Synesthesia is a condition in which the brain links a person's senses together in a rare manner, prompting unusual sensory responses to stimuli. People with synesthesia, for example, might see a certain color in response to a certain letter of the alphabet. Those who experience synesthesia “hear colors, feel sounds, and taste shapes” in a remarkably consistent fashion. For example, someone who sees "1" as burnt orange will always see "1" as burnt orange—unlike, say, someone who hallucinates colors while on LSD.
Scientists still disagree as to what causes synesthesia. Some claim it is a series of learned responses, but most point to a neurological foundation. Some studies reveal unusual connections in synesthetes' adjacent brain regions, similar to those in babies; in fact, it is believed that all babies have synesthesia until they are about four months old, when the synaptic pruning process normally severs those neural connections.The condition, which occurs in about 4 percent of the population, is more common in women than in men, and appears to be genetic. Though it can manifest in many ways, the most common are grapheme-color, in which numbers or letters produce colors, and chromesthesia (sound-color), in which sounds produce colors or shapes. Unsurprisingly, synesthetes are eight times more likely to work in a creative capacity—and quite a few talented artists through history have had it.
1. VLADIMIR NABOKOV
Occupation:
Author
Type of synesthesia: Grapheme-color
A writer of novels, poems, and short stories, Nabokov was not the only one in his family to experience synesthesia—his mother and son, Dmitri, also had chromesthesia. Nabokov’s descriptions of his condition are as captivating and well-written as any of his works, and in his memoir Speak, Memory, he describes his condition: “As far back as I remember … I have been subject to mild hallucinations. Some are aural, others are optical, and by none have I profited much … In the brown group, there are the rich rubbery tone of soft g, paler j, and the drab shoelace of h … among the red, b has the tone called burnt sienna by painters, m is a fold of pink flannel, and today I have at last perfectly matched v with ‘Rose Quartz’ in Maerz and Paul’s Dictionary of Color.”
Nabokov even mentions the moment he and his mother learned of their shared synesthesia, writing, “We discovered that some of her letters had the same tint as mine, and that, besides, she was optically affected by music notes.”
2. TORI AMOS
Occupation:
Musician
Type of synesthesia: Unspecified
Amos experiences an unusual type of synesthesia in which sounds produce different images of lights. When commenting on her synesthesia in her book Piece by Piece, Amos said, “The song appears as light filament once I’ve cracked it … I’ve never seen a duplicated song structure. I’ve never seen the same light creature in my life. Obviously similar chord progressions follow similar light patterns, but try to imagine the best kaleidoscope ever.”
3. GEOFFREY RUSH
Occupation:
Actor
Type of synesthesia: Grapheme-color, spatio-temporal synesthesia
In an interview, Rush said his synesthesia goes back to his toddler days: “When I was in school, in the very early days, we would learn the days of the week. And for some reason the days of the week just instantly had strong color associations. Monday for me is kind of a pale blue …. Tuesday is acid green, Wednesday is a deep purple-y darkish color. Friday’s got maroon and Saturday is white and Sunday is a sort of pale yellow.
Rush experiences several types of synesthesia, another of which, spatio-temporal, he describes by explaining, “I can say to my wife, ‘That play opened on Tuesday, May the 8th back in 1982.’ I can remember it had a position in my mind where 1982 is and where May is within that. It’s a kind of series of hills and dales so if someone says King Charlemagne lived in 800 A.D., there is a very definite place where I see that.”
4. DUKE ELLINGTON
Occupation:
Musician
Type of synesthesia: Chromesthesia
In Sweet Man: The Real Duke Ellington, author Don George recounts Ellington’s statements on how his synesthesia affected his music: “I hear a note by one of the fellows in the band and it’s one color. I hear the same note played by someone else and it’s a different color. When I hear sustained musical tones, I see just about the same colors that you do, but I see them in textures. If Harry Carney is playing, D is dark blue burlap. If Johnny Hodges is playing, G becomes light blue satin.”
5. BILLY JOEL
Occupation:
Musician
Type of synesthesia: Chromesthesia, grapheme-color
Joel is fond of his synesthetic experiences, in which songs create worlds of color. As he told Psychology Today writer Maureen Seaberg, “When I think of different types of melodies which are slower or softer, I think in terms of blues or greens … When I have a particularly vivid color, it’s usually a strong melodic, strong rhythmic pattern that emerges at the same time. When I think of (those) certain songs, I think of vivid reds, oranges, or golds.”
On his grapheme-color synesthesia, Joel commented, “Certain lyrics in some songs I’ve written, I have to follow a vowel color." He associates strong vowel endings—such as -a, -e, or -i—with "a very blue or very vivid green … I think reds I associate more with consonants, a t or a p or an s; something which is a harder sound.”
6. DEV HYNES
Occupation:
Singer, composer
Type of synesthesia: Chromesthesia
Though synesthesia can be overwhelming and unpleasant for some, Hynes, a.k.a. Blood Orange, also seems to appreciate his condition. As he told NPR, “When I was younger, I wanted to just, like, throw the whole paint can onto the canvas and just see what would happen … Whereas now, I’m kind of enjoying it and exploring the interesting scientific part of it as much as I can, and trying to celebrate it and invite other people to enjoy it.”
7. ARTHUR RIMBAUD
Occupation:
Poet
Type of synesthesia: Grapheme-color
It’s not definitively known whether Rimbaud had synesthesia, but his poem Vowels strongly suggests as much, assigning color values to different vowels:
A Black, E white, I red, U green, O blue: vowels, I shall tell, one day, of your mysterious origins: A, black velvety jacket of brilliant flies Which buzz around cruel smells, Gulfs of shadow; E, whiteness of vapours and of tents, Lances of proud glaciers, white kings, shivers of cow-parsley; I, purples, spat blood, smile of beautiful lips In anger or in the raptures of penitence; U, waves, divine shudderings of viridian seas, The peace of pastures dotted with animals, the peace of the furrows Which alchemy prints on broad studious foreheads; O, sublime Trumpet full of strange piercing sounds, Silences crossed by Worlds and by Angels: O the Omega, the violet ray of Her Eyes!
8. PATRICK STUMP
Occupation:
Musician
Type of synesthesia: Grapheme-color, chromesia
Fall Out Boy's Stump addressed his synesthesia directly in a blog post in 2011. He stated that “most letters and numbers feel like a color. Music also can have colors associated with them (but this is a lot less pronounced than my grapheme-color associations). I’ve talked to a lot of musicians though and the more I talk to the more I’m finding out that this is fairly common.” Stump is right about that—musicians with synesthesia are quite common.
9. PHARRELL WILLIAMS
Occupation:
Musician
Type of synesthesia: Chromesthesia
Perhaps one of today’s most well-known synesthetes, Williams is a firm believer that synesthesia isn’t a disorder but an asset—he implores an NPR interviewer to “dispel the connotation behind the phrase ‘medical condition.’” He explained, “If I tell everyone right now to picture a red truck, you’re gonna see one. But is there one in real life right there in front of you? No. That’s the power of the mind. People with synesthesia, we don’t really notice until someone brings it up and then someone else says, ‘Well, no, I don’t see colors when I hear music,’ and that’s when you realize something’s different.”
Williams relies on his chromesthesia when making music, saying, “It’s the only way that I can identify what something sounds like. I know when something is in key because it either matches the same color or it doesn’t. Or it feels different and it doesn’t feel right.”
10. FRANZ LISZT
Occupation: Pianist, composer
Type of synesthesia: Chromesthesia
It must have been interesting to be a musician in one of Liszt’s orchestras. He would reportedly use his synesthesia to help with his orchestrations, telling the musicians, “O please, gentlemen, a little bluer, if you please! This tone type requires it!” Or, “That is a deep violet, please, depend on it! Not so rose!” Apparently, the orchestra initially thought Liszt was just being funny, but over time they realized he really was seeing colors in the sounds.
11. CHARLI XCX
Occupation: Singer
Type of synesthesia: Chromesthesia
Like many musicians, Charli embraces her synesthesia and uses it to make her music: “I see music in . I love music that’s black, pink, purple or red—but I hate music that’s green, yellow or brown.” From her perspective, Charli says, the Cure’s music is “all midnight blue or black, but with twinkly pink stars and baby pink clouds floating around it.”
12. VINCENT VAN GOGH
Occupation: Artist
Type of synesthesia: Chromesthesia
Poor van Gogh. He seems to have been one of those synesthetes who was more impaired than empowered by his condition. One paper highlighted the negative effect of his chromesthesia, noting that when van Gogh took piano lessons in 1885, his teacher realized he was associating the different notes with specific colors. Unfortunately for van Gogh, the teacher took this as a sign of insanity and forced him to leave.