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13 Hitchcock Films That Were Never Made

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Even legendary directors like Alfred Hitchcock don't always get their way. Over the course of his illustrious career, Hitchcock had to abandon quite a few projects due to budgetary concerns, issues with stars, the whims of studio heads or, in some cases, his own instincts that the film wasn't going to turn out the way he had envisioned it.

On what would have been The Master of Suspense's 117th birthday, let's take a look at a few of the legendary auteur's unproduced projects, including the one that studio execs hated so much, they made Hitch sign a contract promising he wouldn't make it.

1. NUMBER 13

This silent 1922 feature for Gainsborough Pictures was set to be Hitchcock's directorial debut. The film was to star Clare Greet and Ernest Thesiger in a script written by "a woman working at the studio who had worked with (Charlie) Chaplin." Hitchcock only filmed a few scenes before the budget fell through, and the script is now lost. The film of the few completed scenes is also lost, possibly because the studio melted it down to recycle the film's silver nitrate. Don't worry too much about missing out on this one, though; Hitchcock later admitted, "It wasn't very good, really."

2. NO BAIL FOR THE JUDGE

Hitchcock spent the early part of 1959 preparing to adapt Henry Cecil's novel of the same name into a film starring Audrey Hepburn. On May 19th of that year, though, Hepburn dropped out of the project, with some sources saying she was reluctant to do a film so soon after delivering a child, and others claiming she refused the part when she found out her character was involved in a rape scene. The project died when Hepburn backed out, and although Hitchcock was privately livid, he regrouped nicely by making Psycho instead.

3. THE BLIND MAN

In 1960 Hitchcock and legendary screenwriter Ernest Lehman began to work on a script called The Blind Man about a blind pianist who regains his sight after receiving an eye transplant from a murder victim. Hitchcock envisioned Jimmy Stewart in the lead role, and one of the film's main scenes was to be set in Disneyland. That's where the trouble started; Walt Disney had seen Psycho and truly hated it. Disney reportedly wouldn't let Hitchcock shoot in his park, so the project died.

4. HAMLET

In the late 1940s, Hitchcock hit on an odd idea: He wanted to produce a modernized version of Hamlet set in England with Cary Grant in the title role. According to Hitchcock, the project "would be presented as a psychological melodrama." The idea hit the rocks after Hitchcock's studio, Transatlantic, announced the project and a professor who had written a modernized version of Shakespeare's tale threatened a lawsuit.

5. FLAMINGO FEATHER

In 1956, Hitchcock bought a story called Flamingo Feather from South African author and diplomat Laurens van der Post. The plot involved a Russian scheme to train South Africans for nefarious Communist purposes. When Hitchcock went to South Africa to scout shooting locations, though, the project quickly fell apart. The director wanted Jimmy Stewart and Grace Kelly as the leads, which would be pricey, and he felt he needed 50,000 African extras. Hitchcock didn't love the look of the country's terrain, and it became apparent that even in South Africa it would be tough to get together 50,000 extras when most of the country's population worked long hours at farming jobs. Hitchcock later said, "It was all so confusing that I dropped the whole idea."

6. MARY ROSE

Toward the end of his career, Hitchcock frequently mentioned an unproduced 1964 film called Mary Rose whenever he was asked about his professional regrets. In Hitchcock's amazing book-length interview with François Truffaut, he describes the project as "a little like a science fiction story" and details the plot, which involves a woman who hears celestial voices and mysteriously vanishes at odd intervals.

Hitchcock put a lot of thought into this project—he even explained to Truffaut exactly how he would light certain scenes and tried to talk the French director into making the film—but the ghostly supernatural elements of the film were a non-starter for studio execs. Hitchcock revealed in another late-career interview, "Do you know, it's written specifically into my present contract that I cannot do Mary Rose?" Hitch could allegedly make any film he wanted as long as he kept the budget under $3 million—and didn't make Mary Rose.

7. R.R.R.R.

In 1965, Hitchcock hired the Italian writing duo Age and Scarpelli—perhaps best known in America for their screenplay for The Good, the Bad, and the Ugly—to pen a script about an Italian immigrant to America who rises in the hotel world, then sends for his Sicilian family. Unbeknownst to the hotelier, his relatives are a pack of thieves. Eventually the sticky-fingered family tries to swipe a valuable coin collection from the hotel; the title comes from numismatic jargon. Hitchcock told Truffaut, "I dropped the project because it seemed to be shapeless. Aside from that, you know that Italians are very slipshod in matters of story construction. They just ramble on."

8. THE THREE HOSTAGES

The Three Hostages is another of the unsuccessful projects at which Hitchcock took a crack after making Marnie. The film was an adaptation of John Buchan's 1924 novel of the same name in which a government plans to crack down on a criminal gang on a certain date. The gang catches wind of the plan and kidnaps three children to regain some leverage against the government.

Hitchcock announced the project, but he ended up eventually abandoning it over difficulties in obtaining the screen rights and concerns over the script's reliance on hypnotism as a plot device. He later said, "I feel you cannot put hypnotism on the screen and expect it to hold water. It is a condition too remote from the audience's own experiences."

9. KALEIDOSCOPE/FRENZY

In 1969, Hitchcock planned to make a triumphant comeback after a string of films that received middling commercial and critical reactions by making Kaleidoscope (also referred to as Frenzy), a grisly tale of a serial rapist and murderer. The film was set to feature a handsome young killer who lured women to their death; Hitchcock considered it a prequel to his 1943 tour de force Shadow of a Doubt. The script included some elements—including necrophilia and the use of acid baths to dispose of bodies—that Hitchcock had pulled from newspaper reports about notorious British criminals.

Hitchcock actually shot an hour or so of silent test footage, but Universal nixed the film as it didn't think audiences would warm to a sex- and murder-filled flick that featured a serial killer as its protagonist. Hitchcock was irritated about having to abandon the project, but he revived a few plot points and one of the working titles when he made 1972's Frenzy, a serial killer tale that may have been the director's last great film in spite of a decidedly mediocre cast.

10. THE SHORT NIGHT

Hitchcock's final project before his death in 1980 was The Short Night, an espionage picture based on a Ronald Kirkbride novel and set in Finland. Hitchcock made it as far as considering Walter Matthau, Clint Eastwood, Sean Connery, Catherine Deneuve, and Liv Ullmann for the lead roles, but Universal squashed the project in 1979 due to the director's failing health.

11. GREENMANTLE

Hitchcock had such great luck with his adaptation of John Buchan's novel The Thirty-Nine Steps that when it came time to direct a follow-up, he decided to go back to the well with an adaptation of Buchan's novel Greenmantle. Hitchcock wanted to pair Cary Grant and Ingrid Bergman in the lead roles, but Buchan's estate wanted too much money for the screen rights. Hitchcock eventually realized his dream pairing of Grant and Bergman with the 1946 classic Notorious.

12. THE BRAMBLE BUSH

Hitchcock spent part of 1951 adapting David Duncan's novel into a screenplay. The story involved a Communist agitator on the run from the authorities who steals another man's passport, only to learn that the man is wanted for murder. Hitchcock eventually decided "it wasn't any good," and he abandoned the idea to work on a project to which Warner Bros. had just purchased the rights: the Broadway hit Dial M for Murder.

13. THE WRECK OF THE MARY DEARE

Hitchcock always wanted to do a movie with Gary Cooper. He offered Cooper the lead role in Foreign Correspondent only to have the star turn it down because it was a thriller; Joel McCrea ended up memorably playing the part instead. In 1959, though, Hitchcock had another shot when MGM optioned the rights to the novel The Wreck of the Mary Deare for a Hitchcock-Cooper collaboration.

Hitchcock and Ernest Lehman spent weeks working on the script, but they eventually decided that the story really became a snooze of a courtroom drama and shifted their focus to the early planning for North by Northwest instead.

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10 Things You Might Not Know About Tina Fey
Jenny Anderson, Getty Images for Tony Awards Productions
Jenny Anderson, Getty Images for Tony Awards Productions

Tina Fey has transformed modern comedy more than just about anyone else. From the main stage of Second City to the writer’s room of SNL to extremely fetch comedy blockbusters, Elizabeth Stamatina Fey has built a national stage with a dry, eye-popping sarcasm and political satire where no one is safe. She has a slew of Emmys, Golden Globes, SAG, PGA, and WGA awards to prove it—plus a recent Tony nomination (her first). But, more importantly, she’s the closest thing we have to a national comic laureate.

Here are 10 facts about a fantastically blorft American icon.

1. SHE DID A BOOK REPORT ON COMEDY WHEN SHE WAS 11.

Fey got a very early start in comedy, watching a lot of The Mary Tyler Moore Show, Bob Newhart, and Norman Lear shows as a kid. Her father and mother sneaked her in to see Young Frankenstein and would let her stay up late to watch The Honeymooners. So it’s no surprise that she chose comedy as the subject of a middle school project. The only book she could get her hands on was Joe Franklin’s Encyclopedia of Comedians, but at least she made a friend. "I remember me and one other girl in my 8th grade class got to do an independent study because we finished the regular material early, and she chose to do hers on communism, and I chose to do mine on comedy," Fey told The A.V. Club. "We kept bumping into each other at the card catalog."

2. THE SCAR ON HER FACE CAME FROM A BIZARRE ATTACK THAT OCCURRED WHEN SHE WAS A CHILD.

Fey’s facial scar had been recognizable but unexplained for years until a profile in Vanity Fair revealed that the mark on her left cheek came from being slashed by a strange man when she was five years old. “She just thought somebody marked her with a pen,” her husband Jeff Richmond said. Fey wrote in Bossypants that it happened in an alleyway behind her Upper Darby, Pennsylvania, home when she was in kindergarten.

3. HER FIRST TV APPEARANCE WAS IN A BANK COMMERCIAL.

Saturday Night Live hired Fey as a writer in 1997. In 1995 she had the slightly more glamorous job of pitching Mutual Savings Bank with a radical floral applique vest and a handful of puns on the word “Hi.” In a bit of life imitating art, just as Liz Lemon’s 1-900-OKFACE commercial was unearthed and mocked on 30 Rock, the internet discovered Fey’s stint awkwardly cheering on high interest rates a few years ago and had a lot to say about her '90s hair.

4. SHE WAS THE FIRST WOMAN TO BE NAMED HEAD WRITER OF SNL.

Four years after that commercial and two after she joined Saturday Night Live’s writing staff, Fey earned a promotion to head writer. Up until that point, the head writers were named Michael, Herb, Bob, Jim, Steve. You get the picture. She acted as head writer for six seasons until moving on to write and executive produce 30 Rock. Since her departure, two more women (Paula Pell and Sara Schneider) have been head writers for the iconic show.

5. SHE’S THE YOUNGEST MARK TWAIN PRIZE WINNER.

Established in 1998, the Kennedy Center’s hilarious honor has mostly been awarded to funny people in the twilight of their careers. Richard Pryor was the first recipient, and comedians who made their marks decades prior like Lily Tomlin, Whoopi Goldberg, and George Carlin followed. Fey earned the award in 2010 when she was 40 years old, and the age of her successors (Carol Burnett, Bill Murray, Eddie Murphy, David Letterman ...) signals that she may hold the title of youngest recipient for some time.

6. SHE WROTE SATIRE FOR HER HIGH SCHOOL NEWSPAPER.

Fey was an outstanding student who was involved in choir, drama, and tennis, and co-edited the school’s newspaper, The Acorn. She also wrote a satirical column addressing “school policy and teachers” under the pun-tastic pseudonym “The Colonel.” Fey also recalled getting in trouble because she tried to make a pun on the phrase “annals of history.” Cheeky.

7. SHE MADE HER RAP DEBUT WITH CHILDISH GAMBINO ON "REAL ESTATE."

Donald Glover (a.k.a. Childish Gambino) first gained notice as a member of Derrick Comedy in college, and Fey hired him at the age of 23 to write for 30 Rock. Before jumping from that show to Community, Glover put out his first mixtape under his stage name. After releasing his debut album, Camp, in 2011, Gambino dropped a sixth mixtape called Royalty that featured Fey rapping on a song called “Real Estate.” “My president is black, and my Prius is blue!"

8. SHE VOICED PRINCESSES IN A BELOVED PINBALL GAME.

Between the bank commercial and Saturday Night Live, Fey has an intriguing credit on her resume: the arcade pinball machine “Medieval Madness.” Most of the game’s Arthurian dialogue was written by Second City members Scott Adsit (Pete Hornberger on 30 Rock) and Kevin Dorff, who pulled in fellow Second City castmate Fey to voice for an “Opera Singer” princess, Cockney-speaking princesses, and a character with a southern drawl. (You can hear some of the outtakes here.)

9. SHE USED MEAN GIRLS TO PUSH BACK AGAINST STEREOTYPES OF WOMEN IN MATH.

Tina Fey and Lindsay Lohan in 'Mean Girls' (2004)
Paramount Home Entertainment

There’s a ton of interesting trivia about Mean Girls, Fey’s first foray into feature film screenwriting. She bid on the rights to Rosalind Wiseman’s book that inspired the movie without realizing it didn’t have a plot. She initially wrote a large part for herself but kept whittling it down to focus on the teenagers, and her first draft was “for sure R-rated.” Fey also chose to play a math teacher to fight prejudice. “It was an attempt on my part to counteract the stereotype that girls can’t do math. Even though I did not understand a word I was saying.” Fey used a friend’s calculus teacher boyfriend’s lesson plans in the script.

10. SHE SET UP A SCHOLARSHIP IN HER FATHER’S NAME TO HELP VETERANS.

Fey’s father Donald was a Korean War veteran who also studied journalism at Temple University. When he died in 2015, Fey and her brother Peter founded a memorial scholarship in his name that seeks to aid veterans who want to study journalism at Temple.

"He was really inspiring," Fey said. "A lot of kids grow up with dreams of doing those things and their parents are fearful and want them to get a law degree and have things to fall back on, but he and our mom always encouraged us to pursue whatever truly interested us." Fey also supports Autism Speaks, Mercy Corps, Love Our Children USA, and other charities.

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15 Actors Who Could've Played Han Solo
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.

Before Harrison Ford (watch his audition tape here) and Alden Ehrenreich were cast as Han Solo in the Star Wars film franchise, a number of young and famous Hollywood actors had a shot at playing everyone’s favorite “stuck-up, half-witted, scruffy-looking Nerfherder.” Here are 15 of them.

1. AL PACINO

After the massive success of the first two The Godfather films, Serpico, and Dog Day Afternoon, Al Pacino was the toast of Hollywood. He was given the script to Star Wars and was offered the Solo job, but turned it down to star in Sydney Pollack’s Bobby Deerfield instead.

“It was at that time in my career when I was offered everything,” Pacino told MTV in 2014. “I was in The Godfather. They didn’t care if I was right or wrong for the role, if I could act or not act. ‘He’s in The Godfather. Offer him everything!’ So they offered me this movie. And I remember not understanding it when I read it. Another missed opportunity!”

2. MILES TELLER

 Actor Miles Teller attends the 2018 DIRECTV NOW Super Saturday Night Concert at NOMADIC LIVE! at The Armory on February 3, 2018 in Minneapolis, Minnesota
Christopher Polk, Getty Images for DirecTV

Fresh off the success of Divergent and Whiplash in 2014, Miles Teller’s name appeared on the shortlist of young actors being considered to play the title role in Solo: A Star Wars Story. Believe it or not, he had never watched a single movie set “a long time ago in a galaxy far, far away” before his audition with Lucasfilm.

“I had never even seen any of the original Star Wars movies until maybe a month or a couple weeks before my first audition because I was like, ‘I should check this out,'" Teller told MTV’s Josh Horowitz on the Happy Sad Confused podcast. “I just love Harrison Ford, I think that’s a great character. I love his brand, I mean so many guys would’ve played that part so wrong and he has humor at the right times.”

3. SYLVESTER STALLONE

Before he wrote and starred in Rocky, Sylvester Stallone met with George Lucas and auditioned for the part of Han Solo. He knew he wasn’t going to get the job based on the director’s ambivalent demeanor during his reading.

When asked about the audition in 2010, Stallone told Ain’t It Cool News in 2010, “It didn’t meet with much approval since when I stood in front of George Lucas he didn’t look at me once, obviously being very shy. Then I said ‘Well obviously I’m not the right type.’ but it all worked out for the best since I don’t look good in spandex holding a Ray gun.”

4. ANSEL ELGORT

 Ansel Elgort attends New York City Ballet 2018 Spring Gala at Lincoln Center on May 3, 2018 in New York City
Steven Ferdman, Getty Images

The Fault in Our Stars and Baby Driver star Ansel Elgort was one of the names on Lucasfilm’s shortlist of young actors for Solo. While he has the good looks to play the rugged space pirate, Elgort was relieved that Alden Ehrenreich was selected instead. 

“Yeah, I was pretty worried, honestly,” Elgort told The Huffington Post. “I was pretty worried that if I got it, I’d have to change my DJ name. So I’m relieved.” (Elgort is also a musician and singer with the DJ name of “Ansølo.” He publishes electronic dance music and remixes on Soundcloud under the pseudonym.)

5. CHRISTOPHER WALKEN

Before his breakout appearances in Annie Hall and The Deer Hunter, a struggling young actor named Christopher Walken auditioned for Han Solo in Star Wars. Although the role went to Ford in the end, Walken was reportedly Lucas’s second choice for the space smuggler.

6. DAVE FRANCO

After starring in hit comedies like Neighbors, Dave Franco auditioned for Lucasfilm. During pre-production in 2016, directors Phil Lord and Christopher Miller—who both also directed Franco in 21 Jump Street and The LEGO Movie—were set to direct Solo: A Star Wars Story. The pair left the project well into filming due to “creative differences.” Despite a strong audition, Franco ultimately didn’t get the role.

“I’m not good with impressions or anything like that,” Franco told MTV. “I think that’s the reason why it’s so hard to cast this role. Do they want someone to perfectly embody who Harrison Ford is, or do they want to go a completely different route? Do they want someone to look really similar to him? I don’t know, I think they’re struggling with that.”

7. KURT RUSSELL

During the mid-1970s, Kurt Russell auditioned for both Han Solo and Luke Skywalker, but Lucas wasn’t sure he was right for either job. While the director was still making up his mind, Russell dropped out of the running altogether to be a series regular on a TV Western called The Quest instead.

“[I was] interviewing for the part of Luke Skywalker and Han Solo," Russell told USA Today. "On tape, it exists. I didn’t have any idea what I was talking about. Something about a Death Star and a Millennium Falcon. I was actually pretty [close], in the final running, but I needed to give an answer to ABC to do a western show. I asked George, ‘Do you think you’re gonna use me?’ He said, ‘I don’t know if I want to put you with him, or those two guys together.’ I got to go to work, so I did the western. Clearly, made the right choice.”

When later asked about his decision to work on The Quest, which lasted just one season, Russell told Vanity Fair: “I don’t have any regrets. As an actor you can’t dwell on those things or you’ll go crazy. Things happen for a reason and I’m happy how things turned out in my career. My life and career may have been different, maybe for better or for worse, if I did Star Wars, but you can’t focus on it. You move on.”

8. SCOTT EASTWOOD

 Scott Eastwood attends the 6th Annual Hilarity For Charity at The Hollywood Palladium on March 24, 2018 in Los Angeles, California
Alberto E. Rodriguez, Getty Images

In 2016, Lucasfilm auditioned more than 2500 actors roughly between the ages of 20 and 25 for Solo. The production company wanted an actor who was young enough to grow with the character through multiple movies. The list was whittled down to just eight names after screen tests, with actor Scott Eastwood—son of Clint—among those in the running. Although he was a favorite with Star Wars fans, Eastwood was 29 years old at the time and the oldest actor on the shortlist.

9. ROBERT ENGLUND

Before he was known as Freddy Krueger in A Nightmare on Elm Street, Robert Englund auditioned for Han Solo. While he didn’t land the gig, Englund took the script home with him, because he thought his roommate would be perfect for the role of Luke Skywalker—and he was right! Englund’s roommate at the time was Mark Hamill, who played the iconic role for more than 40 years, most recently in Star Wars: The Last Jedi.

“At that time, Mark Hamill was always on my couch,” Englund told ForceMaterial.com. “So there he was, halfway through a six-pack, watching The Mary Tyler Moore Show. I went in and I said to him, ‘Look at these sides, I think you’re right for this, man. This character is like a space prince, and it’s George Lucas!' ... I was just saying, ‘Wow, what if you got to be in a George Lucas movie, Mark? You’re the kind of actor he loves!’ So he got on the phone to his agent and the rest is history.”

10. LOGAN LERMAN

After gaining critical and commercial success in The Perks of Being a Wallflower and Fury, Logan Lerman was reportedly on Lucasfilm’s shortlist of young actors to play Solo. While he didn’t end up landing the gig, Lerman said of the role to MTV, “I don’t think I’d be intimidated. It would just be fun.”

11. JACK REYNOR

 Jack Reynor arriving at the 'Detroit' European Premiere at The Curzon Mayfair on August 16, 2017 in London, England
Tristan Fewings, Getty Images

While audiences might know him as the lead character in the Irish drama What Richard Did or as the love interest in Transformers: Age of Extinction, Irish actor Jack Reynor was on the shortlist for Solo, and was ultimately happy he didn’t get the gig.

“That Han Solo movie is going to be really tough,” Reynor told The Irish Times. “I think the guy who is doing it is a really good actor, but, for myself, I was afraid of it. I kept thinking: if you f**k this up you’ll ruin people’s childhoods. If it doesn’t turn out great, you won’t be forgiven. That’s a lot of responsibility. And even if it goes great, you’ll do it, people will know you only from that and that defines your career. That would be very difficult. For me, working on original material is very important.”

12. BILL MURRAY

While still on Saturday Night Live, it was rumored that Bill Murray was up for Han Solo in A New Hope. In 2015, while at San Diego Comic-Con, Murray addressed the nearly 40-year old rumors: “I don’t know if I was up for it. I can’t tell you for sure. But I am working out in hopes of getting this new thing,” he joked. “I’m doing a lot of swimming and pilates."

13. TARON EGERTON

 Taron Egerton attends the EE British Academy Film Awards (BAFTA) nominees party at Kensington Palace on February 17, 2018 in London, England
Jeff Spicer, Getty Images

Welsh actor Taron Egerton, who starred in Kingsman: The Secret Service and its sequel, was reportedly one of the three names (alongside Reynor and Ehrenreich) on the final shortlist for Solo: A Star Wars Story. Like Reynor, Egerton admitted he was very apprehensive of the role.

“Roles of that level are always going to be life-changing,” Egerton told The Guardian in 2016. “I wouldn’t run into it blind. It would definitely be a shutting-a-door-behind-me moment. That is something that I’d be wary of.”

14. GLYNN TURMAN

Coming off his breakout success in Cooley High in 1975, actor Glynn Turman auditioned for Lucas—but he didn’t even realize he had auditioned for the part of Han Solo until he read about it in Dale Pollock’s book, Skywalking: The Life and Films of George Lucas, in 1983.

“In those days it said ‘black actor,’ ‘white actor,’ ‘Hispanic actor’ for every role, but it didn’t say either for the Han Solo part,” Glynn Turman told Empire Magazine in 2017. “It didn’t specify ‘black actor.’ I was rather pleased because I was just being called in as a talent. I remember George was very professional.” Turman must have impressed Lucas, as he was apparently considered for the role of Lando Calrissian as well.

“Later, I was approached for the role, in that same franchise, that [was given to] Billy Dee Williams,” Turman told Yahoo! Entertainment. “Handsome, swashbuckling, dashing Billy Dee. I hate him! Not true. Dear friend and a talented man. Lando Calrissian! That wouldn’t have fit me anyway. But it fits a Billy Dee Williams.”

15. EMORY COHEN

 Actor Emory Cohen attends the 2016 Tribeca Film Festival after party for Vincent N Roxxy at Black Market on April 19, 2016 in New York City
Cindy Ord, Getty Images for 2016 Tribeca Film Festival

In 2016, New York City-born actor Emory Cohen, a.k.a. “the cute guy from Brooklyn in Brooklyn,” was among the contenders to play Han Solo. "I read for it once," he later told The Daily Beast, and joked that, “They don’t even want me!”

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