Does the Way You Cut a Vegetable Change Its Flavor?

iStock
iStock

Knowing the difference between a julienne cut and a chiffonade is an easy way to impress guests at dinner party. But does preparing your vegetables with fancy—or not-so-fancy—knife work really affect the way they taste? Your gut instinct may tell you no: a vegetable's flavor will remain the same whether it’s diced, sliced, or grated. According to a story from NPR, however, that instinct would be off-base. Chefs and food scientists both agree that the cut of a vegetable has an impact on its final flavor, and the reason why can be explained with a bit of chemistry.

The chemical makeup of a piece of produce is what makes it taste so flavorful. When a vegetable is crushed or sliced open, those ruptured cells release enzymes that trigger a chemical reaction, which to some diners may take the form of a pleasant taste or aroma.

Charles Forney, a physiologist with Agriculture and Agri-Food Canada, told NPR that every fruit and vegetable has a different response to being cut. Tomatoes, for example, produce a fresh, pungent scent when first sliced open. According to Forney, this chemical reaction isn’t too different from the one behind the smell we associate with freshly cut grass. The finer a vegetable is cut, the more enzymes it releases, resulting in a more intense flavor.

This is especially noticeable when chopping up onions or garlic. If you take a whiff of a clove of garlic while it's still whole, you won’t smell much. But slice into it, and that strong garlic scent will be hard to miss. That’s due to a specific type of enzyme called alliinase. Alliinase converts molecules into allicin, a sulfurous, unstable compound that breaks down into other stinky compounds that cling to our breath and skin. More allicin is produced each time you chop up a garlic clove, so a dish with roughly chopped chunks of garlic will actually taste milder than if the garlic has been finely diced. Grating garlic, on the other hand, creates a flavor so strong that it may be enough to turn off even the most extreme garlic lovers.

Broccoli, cauliflower, and cabbage are also examples of vegetables that grow more intense in taste the more you cut them. If you’ve ever experienced a burning sensation when eating finely chopped cabbage, you can thank a chemical reaction for creating compounds that contain sulfur. So even though diners do eat with their eyes first, the prettiest cut may not always end up being the tastiest for some.

[h/t NPR]

Looking to Downsize? You Can Buy a 5-Room DIY Cabin on Amazon for Less Than $33,000

Five rooms of one's own.
Five rooms of one's own.
Allwood/Amazon

If you’ve already mastered DIY houses for birds and dogs, maybe it’s time you built one for yourself.

As Simplemost reports, there are a number of house kits that you can order on Amazon, and the Allwood Avalon Cabin Kit is one of the quaintest—and, at $32,990, most affordable—options. The 540-square-foot structure has enough space for a kitchen, a bathroom, a bedroom, and a sitting room—and there’s an additional 218-square-foot loft with the potential to be the coziest reading nook of all time.

You can opt for three larger rooms if you're willing to skip the kitchen and bathroom.Allwood/Amazon

The construction process might not be a great idea for someone who’s never picked up a hammer, but you don’t need an architectural degree to tackle it. Step-by-step instructions and all materials are included, so it’s a little like a high-level IKEA project. According to the Amazon listing, it takes two adults about a week to complete. Since the Nordic wood walls are reinforced with steel rods, the house can withstand winds up to 120 mph, and you can pay an extra $1000 to upgrade from double-glass windows and doors to triple-glass for added fortification.

Sadly, the cool ceiling lamp is not included.Allwood/Amazon

Though everything you need for the shell of the house comes in the kit, you will need to purchase whatever goes inside it: toilet, shower, sink, stove, insulation, and all other furnishings. You can also customize the blueprint to fit your own plans for the space; maybe, for example, you’re going to use the house as a small event venue, and you’d rather have two or three large, airy rooms and no kitchen or bedroom.

Intrigued? Find out more here.

[h/t Simplemost]

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Is It Illegal to Falsely Shout 'Fire' in a Crowded Theater?

Fortunately, nobody incited a stampede at New York's Metropolitan Opera House on this night in 1937.
Fortunately, nobody incited a stampede at New York's Metropolitan Opera House on this night in 1937.
National Archives and Records Administration, Wikimedia Commons // Public Domain

If you asked a few random people to name a situation that wouldn’t be protected under the First Amendment’s “freedom of speech” clause, there’s a pretty good chance at least one of them would mention the example of someone shouting “Fire!” in a crowded theater (when there’s no fire). Over the last century, the scene has been used far and wide to illustrate that if your “free speech” harms people, you can still end up in the defendant’s chair. But, as is so often the case when it comes to interpreting the law, it’s really not that simple.

Panic Room

The aftermath of the Iroquois Theatre fire.Fire-Truck.Ru, Wikimedia Commons // CC BY-SA 4.0

When people first started discussing human fire alarms at packed gatherings, it was less about constitutional debate and more about societal menace. During the late 18th and early 19th centuries, there were dozens of tragedies [PDF]—mainly in the U.S., but also abroad—where false shouts of “Fire!” provoked panic that resulted in multiple innocent, and avoidable, deaths. In 1913, for example, residents of Calumet, Michigan, held a Christmas party for the children of copper miners on strike. Hundreds of people gathered on the second floor of Italian Hall, and when an unidentified perpetrator (possibly motivated by anti-union sentiments) yelled “Fire!” they all rushed to the stairs. The stampede claimed 73 victims, most of whom were children.

The fear of fire wasn’t unfounded. Since not all buildings had sprinkler systems, neon exit signs, and capacity limits, plenty of fatal blazes occurred. More than 600 people died in Chicago’s Iroquois Theater fire in 1903, event though (ironically) that building was actually thought to be fireproof.

In short, shouting “Fire!” in a crowded theater was an idea firmly entrenched in the public consciousness by the time judges co-opted the phrase for legal arguments on First Amendment rights.

Discussing Fire in a Crowded Courtroom

We mustache Oliver Wendell Holmes Jr. a question about First Amendment rights.National Photo Company, Library of Congress Prints and Photographs Division, Wikimedia Commons // No Known Restrictions on Publication

The axiom became popular in legal spheres after Supreme Court Justice Oliver Wendell Holmes Jr. mentioned it during Schenck v. United States in 1919, but he wasn’t the first person to use it in court. As Carlton F.W. Lawson pointed out in a 2015 article in the William & Mary Bill of Rights Journal, U.S. attorney Edwin Wertz had uttered a lengthier version of it the previous year while prosecuting activist Eugene Debs. In fact, since Holmes ruled on Debs’s appeal the very week after the Schenck case, he may have even gotten the idea from Wertz.

Each case involved a violation of the Espionage Act of 1917, which essentially made it punishable to do anything that interfered with U.S. military operations—including speaking out against the draft. Debs, a pacifist who opposed World War I, was under fire for a speech he had given in Ohio; and Charles T. Schenck, the U.S. Socialist Party’s general secretary, landed in front of the Supreme Court for passing out pamphlets that encouraged men to refuse the draft.

Both defendants were convicted, and Holmes justified his ruling on the Schenck case with the explanation that “the most stringent protection of free speech would not protect a man in falsely shouting ‘fire’ in a theater and causing a panic.” But while his analogy struck an emotional chord, it really had nothing to do with constitutional law.

“The ‘crowded theater’ statement in Schenck never amounted to any kind of binding standard or doctrine,” Nashwa Gewaily, a media and First Amendment lawyer, tells Mental Floss. “It was basically a bit of emotionally charged extra flair from Justice Holmes, outside the official legal determination of that case; a powerful image that endured outside its context ... It was not a high point in American jurisprudence.”

“Revengeance” Is Fine

What Holmes said after it, however, did become a standard for future free speech arguments. “The question in every case,” he said, “is whether the words are used in such circumstances and are of such a nature as to create a clear and present danger that they will bring about the substantive evils that Congress has a right to prevent.”

For the next 50 years, clear and present danger was the accepted—and slightly vague—metric for discerning if spoken or printed material was protected speech. Then, in 1969, the Supreme Court replaced it with something clearer. The case, Brandenburg v. Ohio, concerned a Ku Klux Klan leader named Clarence Brandenburg who had broken Ohio’s law against advocating “crime, sabotage, or unlawful methods of terrorism” for political purposes. (In his offending speech, he had mentioned the possibility of “revengeance” [sic] if the federal government didn’t stop “[suppressing] the white, Caucasian race.”)

Brandenburg appealed his guilty verdict all the way up to the Supreme Court, which overturned the ruling on the grounds that his threats were too ambiguous to “[incite] or [produce] imminent lawless action.” In order for something to qualify as imminent lawless action, it must: expressly advocate violence, advocate immediate violence, and relate to violence likely to occur.

As Gewaily explains, judges interpret this standard “far more narrowly than many would presume.” While individual institutions may condemn hate speech, for example, it’s technically protected under the law unless there’s “immediate violence” involved.

When Free Speech Is the Least of Your Worries

So, does falsely shouting “Fire!” in a crowded theater fall outside the conditions of imminent lawless action, and therefore fall under First Amendment protection? The short answer is that it depends on the circumstances. But here’s the long answer: If you get arrested for doing that, the charges brought against you might make the question of free speech totally irrelevant.

“The falsely shouted warning, while technically speech, could potentially violate a state's criminal laws against disturbing the peace or disorderly conduct, whether or not it provokes a stampede, for instance,” Gewaily says. And if there is a stampede in which somebody dies, you could be charged with involuntary manslaughter. In other words, there’s no law that explicitly prohibits you from crying “Fire” in a theater. It’s the other laws you’d have to worry about.

Shouting “Bomb!” or “Gun!” in public would put you in a similar situation. In May 2018, for example, officials had to evacuate part of Daytona Beach International Airport after a man ran naked through the building screaming about a bomb in the women’s bathroom. There was no bomb, but he was charged with “false report of a bomb,” “criminal mischief,” and “exposure of sexual organs,” among other things. In that case, no self-respecting lawyer would advise him to claim his actions were protected by the First Amendment.

That said, there’s good news for anyone whose panicked cry is an honest mistake. “Someone who shouts a warning in genuine error, with an intent to galvanize movement to safety, would not be properly punished for that speech,” Gewaily says.

And if Oliver Wendell Holmes Jr. has taught us anything, it’s that not every word a Supreme Court Justice says automatically counts as constitutional doctrine.

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