13 Enchanting Facts About Moonstruck
Cher’s career made her more famous for singing than acting, but 30 years ago—on December 16, 1987—Moonstruck arrived in theaters and transformed her into a full-fledged movie star. (She even won the Best Actress Oscar for her spellbinding performance a few months later.) Cher plays Loretta Castorini, a widow living with her Sicilian family in Brooklyn. Despite being superstitious about love, she agrees to marry Johnny Cammareri (Danny Aiello), that is until she meets his jaded brother (Nic Cage), goes to see La bohème with him, and realizes “I love him awful.”
Director Norman Jewison referred to the movie as “an operatic multi-generational romantic comedy,” which is one reason the movie grossed an impressive $91,640,528 and won three Oscars, including ones for Olympia Dukakis and screenwriter John Patrick Shanley. Here are 13 moony facts about the movie.
1. THE ORIGINAL TITLE WAS THE BRIDE AND THE WOLF.
An earlier draft of Shanley’s script had it named The Bride and the Wolf, but the title perplexed Jewison. “I said, ‘The Bride and the Wolf? It sounds like a horror film,’” he revealed to the DGA. “So we had a big battle about that and it ended up being called Moonstruck because I convinced [Shanley] it’s about the moon. Everybody’s talking about the moon. The father’s talking about the moon, the full moon. We keep shooting the moon. It should be called something. What is it? She’s moonstruck. That’s a good title. So we called it Moonstruck.”
It should be noted the definition of moonstruck means “mentally deranged, supposedly by the influence of the moon; crazed dreamily romantic or bemused.”
2. JOHN PATRICK SHANLEY BASED THE STYLIZED DIALOGUE ON REAL PEOPLE.
Shanley admitted to Bomb Magazine that Moonstruck’s language has a certain affectation and poetry to it. “I remember somebody saying, ‘People don’t talk that way, but if he talks that way in the movie you buy it,’” the playwright said. “There’s truth and not truth in that. I said, ‘Well, it’s not the way all people talk, but I was on the train and I heard two women talking and they were talking in the exact style of Moonstruck.’ I said, ‘Well, you know, I chose that.’ And that’s what style is all about. It’s just making a choice about which of the many things, many aspects, you’re going to choose to go with for a whole picture or play.”
3. NICOLAS CAGE WANTED TO MAKE PUNK FILMS, NOT MOVIES LIKE MOONSTRUCK.
When Cage was in his early 20s, he “wanted to make the kind of movies that are essentially punk gestures,” he told The Baltimore Sun. “I read the screenplay to Moonstruck and thought, ‘I would never pay money to see this film!’ But my agent insisted I do it, practically forced me to do it. When I saw the finished film I didn’t know what in the world to make of it. That was my era of wanting to make new-wave, alternative films.”
His follow-up film, Vampire’s Kiss, was completely different from Moonstruck (for instance, Cage eats a live cockroach). “I was in such a state of shock that I had made a sweet, romantic movie I had to go and do Vampire's Kiss right after,” he told The New York Times.
4. CHER WAS AFRAID TO TAKE ON LORETTA.
In 1987, Cher wasn’t new to the acting world—she had been nominated for an Oscar in 1984, for Silkwood—but she was worried fans still wouldn’t take her seriously as an actress. A few months before Moonstruck was released, The Witches of Eastwick and Suspect came out, so she was in demand. “It wasn’t like Mask, which I felt I just had to do,” she told the Los Angeles Times. "I was a little frightened because there seemed to be all kinds of possibilities and all kinds of risks here. I wondered if, at this point in my career when there might be some people out there interested in seeing my movies, they would accept me in this role.”
5. DUKAKIS AND CHER DIDN’T THINK THE MOVIE WOULD BE SUCCESSFUL.
In an interview with The A.V. Club, Dukakis confessed she didn’t think the movie would be a hit. “As a matter of fact, one day we were sitting around talking, and somebody asked Cher what she thought was going to happen, and she gave it the thumbs-down,” the actress said. “Nobody really expected too much out of it. And then look what happened. And that’s because we were all stupid and didn’t understand what Norman Jewison was really doing. The guy’s incredible, you know?”
6. NORMAN JEWISON KNEW THE MOVIE WOULD WIN OSCARS.
In the same interview with The A.V. Club, Dukakis said she knew the movie was a big deal when she went with Jewison to a benefit in Canada where he screened the film. “And he said, ‘You know, you’re gonna get an Academy Award for this.’ I looked at him like he was stark-raving mad. I thought, ‘This little movie and that little Italian lady are gonna get an award?’ I said, ‘You really think so?’ He said, ‘Yeah!’ I thought, ‘He’s just being nice because I came up here to do the benefit for him. He thinks he has to say something nice to me.’ And then all that happened. It was just amazing. The writer got it, I got it, and then Jewison didn’t get it. Can you imagine?”
7. MOONSTRUCK CHANGED OLYMPIA DUKAKIS’S LIFE FOR THE BETTER.
By the time Moonstruck came around for her, the then 55-year-old had mostly made a name for herself in theater. But when she landed the role as Cher’s mother, Rose Castorini, and ended up winning Best Supporting Actress (and saying the line, “your life is going down the toilet,” something her mother said to her once), she became famous.
“It’s like somebody said ‘Look, she waited all these years, let’s give her something good,’” she said on George Stroumboulopoulos Tonight. “And it was incredible. And that changed my whole life. My daughter was going to college on credit cards when I did that movie. After that, we were able to send our children to college with no problems.”
8. CHER ENJOYED PLAYING THE "BEFORE" LORETTA MORE THAN THE "AFTER" LORETTA.
The “before” Loretta entails the gray-haired widow and the “after” is when she falls for Ronny. “But I much prefer playing her ‘before’ than ‘after,’” Cher told the Los Angeles Times. “The freedom is not interesting to me because that’s something I know, usually. Yet I don’t think of her as being constrained, exactly. My idea was to play her more as bossy and controlled.”
9. THE GRANDFATHER RELEASED TENSION FROM A SCENE.
During shooting of the climax, cast members lost their cool because they couldn’t get the timing right. According to The New York Times, Jewison said Cage threw a chair at another actor, and Cher was threatening to report Jewison to the Screen Actors Guild for keeping them through lunch. Feodor Chaliapin Jr., who played Cher’s grandfather, walked into the room and told them to “calma, calma, calma” and, “This is a Feydeau farce, and in a Feydeau farce we pull everything together in the last scene.” After he said that the rest of the cast behaved themselves and finished the scene.
10. CHER USED SONNY BONO’S FAMILY AS A REFERENCE POINT.
Cher, who is part Armenian and part Cherokee, didn’t know how Italian families worked. “I didn’t come from that kind of family. I really didn’t relate exactly to it, but I had a sense of it, like a distant sense of it,” she told Good Morning America. “Not like something that you can relate to first hand. I’ve known some families like that and I got feelings of it. After a while I thought I might be able to do this.”
But her Moonstruck family reminded her of her ex-husband’s family. “It kind of reminded me of Sonny’s family,” she told the Los Angeles Times. “Everybody eating and talking and shouting—but you have such good times.”
11. CAGE WASN’T ALLOWED TO SPEAK LIKE A WOLF.
Going along with the wolf theme, Cage said he desired to speak like Jean Marais in Beauty and the Beast. “He had that accent and his voice was very gravelly—and I thought of my character in Moonstruck like a wolf who spoke with a growl,” Cage said. “And so I was talking like that in the movie and I got a call from the director, Norman Jewison, and he said, ‘Nicolas, the dailies aren’t working.’ And then I started hearing names of other actors and I thought I was going to get fired. I had to quickly drop the Jean Marais.”
12. DANNY AIELLO HATED THE MOVIE.
On the Diane Rehm radio show, Aiello, who played Loretta’s fiancé and Ronny’s brother, told the host he “couldn’t stand the character I played.” He continued, “Norman Jewison, the director, when I told him, he said, ‘Are you crazy? You’re wonderful.’ But in my neighborhood you can’t play a wimp on the screen. You know, people didn’t even know me as an actor, but to see me as they didn’t know me, was troubling in the area where I live. So it did adversely affect me at first. All I know is that I was stupid looking on the screen.”
Aiello also felt Cher should’ve picked him over Cage. “I said, ‘Do you think Nicky Cage is going to get a woman what I have?’ I said, ‘That's not going to happen.’ I said, ‘Cher would be with me from the beginning.’” Despite not liking the role, it earned him more money and “it elevated a lot of other parts for me in comedic situations and so forth,” he said.
13. THE MOVIE MADE CAMMARERI BROS. BAKERY WORLD FAMOUS.
Ronny works at the Brooklyn bakery, and even though the bakery is only featured in a couple of scenes, it caused tourists to flock to the place after the movie was released. One of the owners, Gilberto Godoy, used to sign his autograph on bread bags, as he played a baker in the film. Jewison told The New York Times, “Whenever I can, I like to cast people who do the same job in real life,” and he picked that particular bakery because “It has one of the few coal-fired ovens left in the city,” he said. “Heat and humidity are always there. And bread is always rising, and there is an incredible smell. It helps the actors to be in a real environment.”
Godoy refused to close the bakery for the filming—he had a quota of 5,000 loaves a day to meet—so for three days he worked around the cast and crew. “It was hysterical,” Jewison said. “We had trucks, lights, cameras, Cher—and the poor guy was still baking.” The cast and crew did benefit from complimentary breads, though.