Wilson Calls For “Peace Without Victory”

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getty images

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 264th installment in the series.  

January 22, 1917: Wilson Calls For “Peace Without Victory”

“I would fain believe that I am speaking for the silent mass of mankind everywhere,” President Woodrow Wilson told the U.S. Senate in a landmark speech delivered on January 22, 1917, outlining his plan for a negotiated peace in Europe – and sketching out an almost messianic role for himself in the process. The coming years would see Wilson’s self-image as spokesman for humanity and standard-bearer of universal values endorsed by millions of admirers around the world, even acclaiming him “The Prince of Peace.” But sadly his lofty ideals never overcame the base realities of war and politics; and the meager fruits of this first famous address, with its quixotic call for “peace without victory,” foreshadowed all the disappointments to come.

A Final Bid For Peace

Like the majority of Americans, Wilson reacted to the slaughter in Europe with understandable horror, and initially charted a course of strict neutrality intended to spare the United States this tragedy. However global ties of trade and finance meant there was no way for the U.S. to avoid indirect involvement, leading to repeated confrontations with Germany over unrestricted U-boat warfare and Britain over its naval blockade, which hurt some American businesses. As the war ground on, the American economy benefited from the Allies’ voracious demand for munitions, food, and other supplies, increasingly paid for with loans organized by American bankers, led by J.P. Morgan & Co. Meanwhile American public opinion was outraged by a campaign of industrial sabotage carried out by agents of the Central Powers against munitions factories and mines across the country. 

In November 1916 Wilson won reelection with the slogan “He Kept Us Out of War,” but it was already becoming clear to the president and Secretary of State Robert Lansing that they might not be able to keep this implied promise much longer. The resumption of unrestricted U-boat warfare by Germany, plus the prospect of an Allied defeat, which would wipe out billions of dollars of American loans, both threatened to force their hand (for his part Lansing already believed U.S. entry into the war on the side of the Allies was inevitable, and accordingly opposed Wilson’s attempts to mediate in private).  

The looming threat prompted Wilson to make one last attempt to keep America out of the war in January 1917 – by ending the war itself. About to embark on his second term, Wilson believed he could leverage the power and prestige of the United States, the world’s biggest neutral nation, to persuade the opposing sides of the European war to sit down at the negotiating table, perhaps with the U.S. presiding as an impartial arbiter. 

Wilson was convinced that the U.S. could help bring about peace because of its special democratic character, as well as his closely related belief that democracies were inherently peaceful. On that note he also believed that a lasting peace would only be possible with the spread of democracy to the rest of the world, especially Germany, long subject to an authoritarian government with some superficial democratic trappings. Wilson and Lansing believed German militarism was rooted in the country’s authoritarian government, dominated by Prussian aristocrats, requiring a democratic revolution there if peace were to endure.

Wilson and Lansing emphasized principles including democracy and self-determination as the basis for peace, but the president – unlike his skeptical Secretary of State – also called for the creation of a new international organization to keep the peace, laying the groundwork for the League of Nations. In his speech on January 22, 1917 Wilson confidently predicted:

We are that much nearer a definite discussion of the peace which shall end the present war… In every discussion of peace that must end this war, it is taken for granted that the peace must be followed by some definite concert of power which will make it virtually impossible that any such catastrophe should ever overwhelm us again.  Every lover of mankind, every sane and thoughtful man must take that for granted.

The United States would be indispensable to the formation and operation of this new concert of nations, just as it must participate in the peace negotiations that would give rise to it, in order to ensure that it enshrined the principles of democracy and self-determination: “No covenant of cooperative peace that does not include the peoples of the New World can suffice to keep the future safe against war; and yet there is only one sort of peace that the peoples of America could join in guaranteeing.”

In this democratic spirit, peace should serve the interests of ordinary people, and not the elites who had caused the war: “No peace can last, or ought to last, which does not recognize and accept the principle that governments derive all their just powers from the consent of the governed, and that no right anywhere exists to hand peoples about from sovereignty to sovereignty as if they were property.” This included recognizing the right of oppressed nationalities to self-government, which Wilson illustrated with a specific call for the creation of a “united, independent, and autonomous Poland.” 

Above all Wilson believed that to forge an enduring peace, neither side could be humiliated or destroyed, since this would only lead to fresh conflict: “The present war must first be ended; but… it makes a great deal of difference in what way and upon what terms it is ended.” Therefore, he asserted “it must be a peace without victory.”

Peacemaker Without Partners

Unfortunately Wilson’s refined vision hardly aligned with the mood in Europe. While there was indeed growing opposition to the war, broadly speaking it was still outweighed by fear and anger, as ordinary people and elites alike were deeply embittered by over two years of bloodshed and destruction. 

As the death toll passed five million men, families all across Europe had lost loved ones in the cause of abstract but powerful ideals like patriotism and justice, and many (though not all) of the survivors felt than anything less than total victory and the vanquishing of an “evil” enemy would dishonor their memory. These sentiments were reinforced by government propaganda highlighting enemy “atrocities,” real or imagined, and warning of dire consequences in case of defeat. The same sentiments were shared by European elites, who felt an additional responsibility to see the costly war effort through to victory – and worried about losing their own social status if they failed, with the possibility of violent revolution never far from their minds.


Unsurprisingly, as the pro-Allied Lansing had warned Wilson, the general European reaction to his idealistic peace plan ranged from bemusement to furious indignation (above, a British cartoon mocking his call for “peace without victory”). True, the governments of the Allied and Central Powers played along – chiefly by sending messages outlining their “war aims” as a supposed preamble to negotiations – but in fact both sides were really just playing for time. 

On the Central Powers side, the Germans were stringing the president along in order to blunt American reaction to unrestricted U-boat warfare, set to resume on February 1, 1917, in hopes of keeping the U.S. out of the war as long as possible, giving the U-boat campaign time to starve Britain into submission. On the Allied side, the British were also counting on the impending resumption of U-boat warfare to bring the U.S. into the war, and also held a trump card in the form of the Zimmermann Telegram, still unknown to the Americans.

See the previous installment or all entries.

K-Swiss Has Cooked Up an Entire Line of Breaking Bad Sneakers

Breaking Bad lives on in sneaker form.
Breaking Bad lives on in sneaker form.
K-Swiss

Breaking Bad has been off the air for nearly seven years, but there’s no sign that AMC’s breakthrough drama is showing any hints of slowing down. On the heels of their success with a limited-edition Breaking Bad sneaker in October 2019, K-Swiss has returned to the seedy underbelly of Albuquerque, New Mexico, with an entire line of shoes.

The company announced a joint venture with Sony Pictures Consumer Products for three new sneakers based on the popular drug-running series starring Bryan Cranston as Walter White, a chemistry teacher-turned-unlikely drug kingpin. All of the K-Swiss x Breaking Bad Classic 2000 varieties are based on the K-Swiss Classic 2000 low-top design and take inspiration from different elements of the show.

The Cooking shoe has a yellow color scheme that takes after the protective suits worn by Walter and Jesse Pinkman (Aaron Paul) during meth cooks. K-Swiss will make 1144 pairs available:

The K-Swiss x 'Breaking Bad' Classic 2000 Cooking sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Cooking sneaker.
K-Swiss

The Cleaning shoe (1162 pairs) is patterned after the jumpers worn by the two during the cleaning of their elaborate underground lab built by drug lord Gus Fring (Giancarlo Esposito):

The K-Swiss x 'Breaking Bad' Classic 2000 Cleaning sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Cleaning sneaker.
K-Swiss

The Recreational Vehicle design, with a stripe that looks like the exterior of White’s mobile meth laboratory, resembles the October 2019 shoe release. K-Swiss will make 1396 pairs available:

The K-Swiss x 'Breaking Bad' Classic 2000 Recreational Vehicle sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Recreational Vehicle sneaker.
K-Swiss

The Cooking and Cleaning shoes have “Heisenberg,” Walter’s alias, written on the sole:

The K-Swiss x 'Breaking Bad' Classic 2000 Cooking sneaker sole with 'Heisenberg' printed on it is pictured
The K-Swiss x Breaking Bad Classic 2000 Cooking and Cleaning sneakers have 'Heisenberg' printed on the sole.
K-Swiss

All the sneakers come packaged in a Breaking Bad periodic table box. Men’s sizes retail for $80 to $90. No women’s sizes have been announced. You can find them in limited quantities online at KSwiss.com, FootLocker.com, Footaction.com, and ChampsSports.com beginning February 20.

8 Surprising Facts About Andy Kaufman

Andy Kaufman in 1981.
Andy Kaufman in 1981.
Joan Adlen, Getty Images

For fans of the late comedian Andy Kaufman (1949-1984), the debate over whether Kaufman was more interested in antagonizing audiences or making them laugh still rages. During a career that saw him appear on stage and on television (Taxi), the performer often blurred the lines between his real persona and the characters he inhabited.

For more on Kaufman, keep reading. Thank you very much.

1. Andy Kaufman got a letter from his doctor that kept him from being drafted.

Born in New York City on January 17, 1949, Kaufman was raised in Great Neck, Long Island and displayed an interest in performing from an early age, entertaining children at their birthday parties when Kaufman himself was only 8 years old. After graduating from high school in 1967, Kaufman though he might be drafted for military service but didn’t wind up serving. His doctor wrote a letter explaining that Kaufman seemed to have no basic grasp of reality, let alone the Vietnam conflict. Joining the Army, the doctor wrote, might cause Kaufman to completely lose his mind. The letter, which likely contained a good measure of hyperbole, earned him a permanent 4-F deferment from service. He went on to attend Grahm Junior College in Boston.

2. Andy Kaufman’s stand-up act was very, very bizarre.

Kaufman got his start in the early 1970s performing at comedy clubs in New York and Los Angeles. Unlike most comics of the time, Kaufman didn’t write a conventionally-structured act. Instead, he would take on the role of performance artist, confusing audiences with stunts like reading from The Great Gatsby and threatening to start over if they complained. He would also drag a sleeping bag on stage and climb into it or do his laundry with a portable dryer. These appearances were sufficiently provocative that Kaufman sometimes hired off-duty police officers to break up fights in the crowd or intercept people trying to attack him.

3. Andy Kaufman once opened for Barry Manilow.

Before Kaufman got television exposure, it was easy for bookers to assume he was a polished and conventional performer. As a result, Kaufman got a number of gigs in the early 1970s opening for established musical acts like the Temptations and Barry Manilow. Appearing onstage in 1972 before the Temptations came out, Kaufman wept and then shot himself in the head with a cap gun. Similarly bizarre behavior was also displayed before a Manilow concert, with irate members of the audience having to be calmed down by Manilow himself.

4. Andy Kaufman was once voted off of Saturday Night Live.

Kaufman succeeded in drawing attention to himself on stage, which led to being invited to perform on Saturday Night Live beginning in 1975. During these appearances, Kaufman would take material from his act, including his lip-syncing of the theme to the Mighty Mouse animated series. Such stunts drew a mixed reception from viewers. From 1975 to 1982, Kaufman made a total of 14 appearances on the show. Then, producers decided to offer viewers the chance to “vote” Kaufman off by calling in to cast their ballot. On the November 20, 1982 broadcast, 195,544 callers asked that the show not permit him to come back on. They outnumbered the 169,186 viewers who called in support of him. While the bit was intended to be humorous, Kaufman honored the results and never appeared on Saturday Night Live again.

5. Andy Kaufman once took his entire audience out for milk and cookies.

Kaufman eventually took his show to Carnegie Hall in 1979, where he was greeted by 2800 people who had come to appreciate his eccentric approach to performing. At the show's conclusion, he invited the entire audience to board buses waiting outside the building. Kaufman took them to the New York School of Printing in Manhattan, where he served the nearly 3000 attendees milk and cookies. He later gave them a ride on the Staten Island Ferry.

6. Andy Kaufman thought about franchising Tony Clifton.

One of Kaufman’s great ruses on the public was dressing as the abrasive lounge singer Tony Clifton, complete with prosthetic chin and torso padding, all while insisting Clifton was an entirely different person. Kaufman sometimes enlisted associates, including his brother Michael and his writing partner Bob Zmuda, to put on the make-up. In 2013, Michael told Vice that Kaufman’s plan was to have Clifton become a roving character. “Andy had been talking about franchising Tony Clifton before he died,” Michael Kaufman said. “He was going to have one in every state.”

7. Andy Kaufman insisted on an Andy Kaufman stand-in for Taxi.

When Kaufman agreed to appear on Taxi (1978-1983) as Latka Gravas, a version of the “Foreign Man” character he had been performing on stage, he had a peculiar request: He wanted to be expected on set for only two of the five shooting days for each episode. While Kaufman didn’t seem to want to do it at all, the paycheck allowed him to pursue his more experimental brand of comedy. Producers agreed. In 2018, co-star Carol Kane, who played Kaufman's love interest, told The Hollywood Reporter that the cast “would work with a fake Andy who wore a sign around his neck that said ‘Latka.’”

Kaufman also showed up to shoot an episode as his alter ego Tony Clifton, insisting that he was not Kaufman. Star Judd Hirsch got so angry that he had Clifton thrown off the set.

8. Andy Kaufman broke character for Orson Welles.

While there were certainly times Kaufman spoke from the heart, it was rare to see him break any one of his myriad characters in front of an audience. That happened—fleetingly—when Kaufman appeared on The Merv Griffin Show in 1982 on a night it was being guest-hosted by legendary film director Orson Welles. Sporting a neck brace from his stint in professional wrestling, Kaufman didn’t keep up appearances for long. After Welles told him he was “fascinated” by his characters, talk turned to Kaufman’s “Foreign Man,” his Elvis Presley imitation, and his “third character,” Tony Clifton. “Well, he wasn’t a character,” Kaufman said, correcting himself. “There’s a lot of debate over whether it’s a character or a real guy, and that’s Tony Clifton, but that’s a whole other story.”

“That’s metaphysics,” Welles replied.

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