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10 British Sitcoms Inspired by American Shows

It's not unusual for television producers to adapt successful British sitcoms for an American audience. For example, Three's Company, Sanford & Son, and, of course, The Office all started as British shows. It is unusual, though, for British television to adapt an American show. And when they do, the result is rarely a hit with UK audiences. Here are the stories behind 10 attempts to translate American laughs into British humor.

1. Days Like These

Growing up in the 1970s is pretty tough for Eric Forman. Between his overbearing father, Ron, his doting mother, Kitty, and his girlfriend, Donna Palmer, trying to keep everyone happy is sometimes more than he can handle. Thankfully he has his friends – clueless Michael Mcguire, ditzy Jackie Burget, burnout Dylan Jones, and good-natured foreign exchange student Torbjorn Rasmussen – by his side to help him through.

Although some of the names and cultural references were changed, the 1999 Britcom Days Like These was virtually a word-for-word remake of the popular American series That 70's Show. The original producers created the British version, and they got Bob Spiers of hit British comedies like Absolutely Fabulous and Fawlty Towers to direct, so they had high hopes that their show would translate well for a British audience. It didn't. Often called one of the worst British sitcoms ever, Days Like These was canceled after only six episodes, though another four aired later on to little fanfare.

Compare the Days Like These pilot, above, to the pilot of That 70's Show.

2. Married for Life

By the end of its 11-year run in 1997, the Fox Network hit Married...with Children had lost a lot of steam with American audiences. However, even today the show is incredibly popular in syndication across the globe, and has been remade for foreign markets in places like Russia, Hungary, and Argentina. One of the first countries to hop on the Married... remake bandwagon was the UK with Married for Life, which debuted in 1996.

On paper, Married for Life should have been a hit. In typical fashion, the British version changed the names of the characters – Al Bundy became Ted Butler – and replaced American phrases with British ones, but otherwise they used the original show's scripts. The cast was also pretty solid for a sitcom. Julie Dawn Cole, who got her start as Veruca Salt in Willy Wonka & the Chocolate Factory, had been on British television for 25 years when she played Judy Hollingsworth, the Butlers' next door neighbor. Married for Life also starred famous funnyman Russ Abbot, who had hosted two popular British sketch comedy shows in the 1980s. But Abbot couldn't save this stinker – the show only ran for one series of seven episodes before being canceled.

Thankfully one member of the cast came out of the experience unscathed – Hugh Bonneville played Steve Hollingsworth, but he is now known as Lord Grantham on the hit ITV series, Downton Abbey.

3. Brighton Belles

Short-lived sitcom Brighton Belles, a UK version of The Golden Girls broadcast on ITV, premiered in 1993, a year after the American version ended its seven-season run. Despite an attractive cast of funny, older women, Brighton Belles was doomed from the start, because Golden Girls was already wildly popular in syndication on rival broadcaster Channel 4. Treading over familiar territory, the show never found an audience, but managed to stay on the air for nearly two series, ending its run after 11 episodes.

4. Nobody's Perfect

It's well known that the groundbreaking American sitcom All in the Family was a remake of a British sitcom called Till Death Do Us Part. Of course the Bunkers were a success in their own right and spawned a number of spin-offs, including 1972's Maude starring Bea Arthur as an outspoken, liberal woman in suburban New York City. Maude was also a big hit, lasting for five full seasons and a partial sixth before Arthur decided she was done in 1978.

In an unusual move, British television remade Maude in 1980 as Nobody's Perfect, starring Elaine Stritch, known today as Jack Donaghy's mother on 30 Rock, and Richard Griffiths, who played Harry Potter's uncle in the successful film franchise. The show only aired for 14 episodes between 1980 and 1982 before it was canceled.

Elaine Stritch and Bea Arthur's careers would cross paths again a few years later, when Stritch was the producers' first choice to play Dorothy on The Golden Girls, a role described as "a Bea Arthur type." However, Stritch blew the audition when she nervously inserted expletives into the script, so the producers had no choice but to actually approach Arthur for the role.

5. The Fosters

Not only did Maude inspire a British version, but it also had a spin-off of its own, Good Times, starring Maude's housekeeper, Florida Evans, played by Esther Rolle. Good Times was on the air from 1974 until 1979, depicting the day-to-day struggles of a middle class black family in Chicago, and was itself a ratings success for much of its run. During its peak in 1976, it was remade in Britain as The Fosters, which used scripts from Good Times but changed names and shuffled characters around slightly to differentiate itself. The show ran for 27 episodes, but was never a big hit with audiences or critics. In fact, although it featured the first all-black cast on British television, many felt it actually reinforced racial stereotypes, a critique often leveled at Good Times as well.

The Fosters was the first major role for Lenny Henry, who played Sonny Foster, the British equivalent of Jimmie Walker's Good Times character, J.J. Evans. Henry has since become a respected actor, writer, and comedian, appearing on numerous British TV shows, comedy specials, movies, and plays.

So, to summarize, a British sitcom (Till Death Do Us Part) was remade as an American sitcom (All in the Family), creating a spin-off (Maude), which inspired a British remake (Nobody's Perfect) and an American spin-off (Good Times), which was then remade as a British show (The Fosters). Despite this tangled web, the British versions were not connected in any way.

6. The Upper Hand

Widow Caroline Wheatley is a career-minded single mom doing her best to raise her nerdy son, Tom, in the English countryside. Her man-hungry mother, Laura, can occasionally lend a hand, but what Caroline really needs is a live-in housekeeper. Much to her surprise, Laura hires Charlie, a former professional soccer player sidelined by an injury who will do just about anything to get his daughter, Joanna, away from the rough London neighborhood they currently call home.

If this sounds familiar, that's because The Upper Hand was a British remake of the long-running American sitcom, Who's the Boss?. Unlike many British remakes, though, this one was actually very successful, receiving seven series for a total of 95 episodes between 1990 and 1996.

While the original counted two veteran sitcom actors in the cast, Taxi's Tony Danza and Soap's Katherine Helmond, and made a star out of friend-of-the-Floss Alyssa Milano, The Upper Hand had a former Bond girl and star of The Avengers, Honor Blackman, who played the feisty Laura. The remake got a shot of American star power when Helmond made a cameo appearance as a carnival psychic named Madame Alexandra during the series four finale.

The show borrowed quite a bit from the original, but it went where Boss? was afraid to go when Charlie and Caroline tied the knot at the end of series six. However, as with so many sitcom romances, when the sexual tension went away, so did the audience, and the show was canceled after the seventh episode of the seventh series.

Compare the pilot for The Upper Hand, above, to the pilot for Who's the Boss?.

7. In with the Flynns

The latest remake of an American sitcom is the BBC's In with the Flynns, which adopts many aspects of Grounded for Life, a sitcom starring Donal Logue and Megyn Price, which ran from 2001 to 2005 on Fox and the WB. Flynns debuted in June 2011, running for a six-episode series, and has been renewed for a second series to air this year, though the critical and audience reception has been lukewarm at best.

Inspired By...

Some British shows aren't direct adaptations of American shows, but they're similar enough in tone or concept to draw comparisons between the two.

8. Lead Balloon

The BBC comedy Lead Balloon, which ran for four series between 2006 and 2011, took its cues from the long-running HBO hit, Curb Your Enthusiasm. The show starred comedian Jack Dee as fictional comedian Rick Spleen, who is constantly putting his foot in his mouth, then tries to find a way out of his predicaments, usually in the most self-serving ways possible. Spleen is surrounded by his kind and polite wife, Mel, and his sometimes-polite friend, Marty, who try their best to keep Spleen's bile in check.

9. Saturday Live

Between 1985 and 1987, the UK had their own version of Saturday Night Live, called simply Saturday Live. Although they didn't reuse the scripts or characters from SNL, the format – a guest host, musical acts, and a live broadcast with a studio audience – was clearly, and admittedly, influenced by the long-running American sketch comedy show. Saturday Live was short-lived but influential, helping to launch the careers of comedians Harry Enfield, Ben Elton, and the comedy duo Stephen Fry and Hugh Laurie.

10. Coupling

When Coupling debuted in 2000, it was impossible to dodge the comparisons to America's Friends. Both shows followed a group of young people as they supported each other through the trials and tribulations of love, life, and careers. Over four seasons, Coupling was able to distinguish itself by featuring more experimental narratives and directorial choices from current Doctor Who showrunner, Steven Moffat, but the label "The British Friends" will always haunt the show. In an odd twist, as Friends was winding down its run in 2003, NBC tried to retain the same audience with an American remake of Coupling, which only lasted four episodes before it was canceled.

Compare scenes from the first episode of the British Coupling with scenes from the first episode of the American Coupling:

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25 Fascinating Facts About Breaking Bad
Ben Leuner/AMC
Ben Leuner/AMC

On January 10, 2008, Breaking Bad made its debut. Though it didn’t premiere to over-the-top ratings, over the course of five seasons, it morphed into a television phenomenon—thanks in large part to word of mouth and the increasing popularity of binge-watching. At its most basic level, it’s the story of a soft-spoken chemistry teacher who, after being diagnosed with lung cancer, risks everything he has worked for to make sure his family will be taken care of in the event of his death. But, like all great TV shows, the story is really not that simple. And it evolves over time, with each season somehow—and miraculously—managing to top the one before it.

Regularly cited as one of the greatest television series of all time (Rolling Stone ranked it number three on its list of the 100 best shows, right in between Mad Men and The Wire), here are 25 things you might not have known about Breaking Bad, in honor of its 10th anniversary.

1. LOTS OF NETWORKS PASSED ON IT, INCLUDING HBO.

In 2016, it was announced that Vince Gilligan is working on a limited series about Jim Jones for HBO. But the “It’s not TV” network wasn’t always so hot on Gilligan. In a 2011 interview, Gilligan shared that he pitched Breaking Bad to HBO, and that it was “the worst meeting I’ve ever had.”

"The trouble with Hollywood—movies and TV—is people will leave you dangling on the end of a meat hook for days or weeks or months on end,” Gilligan said. “That happened at HBO. Like the worst meeting I ever had … The woman we [were] pitching to could not have been less interested—not even in my story, but about whether I actually lived or died.”

HBO wasn’t the only network that ultimately said no to Walter White: Showtime, TNT, and FX all passed on Breaking Bad, too, for various reasons.

2. THE NETWORK REALLY WANTED MATTHEW BRODERICK TO STAR.

It’s impossible to imagine Breaking Bad with anyone other than Bryan Cranston in the lead role, but he wasn’t as well known when the series kicked off, and AMC wanted a star. They were particularly interested in casting either Matthew Broderick or John Cusack in the lead.

"We all still had the image of Bryan shaving his body in Malcolm in the Middle,” a former AMC executive told The Hollywood Reporter about their initial reluctance to cast Cranston. “We were like, 'Really? Isn't there anybody else?’” But Gilligan had worked with Cranston before, on an episode of The X-Files, and knew he had the chops to navigate the quirks of the part. The network brass watched the episode, and agreed.

"We needed somebody who could be dramatic and scary yet have an underlying humanity so when he dies, you felt sorry for him,” Gilligan said. “Bryan nailed it."

3. JESSE PINKMAN WASN’T SUPPOSED TO LIVE PAST SEASON ONE.

Aaron Paul in 'Breaking Bad'
Doug Hyun/AMC

While Breaking Bad ultimately ended up being largely about the tumultuous partnership between Walter White and Jesse Pinkman, Jesse wasn’t originally intended to be a major character. While it’s often stated that he was supposed to be killed off in episode nine, and that it was the 2007-2008 Writers Guild of America strike that saved him, Gilligan set the record straight in 2013, saying it became clear much earlier than that that Jesse’s character—and his relationship to Walter—was integral to moving the show forward.

“The writers’ strike, in a sense, didn’t save him, because I knew by episode two—we all did, all of us, our wonderful directors and our wonderful producers,” Gilligan said. “Everybody knew just how good [Aaron Paul is], and a pleasure to work with, and it became pretty clear early on that that would be a huge, colossal mistake to kill off Jesse.”

When asked during a Reddit AMA about how he would have felt if Jesse had been killed off in season one, Paul posited that, “My career would be over. And I would be a sobbing mess watching week to week on Breaking Bad.”

4. THE WRITERS STRIKE DID CHANGE THE STORY ARC FOR SEASON ONE, WHICH TURNED OUT TO BE A GOOD THING.

The Writers Strike did end up shortening the show’s first season, which forced Gilligan to cut two episodes that would have seen Walter’s transformation into Heisenberg happen much more quickly—and violently. Gilligan was glad it worked out the way it did.

“We had plotted out all our episodes before the show ever went on the air, and we didn't know how well the show would be received,” Gilligan told Creative Screenwriting. “Not knowing how the public would take to it, you tend to want to be a little more sensational. You want to really keep the show exciting and interesting and keep 'em watching. All of that to say that those last two episodes, because of that, would have been really big episodes, and would have taken the characters into a hugely different realm than that they were already in, and it would have been a hard thing to come back from, coming into season two.”

“We're not just doing those two episodes coming into season two,” he added. “We threw those out completely and we're starting somewhere else. We're building more slowly than we otherwise would have built. I think that's really good, because I know we've all had our favorite shows that were really interesting up to a certain point, but maybe they just go too far, and then there's no going back from it. To me, the trick is to do as little as possible with the characters, and yet keep them as interesting as possible. It's a real balancing act.”

5. THE DEA HELPED OUT, AND EVEN TAUGHT BRYAN CRANSTON AND AARON PAUL HOW TO COOK METH.

Because of the subject matter, the show’s creators thought it was only right to inform the Drug Enforcement Administration (DEA) what they were making—and welcome their help. “We informed them—with all due respect and consideration—that we’re doing this show, and ‘Would you like to be a part of it in a consultancy in order to make sure that we get it right?’” Cranston told High Times. “They had the choice to say, ‘We don’t want anything to do with it.’ But they saw that it might be in their best interest to make sure that we do it correctly. So DEA chemists came onboard as consultants and taught Aaron Paul and me how to make crystal meth.”

6. THE SCIENCE IS SOUND, BUT NOT PERFECT. AND THAT WAS INTENTIONAL.

Vince Gilligan and Bryan Cranston on the set of 'Breaking Bad'
Doug Hyun/AMC

Dr. Donna Nelson, a chemistry professor at the University of Oklahoma, began serving as a science advisor on the show midway through the first season, and was tasked with making sure the show got its science right—or, at least as “right” as is safe.

“I don’t think there’s any popular show that gets it 100 percent right, but that’s not the goal,” Nelson told Mental Floss in 2013. “The goal is not to be a science education show; the goal is to be a popular show. And so there’s always going to be some creative license taken, because they want to make the show interesting.”

Of course—particularly with a show about drug-making—you don’t want to give viewers a primer on how to start their own meth empires. “In the case of Walter White, his trademark is the blue meth,” Nelson said. “In reality, it wouldn’t be blue; it would be colorless. But this isn’t a science education show. It’s a fantasy. And Vince Gilligan did a fantastic job of getting most of the science right. And I am just thrilled with that. I think Vince Gilligan is a genius, and you can quote me on that!”

7. THAT ICONIC BLUE METH IS ROCK CANDY.

Whenever you see Walter and Jesse’s signature blue meth, what you’re actually seeing is blue rock candy. More specifically: blue rock candy from The Candy Lady, a boutique candy store in Albuquerque. (They have a whole line of Breaking Bad-inspired treats, which they sell under The Bad Candy Lady line.)

8. GUS FRING’S ROLE WAS SUPPOSED TO BE MUCH SMALLER.

Initially, Giancarlo Esposito wasn’t interested in taking on the role of Gus Fring, which was a much smaller part in the beginning. “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show,” Esposito told TIME. “My wife said I should I try it, but it was a guest spot and I’ve done a lot of guest spots. I wanted to develop a character. But I did one episode and then I agreed to do two more with the caveat that I wanted to be part of a filmmaking family.”

When Gilligan offered him another seven episodes for season three, Esposito countered that he wanted a bigger role. “There was some negotiating and I ended up doing 12,” Esposito said. “I wanted to create a character who became intrinsic to the show. And at some point, I realized that I had slid into the Breaking Bad family. Vince told me that I changed the game and raised the bar for the show. And I’m proud of that, but I could only do that because of the depth of the writing and due to the chemistry between Bryan Cranston and myself. And their writing inspired me to think, to create someone who was polite, threatening and poignant.”

9. GIANCARLO ESPOSITO CHANNELED HIS INNER EDWARD JAMES OLMOS.

Giancarlo Esposito in 'Breaking Bad'
Ursula Coyote/AMC

In the mid-1980s, Giancarlo Esposito made a few guest appearances on Miami Vice. The experience clearly had an effect on him, as he used Edward James Olmos’s character from that series, Lieutenant Martin Castillo, as a model for Gus Fring.

“Eddie did very little and he was very convincing,” Esposito told the Toronto Sun. “I also thought he was a bit flat, but he did very, very little in playing [Castillo] and I thought it was really effective. Juxtaposed to Philip Michael [Thomas] and Don [Johnson], who were at times a bit full of themselves but were doing a little bit of acting, Eddie was just doing his job. And I wanted Gus to be in that mode."

10. GILLIGAN GOT SOME HELP FROM THE WALKING DEAD CREW FOR FRING’S FINAL EPISODE.

Fring’s final sendoff is one of the most memorable visual images from the entire series—and they were able to enlist the help of some true gore experts. “Indeed we did have great help from the prosthetic effects folks at The Walking Dead,” Gilligan told The New York Times. “And I want to give a shout-out to Greg Nicotero and Howard Berger, and KNB EFX, those two gentlemen and their company, because their shop did that effect. And then that was augmented by the visual effects work of a guy named Bill Powloski and his crew, who digitally married a three-dimensional sculpture that KNB EFX created with the reality of the film scene. So you can actually see into and through Gus’s head in that final reveal. It’s a combination of great makeup and great visual effects. And it took months to do."

11. YES, AARON PAUL DOES SAY “BITCH” A LOT—BUT PROBABLY NOT AS MUCH AS YOU THINK.

While any Jesse Pinkman impression ends with a “bitch,” by one calculation, Paul uses the word a total of 54 times throughout the series. Which, considering there are 62 episodes, seems a little on the low side.

12. PAUL RELEASED A “YO, BITCH” APP.

Aaron Paul in 'Breaking Bad'
AMC

Even if that above number seems underwhelming, Pinkman’s favorite add-on became so synonymous with Paul that, in 2014, the actor released an app called Yo, Bitch.

13. WALTER’S BOSS AT THE CAR WASH IS A CHEMIST IN REAL LIFE.

Marius Stan, who played Bogdan, Walter’s boss at the car wash, wasn’t a familiar face to many of the show’s viewers. That’s because the series was his (and his eyebrows’) acting debut. In real life, rather coincidentally, he has a PhD in chemistry and, according to a Reddit AMA, is a “Senior Computational Energy Scientist at Argonne National Lab—which is one of the national laboratories under the U.S. Dept. of Energy—and a Senior Fellow at the University of Chicago, the Computation Institute."

14. WALTER WHITE’S ALTER EGO IS A NOD TO A REAL PERSON.

Walter White’s drug kingpin alter ego, Heisenberg, is a nod to Werner Heisenberg, a Nobel Prize-winning physicist who developed the principle of uncertainty.

15. HEISENBERG’S SIGNATURE HAT WAS A MATTER A PRACTICALITY. 

Bryan Cranston in 'Breaking Bad'
Frank Ockenfels 3/AMC

Heisenberg’s porkpie hat came to identify Walter White’s dark side, but it originated from a very practical place. “Bryan kept asking me, after he shaved his head, ‘Can I have a hat?’ because his head was cold,” Kathleen Detoro, the show’s costume designer, explained. “So I would ask Vince and he kept saying no; Jesse wore the hats. Finally, Vince said, ‘I think there’s a place …’ It was Bryan asking for a hat, me asking Vince, and then Vince figuring out where in the story it makes sense: It’s when he really becomes Heisenberg.” (If you want to buy your own Heisenberg hat, it was made by Goorin.)

16. THE WHITES’ HOUSE HAS BECOME A TOURIST ATTRACTION—AND LOTS OF PIZZA HAS BEEN THROWN ON THE ROOF.

Though Walter White and his family live at 308 Negra Arroyo Lane, the home that you see in exterior shots is actually located at 3828 Piermont Drive NE, a private home in Albuquerque that has become a pretty major tourist attraction. Many fans, caught up in the excitement of seeing the home where Walter White managed to hurl the world’s largest pizza onto the roof in one swift move, have attempted to recreate that scene—leaving the home’s owner with a regular mess.

In 2015, Gilligan appealed to the show’s fan base to refrain from throwing pizza onto the home’s roof. “There is nothing original, or funny, or cool about throwing a pizza on this lady’s roof,” Gilligan said. “It’s been done before—you’re not the first.”

“And if I catch you doing it, I will hunt you down,” added Jonathan Banks, in true Mike Ehrmantraut fashion.

17. CRANSTON MANAGED TO GET THAT PIZZA THROW IN ONE TAKE.

Speaking of that infamous pizza scene: It really was Cranston who threw it, and he managed to do it in one take. Gilligan called it a “one-in-a-million shot.”

18. TUCO GAVE JESSE A CONCUSSION.

A fight scene between Jesse and Tuco (Raymond Cruz) turned serious when Cruz ended up accidentally knocking Paul unconscious. “Yeah, Raymond Cruz who played Tuco gave me a concussion during the episode ‘Grilled,’ where Tuco takes Walt and Jesse to his shack in the middle of nowhere where we meet the famous Uncle Tio,” Paul said in a Reddit AMA. “Tuco takes Jesse and he throws him through the screen door outside, and if you watch it back you'll notice that my head gets caught inside the wooden screen door and it flips me around and lands me on my stomach and the door splinters into a million pieces. Raymond just thought I was acting so he continued and kicked me in the side and picked me up over his shoulder and threw me against the house, but in reality I was pretty much unconscious ... I kept pleading to him, saying ‘stop.’ The next thing I know I guess I blacked out and I woke up to a flashlight in our eyes and it was our medic. And then I hopped up acting like nothing wrong, but it appeared like I was drunk, and I kept saying, ‘Let's finish the scene’ but then my eye started swelling shut so they took me to the hospital. Just another fun day on the set of Breaking Bad!”

19. JANE’S DEATH WAS THE HARDEST SCENE FOR PAUL TO SHOOT.

When asked about the hardest scene to shoot during a Reddit AMA, Paul said that it was Jane’s death. “I honestly think the hardest scene for me to do was when Jesse woke up and found Jane lying next to him dead,” Paul said. “Looking at Jane through Jesse's eyes that day was very hard and emotional for all of us. When that day was over, I couldn't be happier that it was over because I really, truly felt I was living those tortured moments with Jesse.”

The scene was hard on Cranston, too, who reportedly spent 15 minutes crying after filming was complete.

20. MIKE’S DEATH WAS HARD FOR EVERYONE.

Jonathan Banks in 'Breaking Bad'
Frank Ockenfels/AMC

When asked about filming his final scene, Jonathan Banks shared that, “The crew on the set that day all wore black armbands all day long. There are a lot of friends on that crew. It was an emotional day to say the least on set—a lot of tears. Tough day, brother.”

21. JESSE’S TEETH STILL BOTHER GILLIGAN.

When asked about whether he had any regrets about the show or any of its storylines, Gilligan admitted to one: "One thing that sort of troubled me, looking back over the entirety of the show: Jesse's teeth were a little too perfect. There were all the beatings he took, and, of course, he was using meth, which is brutal on your teeth. He'd probably have terrible teeth in real life."

22. WARREN BUFFET RESPECTS WALTER WHITE’S BUSINESS ACUMEN.

Warren Buffet was a fan of the series, and even showed up to its fifth season premiere. On the red carpet, he expressed admiration of Walter White’s entrepreneurship, calling him "a great businessman," and saying that, "he’s my guy if I ever have to go toe-to-toe with anyone."

23. THERE ARE 62 EPISODES IN TOTAL—A NUMBER THAT HAS A SPECIAL MEANING. 

The cast of 'Breaking Bad'
Frank Ockenfels/AMC

Over the course of five seasons, Breaking Bad produced a total of 62 episodes—which is no arbitrary number. The 62nd element on the periodic table is Samarium, which is used to treat a range of cancers, including lung cancer.

24. THE FINAL DEATH TOLL IS PRETTY IMPRESSIVE.

Though you may have underestimated the number of times Jesse uttered “bitch,” you might be surprised by how many people were killed throughout the show’s entire run: 270. (BuzzFeed created a thorough breakdown of some of the most memorable ones.)

25. IN 2016, A METH COOK NAMED WALTER WHITE WAS WANTED BY THE AUTHORITIES.

In 2016, a 55-year-old man named Walter White rose to the top of Tuscaloosa, Alabama’s most wanted list for manufacturing and selling meth. Though White wasn’t a teacher, there have been other real-life stories that mirrored Walter White’s descent into the criminal underworld: In 2012, a chemistry teacher named William Duncan was arrested for selling meth; in 2011, Irina Kristy, a 74-year-old math professor, was arrested for running a meth lab.

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7 Things You Might Not Know About Audrey Hepburn
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Though she’ll always be known as the little-black-dress-wearing big-screen incarnation of Holly Golightly from Breakfast at Tiffany’s, there’s probably a lot you don’t know about Audrey Hepburn, who passed away in Switzerland on January 20, 1993.

1. HER FIRST ROLE WAS IN AN EDUCATIONAL FILM.

Though 1948’s Dutch in Seven Lessons is classified as a “documentary” on IMDb, it’s really more of an educational travel film, in which Hepburn appears as an airline attendant. If you don’t speak Dutch, it might not make a whole lot of sense to you, but you can watch it above anyway.

2. GREGORY PECK WAS AFRAID SHE’D MAKE HIM LOOK LIKE A JERK.

Hepburn was an unknown actress when she was handed the starring role of Princess Ann opposite Gregory Peck in 1953’s Roman Holiday. As such, Peck was going to be the only star listed, with Hepburn relegated to a smaller font and an “introducing” credit. But Peck insisted, “You've got to change that because she'll be a big star and I'll look like a big jerk.” Hepburn ended up winning her first and only Oscar for the role (Peck wasn’t even nominated).

3. SHE’S AN EGOT.

In 1954, the same year she won the Oscar for Roman Holiday, Hepburn accepted a Tony Award for her title role in Ondine on Broadway. Hepburn is one of only 12 EGOTs, meaning that she has won all of the four major creative awards: an Emmy, Grammy, Oscar, and Tony. Unfortunately, the honor came to Hepburn posthumously; her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for Gardens of the World with Audrey Hepburn were both awarded following her passing in early 1993.

4. TRUMAN CAPOTE HATED HER AS HOLLY GOLIGHTLY.

Blake Edwards’s Breakfast at Tiffany’s may be one of the most iconic films in Hollywood history, but it’s a miracle that the film ever got made at all. Particularly if you listened to Truman Capote, who wrote the novella upon which it was based, and saw only one actress in the lead: Marilyn Monroe. When asked what he thought was wrong with the film, which downplayed the more tawdry aspects of the fact that Ms. Golightly makes her living as a call girl (Hepburn had told the producers, “I can’t play a hooker”), Capote replied, “Oh, God, just everything. It was the most miscast film I’ve ever seen. It made me want to throw up.”

5. HOLLY GOLIGHTLY’S LITTLE BLACK DRESS SOLD FOR NEARLY $1 MILLION.

Audrey Hepburn in 'Breakfast at Tiffany's'
Keystone Features, Getty Images

In 2006, Christie’s auctioned off the iconic Givenchy-designed little black dress that Hepburn wore in Breakfast at Tiffany’s for a whopping $923,187 (pre-auction numbers estimated that it would go for between $98,800 and $138,320). It was a record-setting amount at the time, until Marilyn Monroe’s white “subway dress” from The Seven Year Itch sold for $5.6 million in 2006.

6. SHE SANG “HAPPY BIRTHDAY” TO JFK IN 1963.

One year after Marilyn Monroe’s sultry birthday serenade to John F. Kennedy in 1962, Hepburn paid a musical tribute to the President at a private party in 1963, on what would be his final birthday.

7. THERE’S A RARE TULIP NAMED AFTER HER.

Photo of Audrey Hepburn
Hulton Archive, Getty Images

In 1990, a rare white tulip hybrid was named after the actress and humanitarian, and dedicated to her at her family’s former estate in Holland.

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