Prinze trained with a professional Hacky sack player.

In one of the film’s most memorable scenes, Prinze performs hacky sack at a performance art show, in front of Laney. “I can’t hacky sack like the way you saw that sequence cut together—I have five, six reps in me tops,” Prinze told The Daily Beast. “I had to have an earpiece in my ear that kept this weird, modern art, crappy beat in my head, and do the hacky sack, and even if it fell, I had to continue the sequence: ‘Never let it drop … don’t let it drop … sooner or later, it has to drop.’ To prepare for the scene, the producers brought in a world-class hacky sack player to help Prinze keep the rhythm going, “and in five minutes he had me going from six in a row to 12 in a row,” Prinze said.

10. Lil' Kim was the most extravagant cast member.

When they filmed the movie, the rapper was already famous—but Iscove didn’t realize it until near the end of the shoot. “I thought, ‘Thank God I didn’t know about this before,’ because I only knew her as this sweet young thing that she was presenting in the film,” he told The Daily Beast. Prinze was aware of her status, though. “This movie cost us $6 million to make,” Prinze told The Daily Beast. “It was not a big budget film. Lil’ Kim showed up in a stretch limousine to the set and was wearing almost our budget in diamond earrings, rings, necklaces, sunglasses, high-heeled shoes with diamonds on top. I remember thinking, ‘This girl’s got like $3.5 million on her right now!’ And that’s how she came to the set every day. I remember thinking, ‘I wish I had some rap talent!’”

11. A remake could be happening.

For several years, there's been talk of a She's All That remake. In April 2015, The Wrap reported that Tonya Lewis Lee (Spike Lee’s wife) had plans on producing a remake, with Kenny Leon directing. But Iscove doesn’t think a remake makes sense.

“It’s so quintessential ’90s, so hopefully if they’re going to do it, they’re going to make it whatever a 2016 version is,” he told Cosmopolitan (in 2015). “But if you’re going to do that, why not just do Pygmalion in high school, why do She’s All That? She’s All That was of the time. It’s like, I could remake Pretty in Pink or Sixteen Candles, but unless I’m going to use it of that period and of that time with those people, why call it Pretty in Pink? It’s not going to be Molly Ringwald. She’s All That is not going to be Freddie and Rachael. I wish them well. I hope they make it a contemporary version.”

Because the film was based on Pygmalion, Cook looks at the idea of a remake a different way, though.

"I think that [a remake] would be neat," Cook told International Business Times in 2018. "I think it would be a heck of a lot easier than being spoofed, which has already happened to us." (That spoof she's referring to, of course, is 2001's Not Another Teen Movie, which skewered She's All That and a handful of other beloved teen films.)

An earlier version of this article ran in 2016.

Kodak’s New Cameras Don't Just Take Photos—They Also Print Them

Your Instagram account wishes it had this clout.
Your Instagram account wishes it had this clout.
Kodak

Snapping a photo and immediately sharing it on social media is definitely convenient, but there’s still something so satisfying about having the printed photo—like you’re actually holding the memory in your hands. Kodak’s new STEP cameras now offer the best of both worlds.

As its name implies, the Kodak STEP Instant Print Digital Camera, available for $70 on Amazon, lets you take a picture and print it out on that very same device. Not only do you get to skip the irksome process of uploading photos to your computer and printing them on your bulky, non-portable printer (or worse yet, having to wait for your local pharmacy to print them for you), but you never need to bother with ink cartridges or toner, either. The Kodak STEP comes with special 2-inch-by-3-inch printing paper inlaid with color crystals that bring your image to life. There’s also an adhesive layer on the back, so you can easily stick your photos to laptop covers, scrapbooks, or whatever else could use a little adornment.

There's a 10-second self-timer, so you don't have to ask strangers to take your group photos.Kodak

For those of you who want to give your photos some added flair, you might like the Kodak STEP Touch, available for $130 from Amazon. It’s similar to the regular Kodak STEP, but the LCD touch screen allows you to edit your photos before you print them; you can also shoot short videos and even share your content straight to social media.

If you want to print photos from your smartphone gallery, there's the Kodak STEP Instant Mobile Photo Printer. This portable $80 printer connects to any iOS or Android device with Bluetooth capabilities and can print whatever photos you send to it.

The Kodak STEP Instant Mobile Photo Printer connects to an app that allows you to add filters and other effects to your photos. Kodak

All three Kodak STEP devices come with some of that magical printer paper, but you can order additional refills, too—a 20-sheet set costs $8 on Amazon.

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

16 Facts About The Other Guys On Its 10th Anniversary, Courtesy of Adam McKay

Mark Wahlberg and Will Ferrell star in Adam McKay's The Other Guys (2010).
Mark Wahlberg and Will Ferrell star in Adam McKay's The Other Guys (2010).
Macall Polay/Columbia TriStar Marketing Group, Inc.

August marks the 10th anniversary of The Other Guys, director Adam McKay’s send-up, and tribute, to the buddy cop movies that have been a Hollywood mainstay for decades. Will Ferrell and Mark Wahlberg play Detectives Allen Gamble and Terry Hoitz, two disgraced and otherwise dismissed desk jockeys who inadvertently uncover a massive financial scandal at the exact moment when corporate malfeasance begins grabbing overdue newspaper headlines. The duo’s comic chemistry thrives on Ferrell’s bookish awkwardness juxtaposed with Wahlberg’s macho exasperation, while McKay (working with writer Chris Henchy) exercises a growing social consciousness against the backdrop of one of cinema’s most familiar and durable genres. Supporting performances by Eva Mendes, Michael Keaton, and Steve Coogan, plus cameos by Dwayne "The Rock" Johnson and Samuel L. Jackson (not to mention a murderer’s row of up-and-coming comedians and improvisers) breathe unforgettable life into an escalating series of side-splitting scenarios.

McKay’s most vivid memory of the shoot, he tells Mental Floss, was of the cinematic and gastronomic indulgence he enjoyed shooting a (for him) robustly-budgeted action movie in New York City. “I think I put on literally 25 pounds during that shoot,” he says. “At the end, my wife just looked at me and was like, 'You look as big as a house.' I mean, some days my body would hurt from laughing all day, and then I just ate like chicken parm sandwiches and pizza.

"That's the closest I've come to a full-on decadent Hollywood movie," McKay continues. "We had a really big budget. We were in New York City. We had cars blowing up. We had all these big actors everywhere. It's still, by the way, a budget that's probably half of a Marvel movie or a Michael Bay movie. But that's the closest I've ever come to feeling like Tony Scott and that kind of world."

Exclusive to Mental Floss, check out these behind-the-scenes tidbits and trivia from the making of The Other Guys, straight from McKay himself.

1. The Other Guys started with the unlikely pairing of Mark Wahlberg and Will Ferrell—as dinner companions.

"We went to a little Italian place off Santa Monica and the energy between the two of them was really funny," McKay recalled of what kicked off the idea for Will Ferrell and Mark Wahlberg's on-screen pairing. "Mark's a Boston guy, athlete, tough, boxer; Will's big—Will's 6-foot-3 and definitely an athlete and no pushover—but at the same time, at root, kind of a sweetheart. And they just had a funny dynamic between them. I kept laughing the whole night. And that was really what launched it."

2. Adam McKay didn’t set out to make The Other Guys a parody, but Hollywood quickly taught him not to edge too closely to familiar properties.

Mark Wahlberg and Will Ferrell are The Other Guys (2010).Macall Polay/Columbia TriStar Marketing Group, Inc.

"There was some movie that came out about two 'star' cops. And I jokingly said, 'We should do the movie about the cops in the background of the star cops,'" McKay says. "Because they were doing an A-Team movie, I said, 'We should call ours The B-Team.' We may have even announced the movie as that, and someone back-channeled us, like, 'By the way, don't call your movie The B-Team. We're not going to sue you, but like, just don't do that.'"

3. As appealing as it was to send up buddy-cop movie conventions, then- (and still-) current events helped solidify The Other Guys's themes.

"The other big component was that the financial collapse was actively happening," McKay says of the timing of The Other Guys. "We kept talking about how you can't do a jeopardy plot that’s about drug smugglers—like we'll be looking back wistfully at the days of drug smugglers and safe crackers and bank robbers. And so a big part of it was: How do you do a modern cop buddy film when banks have disappeared trillions of dollars and millions of people have lost their homes through this kind of bureaucratic malfeasance? And that launched Ferrell’s character, a forensic accountant into paperwork—and the idea was that the new cop heroes are going to be bureaucrats who are into paperwork."

4. Michael Keaton’s repeated TLC references were written into The Other Guys script, though Adam McKay wasn't sure how well the running joke would translate.

A running joke in The Other Guys has Michael Keaton's Captain Gene continually quoting TLC songs. "We had done a couple readings of the script where it played really well, not that that means it's going to play funny in the final movie," McKay says. "We've had bits that killed in read-throughs, and then they go in the final cut and something about the rhythm just doesn't work. We were fairly confident in that joke. There are other times though where you do discover the bit and you're improvising, you're throwing out alternatives, the actors are playing around, and you discover a bit. Then I'll turn to Kate Hardman, our script supervisor and say, 'Alright, we’ve got to keep that one alive.' And then in future scenes, she would remind me, 'Remember, you had this joke you wanted to keep alive' and I'll get one take where we do it."

5. Dirty Mike and the Boys, on the other hand, were not in the original script.

"Rob Huebel improvised the line 'soup kitchen' and we kept joking about Dirty Mike and The Boys. The scene where I show up with our DP Oliver Wood, [our property master] Jimmy Mazzola, and our producer Pat Crowley, and we're Dirty Mike and the Boys, was not scripted," McKay explains. "That came out of us loving Huebel’s improv so much that we knew we had to put Dirty Mike and the Boys in the movie. That was a perfect example where improv spawned a bit that ended up running through the movie."

6. The scene involving Allen’s ex-girlfriend “Christinith” was inspired not just by the particular way some people spell or pronounce their names, but by their annoyance when it's mispronounced.

"Obviously it was a running joke that very beautiful women love Allen Gamble," McKay says. "And we were joking about people through the years who have names they want pronounced a certain way and they're oddly hostile about it. There was someone we'd known who was named Anna, but she wanted to be called 'Ana,' and if you called her Anna, she would get mad and I'd be like, 'Wait a minute, what? You can't get mad about that.' So that was where the Christinith joke came from."

7. Will Ferrell’s “Gator” alter ego in The Other Guys was created to further develop the film’s “paper-pushers as heroes” idea.

"The character [Allen] was a guy who appears very mousy and very beta and quiet and we just kept kicking around the idea of: What's power now? What's a hero now? And we had this idea that the reason that Allen Gamble was so conservative and buttoned-down was that he had kind of let his power out once before and it hadn't gone very well," McKay explained of the many dichotomies of Ferrell's character. "And then we just started laughing about the idea that he became a pimp and didn't realize it. So that was the joke—the idea that he’s like, 'No, no, no, I'm helping them run a dating service.' 'No, you were a pimp.' And the lifestyle pulling him down without him really realizing what he's become. The thing that makes me laugh the hardest is when he's first talking to the girl in college, she's just going, 'I could go on dates with guys.' 'Oh yeah. I can make sure to collect the money.' It’s so innocent."

8. Adam McKay and his collaborators refined a unique technical process leading up to The Other Guys to keep track of the many variations attempted, and often improvised, during production.

"Brent White, the editor on The Other Guys, has this great system where you can go to each line of the script and click it and all the alt versions of it will be underneath it," McKay explains. "That was really a breakthrough, and once he really got that system going, it changed a lot of things. Every version, every permutation of the joke is right in front of you, and it made the whole thing easier to sort."

9. The Other Guys composer Jon Brion is a musical chameleon, but Adam McKay didn’t direct him to draw on the sound of, say, Michael Kamen’s Lethal Weapon scores for Allen and Terry’s themes.

"A lot of movies I did with Will are always kind of in between an original story and a parody," McKay says. "We want them to be original, but they're clearly messing around with the tropes of the genre that you're used to. So the trick was I wanted it to sound like a cop score, but I also wanted it to be good. So we kept kind of batting that around."

10. The Oscar-worthy end credits song “Pimps Don’t Cry” emerged from a need for actress Eva Mendes to have a melody to sing, and Jon Brion’s chops corralling heavy hitters for a comedy-soul classic.

Will Ferrell and Eva Mendes in The Other Guys (2010).Macall Polay/Columbia TriStar Marketing Group, Inc.

"We just wrote 'Pimps Don't Cry' for the scene," McKay explains. "When [Eva Mendes] sang it, we're like, wait a minute, can we record this? And, of course, Jon Brion knows everyone and has access to studios. So before you know it, we had CeeLo Green in there and it turned out Eva Mendes could sing. We recorded a whole track and I think even shot a video. But it came out of the scene. The actors were like, 'Well, what's the melody?' And we're like, 'Jon, you want to write something?' And then of course I was like, I gotta hear that song!"

11. Adam McKay explored the idea of Pop-Up Video-style detours in The Other Guys, but couldn’t figure out how to pull it off in the pre-streaming era.

"We had a thing that we were going to try and do in the movie where we would freeze-frame scenes and then a little box would pop out and show something from a couple months later. That was a style that was written into the script we had happening a bunch of times, and we could not get it to work. It's funny because now I know how I would do it, but at that time we just couldn't [make it work]."

12. The Other Guys's planned “flash-forward” scenes also included future President Donald Trump, whose Trump Tower gets blown up in the opening scene.

Future president Donald Trump filmed a cameo for The Other Guys, but it didn't make the final cut. "Donald Trump just basically wants to get paid," McKay says. "So if you show up and you write out a check for a certain amount of money, I can't remember what the amount was, $75,000 or $100,000 or something, he'll do it. Pretty much anyone could go to him and be like, 'Here's a check for $75,000,' and he will do it. Never in a trillion years imagining the guy would become president. He sort of was a New York joke for years, and Trump Tower was kind of known as being this cheeseball place, so it was a pure joke. But when we put it in the movie, we were like, 'Donald Trump’s so cheesy and cheap, let's not put this in the movie.' Even for the silly movie we were doing, it felt cheeseball, so we ended up cutting it out."

13. If there was a scene in The Other Guys that gave Adam McKay the “tingle in his balls” as a filmmaker that Allen and Terry feel while pursuing bad guys, it was the “Aim for the bushes” scene that sets up the whole film.

"I mean, that's one of my all-time favorite moments from anything I've ever been involved in," McKay says of his favorite scene. "I would say the family prayer scene in Talladega Nights, the Jenga tower scene in The Big Short, the other one was in Anchorman, when Jack Black kicks the dog off the bridge where the audience made this weird sound and were so stunned by it. And then Danson and Highsmith jumping off the building —oh my god, I had so much fun watching that with test audiences. No one saw it coming.

"[The Rock and Samuel L. Jackson] are such big stars that just in a million years, no one imagined it. When the guys were falling off the tower, they were so convinced they weren't going to die. You would hear people in the audience go, 'Yeah right, they would never survive that.' But when they hit, there was such a collective inhale from the whole audience, and then just explosion of laughter. But the other great moment for that was when I was in the edit with Erica Weis, our music editor and music supervisor, and we discovered the Foo Fighters song for that moment. It was just so perfectly over-the-top and a little cheesy, yet plausible. Of course the filmmakers would play this song! The entire puzzle clicked together perfectly when that song went in."

14. Adam McKay credits his executive producer for the coup of recruiting Dwayne Johnson and Samuel L. Jackson as the “star cops” by whose police work Allen and Terry would be measured.

"I give [executive producer] Kevin Messick a lot of credit for that casting," McKay says. "We wanted two big action stars that you would never think would die in a movie, and boy, Kevin really helped us get them. He had some connection to Dwayne Johnson, and he worked the phones to really help us get Sam Jackson. I saw Sam Jackson years later and he's like, 'People keep asking me if we're going to do a spinoff movie with these guys.' I was like, oh man, that could be fun. And Dwayne Johnson told me too he had people come up to him and mention those characters all the time."

15. The original ending to The Other Guys was even more bleak than the statistics that play over the end credits.

"We had this whole ending where like they bust Steve Coogan's character Ershon and they pull the thing together and they take him in and it turns out Congress has changed the laws and what he's done is no longer illegal," McKay explains. "I wish we had ended with that. That would have been a better ending. And then we had this other ending with Derek Jeter, where he comes out and it turns out he's connected to this whole underground thing that's fighting against the big banks. That's in the TV version they air, but it didn't really work ... when I say work, I don't care if the audience loved it. It didn't work for me with the narrative when we a test screened it. So I didn't think we stuck the landing on the ending on it."

16. Adam McKay always worked culturally relevant themes into his films, but The Other Guys galvanized this approach going forward, reflected more prominently in The Big Short and Vice.

Adam McKay on the set of The Other Guys (2010).Macall Polay/Columbia TriStar Marketing Group, Inc.

"Ferrell and I would do these comedies, and we would always have something [else] going on in them," McKay says of his desire to weave bigger themes into his films. "Even Step Brothers was kind of about how consumer culture turns us into big giant children. And the Iraq War was such a horrible tragedy and disaster that right around that time, and that’s when I started thinking, 'I just gotta do some stuff that's more overt.' When the financial collapse hit, it was just like, all bets are off. So yeah, we tried to craft the whole movie like a comedic allegory for the financial collapse. If you look at the movie, they keep ignoring their union. And then there’s a big financier covering losses by taking money from workers. Of course, when the movie came out, no one cared—the movie just played as a comedy. Except for the ending credits, people really didn't catch it at all. Which I don't blame them! I think it was a little bit of an experiment in that sense. And the good news is the movie’s funny and I really love how it turned out."