13 Devilish Facts About Rosemary’s Baby

Paramount Home Video
Paramount Home Video

In the late 1960s, a B-movie producer, a filmmaker untested in America, and a TV star untested on the big screen got together to make a horror movie. They produced a classic.

Rosemary’s Baby is a kind of godmother to all of the Satan-themed horror films that followed it, from The Exorcist to The Omen to The Exorcism of Emily Rose. It’s scary yet elegant, eerie yet oddly romantic, horrifying yet beautiful in its design. It’s the product of a meticulous director who went over his shooting schedule, a young star who persevered even in the midst of a divorce, and a cast and crew who may have ultimately suffered a curse for their part in it.

As the film nears its 50th anniversary, here are 13 facts about Rosemary’s Baby.

1. WILLIAM CASTLE ORIGINALLY WANTED TO DIRECT IT.

Even before Ira Levin’s novel hit bookstores, Rosemary’s Baby became a hot property in Hollywood. The galleys of the novel caught the eye of director/producer William Castle, best known for B-movie horror films like The Tingler and House On Haunted Hill. Castle, eager to make a prestigious film, snapped up the rights to the book, and sought a deal with Paramount Pictures to get the film made. Producer Robert Evans also saw potential in the novel and agreed to adapt it for the screen, but insisted that Castle only work on the film as a producer. Castle, who’d hoped to direct the film himself, reluctantly agreed.

“It was too good for Bill Castle,” Evans later said

Evans ultimately decided on Roman Polanski, who made his American debut with the film, to direct Rosemary’s Baby.

2. ROMAN POLANSKI MADE ONE VERY SIGNIFICANT STORYTELLING DECISION.

Roman Polanski and Sharon State attend the premiere of 'Rosemary's Baby.'
William Milsom/Evening Standard/Getty Images

When Evans offered him the film, Polanski was immediately engaged by Levin’s novel, and decided to write the screenplay himself. He had little difficultly, but as an agnostic, there was one particular aspect he wanted to remain intact onscreen: ambiguity. He set out to tell a story where, in theory, you could perceive everything that happened to Rosemary as something she was imagining.

“Being an agnostic, however, I no more believed in Satan as evil incarnate than I believed in a personal god; the whole idea conflicted with my rational view of the world,” Polanski later said. “For credibility's sake, I decided that there would have to be a loophole: the possibility that Rosemary's supernatural experiences were figments of her imagination. The entire story, as seen through her eyes, could have been a chain of only superficially sinister coincidences, a product of her feverish fancies ... That is why a thread of deliberate ambiguity runs throughout the film.”

3. IRA LEVIN MADE DRAWINGS OF THE BRAMFORD APARTMENTS.

Prior to shooting Rosemary’s Baby, Polanski gathered the cast for rehearsals on soundstages, complete with taped-off layouts of each apartment (the interiors were all shot on constructed sets) to give the actors an idea of how their movements would work within the eventual sets. Helping that process along was Levin himself, who provided detailed layouts of the apartments.

4. POLANSKI MADE SKETCHES TO CHOOSE THE SUPPORTING CAST.

Ruth Gordon in 'Rosemary's Baby.'
Paramount Home Video

When it came time to choose the supporting cast, Polanski did something a little unorthodox: He drew them. Feeling that each resident of the Bramford needed a very particular look, he felt that it would actually be easier if he simply showed those looks to the Paramount casting director. So, he made sketches of each Bramford resident and turned them over to the studios. That’s how actors like Ruth Gordon and Sidney Blackmer made their way into the film.

5. ROBERT REDFORD WAS THE FIRST CHOICE FOR GUY WOODHOUSE. 

In casting Rosemary’s Baby, Evans and Polanski didn’t always agree from the start, so several different incarnations of the cast were possible. They did, however, agree that Robert Redford would be perfect for the role of Guy Woodhouse, Rosemary’s ambitious actor husband. Unfortunately, Paramount and Redford were locked in a contractual dispute at the time, so he wasn’t available. So the studio went searching, and other choices included Robert Wagner, Richard Chamberlain, James Fox, Laurence Harvey, and Jack Nicholson (who actually tested for the role). Ultimately, Polanski decided on John Cassavetes, a talented filmmaker he was already familiar with.

6. MIA FARROW WAS NOT POLANSKI’S FIRST CHOICE FOR ROSEMARY.

Mia Farrow on the set of 'Rosemary's Baby.'
Harry Benson/Express/Hulton Archive/Getty Images

For the role of Rosemary Woodhouse, Polanski set out to find an “All-American” actress. His choice was Tuesday Weld, then known for her work in films like The Cincinnati Kid. Evans and Castle had a different idea: Mia Farrow, then best-known for the TV series Peyton Place. After auditioning a few actresses, Polanski ended up agreeing that Farrow was right for the role.

“Mia was a little left-of-center. That’s the reason we wanted her,” Evans said. “She wasn’t just another pretty face.

“She had another dimension. And what she didn’t have, Roman got out of her.”

7. POLANSKI CLASHED WITH THE STUDIO DURING PRODUCTION.

Rosemary’s Baby was Polanski’s first American film, and his attention to detail ultimately created some problems with Paramount. According to Evans, the director fell behind his shooting schedule very quickly, to the point that Castle was calling and warning him that problems were ahead. Evans and Castle, according to Polanski, stood by their director, and it also didn’t hurt that the footage coming back from the film was impressive. In Polanski’s recollection, it took a fellow director—the great Otto Preminger (Laura, Anatomy of a Murder)—to convince him he had nothing to worry about. In a chance meeting on the Paramount lot, Polanski explained his schedule problems to the legend. Preminger asked him about the “rushes,” the raw footage screened for studio executives. When Polanski explained that Paramount seemed to love his footage, Preminger put him at ease.

“‘So what do you care?’ he says,” Polanski recalled. “‘They never fired anyone because of schedule, because of lagging behind, but if they don’t like the rushes, you’re out very soon.’ So, that was the case. They really liked the material very much.”

8. POLANSKI AND JOHN CASSAVETES CLASHED DURING PRODUCTION, TOO. 

John Cassavetes and Mia Farrow in 'Rosemary's Baby.'
Harry Benson/Express/Getty Images

John Cassavetes is still remembered as a titan of independent film, known for his freewheeling, improvisational productions like A Woman Under the Influence. Polanski is a different kind of director, known for his precision. Though Cassavetes was only working as an actor on Rosemary’s Baby, their respective filmmaking styles still clashed. According to Farrow, Cassavetes longed to improvise and let the moment carry him through the scene, while Polanski would be annoyed if an actor lifted a glass mere inches from where he imagined it to be. Though Polanski and Cassavetes knew each other, and apparently liked each other, prior to filming, their working relationship became a bit strained.

“John Cassavetes was not my best experience, I must say,” Polanski recalled.

9. FARROW REALLY WALKED OUT INTO NEW YORK TRAFFIC.

According to Farrow, Polanski’s directing style often involved him acting out the scenes himself to show the actors what he wanted, and this apparently had the effect of convincing Farrow to do a few outrageous things. For example, she ate raw liver on camera through several takes, even though she was a strict vegetarian. The most extreme instance of this, though, came during the sequence when Rosemary is attempting to flee the Bramford and walks out into traffic in an effort to quickly cross the street. This was not a carefully orchestrated sequence in which streets were blocked off and stunt drivers were employed. According to Farrow, she really did just simply walk out into a New York street and hoped the oncoming cars would stop. This was Polanski’s idea, and he assured Farrow that “Nobody will hit a pregnant woman.” He was right, and the scene was shot several times, with one caveat: Polanski himself had to operate the camera, because no one else dared to.

10. FRANK SINATRA FILED FOR DIVORCE FROM FARROW DURING PRODUCTION.

The wedding of Frank Sinatra and Mia Farrow.
Keystone/Getty Images

At the time of Rosemary’s Baby’s production, Farrow was famous for two things: starring in Peyton Place and being married to legendary singer Frank Sinatra. When Farrow got the script for Rosemary’s Baby, she asked Sinatra to read it, and after he finished he turned to her and said “I can’t see you in it.” Farrow agreed to do the film anyway, but as Polanski’s shooting schedule stretched out it began to conflict with a planned role in Sinatra’s own film, The Detective. Farrow hoped she could make the schedules work and do both films, flying coast-to-coast in the process, but ultimately Rosemary won out, and Sinatra issued a demand that she choose between the movie or her husband. When she decided to finish Rosemary’s Baby, he sent his lawyer to the set to deliver divorce papers. Farrow signed them in “a blur of tears,” then continued shooting.

The incident created such tension that Sinatra and Evans didn’t speak for several years, to the point that Evans would call restaurants and ask if Sinatra was dining there before he decided to go. According to Farrow, she and Sinatra remained friends until his death in 1998.

11. WILLIAM CASTLE THOUGHT THE FILM WAS CURSED.

According to Farrow, actor Sidney Blackmer (who played coven leader Roman Castevet) once said on set “No good will come of all this ‘Hail Satan’ business,” and apparently he wasn’t the only one who thought so. William Castle later became convinced the film was cursed. Shortly after production he suffered gallstones to such a severe extent that he required surgery. As he recovered from that illness, Rosemary’s Baby composer Krzysztof Komeda suffered an accidental fall that led to a coma and, eventually, his death. Then, in the summer of 1969, actress Sharon Tate—Polanski’s wife—was infamously murdered by the Manson Family. For Castle, it all added up.

"The story of Rosemary's Baby was happening in real life. Witches, all of them, were casting their spell, and I was becoming one of the principal players,” he later recalled.

12. CASTLE MADE A CAMEO.

Castle initially wanted to direct Rosemary’s Baby himself, and had to settle for a producer’s role instead. He did also get to act a little in the film. When Rosemary goes to the phone booth to call Dr. Hill’s office, a man with a cigar comes up and waits outside. Because the paranoia level in the film is so intense at this point, the viewer initially wonders if the man is part of the conspiracy against Rosemary. Ultimately, he’s a man just waiting to use the phone. The man is Castle.

13. THERE ARE TWO DIFFERENT SEQUELS.

Rosemary’s Baby was an instant hit, and the Satanism woven into its plot ultimately started a craze that led to other hits like The Omen and The Exorcist. So, naturally, a sequel was in the cards. In 1976 a made-for-TV movie titled Look What’s Happened to Rosemary’s Baby aired on ABC during the Halloween season. It stars Patty Duke as Rosemary, was directed by Rosemary’s Baby co-editor Sam O’Steen, and even features the return of Ruth Gordon as Minnie Castevet.

In 1997, Levin himself produced a sequel, a novel titled Son of Rosemary. The film was also remade as an NBC miniseries in 2014, starring Zoe Saldana as Rosemary.

The 11 Best Movies on Netflix Right Now

Laura Dern and Scarlett Johansson in Marriage Story (2019).
Laura Dern and Scarlett Johansson in Marriage Story (2019).
Wilson Webb/Netflix

With thousands of titles available, browsing your Netflix menu can feel like a full-time job. If you're feeling a little overwhelmed, take a look at our picks for the 11 best movies on Netflix right now.

1. Spider-Man: Into the Spider-Verse (2018)

Spider-Man may be in the middle of a Disney and Sony power struggle, but that didn't stop this ambitious animated film from winning the Oscar for Best Animated Feature at the 2019 Academy Awards. Using a variety of visual style choices, the film tracks the adventures of Miles Morales (Shameik Moore), who discovers he's not the only Spider-Man in town.

2. Hell or High Water (2016)

Taylor Sheridan's Oscar-nominated Hell or High Water follows two brothers (Chris Pine and Ben Foster) who take to bank robberies in an effort to save their family ranch from foreclosure; Jeff Bridges is the drawling, laconic lawman on their tail.

3. Raging Bull (1980)

Robert De Niro takes on the life of pugilist Jake LaMotta in a landmark and Oscar-winning film from Martin Scorsese that frames LaMotta's violent career in stark black and white. Joe Pesci co-stars.

4. Marriage Story (2019)

Director Noah Bambauch drew raves for this deeply emotional drama about a couple (Adam Driver, Scarlett Johansson) whose uncoupling takes a heavy emotional and psychological toll on their family.

5. Dolemite Is My Name (2019)

Eddie Murphy ended a brief sabbatical from filmmaking following a mixed reception to 2016's Mr. Church with this winning biopic about Rudy Ray Moore, a flailing comedian who finds success when he reinvents himself as Dolemite, a wisecracking pimp. When the character takes off, Moore produces a big-screen feature with a crew of inept collaborators.

6. The Lobster (2015)

Colin Farrell stars in this black comedy that feels reminiscent of screenwriter Charlie Kaufman's work: A slump-shouldered loner (Farrell) has just 45 days to find a life partner before he's turned into an animal. Can he make it work with Rachel Weisz, or is he doomed to a life on all fours? By turns absurd and provocative, The Lobster isn't a conventional date movie, but it might have more to say about relationships than a pile of Nicholas Sparks paperbacks.

7. Flash of Genius (2008)

Greg Kinnear stars in this drama based on a true story about inventor Robert Kearns, who revolutionized automobiles with his intermittent windshield wiper. Instead of getting rich, Kearns is ripped off by the automotive industry and engages in a years-long battle for recognition.

8. Locke (2013)

The camera rarely wavers from Tom Hardy in this existential thriller, which takes place entirely in Hardy's vehicle. A construction foreman trying to make sure an important job is executed well, Hardy's Ivan Locke grapples with some surprising news from a mistress and the demands of his family. It's a one-act, one-man play, with Hardy making the repeated act of conversing on his cell phone as tense and compelling as if he were driving with a bomb in the trunk.

9. Cop Car (2015)

When two kids decide to take a police cruiser for a joyride, the driver (Kevin Bacon) begins a dogged pursuit. No good cop, he's got plenty to hide.

10. Taxi Driver (1976)

Another De Niro and Scorsese collaboration hits the mark, as Taxi Driver is regularly cited as one of the greatest American films ever made. De Niro is a potently single-minded Travis Bickle, a cabbie in a seedy '70s New York who wants to be an avenging angel for victims of crime. The mercurial Bickle, however, is just as unhinged as those he targets.

11. Sweet Virginia (2017)

Jon Bernthal lumbers through this thriller as a former rodeo star whose career has left him physically broken. Now managing a hotel in small-town Alaska, he stumbles onto a plot involving a murderer-for-hire (Christopher Abbott), upending his quiet existence and forcing him to take action.

The Definitive Guide to All the Cats in Cats

James Corden, Laurie Davidson, and Francesca Hayward star in Tom Hooper's Cats (2019).
James Corden, Laurie Davidson, and Francesca Hayward star in Tom Hooper's Cats (2019).
Universal Pictures

Regardless of whether you were impressed, confused, or downright frightened by the trailer for Tom Hooper’s upcoming film adaptation of Andrew Lloyd Webber’s classic musical Cats, it’s safe to say that the star-studded cast and “digital fur technology” generated strong reactions all around. And, if you didn’t grow up listening to the soundtrack or watching performers in the 1998 film version purr and prance in furry, feline bodysuits, your shock is completely understandable.

Cats is light on plot, heavy on characters, and sprinkled with words that T.S. Eliot made up for his 1939 poetry collection Old Possum’s Book of Practical Cats, the basis for the musical. To familiarize yourself with all the eccentrically named cats—and find out who’s portraying them in the film—here’s a comprehensive list of every "romantical, pedantical, critical, parasitical, allegorical, metaphorical, statistical, and mystical" cat you’ll meet.

Admetus

admetus cats film 1998
Really Useful Films

Played by: Eric Underwood

Admetus is a ginger and white chorus cat with no spoken lines, but plenty of strong dancing sequences—perfect for former Royal Ballet soloist Eric Underwood. Though some musical productions have renamed Admetus as Plato (both names are mentioned in “The Naming of Cats”), the film will feature them as two separate characters.

Alonzo

Played by: Bluey Robinson

Alonzo is another chorus cat, identifiable by the black patches of fur on his face and the black-and-white stripes on his head. Apart from his ensemble appearances, he has intermittent solo lines and also assists Munkustrap during the fight against Macavity. Since singer/songwriter Bluey Robinson will portray him in the film, it’s possible that Alonzo will dance less than he has in stage productions.

Asparagus, the Theatre Cat

Played by: Sir Ian McKellen

Nicknamed “Gus,” this elderly, trembling tabby has an impressive acting history, which he recounts at length during his song (along with a few disparaging comments about how the theater isn’t what it once was, and kittens these days aren’t properly trained). Who better to play one of the Jellicles’ most well-respected thespians than one of the humans' most well-respected thespians, Sir Ian McKellen?

Bombalurina

Played by: Taylor Swift

Though Bombalurina is only mentioned by name once (in “The Naming of Cats”), she’s pretty hard to miss: the slinky, red-coated cat helps introduce Jennyanydots, the Rum Tum Tugger, Grizabella, Bustopher Jones, and Macavity. She most often sings with Demeter, her duet partner for “Macavity the Mystery Cat.”

Bustopher Jones

Played by: James Corden

Known as “the Brummell of cats,” this black-and-white, epicurean dandy frequents gentlemen’s clubs, wears white spats, and weighs a whopping 25 pounds. Jones’s genial manner endears him to just about everyone—not unlike James Corden.

Cassandra

cassandra in 1998's cats film
Really Useful Films

Played by: Mette Towley

With her sleek brown coat and her regal, mysterious manner, Cassandra seems like she might’ve been worshipped by ancient Egyptians in a past life. You might recognize Mette Towley, a member of Pharrell’s dance group, The Baes, from her appearances in 2019’s Hustlers and Rihanna’s “Lemon” music video—and you can be sure that she’ll uphold Cassandra’s legacy as one of the most eye-catching chorus cats.

Coricopat and Tantomile

Played by: Jaih Betote and Zizi Strallen

These striped twin tabby cats always move in unison and boast psychic abilities. Though the roles are sometimes cut from theatrical productions, we’ll get to see them in the film, played by hip hop dancer Jaih Betote and Zizi Strallen, best known for her work as Mary Poppins in the recent West End revival.

Demeter

demeter in 1998's cats film
Really Useful Films

Played by: Daniela Norman

This multicolored, slightly skittish cat usually duets with Bombalurina, and together they perform “Macavity the Mystery Cat” in full. It’s often implied that Demeter has a complicated romantic past with Macavity, who tries to abduct her during his attack. British ballet dancer Daniela Norman will star opposite Taylor Swift’s Bombalurina in the film, and you can also see her in Netflix’s upcoming ballet drama series Tiny Pretty Things.

Grizabella, the Glamour Cat

Played by: Jennifer Hudson

This aging starlet is now decrepit, depressed, and shamefully rejected by the rest of the Jellicles—think Sunset Boulevard’s Norma Desmond with more self-awareness and very raggedy fur. Even if the Cats original cast recording wasn’t the soundtrack for your childhood road trips, you might have heard Grizabella’s song “Memory;” it’s been covered by Barbra Streisand, Celine Dion, Barry Manilow, Glee’s Chris Colfer, and more. American Idol alum (and general ballad-belting powerhouse) Jennifer Hudson will bring her Academy Award-winning talents to the role of Grizabella in the film.

Growltiger and Griddlebone

Played by: Ray Winstone and Melissa Madden Gray

Growltiger, a rough-riding sea captain cat, and Griddlebone, his fluffy white lover, appear during “Growltiger’s Last Stand,” during which Gus reminisces about having played the part of Growltiger in a stage production long ago. The characters have been left out of some productions, including the 1998 film, but Hooper’s version will feature them, where they'll be played by British actor Ray Winstone and Australian performer Melissa Madden Gray (whose stage name, fittingly, is Meow Meow).

Jellylorum

Played by: Freya Rowley

Named after T.S. Eliot’s own cat, Jellylorum is a maternal calico who cares for Gus and also helps introduce Jennyanydots and Bustopher Jones. Though sometimes portrayed as older and more mature than some of the other cats, Freya Rowley (who performed as Tantomile on the UK tour of Cats) will likely bring a younger energy to the character.

Jennyanydots, the Old Gumbie Cat

Played by: Rebel Wilson

Jennyanydots is a goofy old tabby cat who lazes around all day and spends her nights teaching the basement vermin various household skills, etiquette, and performing arts. Under her tutelage, the mice learn to crochet, the cockroaches become helpful boy scouts, and the beetles form a tap-dancing troupe. Rebel Wilson is a perfect match for such a multifaceted, eccentric, and amusing gumbie cat (whatever gumbie is).

Macavity, the Mystery Cat

Played by: Idris Elba

The show’s main antagonist is a tall, thin criminal cat with sunken eyes and dusty ginger fur. While the Jellicles are plainly terrified of this “monster of depravity,” they also seem eerily impressed by his ability to elude capture and conviction. Historically, Macavity hasn’t done any speaking, singing, or dancing—he only shows up briefly to kidnap Old Deuteronomy during a rousing cat fight—but here’s hoping that Hooper has broadened the role for the film so we get to hear at least a good growl or two from Idris Elba.

Mr. Mistoffelees

Played by: Laurie Davidson

Laurie Davidson, who played Shakespeare in TNT’s Will, will take on the role of Mr. Mistoffelees, an affable tuxedo cat who peppers his magic tricks with plenty of high leaps and pizzazz. He’s generally beloved by the rest of the cats, and he also saves the day by conjuring Old Deuteronomy from wherever Macavity had hidden him.

Mungojerrie and Rumpleteazer

Played by: Danny Collins and Naoimh Morgan

These two roguish calicos describe themselves as “knockabout clowns, quick-change comedians, tightrope walkers, and acrobats.” They’re also partners in petty crime, notorious for smashing vases, stealing pearls, and generally wreaking havoc upon their posh family in Victoria Grove. British dancer Danny Collins will join Naoimh Morgan—who actually played Rumpleteazer in the Cats international tour—to bring the spirited rascals to life in the film.

Munkustrap

Played by: Robert Fairchild

Without Munkustrap, viewers would have little hope of understanding what’s actually happening in this vaguely plotted musical. Though there’s no song to introduce him, the striking, silver cat is still arguably the most important character: He describes the function of the Jellicle Ball, narrates the action as it unfolds, and leads the charge against Macavity’s attack. It takes a certified musical theater machine to play such an integral part, and Hooper has surely found that in Robert Fairchild, former New York City Ballet principal dancer and Tony Award nominee for An American in Paris.

Old Deuteronomy

Played by: Dame Judi Dench

In the gender-swapped role of our dreams, Dame Judi Dench will play Old Deuteronomy, the revered (usually male) town elder who chooses one lucky kitty at the annual Jellicle Ball to ascend to cat heaven, the Heaviside Layer, and be born again. It isn’t Dench’s first time in the junkyard: She was preparing to appear as both Jennyanydots and Grizabella in the original 1981 West End production of Cats when she snapped her Achilles tendon and had to pull out.

Plato and Socrates

Played by: Larry and Laurent Bourgeois (Les Twins)

Though Plato is a chorus cat mentioned in “The Naming of Cats” and included in some stage productions, Socrates was created specifically for Hooper’s film to make room for both halves of Les Twins, also known as Larry and Laurent Bourgeois. The French hip hop duo gained mainstream recognition after Beyoncé featured them in her 2018 Coachella set and subsequent Netflix concert film Homecoming.

Rum Tum Tugger

Played by: Jason Derulo

The Rum Tum Tugger is a perpetually fickle feline with a lot of rock-n’-roll flair and a pair of hips that he seems to have stolen from Mick Jagger himself. In addition to his own song, Tugger also sings “Mr. Mistoffelees” and features in a few other numbers. With Jason Derulo taking on the role for the film, there’s a good chance we’ll see a modernized, moonwalking version of this swoon-worthy cat.

Skimbleshanks, the Railway Cat

Played by: Steven McRae

Skimbleshanks is a charming Scottish cat who looks like a friendly tiger and ensures that all is in order on the night trains, which includes everything from patrolling for mice to reminding the guard to ask passengers how they like their tea. With his flaming red hair and graceful precision, Royal Ballet principal dancer Steven McRae definitely has a couple things in common with his character.

Syllabub/Sillabub/Jemima

Played by: Jonadette Carpio

This kitten’s name varies from production to production, but she’s usually characterized by her playful, innocent manner and her willingness to accept Grizabella when the other Jellicles try to shun her. Jonadette Carpio, Philippines native and member of the all-female Krump crew Buckness Personified, will bring her street dance background to the role in the film.

Victoria

Played by: Francesca Hayward

Though lithe, light-footed Victoria doesn’t sing any lines of her own in the original musical, her gleaming white coat and balletic dance solos still make her a standout—so it’s only fitting that Royal Ballet principal dancer Francesca Hayward will bring her to life in the film, where the role has been expanded into a main character. Andrew Lloyd Webber and Taylor Swift even collaborated on a new song called “Beautiful Ghosts” that Hayward will sing in the movie.

Miscellaneous Chorus Cats

Because theater companies vary in size and scope, certain chorus cats are sometimes omitted from productions—or members of the ensemble just aren’t assigned specific characters. At this point, Bill Bailey, Carbucketty, Electra, Etcetera, Peter, Pouncival, Quaxo, Rumpus Cat, Tumblebrutus, and Victor are all chorus cat names that haven’t been given to anybody in the film, but that doesn’t mean we won’t see extra cats in the shadows. According to Dance Spirit, Corey John Snide and Kolton Krause, who played Coricopat and Tumblebrutus on Broadway, respectively, have both been cast as ensemble members in Hooper’s film.

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