10 of the World’s Rarest Gemstones

There are roughly 200 varieties of natural gemstone known in the world today. Alongside the world’s precious gems (diamond, ruby, sapphire, and emerald) are numerous semi-precious stones, some of which are so incredibly rare that their value outstrips many of the world's most valuable precious gems. Here are a few of the rarest from around the world.

1. TANZANITE // FOUND ONLY IN TANZANIA

 
Tanzanite is a beautiful blue variety of the mineral zoisite, and is so named because it is only found in a small area near the foot of Mount Kilimanjaro in Tanzania. The stone was not discovered in commercial quantities until the 1960s and since then its popularity has grown tremendously, thanks largely to the efforts of Tiffany & Co. Heat-treating tanzanite at very high temperatures can improve the blue coloration, so most gems on the market have been treated in this way, but any tanzanite that has not been heat-treated and has a strong blue color naturally will be of a much higher value. Because it is only found in one small location, the value of tanzanite looks likely to soar over time; once those mines have been emptied there will be no new stones coming onto the market—unless a new source is found.

2. BLACK OPAL // THE DARKER THE BETTER

Daniel Mekis via Wikimedia Commons // CC BY-SA 3.0

 
Opals are usually a creamy-white color and are made special by the rainbow-colored inclusions that reflect the light as the stone is moved. Black opals are much rarer, because almost all of them are found in mines in the Lightning Ridge area of New South Wales in Australia. The darker their background color and brighter the inclusions, the more valuable the stone. One of the most valuable black opals of all time is the "Aurora Australis," which was uncovered in Lightning Ridge in 1938. The 180-carat opal is especially admired due to its large size and intense harlequin coloration; in 2005 it was valued at AUS $1,000,000, or about $763,000 U.S.

3. LARIMAR // ONLY FOUND IN THE DOMINICAN REPUBLIC

Wikimedia Commons // Public domain

 
Larimar is a very rare blue variety of the mineral pectolite and is found in only one small area of the Dominican Republic. This turquoise stone’s name was created by the man who brought the stone to prominence in 1974, Miguel Méndez—he took the first part of his daughter’s name, Larissa, and combined it with the Spanish word for sea, mar, to create the portmanteau larimar. Locals had known of the existence of the stone for generations, because small examples had washed up on the seashore, but it was not until the 1970s that sufficient quantities were found in the ground to open a mine.

4. PARAIBA TOURMALINE // NEON LUSTER

DonGuennie (G-Empire The World Of Gems) via Wikimedia Commons // CC BY-SA 4.0

 
Tourmalines are common in many colors across Brazil, but the Paraiba tourmalines are the only stones with a bright turquoise hue, thanks to their copper content. The very rare gems were discovered in 1987 by determined miner Heitor Dimas Barbosa, who had been driven by a belief that something special lurked under the hills of the Brazilian state of Paraiba. Barbosa was right, and after years of fruitless digging, he finally unearthed a tourmaline of unrivaled neon blue that set the gem market alight. The extremely rare stone (only one stone is mined for every 10,000 diamonds) then became intensely sought-after. In 2003 very similar turquoise-colored tourmalines were found at mines in the mountains of Nigeria and Mozambique, although some say they are not quite as striking as the Paraiba tourmaline.

5. GRANDIDERITE // ONE EXCEPTIONAL EXAMPLE

DonGuennie (G-Empire The World Of Gems) via Wikimedia Commons // CC BY-SA 3.0

 
Grandiderite was first described in 1902 by French mineralogist Alfred Lacroix, who found it in Madagascar and named it in honor of the French explorer Alfred Grandidier, an expert on Madagascan natural history. This extremely rare blue-green mineral has been found in a number of places around the world, but so far only Madagascar and Sri Lanka have produced any gem-quality stones, and these are still extremely scant. The majority of the known stones are translucent, but the most rare, and therefore most valuable, example ever found was transparent. In fact, the stone was initially assumed to be another rare gem, serendibite, because grandiderite of that color and transparency had yet to be seen. The gem was only identified as grandiderite after expert analysis and was subsequently sold for an undisclosed sum. It’s safe to assume that if a gem of similar quality were to be unearthed, its scarcity alone would ensure it fetched an extremely high price.

6. ALEXANDRITE // COLOR-SHIFTING GEM

 
The amazing color-changing stone alexandrite was discovered in 1830 in the Ural Mountains in Russia and named after Russian tsar Alexander II. A variety of chrysoberyl, the stone’s remarkable color-shifting capability makes it especially sought-after: In sunlight the stone looks blue-green, but under incandescent light it becomes red-purple. The degree of color change varies from stone to stone, with some only showing marginal change, but the most valuable are clear stones that demonstrate complete color change.

Although some large examples of the stone have been found (the Smithsonian houses the world’s largest known cut sample of alexandrite at 65.08 carats), the majority are under one carat. This means that the value of a gem under a carat may only be $15,000, but a stone larger than one carat might fetch as much as $70,000 per carat.

7. BENITOITE // STATE GEM OF CALIFORNIA

Pablo Alberto Salguero Quiles via Wikimedia // CC BY-SA 3.0

 
Benitoite is only mined in one small area of California, near the San Benito River (hence the name), but the mine closed for commercial mining in 2006, making this gemstone yet more scarce. The gem was first identified around 1907 by geologist George Louderback and has a deep-blue color that shows especially interesting qualities when caught under UV light, when it glows fluorescent. The gem was named the official state gemstone of California in 1985 in recognition of the fact that, despite it being found in trace quantities in Arkansas as well as Japan and Australia, California is the only place where it can feasibly be mined. Due to the rarity of discovering a good quality benitoite of a reasonable size, it can fetch huge prices on the open market—a well-cut benitoite stone at over 2 carats can fetch more than $10,000 a carat.

8. PAINITE // ONCE THE WORLD’S RAREST GEM

Rob Lavinsky via Wikimedia // CC BY-SA 3.0

 
Painite was first discovered by British gemologist Arthur Charles Davy Pain in 1951 and recognized as a new mineral in 1957. For many years only one specimen of the dark red crystal was in existence, housed at the British Museum in London, making it the world’s rarest gemstone. Later on other specimens were discovered, although by 2004 there were still fewer than two dozen known painite gems. However, in recent years a couple of mines in Myanmar have begun to produce some painite, and there are now said to be over 1000 stones known. The scarcity of this gem has made it extremely valuable and just one carat can fetch more than $60,000.

9. RED BERYL // TINY AND SCARCE

Didier Descouens via Wikimedia Commons // CC BY-SA 3.0

 
Red beryl, also known as bixbite or red emerald, is so rare it is estimated by the Utah Geological Survey that a single such gem is uncovered for every 150,000 gem-quality diamonds. Pure beryl is colorless and only gains its bright hues from impurities in the rock: chromium and vanadium give beryl a green color resulting in an emerald; iron provides a blue or yellow tint creating aquamarine and golden beryl; and manganese adds the deep-red color to create red beryl. Red beryl is only found in Utah, New Mexico, and Mexico, and the majority of examples found are just a few millimeters in length, too small to be cut and faceted for use. Those that have been cut are generally less than a carat in weight, and a red beryl of 2 or 3 carats would be considered exceptional.

10. TAAFFEITE // DISCOVERED BY CHANCE

DonGuennie (G-Empire The World Of Gems) via Wikimedia Commons // CC BY-SA 3.0

 
Austrian-Irish gemologist Count Edward Charles Richard Taaffe bought a box of cut stones from a jeweler in Dublin in the 1940s, thinking he had purchased a collection of spinels. But on closer inspection, he noted that one of the pale mauve gems was not reacting to the light in the same way as the rest of the spinels, so he sent it off to be analyzed. The results revealed that he had discovered a hitherto unknown gemstone—a serendipitous but frustrating situation, since he had discovered a cut gem and had no idea where the mineral naturally occurred. Fortunately, once the new stone had been announced, many other collectors re-examined their own spinel collections and a number of other samples were uncovered. Finally the source of the stone was tracked down to Sri Lanka, although a handful have also been found in Tanzania and China. It is thought that less than 50 examples of taaffeite exist—many of which are housed in geological and private collections, making this gemstone so rare the ordinary public are unlikely to ever encounter it.

15 Secrets of Sesame Street Puppeteers

Abby Cadabby, Suki Lopez, and Elmo (L-R) on Sesame Street
Abby Cadabby, Suki Lopez, and Elmo (L-R) on Sesame Street
HBO

For 50 years and more than 4500 episodes, Sesame Street has been imparting valuable moral, ethical, and social lessons to young audiences using a sprawling cast of puppets. The Sesame characters—Big Bird, Elmo, Oscar the Grouch, Cookie Monster, Bert and Ernie, the Count, and others—have become instantly recognizable to generations of viewers. But behind every memorable character is a human performer, one tasked with juggling the technical demands of puppet operation without losing the humor and heart that makes their furry counterpart so memorable.

To get a better sense of what goes into this unique skill set, Mental Floss spoke with three veteran Sesame Street performers during the show’s semicentennial celebration. Here’s what they had to say about crossed puppet eyes, grooming habits, and enjoying a long career finessing felt.

1. Sesame Street puppeteers usually get started lending a (right) hand.

Though there’s no definitive set of directions for puppeteers to get to Sesame Street, a number of performers selected to work on the show begin as apprentices with one specific task: operating the right hand of characters alongside the veteran cast members. “A lot of performers will almost only do right hands for a very long time,” Ryan Dillon, the puppeteer behind Elmo, tells Mental Floss. “Some characters, like Cookie Monster, require two performers with two practical hands.”

Dillon started working on Sesame Street in 2005 at the age of 17. He performed as a right hand and as supporting characters for years before scoring the Elmo role in 2013. Throughout that training, he accompanied the main puppeteer, who uses their dominant (usually right) hand to control the mouth and the other to control the left hand. The newcomer will manipulate the right, a duty informally known as right handing. “It’s a great training ground,” Dillon says. “You’re working directly next to a performer with years of experience. You become one character together.”

2. Sesame Street puppeteers have tricks for making their characters emote.

Abby Cadabby, Elmo, and Big Bird (L-R) appear in a scene from 'Sesame Street'
(L-R) Abby Cadabby, Elmo, and Big Bird delve into fine art.
HBO

Peter Linz, who portrays Ernie (among other characters) on the series, tells Mental Floss that getting a puppet to exhibit a personality takes some finessing. “You have to show the entire range of human emotion through something that doesn’t have an expression,” he says. Linz, who also teaches classes on puppeteering, says that there are some techniques to get puppets to show off their mood, however. “You can make them look sad by having them look down. You can get them to smile by opening their mouth. If they’re angry, maybe you close their mouth and then shake their arms ever so slightly. There are degrees of subtlety in all of that.”

Linz says the audience does part of that work themselves, projecting their own feelings onto a puppet. The ultimate proof might be in the example of Miss Piggy. While not a Sesame Street cast member, Linz says it’s telling that people often seem to believe the vivacious and flirtatious porcine character bats her eyes. “She can’t,” he says. The puppet doesn’t have that ability.

3. Not all Sesame Street puppets can perform the same tasks.

Sesame Street utilizes three major varieties of character. There’s the full-body puppet, like Big Bird and Snuffleupagus; “bag” puppets with two articulated hands, like Cookie Monster; and hand-and-rod puppets that have arms controlled by thin rods. “Elmo is a hand-and-rod puppet,” Dillon says. “[The difference means] some puppets can do things others can’t. Cookie Monster can pick things up. Elmo can, but it takes longer. You need to stop [filming] and attach something to his hands with tape or a pin.”

4. Sesame Street puppeteers rely on a key design element to connect to their audience.

Grover, Oscar the Grouch, and Elmo from 'Sesame Street' are pictured
Grover, Oscar the Grouch, and Elmo.
Zack Hyman/HBO

It can be difficult to communicate that a puppet is able to focus a pair of fixed eyes on something, whether it’s another character, an object, or the audience. But Linz says that the Sesame Street crew and the rest of the Muppets were designed by Henson with that in mind. “The eyes are just two black dots against a white background,” he says. “But all the characters are ever so slightly cross-eyed. There’s a triangle between the eyes and nose and a point where it looks like they’re looking right into the camera.” It’s a sensitive illusion. Turning the puppet even slightly, he says, and they will wind up looking at something else.

5. Sesame Street puppeteers can spend their entire day crouched on the floor.

Being a Sesame Street puppeteer requires more than just having performing chops. On set, characters that may be at waist level with their human co-stars are operated by performers crouched below frame, often on wheeled boards called rollies. “The first day or two, your back and everything else is sore,” Dillon says. “It engages your whole body. Your arm is up in the air performing.” Some actors, Dillon says, have developed knee issues as a result of a career bent over. Fortunately, not every scene requires contortions. Some sets are built raised so performers can stand up straight. Other times, they’ll have to situate themselves horizontally. Scenes set on a stoop usually mean the performer is lying down behind the steps.

6. Sesame Street puppeteers have input into character design.

Elmo, Abby Cadabby, and Rosita (L-R) pose with fans of 'Sesame Street'
(L-R) Elmo, Abby Cadabby, and Rosita pose with fans.
Zack Hyman/HBO

Lurking in the offices of Sesame Workshop is a puppet factory that, according to Dillon, houses a number of "Anything Muppets"—blank designs that may one day be used as the template for a brand-new character. In 1991, performer Carmen Osbahr got an opportunity to get in on the ground floor of conceptualizing a character when she helped originate Rosita (top right), the first regular bilingual Muppet on the series. “They had a meeting and asked what I had in mind,” Osbahr tells Mental Floss. “I was able to tell them I wanted a monster and I wanted live hands because I wanted to be able to play a musical instrument. I wanted her to be active and colorful. I didn’t want a petite, tiny little monster.” Both Osahr and Rosita have been a presence on the show ever since.

7. Sesame Street puppeteers have material for a blooper reel, but you’ll probably never see it.

Puppet manipulation takes concentration and effort. Occasionally, the cast of Sesame Street can find themselves flubbing a take. According to Osbahr, that’s often due to trying to coordinate left and right hands. “The main thing is props,” she says. “Grabbing stuff is easy, but if you want to pour something into a cup or write a letter, that’s hard. You think you’ll have a glass but just miss it.” Performers can also fall off their rollies, sending their counterparts tumbling out of the frame.

8. Each Sesame Street character has a dedicated puppeteer—with a couple of exceptions.

Actress Amanda Seyfried (L) appears on 'Sesame Street' with Abby Cadabby
Actress Amanda Seyfried with Abby Cadabby.
Richard Termine/HBO

When it comes to Sesame Street characters, there is one sacrosanct rule—aside from right handing, no puppet will have more than one puppeteer. “We feel strongly each Muppet has a dedicated performer,” Dillon says. “If there were two or three Elmos, you would see a copy of a copy.” However, illnesses or personal appearances can make that rule difficult to follow every time. If Dillon can’t make a shoot, a performer will step in to operate the puppet, with Dillon going in to provide the voice later.

The cast can also cover for one another if a scene requires two characters who are normally operated by the same actor. Both Bert and Grover, for example, are played by actor Eric Jacobson. If the two share screen time, Dillon might step in to perform one of them, with Jacobson recording his lines later.

9. Sesame Street puppeteers have a specific way of handling their puppets to keep them clean.

Day after day of manipulating puppets can lead to issues with cleanliness. Performer sweat can dampen the foam insides, while body oils and other contaminants can affect their fur coats. To avoid being dirtied, Linz says performers and production members try to pick up the puppets by the scruff of their necks. “We don’t want to put our oily hands on their faces,” Linz says. Puppets are also usually delivered to and from the set by a team of “Muppet wranglers,” and stored in the workshop where they’re built and maintained. To dry out a puppet, they’re sometimes placed on a wooden stand. A hair dryer set on low might also be used to dry a sweaty interior.

10. Sesame Street puppeteers work very, very closely together.

The characters from 'Sesame Street' are pictured
The puppet cast of Sesame Street.
HBO

Owing to the frequent proximity of puppets in frame, Sesame Street puppeteers are usually working near or virtually over other performers. “We try to be very aware and conscious of the people around us,” Dillon says. “Mistakes happen. Elmo has big feet, and Abby Cadabby has big feet, so you’ll often hit the other person with a foot. It doesn’t hurt.”

11. Guest stars will talk directly to Sesame Street characters—not just the puppeteers.

Sesame Street has played host to many guest stars over the decades, from actors to First Lady Michelle Obama. According to Osbahr, their human guests will often address the character even off-camera. “Most everybody who visits us talks to the character like they’re alive,” she says. “The moment we bring a character down [to rest], we have a conversation, but it’s great to have a relationship with a character and a celebrity. They’ll talk to Elmo, Rosita, Cookie Monster, and we’re talking to them right back.”

12. Sesame Street puppeteers can take years to get fully comfortable with a character.

Actress Blake Lively (L) poses with Cookie Monster on the set of 'Sesame Street'
Actress Blake Lively (L) poses with Cookie Monster.
Zack Hyman/HBO

For many performers, it can take years before they feel like they’re fully inhabiting their character. “You can be so focused on doing something right, you forget to have fun with the character,” Osbahr says. “By the fourth season, that’s when I started letting go, taking risks, having fun. You stop having to think about it.”

Fortunately, it’s not uncommon for performers on Sesame Street to spend decades on the show, which means there's plenty of time to adjust. Carol Spinney, who portrayed Big Bird and Oscar the Grouch, retired in 2018 after 49 years as a cast member. Osbahr says the familial atmosphere encourages longevity. “I’ve been with this group of people for 30 years,” she says. “We’ve shared a lot of incredible memories together.”

13. Sesame Street puppeteers can sometimes mourn a puppet who is declared “toast.”

Made of foam and other delicate materials, Sesame Street puppets have a shelf life. Depending on use, wear, and handling, they might last a few years before needing to be replaced. Linz says two new Ernies have recently been made after one began sloughing off foam inside, a symptom the production calls “toast” because the foam resembles toast crumbs.

Even with replacements, the legacy of characters can still live on. Linz uses an Ernie with the same mouth plate that was used by Jim Henson as far back as 1982.

14. Sesame Street puppeteers have to work backward.

Actor Anthony Mackie appears on 'Sesame Street' with Cookie Monster
Actor Anthony Mackie with Cookie Monster.
Jesse Grant/HBO

The most surprising aspect of working as a Sesame Street puppeteer? According to Linz, it’s the fact that performers often have to essentially work backwards. Because they’re crouched below the camera frame, puppeteers need to watch a monitor placed low to the ground to see what the camera sees. “When you move your arm to the right, the arm on the monitor moves to the left,” he says. “You’re seeing the image the audience sees.”

15. Yes, Sesame Street puppets are technically Muppets.

Sometimes there's confusion over whether the puppets that appear on Sesame Street actually constitute Muppets, or whether that term is reserved for non-Sesame projects like The Muppet Show or other endeavors featuring Kermit, Miss Piggy, and the others. According to Dillon, any Henson-birthed or -inspired puppet is a Muppet. “It’s become a catch-all term for puppets,” he says. “It’s a brand name, like Kleenex. Jim Henson came up with the name. A Muppet is used for characters that he came up with."

15 Colorful Facts About Georgia O’Keeffe

Georgia O’Keeffe’s enchanting floral still life paintings are now a deeply ingrained part of American culture—so much so that they often eclipse her other colorful accomplishments. For a more complete portrait of the artist, who was born on November 15, 1887, brush up on these 15 little-known facts about her.

1. Flower paintings make up a small percentage of Georgia O'Keeffe's body of work.

Though Georgia O'Keeffe is most famous for her lovingly rendered close-ups of flowers—like Black Iris and Oriental Poppies—these make up just about 200 of her 2000-plus paintings. The rest primarily depict landscapes, leaves, rocks, shells, and bones.

2. Georgia O'Keeffe rejected sexual interpretations of her paintings.

For decades, critics assumed that O'Keeffe's flowers were intended as homages—or at the very least, allusions—to the female form. But in 1943, she insisted that they had it all wrong, saying, “Well—I made you take time to look at what I saw and when you took time to really notice my flowers you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower—and I don’t.” So there.

3. Georgia O'Keeffe was not a native of the American Southwest.


Joe Raedle/Getty Images

O'Keeffe was actually born on a Wisconsin dairy farm. She'd go on to live in Chicago; New York City; New York’s Lake George; Charlottesville, Virginia; and Amarillo, Texas. She first visited New Mexico in 1917, and as she grew older, her trips there became more and more frequent. Following the death of her husband in 1946, she moved to New Mexico permanently.

4. Georgia O'Keeffe’s favorite studio was the backseat of a Model-A Ford.

In an interview with C-SPAN, Carolyn Kastner, former curator of the Georgia O'Keeffe Museum in Santa Fe, New Mexico, explained how the artist customized her car for this use: "She would remove the driver's seat. Then she would unbolt the passenger car, turn it around to face the back seat. Then she would lay the canvas on the back seat as an easel and paint inside her Model-A Ford."

Painting inside the car allowed O'Keeffe to stay out of the unrelenting desert sun, where she painted many of her later works. The Model-A also provided a barrier from the bees that would gather as the day wore on.

5. Georgia O'Keeffe also painted skyscrapers.

While nature was O'Keeffe's main source of inspiration, the time she spent in 1920s Manhattan spurred the creation of surreal efforts like New York With Moon, City Night, and The Shelton with Sunspots.

6. Georgia O'Keeffe immersed herself in nature.

While in New Mexico, O’Keeffe spent summers and falls at her Ghost Ranch, putting up with the region's hottest, most stifling days in order to capture its most vivid colors. (The rest of the year she stayed at her second home, located in the small town of Abiquiu.) When she wasn't painting in her Model-A, O'Keeffe often camped out in the harsh surrounding terrain, to keep close to the landscapes that inspired her.

7. Not even bad weather could keep Georgia O'Keeffe away from her work.

The artist would rig up tents from tarps, contend with unrelenting downpours, and paint with gloves on when it got too cold. She went camping well into her 70s and enjoyed a well-documented rafting trip with photographer Todd Webb at age 74. Her camping equipment is occasionally exhibited at the Georgia O'Keeffe Museum.

8. Georgia O'Keeffe married the man behind her first gallery show.

"At last, a woman on paper!" That’s what modernist photographer and gallery owner Alfred Stieglitz cried when he first saw O'Keeffe's abstract charcoal drawings. He was so enthusiastic about this series of sketches that he put them on display—before consulting their creator.

When O'Keeffe arrived at his gallery, she wasn't pleased, and brusquely introduced herself: "I am Georgia O'Keeffe and you will have to take these pictures down." Despite their rocky beginnings, Stieglitz and O'Keeffe quickly made amends, and went on to become partners in art and in life.

9. Georgia O'Keeffe and Alfred Stieglitz wrote 25,000 pages of love letters to each other.

When the pair met in 1916, Stieglitz was famous and married; she was unknown and 23 years his junior. All the same, they began writing to each other often (sometimes two or three times a day) and at length (as many as 40 pages at a time). These preserved writings chart the progression of their romance—from flirtation to affair to their marriage in 1924—and even document their marital struggles.

10. Georgia O'Keeffe served as a muse to other artists.

Thanks in part to Stieglitz, O'Keeffe was one of the most photographed women of the 20th century. Stieglitz made O'Keeffe the subject of a long-term series of portraits meant to capture individuals as they aged, and she made for a striking model. Though he died in 1946, the project lived on as other photographers sought out O'Keeffe in order to capture the beloved artist against the harsh New Mexican landscapes she loved so dearly.

O'Keeffe later wrote:

"When I look over the photographs Stieglitz took of me—some of them more than 60 years ago—I wonder who that person is. It is as if in my one life I have lived many lives. If the person in the photographs were living in this world today, she would be quite a different person—but it doesn't matter—Stieglitz photographed her then."

11. Georgia O'Keeffe quit painting—three times.

The first break spanned several years (the exact number is a matter of debate), when O'Keeffe took on more stable jobs to help her family through financial troubles. In the early 1930s, a nervous breakdown led to her hospitalization, and caused her to set aside her brushes for more than a year.

In the years leading up to her death in 1986, failing eyesight forced O'Keeffe to give up painting entirely. Until then, she fought hard to keep working, enlisting assistants to prepare her canvas and mix her oil paints for pieces like 1977's Sky Above Clouds/Yellow Horizon and Clouds. She managed to use watercolors until she was 95.

12. After going blind, Georgia O'Keeffe turned to sculpting.


By Alfred Stieglitz - Phillips, Public Domain, Wikimedia Commons

Although her vision eventually made painting impossible, O'Keeffe's desire to create was not squelched. She memorably declared, "I can see what I want to paint. The thing that makes you want to create is still there.” O'Keeffe began experimenting with clay sculpting in her late 80s, and continued with it into her 96th year.

13. Georgia O'Keeffe is the mother of American Modernism.

Searching for what she called “the Great American Thing,” O'Keeffe was part of the Stieglitz Circle, which included such lauded early modernists as Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Paul Strand, and Edward Steichen. By the mid-1920s, she had become the first female painter to gain acclaim alongside her male contemporaries in New York's cutthroat art world. Her distinctive way of rendering nature in shapes and forms that made them seem simultaneously familiar and new earned her a reputation as a pioneer of the form.

14. Georgia O'Keeffe blazed new trails for female artists.

In 1946, O’Keeffe became the first woman to earn a retrospective at the Museum of Modern Art. Twenty-four years later, a Whitney Museum of American Art retrospective exhibit introduced her work to a new generation. Fifteen years after that, O'Keeffe was included in the inaugural slate of artists chosen to receive the newly founded National Medal of Arts for her contribution to American culture.

15. Georgia O'Keeffe wasn't fearless, but she rejected fear.

O'Keeffe was purported to have said, "I've been absolutely terrified every moment of my life and I've never let it keep me from doing a single thing I wanted to do."

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