25 Facts About Seinfeld For Its 30th Anniversary

Hulton Archive, Getty Images Plus
Hulton Archive, Getty Images Plus

Though Seinfeld has famously earned the reputation of being a “show about nothing,” the idea behind the series—which premiered on July 5, 1989—was anything but. Here are 25 things you might not know about the legendary sitcom on its 30th anniversary.

1. It began as a one-off television special.

The original concept for Seinfeld wasn’t for an ongoing series, but a one-off, 90-minute special titled "Stand Up that was set to run for one night only in Saturday Night Live’s time slot.

2. It was never pitched as "a show about nothing."

During a 2014 Reddit AMA, Jerry Seinfeld admitted that both he and co-creator Larry David were surprised by how Seinfeld earned its “show about nothing” moniker: "The pitch for the show, the real pitch, when Larry and I went to NBC in 1988, was we want to show how a comedian gets his material,’” Seinfeld explained. "The show about nothing was just a joke in an episode many years later, and Larry and I to this day are surprised that it caught on as a way that people describe the show, because to us it’s the opposite of that."

3. Kramer was originally Kessler.

Julia Louis-Dreyfus, Michael Richards, and Jerry Seinfeld in a scene from 'Seinfeld'
Hulton Archive/Getty Images

In the pilot episode, Kramer is called Kessler, as the real Kramer—Larry David’s former neighbor, Kenny Kramer—was hesitant to let his name be used for the show. Eventually, the “real” Kramer relented. Though he says he was paid just $1000 for the use of his name in the series, Kramer has since profited in other ways, namely with his Kramer’s Reality Tour bus tour (which is now in its 22nd year).

4. Jerry Seinfeld wanted Jake Johannsen to play George.

Though it’s hard to imagine Seinfeld without Jason Alexander as George Costanza, Seinfeld admitted that Alexander was not his first choice for the part. In an interview with Access Hollywood, Seinfeld said that he “begged” fellow comedian Jake Johannsen to take the part, but Johannsen refused.

5. The rumors that Steve Buscemi auditioned to play George are not true.

For years it was rumored that Steve Buscemi was one of many soon-to-be-successful actors who unsuccessfully auditioned for Seinfeld (David Alan Grier was also in the mix, as was David Letterman’s bandleader Paul Shaffer, who said in his autobiography that his resemblance to Larry David—upon whom George is based—was what made him of interest to the show’s creators). But on a 2015 episode of The Tonight Show with Jimmy Fallon, Buscemi addressed the rumor in his typical good-natured way: “I never did [the audition] and I don’t know how to correct it because I don’t know how the Internet works."

6. Jason Alexander didn't think the show had a chance.

Jason Alexander loved the script for Seinfeld, which is what made him question the show's potential to be successful. “From the moment I saw the script I thought it would be the most brilliant thing I'd ever be part of, and that it would not run for even a day,” Alexander told Deseret News in 1992. “Because the audience for this show is me, and I don't watch TV … But I don't think anyone is more surprised by the success of [ Seinfeld ] than we are, because we thought, ‘Oh, we'll amuse ourselves, and that'll be it. We'll have a videotape at the end of it that we could play at parties.’”

7. There was one episode where Alexander didn't make an appearance, and he wasn't happy about it.

A still from 'Seinfeld'
Hulton Archive, Getty Images

In all of Seinfeld’s 172 episodes, there’s only one in which Alexander doesn’t appear—the season three episode, “The Pen,” which has Jerry and Elaine visiting Jerry’s parents in Florida (and Jerry getting an astronaut pen from their neighbor). Nervous that being written out of the episode meant that he could be written out of the show, Alexander warned Larry David that “if you do it again, do it permanently.”

8. The real George Costanza sued for $100 million.

Like Kramer, George Costanza was (partially) named after a real person: Jerry’s former friend Michael Costanza, who sued Seinfeld, David, and NBC for $100 million, claiming that the series had violated his privacy. The court sided with the show’s creators, who have always maintained that George is based on co-creator Larry David. In his book, The Real Seinfeld (As Told by the Real Costanza), Costanza noted: “George is bald. I am bald. George is stocky. I am stocky. George and I both went to Queens College with Jerry. George's high-school teacher nicknamed him ‘Can't stand ya.’ So did mine. George had a thing about bathrooms and parking spaces. So do I.”

9. Julia Louis-Dreyfus wasn't aware of the pilot episode until 2004.

Originally, the main female character was supposed to be Claire, a waitress at the coffee shop who would offer Jerry and George advice with their coffee. “[W]hen we shot the pilot, I was the girl in Seinfeld,” Lee Garlington, the actress who played Claire in the pilot, told HuffPo. “They didn't pick up my contract.” There are differing accounts as to why this happened. Jason Alexander said it was because Garlington rewrote all of her lines; while Seinfeld confirmed that she did indeed give Larry David a rewrite, he swears that that’s not the reason she was replaced, saying they just needed “a character who was a little more involved.”

In a making-of documentary on the season one DVD, Julia Louis-Dreyfus admits that she wasn’t even aware of the pilot until 2004—and has no plans to watch it. Garlington can relate: “I think I watched two episodes in 10 years just because I had friends on it or something,” she said. “It didn't bother me the first five years. [Laughs] But the second five years drove me nuts. I don't know why.”

10. Rosie O'Donnell auditioned to play Elaine.

Rosie O’Donnell auditioned for the part of Elaine at the behest of Larry David; the two were old friends, having come up on the standup comedy scene together. Mariska Hargitay, Patricia Heaton, Amy Yasbeck, and Megan Mullally were also among the other actresses considered for the part.

11. Elaine's dad really did scare the hell out of the cast.

In the series, Elaine’s father is a noted author, Alton Benes. The character was based on Revolutionary Road novelist Richard Yates, the father of Larry David’s own ex, Monica Yates (who really did intimidate David). In the series, Alton was played by legendary tough guy Lawrence Tierney (who played Joe in Reservoir Dogs) in the season two episode “The Jacket” (which was based on David’s real night out with Yates). Though it was intended to be a recurring role, Tierney—like his on-screen counterpart—really did terrify the cast, particularly when Seinfeld discovered that he had stolen a butcher knife from the set, and hid it under his jacket. “Lawrence Tierney scared the living crap out of all of us,” Alexander admitted. And so, Alton Benes made just a single appearance on the show.

12. There was a strict "no hugging, no learning" policy.

Larry David made sure that the cast and crew were aware of his “no hugging, no learning” motto for the show, which meant that they should avoid any sort of sentimentality or situations that would force the characters to change or grow. “A lot of people don't understand that Seinfeld is a dark show,” David said. “If you examine the premises, terrible things happen to people. They lose jobs; somebody breaks up with a stroke victim; somebody's told they need a nose job. That's my sensibility.”

13. The real Soup Nazi says the show ruined his life.

Al Yeganeh, the real soup store owner upon whom The Soup Nazi is based, was not pleased with his depiction in the series, as is evident from the CNN interview above, where he calls Seinfeld “a clown” whose use of “the N word—the Nazi word—is disgraceful.” When the interviewer countered that “you’re famous because of him,” Yeganeh insisted “No. He got fame through me. I made him famous.” Unsurprisingly, Seinfeld was banned from Yeganeh’s restaurant (which didn’t stop the comedian from making a surprise appearance when the soup stall reopened in 2010).

14. The Farrelly brothers wrote an episode.

Two years before Dumb & Dumber made them two of Hollywood’s reigning kings of comedy, Peter and Bobby Farrelly wrote an episode of Seinfeld. The There’s Something About Mary co-creators wrote “The Virgin” in season four, in which Jerry dates Marla the virgin (Frasier’s Jane Leeves) and Elaine attempts to give her an education in sex in the 1990s.

15. Julia Louis-Dreyfus (sort of) got Susan killed off.

Nearly 20 years after Susan Ross, George’s fiancée, was killed off in the seventh season, Jason Alexander revealed what prompted that particularly morbid storyline. In an interview with Howard Stern, Alexander admitted that, “I couldn't figure out how to play off of [Heidi Swedberg]. Her instincts for doing a scene, where the comedy was, and mine were always misfiring. And she would do something, and I would go, ‘OK, I see what she's going to do—I'm going to adjust to her.' And I'd adjust, and then it would change.” Then it was Louis-Dreyfus’s turn to share some scenes with Hedberg. “They go, 'You know what? It's f***ing impossible. It's impossible,'" Alexander continued. "And Julia actually said, 'Don't you want to just kill her?' And Larry went, 'Ka-bang!'" And that was that.

16. There's an abandoned episode called "The Bet."

Though it may have seemed as if no topic was off-limits for Seinfeld’s creators (remember "The Contest"?), an episode that revolved around the ease with which one could buy a handgun was eventually dumped. Titled “The Bet,” it was written for the show’s second season; “We started making it and stopped in the middle and said ‘this doesn't work,’” Seinfeld said during an AMA. “We did the read-through and then canceled it. A lot of other stuff happened, but trying to make that funny ended up being no fun.” The episode was replaced with “The Phone Message.”

17. A Miller Brewing executive was fired for discussing "The Junior Mint" episode with a female co-worker.

It’s the episode where Jerry can’t remember his girlfriend’s name, but knows that it rhymes with a female body part. After discussing the episode with a female colleague, Jerold Mackenzie, then an executive at Milwaukee’s Miller Brewing, was fired for sexual harassment. Mackenzie, in turn, counter-sued—and was awarded $26.6 million. (A verdict which was overturned on appeal.)

18. The writers thought Elaine's dance moves might kill Louis-Dreyfus's career.

Seinfeld writer Spike Feresten told HuffPo that Larry David was not a fan of the eighth season episode “The Little Kicks,” in which Elaine ... dances (for lack of a better term). He only got approval on the storyline after David had left, but then became concerned that it might be a big mistake.

“I remember walking through at rehearsal,” Feresten said. “[Writer-producer] Jennifer Crittenden pulled me aside after Julia did the dance for the first time and said, 'Are you sure about this? Are you sure you're not ruining Julia Louis-Dreyfus's career?' 'No, I'm not.' That's the year she won an Emmy.” Sweet, fancy Moses!

19. The backwards episode was inspired by Harold Pinter.

Season 9’s backwards episode, “The Betrayal,” is based on a Harold Pinter play of the same name, which utilizes a similarly nonlinear narrative device. And also explains why Sue-Ellen Mishkie’s fiancé's name is Pinter.

20. There was a Jackie Stiles spinoff in the works.

Back in 1999, more than a year after the Seinfeld finale had aired, the media was abuzz with what would be the series’s first spinoff: The Jackie Chiles Show. Phil Morris, who made a handful of appearances on the series as a fast-talking, Johnnie Cochran-like lawyer, was working with Seinfeld and David on the pitch, which would find him as the sole black lawyer in an all-white firm. At some point, plans apparently fell apart.

21. George Steinbrenner actually filmed some scenes for the show.

During George’s tenure with the Yankees organization, legendary team owner George Steinbrenner was a recurring character … except we never saw his face and he was voiced by Larry David. But Steinbrenner proved to be a good sport when he agreed to film some scenes for the show, in which he proposes that he and Elaine attend George’s wedding together. Unfortunately, the cameo never aired.

22. Seinfeld turned down $110 million for season 10.

Not that there's anything wrong with that. But when Seinfeld turned down the chance to earn $5 million per episode—a grand total of $110 million—to come back for a tenth season, the network finally got that he wasn’t kidding around.

23. Numerology played a part in the show's conclusion.

Seinfeld has made no secret about his love of the number nine. In an interview with Vanity Fair about the show’s end, he explained that part of the reason for his decision to end at nine seasons was because: “Nine is cool. When I was thinking about quitting the show, I thought, nine. People said, 'Ten—why not 10?' But 10 is lame. Nine is my number. And then I found out that nine in numerology means completion.”

24. The series begins and ends with buttons.

It might take binge-watching the series to realize that the very first conversation Jerry and George have in the pilot (which you can see in the clip above) and their last conversation in the finale are about a poorly-placed button, and are almost verbatim.

25. Seinfeld doesn't like "The Alternate Side."

When asked about his least favorite episode of the series on Watch What Happens: Live, Seinfeld admitted that it was “The Alternate Side,” in which Jerry’s car is stolen, George blocks traffic during a Woody Allen film shoot, and Kramer gets fired before he ever gets to utter his now-famous line: “These pretzels are making me thirsty!” His favorite show moment? “George pulling out the golf ball at the end of the marine biologist episode,” he told Uproxx. "That’s my favorite moment from the entire series.”

21 Fun Facts About Elf

Warner Home Video
Warner Home Video

Everyone knows the best way to spread Christmas cheer is singing loud for all to hear! But the second best way is to enjoy Elf. Revel in the giddy glow of this modern holiday classic with a slew of secrets from behind the scenes.

1. Jim Carrey was initially eyed to play Buddy the elf.

When David Berenbaum's spec script first emerged in 1993, Carrey was pre-Ace Ventura: Pet Detective and attached to front the Christmas film. However, it took another 10 years to get the project in motion, at which time Saturday Night Live star Will Ferrell was signed to star. Carrey would go on to headline his own Christmas offerings—the live-action How The Grinch Stole Christmas and the CGI animated A Christmas Carol.

2. Will Ferrell worked as a mall Santa.


Warner Bros.

And his A Night at the Roxbury co-star Chris Kattan was his elf. This was back when the pair were pre-Saturday Night Live, and part of the comedy troupe The Groundlings. Ferrell recollected to Spliced Wire, "I have some experience playing Santa Claus … Chris Kattan was my elf at this outdoor mall in Pasadena for five weeks, passing out candy canes. It was hilarious because little kids could care less about the elf. They just come right to Santa Claus. So by the second weekend, Kattan had dropped the whole affectation he was doing and was like (Ferrell makes a face of bitter boredom), 'Santa's over there, kid.'"

3. Director Jon Favreau favored practical effects.

Inspired by the Christmas specials he grew up with, Favreau explained in the film's commentary track that he employed “old techniques” instead of CGI whenever possible. This included stop-motion animation, and using forced perspective to make Buddy look like a giant among his elf peers. For North Pole scenes, two sets were built—one larger scale for the actors playing elves, the other smaller to make Buddy and Santa look big. These elements where then carefully overlaid in camera, using lighting to blend the seams.

4. Snow was often computer-generated.


Warner Home Video

Some effects just couldn't be practical. These included the snowflakes that drift over the opening credits, and many of the snowballs in Buddy's pivotal fight scene. It's probably not much of a shocker that much of these were added in post, considering Buddy's perfect aim. But to further underscore the drama that is a snowball fight in frosty New York, Favreau asked composer John Debney to give this section a Western vibe that would recall The Magnificent Seven.

5. Elf's production design was heavily influenced by Rudolph The Red-Nosed Reindeer.

The classic stop-motion Christmas special from 1964 gave a memorable presentation of Santa's winter wonderland to which Favreau wanted to pay tribute. The elves' costumes in Elf were inspired by those worn by Hermey and his peers in the animated film. And Elf's workshops were modeled after the Rankin/Bass designs, as were the stop-motion animals of the area. The production did secure permission for these allusions, and was even granted the privilege of using the company's signature snowman.

6. There's a Christmas Story cameo.

Peter Billingsley, who memorably played the Red Ryder-wanting Ralphie in the 1983 holiday classic, popped in to play Ming the elf. It's an uncredited role, but between the glasses and those bright baby blue eyes, Billingsley stands out as an A Christmas Story Easter egg. This marks just one of many Billingsley and Favreau's collaborations. Billingsley has been a producer on several of Favreau's film and television projects.

7. Jon Favreau played multiple parts in Elf.

Jon Favreau directs Will Ferrell in 'Elf' (2003)
Alan Markfield, New Line Productions

As a writer/director/actor, Favreau has often appeared in his own films. He fronted Made with friend Vince Vaughn, and later found a sweet supporting role for himself in Iron Man. You may have picked him out as the doctor in Elf, but on the DVD commentary, Favreau revealed he also tapped in to his inner narwhal and provided the voices for some of the stop-animation critters who see Buddy off from the North Pole. He also voiced the rabid raccoon Buddy encounters.

8. Baby buddy was fired.

To play the bubbly baby version of the titular elf, Favreau had initially cast twin boys whose blonde curly hair made them great little doubles for the mop-topped Ferrell. However, the production ran into a problem when the boys couldn't perform. Instead of smiling and crawling as needed, they cried relentlessly. To replace them, brunette triplet girls were brought in, who were far perkier and more playful, and thereby ready for their close-ups.

9. Buddy was bullied in an early version.

In first drafts of Berenbaum's Elf script, Buddy's decision to seek out his dad was in part because he was being hassled by the actual elves for being different. Favreau pushed to take out this element. He preferred to keep the North Pole characters warm, even when Buddy bugs them. In the DVD commentary, Favreau offers, “It explained why Buddy was doing all these good things in New York if he grew up in a world where everybody was so sweet even when he’s obviously screwing everything up and doesn’t fit in at all.”

10. Elf hockey hit the cutting room floor.

Poor Buddy accidentally wreaks all kinds of havoc on his elf community because of his ungainly size. One such scene of his well-meaning mayhem featured Buddy playing hockey on a frozen pond. The friendly game becomes unintentionally violent when the too-big Buddy takes to the ice. Though it was shot, it ended up being chopped from the finished film.

11. Elf was shot on location in New York when it counted.

Like many productions, this one took advantage of the financial benefits of filming in Canada, and much of Elf was shot in sound stages in Vancouver. However, when Buddy comes to New York, it was important to Favreau to shoot on location whenever possible. This includes all the Manhattan exteriors, as well as scenes shot at Rockefeller Center, Central Park, and Central Park West, where Buddy's dad lives.

12. Some of Elf’s sets were built in a horror factory.

Okay, technically it was an abandoned mental hospital, where the production team constructed the interior sets for Walter's Central Park West apartment, Gimbels's lavish toy department, and that grim prison cell. The facility is called Riverview Hospital, and it has played host to a long list of film and television productions, including The X-Files, Final Destination 2, Jennifer's Body, and See No Evil 2.

13. Macy's stood in for Gimbels.

The sprawling department store that takes up a whole block in Manhattan was digitally altered to transform into Elf's Gimbels. A bit awkward: Gimbels was once a real department store, and a noted rival of Macy's. Though immortalized here and in the 1947 classic Miracle on 34th Street, the department store closed its doors in 1987, its 100th year of operation.

14. Will Ferrell broke James Caan.


Warner Home Video

The Academy Award-nominated star of The Godfather was hired to play Walter in part because Favreau wanted a stern persona to play against Ferrell's giddy Buddy, and Caan took the comedy of Elf seriously. He knew it was crucial for Walter to be annoyed—never amused—by his supposed son's antics. But when it came to the blood test scene where Buddy bellows when pricked by a needle, Caan cracked. Watch closely and you'll see he turns away from the camera so as not to ruin the take.

15. The studio didn't get a joke from the mailroom sequence.

This was the last set piece shot for Elf, and one that filmmakers were wavering on from its conception late in production. Grizzled Mark Acheson's casting as Buddy's drinking buddy concerned execs because of the line, "I'm 26 years old." The studio noted the actor does not look 26, to which Favreau—who had previously cast Acheson in a small role that had been cut before production—responded that this disconnect was part of the joke.

16. Will Ferrell went method with those jack-in-the-boxes.

In the scene where Buddy suffers as a toy tester, he's subjected to popping open an endless stream of menacing jack-in-the-boxes. The anxiety etched on Ferrell's face in these scenes is real. Rather than standard jack-in-the-boxes that would pop at the song's end, these were remote controlled by Favreau, who purposely manipulated their timing to toy with his star and get authentic reactions.

17. Will Ferrell frolicked all over New York City in character.

The final day of Elf's New York shooting was pared down from a massive crew to just three people: its star, its director, and one cameraman. Together, this trio traveled around the city, looking for mischief for Buddy to get into with random passersby turned background extras. This included him leapfrogging across a pedestrian walk, happily accepting flyers, and getting his shoes shined, all of which made it into the movie's cheerful montage.

18. That epic burp was real, but overdubbed.

Though uncredited, that lengthy belch came not from Ferrell, but from noted voice actor Maurice LaMarche, who might be best known for Brain of Pinky and the Brain. LaMarche shared his secret to such an impressive burp with The A.V. Club, saying, "I’ve always been able to do this weird effect, where I turn my tongue, not inside out, but almost. I create a huge echo chamber with my tongue and my cheeks, and by doing a deep, almost Tuvan rasp in my throat, and bouncing it around off this echo chamber, I create something that sounds very much like a sustained deep burp."

19. Elf made its star stick.

In the movie, Buddy is happy to gobble down an endless supply of sweets, including maple syrup-coated spaghetti and cotton balls made of cotton candy. But this sugary diet played havoc on Ferrell, who told About Entertainment, "That was tough. I ingested a lot of sugar in this movie and I didn't get a lot of sleep. I constantly stayed up. But anything for the movie, I'm there. If it takes eating a lot of maple syrup, then I will—if that's what the job calls for."

20. Will Ferrell refuses to make Elf 2.

Though the comedian reprised the role of Ron Burgundy for Anchorman 2: The Legend Continues and returned as Mugatu in Zoolander 2, he flat out rejected the possibility of bringing back Buddy, even after being offered a reported $29 million. In December of 2013, he told USA TODAY, "I just think it would look slightly pathetic if I tried to squeeze back in the elf tights: Buddy the middle-aged elf."

21. Elf became a hit Broadway musical.

From November 2010 to January 2011, Elf the musical ran on Broadway, boasting songs like "World's Greatest Dad," "Nobody Cares About Santa," and "The Story of Buddy The Elf." This run was a huge success, taking in more than $1.4 million in one week, a record for the Al Hirschfield Theater where it debuted. Plus, The New York Times called it, "A splashy, peppy, sugar-sprinkled holiday entertainment." A revival hit in time for Christmas 2012, and national tours have been recurring.

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