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27 Actors Who Got Their Starts on Miami Vice

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On September 28, 1984, Miami Vice made its premiere on NBC, and a new kind of cop show was born—one in which grown men weren’t afraid to pair pastel Ts with white Armani suits, music was an integral part of the storytelling, and pet alligators and sweet Ferraris were all within reach of an undercover narcotics officer. The show, which for the most part still holds up today (well, the first three seasons at least), is also famous for giving a break to dozens of then-unknown young actors who’ve since moved from the underbelly of South Beach to the top of the Hollywood A-list. Here are 27 of them. 

1. JIMMY SMITS: Season 1, Episode 1

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Before there was “Crockett and Tubbs,” there was “Crockett and Rivera.” As in Eddie Rivera, Crockett’s original—and beloved—partner, played by a then 29-year-old Jimmy Smits in his acting debut. Spoiler alert: He doesn’t make it past the pilot episode.

2. BEN STILLER: Season 4, Episode 2

Ben Stiller has made a career out of talking fast and being funny. Which is exactly what he was directed to do as a small-time con named Fast Eddie Felcher in his third-ever small-screen performance.

3. BRUCE WILLIS: Season 1, Episode 7

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Bruce Willis also owes the beginning of his small-screen career to Miami Vice, on which he played arms dealer extraordinaire Tony Amato in the show’s first season. Four months later, he was trading barbs with Cybill Shepherd as P.I. David Addison in Moonlighting, a role that earned Willis his first (and only) Golden Globe Award.

4. STEVE BUSCEMI: Season 3, Episode 7

Before he was Atlantic City’s most respected bootlegger on Boardwalk Empire, Steve Buscemi was the middleman for a Bolivian drug lord who sort of got his ass kicked by Willie Nelson.

5. JULIA ROBERTS: Season 4, Episode 22

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Even the greatest of television series lose their way on occasion, and Miami Vice was no exception. Particularly when they went the “amnesia” route, which had Sonny Crockett believing he was in fact his undercover alter ego, Sonny Burnett, at the end of season four. Which is when Julia Roberts made an appearance as Polly Wheeler, an art gallery manager/drug dealer’s assistant with a penchant for bad boys. And Sonny is just her type.

6. CHRIS COOPER: Season 4, Episode 22

Miami Vice’s casting directors scored big with their fourth season finale, which featured not one but two Oscar winners: Julia Roberts (see above) and Chris Cooper, who landed a plum role as a crooked cop from Fort Lauderdale intent on blowing Sonny’s cover in the drug underworld. 

7. DENNIS FARINA: Season 1, Episode 6

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In 1981, the late, great Dennis Farina was an 18-year veteran of the Chicago Police Department who was hired as a consultant on Michael Mann’s Thief due to his burglary expertise. Mann saw something he liked in the guy, cast him in a small role, and Dennis Farina: The Actor was born. Throughout the character actor’s career, Mann would remain one of his biggest champions, so his appearance in Miami Vice’s debut season is not surprising (Mann was the show’s executive producer, after all). Nor is the fact that his character, gangster Albert Lombard, became somewhat of a recurring character. 

8. KYRA SEDGWICK: Season 2, Episode 10

At the height of his musical popularity in 1985, following the release of his Diamond-certified No Jacket Required album, Phil Collins stepped in front of the camera to play game show host/con man Phil “The Shill” Mayhew, who moved to Miami from London and quickly set about depleting the bank accounts of the city’s richest residents with a shady drug deal. His accomplice in this endeavor? None other than “The Closer” herself, Kyra Sedgwick, in one of her earliest on-screen appearances (she was just 20 at the time).

9. BENICIO DEL TORO: Season 3, Episode 23

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Also 20 years old at the time of his appearance, future Oscar-winner Benicio del Toro had a bit part on Miami Vice in 1987 as Pito, an ex-con-turned-thespian with a local theater group, Mi Vida Loca.

10. VIGGO MORTENSEN: Season 3, Episode 19

Two years after making his big-screen debut in Peter Weir’s Witness, Viggo Mortensen partnered up with Lou Diamond Phillips to play two junior detectives (Eddie Trumbull and Bobby Diaz, respectively) working a case with Crockett and Tubbs. But when a deal goes bad and Viggo is killed, his partner becomes convinced that Tubbs is dirty. Annette Bening also appears in the episode. The end.

11. LIAM NEESON: Season 3, Episode 1

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Being a South Florida-set show about drugs in the 1980s, the bulk of Miami Vice’s episodes surround South American drug and arms dealers. Which made its third season premiere, “When Irish Eyes Are Crying,” a bit of an anomaly (in a good way). In it, Detective Gina Calabrese (Saundra Santiago) falls for an Irish philanthropist—played by Liam Neeson—who turns out to be a former IRA member and current terrorist. Oops!

12. MICHAEL RICHARDS: Season 2, Episode 17

If you thought Michael Richards’ inflections as Cosmo Kramer were specific to his Seinfeld character, close your eyes and listen to him playing a sleazy bookie in this episode from Miami Vice’s second season. You’ll swear Jerry, George, Elaine are in the room, too.

13. STANLEY TUCCI: Season 3, Episode 9

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In season three’s “Baby Blues” episode, Stanley Tucci played Steve Demarco, the adoptive father of a smuggled baby, and all went well. So well that the show’s producers brought him back for two more episodes in season four—but this time playing an entirely different character: crime lord Frank Mosca.

14. HELENA BONHAM CARTER: Season 3, Episode 16

Aww, Sonny Crockett is in love. And with a lovely young ER doctor named Theresa Lyons, played by Helena Bonham Carter. There’s just one problem: she also happens to be a heroin addict. Which causes a bit of friction in the relationship when Sonny sets his sights on taking down the dealer who supplies her.

15. RICHARD JENKINS: Season 1, Episode 15

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“Smuggler’s Blues” is probably one of the best known episodes of Miami Vice, first because it gave Glenn Frey (a founding member of The Eagles) the chance to show off his acting chops, and also because it featured his hit song of the same name. (Apologies if you get that stuck in your head for the rest of the day.) But separate yourself from all the Frey-ness of the episode and you’ll notice future Oscar nominee Richard Jenkins as D.E.A. Agent Ed Waters. (Jenkins appears again in the show’s fifth season, this time as a sleazy bookie named Goodman.)

16. LAURENCE FISHBURNE: Season 3, Episode 4

Back when he was still going by Larry, the man who would be Morpheus played a prison guard sizing up Tubbs, who was sent to the clink undercover in order to bust up an in-house drug operation. Turns out that Larry is one of the guys behind it.

17. JOHN TURTURRO: Season 1, Episode 16

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While the men are out busting up drug deals, the ladies of Miami Vice can usually be found in hooker attire, working undercover as prostitutes. So it’s only befitting that the show would feature a few pimps in its time, John Turturro among them (in his television series debut).

18. ED O’NEILL: Season 1, Episode 2

If Miami Vice taught us one thing about undercover work, it’s that your alias should be a different last name only (Sonny’s alter ego, for example, is Sonny Burnett). In the series’ second-ever episode, Ed O’Neill starred as undercover FBI agent Artie Lawson/Artie Rollins, a man who knows his way around a semi-automatic weapon. What would Al Bundy say?

19. BILL PAXTON: Season 3, Episode 10

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If there’s one thing an undercover cop should never do, it’s fall in love with a prostitute. Which is exactly what Bill Paxton, as Vic Romano, does. Much to the dismay of a pimp named Silk, played by Wesley Snipes in yet another Miami Vice Future Star Twofer.

20. OLIVER PLATT: Season 4, Episode 14

Stealing scenes is nothing new for Oliver Platt. He’s been doing it his entire career, including in his second-ever acting gig, playing arms dealer Speed Stiles.

21. MICHAEL MADSEN: Season 1, Episode 10

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Season one offered up yet another would-be-star twofer, when Michael Madsen played tougher-than-his-name-makes-him-sound drug dealer Sally Alvarado, with Terry O’Quinn (a.k.a. John Locke from Lost) as his lawyer.

22. TELLER: Season 4, Episode 8

Penn Jillette’s partner in magic-making’s biggest claim to fame may be his tendency to remain silent, but he had plenty to say as talky defense lawyer Ralph Fisher. Fun fact: Penn, too, appeared on the series, playing a middleman for a big-time New York City drug lord in the second season.

23. JOHN LEGUIZAMO: Season 2, Episode 21

Miami Vice Wiki

The tendency of Miami Vice’s producers to recast actors they liked—as completely different characters—is fairly legendary. No actor experienced this more than John Leguizamo, who had a recurring role as the vengeful son of the Vice squad’s main target, Calderone, between 1986 and 1987. Two years later, he was back on the show, this time as Angelo Alvarez, a drug dealer in his own right.

24. VING RHAMES: Season 1, Episode 17

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Ving Rhames, too, experienced the double-casting treatment. In season one he played a Haitian immigrant named Georges. In the fourth season he was Walker Monroe, a powerful arms dealer.

25. JOHN MICHAEL HIGGINS: Season 4, Episode 17

Miami Vice Wiki

Now a regular in Christopher Guest’s ensemble of comic actors, John Michael Higgins was a total unknown when he made his acting debut as Murray Phillips, a tabloid television reporter modeled on Maury Povich.

26. R. LEE ERMEY: Season 4, Episode 9

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When R. Lee Ermey tells you to jump… you run. The same year he became a household name with Full Metal Jacket, the former Marine Corps Drill Instructor made his television debut as a tough-talking—and very corrupt—homicide sergeant.

27. CHRIS ROCK: Season 4, Episode 7

Miami Vice Wiki

Funnyman Chris Rock had the misfortune to make his first television appearance in what is inarguably the single worst episode of Miami Vice ever produced. “Missing Hours,” which saw the series take a sci-fi turn for the worse, even featured a guest appearance by James Brown… as an alien. Rock plays an eager young records clerk who the squad tasks with researching UFOs and aliens.

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8 Gonzo Facts About Hunter S. Thompson
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Hunter S. Thompson in Gonzo: The Life and Work of Hunter S. Thompson (2008)
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Like any real-life legend, there are many myths surrounding the life and work of Hunter S. Thompson. But in Thompson’s case, most of those stories—particularly the more outlandish ones—are absolutely true. The founder of the “Gonzo journalism” movement is one of the most fascinating figures of the 20th century. In celebration of what would have been his 80th birthday, here are some things you might not have known about the eccentric writer.

1. HE WAS NAMED AFTER A FAMOUS SCOTTISH SURGEON.

Hunter S. Thompson was reportedly named after one of his mother’s ancestors, a Scottish surgeon named Nigel John Hunter. But Hunter wasn't just your run-of-the-mill surgeon. In a 2004 interview with the Independent, Thompson brought along a copy of The Reluctant Surgeon, a Biography of Nigel John Hunter, a biography of his namesake, which read: "A gruff Scotsman, Hunter has been described as the most important naturalist between Aristotle and Darwin, the Shakespeare of medicine and the greatest man the British ever produced. He was the first to trace the lymphatic system. He performed the first human artificial insemination. He was the greatest collector of anatomical specimens in history. He prescribed the orthopaedic shoe that allowed Lord Byron to walk."

When pressed about what that description had to do with him, Thompson responded: "Well, I guess that might be the secret of my survival. Good genes."

2. HE MISSED HIS HIGH SCHOOL GRADUATION … BECAUSE HE WAS IN JAIL.

Just a few weeks before he was set to graduate from high school, at the age of 17, Thompson was charged as an accessory to robbery and sentenced to 60 days in jail. 

“One night Ralston Steenrod, who was in the Athenaeum with Hunter, was driving, and Hunter and another guy he knew were in the car,” Thompson’s childhood friend Neville Blakemore recalled of the incident. “As they were driv­ing through Cherokee Park, the other guy said, ‘Stop. I want to bum a ciga­rette from that car.’ People used to go park and neck at this spot. And the guy got out and apparently went back and mugged them. The guy who was mugged got their license number and traced the car, and within a very short time they were all three arrested.

“Just before this Hunter had been blamed for a nighttime gas-station rob­bery,” Blakemore added, “and before that he and some friends got arrested for buying booze under­age at Abe's Liquor Store on Frankfort Avenue by the tracks. So Hunter had a record, and he was already on probation. He was given an ultimatum: jail or the military. And Hunter took the Air Force. He didn't graduate with his class.”

3. IT WAS A FELLOW JOURNALIST WHO COINED THE TERM “GONZO.”

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While covering the 1968 New Hampshire primary, Thompson met fellow writer and editor Bill Carodoso, editor of The Boston Globe Sunday Magazine, which is where Thompson first heard him use the word “Gonzo.” “It meant sort of ‘crazy’ or ‘off-the-wall,’” Thompson said in Anita Thompson’s Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson. Two years later, in June 1970, Thompson wrote an article for Scanlan’s Monthly entitled “The Kentucky Derby Is Decadent and Depraved,” which became a game-changing moment in journalism because of its offbeat, slightly manic style that was written with first-person subjectivity.

Among the many fellow journalists who praised Thompson for the piece was Cardoso, who sent a letter to Thompson that “said something like, ‘Forget all the sh*t you’ve been writing, this is it; this is pure Gonzo.’ Gonzo. Yeah, of course. That’s what I was doing all the time. Of course, I might be crazy.” Thompson ran with the word, and would use it himself for the first time a year later, in Fear and Loathing in Las Vegas.

4. HE TYPED OUT FAMOUS NOVELS TO LEARN THE ART OF WRITING.

In order to get the “feel” of being a writer, Thompson used to retype his favorite novels in full. “[H]is true model and hero was F. Scott Fitzgerald,” Louis Menand wrote in The New Yorker. “He used to type out pages from The Great Gatsby, just to get the feeling, he said, of what it was like to write that way, and Fitzgerald’s novel was continually on his mind while he was working on Fear and Loathing in Las Vegas, which was published, after a prolonged and agonizing compositional nightmare, in 1972.”

"If you type out somebody's work, you learn a lot about it,” Thompson told Charlie Rose in 1997. “Amazingly it's like music. And from typing out parts of Faulkner, Hemingway, Fitzgerald—these were writers that were very big in my life and the lives of the people around me—so yeah, I wanted to learn from the best I guess."

5. HE RAN FOR SHERIFF IN COLORADO.

In 1970, Thompson ran for sheriff of Pitkin County, Colorado on what he called the Freak Power ticket. Among his political tactics: shaving his head so that he could refer to his opponent as his “long-haired opponent,” promising to eat mescaline while on duty, and campaigning to rename Aspen “Fat City” to deter "greed heads, land-rapers, and other human jackals from capitalizing on the name 'Aspen.'" Unfortunately, he lost.

6. HE STOLE A MEMENTO FROM ERNEST HEMINGWAY.

In 1964, three years after Ernest Hemingway committed suicide at his cabin in Ketchum, Idaho, Thompson traveled to the late author’s home in order to write “What Lured Hemingway to Ketchum?” While there, according to his widow, Hunter “got caught up in the moment” and took “a big pair of elk horns over the front door.” Last year, more than a decade after Thompson’s death, Anita returned the antlers to the Hemingway family—which is something she and Hunter had always planned to do. “They were warm and kind of tickled … they were so open and grateful, there was no weirdness,” Anita said.

7. HE ONCE USED THE INSIDE OF MUSICIAN JOHN OATES’ COLORADO CABIN AS HIS PERSONAL PARKING SPACE.

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Earlier this month, musician John Oates—the latter half of Hall & Oates—shared a story about his ranch in Woody Creek, Colorado, just outside of Aspen, which is currently on the market for $6 million. In an interview with Colorado Public Radio, Oates recalled how when he first purchased the cabin, there was a red convertible parked inside. “I happened to ask the real estate agent who owned the convertible, and he said ‘your neighbor Hunter Thompson,’” Oates said. “Why is he keeping his car in a piece of property he doesn’t own? The real estate agent looked at me and said ‘It’s Woody Creek, you’ll figure this out. It’s a different kind of place.’” After sending several letters to his neighbor to retrieve his vehicle, Oates took matters into his own hands and deposited the car on Thompson’s lawn. Oates said that the two became friends, but never mentioned the incident.

8. AT HIS FUNERAL, HIS ASHES WERE SHOT OUT OF A CANNON.

On February 20, 2005—at the age of 67—Thompson committed suicide. But Thompson wasn’t about to leave this world quietly. In August of that year, in accordance with his wishes, Thompson's ashes were shot into the air from a cannon while fireworks filled the sky.

“He loved explosions," his widow, Anita, told ESPN, which wrote that, “The private celebration included actors Bill Murray and Johnny Depp, rock bands, blowup dolls and plenty of liquor to honor Thompson, who killed himself six months ago at the age of 67.”

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15 Memorable Quotes from George A. Romero
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Hollywood has lost one of its most iconic horror innovators with the death of George A. Romero, who passed away on Sunday at the age of 77. “He died peacefully in his sleep, following a brief but aggressive battle with lung cancer, and leaves behind a loving family, many friends, and a filmmaking legacy that has endured, and will continue to endure, the test of time,” his manager, Chris Roe, said in a statement.

Though he rose to prominence as the master of zombie flicks, beginning with Night of the Living Dead, Romero honed his filmmaking skills on a far less frightening set: shooting bits for Mister Rogers’ Neighborhood.

“I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made,” Romero once said. “What I really mean is that I was scared sh*tless while I was trying to pull it off.” (Rogers returned the favor by being a longtime champion of Romero’s work—and even called Dawn of the Dead “a lot of fun.”)

It’s that high-spirited sense of fun that made Romero’s work so iconic—and kept the New York City native busy for nearly 50 years. To celebrate his life and career, here are 15 of his most memorable quotes on everything from the humanity of zombies to the horror of Hollywood producers.

ON THE IMPORTANCE OF HAVING A SENSE OF HUMOR

“For a Catholic kid in parochial school, the only way to survive the beatings—by classmates, not the nuns—was to be the funny guy.”

ON THE HOLLYWOOD WAY

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”

ON BEING PIGEONHOLED

“As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!”

ON ZOMBIES AS A METAPHOR

“I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.”

ON FINDING OBJECTIVITY AS A FILMMAKER

“There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.”

ON THE REAL VALUE OF THE INTERNET

“What the Internet's value is that you have access to information but you also have access to every lunatic that's out there that wants to throw up a blog.”

ON THE HORROR OF DEALING WITH PRODUCERS

“I'll never get sick of zombies. I just get sick of producers.”

ON THE IMPORTANCE OF COLLABORATION

“Collaborate, don’t dictate.”

ON THE BEAUTY OF LOW-BUDGET MOVIEMAKING

“I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed.”

ON HUMANS BEING THE REAL VILLAINS

“My zombies will never take over the world because I need the humans. The humans are the ones I dislike the most, and they're where the trouble really lies.”

ON BEING IMMUNE TO TRENDS

“Somehow I've been able to keep standing and stay in my little corner and do my little stuff and I'm not particularly affected by trends or I'm not dying to make a 3-D movie or anything like that. I'm just sort of happy to still be around.”

ON THE HUMANITY OF HORROR

“My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.”

ON THE ENDURING APPEAL OF HORROR

“If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.”

ON THE IMPORTANCE OF SURROUNDING ZOMBIES WITH STUPID PEOPLE

“A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.”

ON LIFE AFTER DEATH

“I'm like my zombies. I won't stay dead!”

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