35 Surprising Facts About The Office

NBC
NBC

In 2005, a group of Americans were tasked with adapting Ricky Gervais and Stephen Merchant's beloved British series The Office. They rose to the high expectations and managed to create a successful comedy that ran for nine seasons.

Here are 35 things you might not have known about the workplace sitcom.

1. B.J. NOVAK WAS THE FIRST PERSON CAST.

 Actor Mindy Kaling (L) and B. J. Novak at the world premiere of Disney’s 'A Wrinkle in Time' at the El Capitan Theatre in Hollywood CA, Feburary 26, 2018
Alberto E. Rodriguez, Getty Images for Disney

The show’s producer, Greg Daniels, was inspired by his time on Saturday Night Live and wanted to hire a writer-performer. Other writer-performers who were later added include Mindy Kaling (Kelly) and Paul Lieberstein (Toby). Michael Schur, who wrote and produced the show, played Dwight’s cousin, Mose.

2. THE CAST COULD HAVE BEEN WAY DIFFERENT.

For instance, Adam Scott auditioned for the part of Jim Halpert. Seth Rogen was in the running to play Dwight Schrute. Eric Stonestreet, who is now on Modern Family, auditioned for Kevin. Before getting cast as Angela, Angela Kinsey auditioned for Pam. Bob Odenkirk was originally cast as Michael Scott but was replaced by Steve Carell when the show he’d been working on, Come to Papa, was canceled. In a late-season episode, Odenkirk played a very Michael Scott-like manager looking to hire Pam.

See Also: 12 Outrageous Fan Theories About The Office

3. JOHN KRASINSKI HAD A ROUGH AUDITION.

One reason Adam Scott could have easily played Jim: John Krasinski’s audition for The Office didn’t go too well. First of all, he was supposed to audition for Dwight, but he convinced the casting directors to let him read for the part of Jim. Secondly, he got into some trouble in the waiting room. A man eating salad in the room asked him if he was nervous. Krasinski answered, “You know, not really. You either get these things or you don't. But what I'm really nervous about is this show. It's just I love the British show so much and Americans have a tendency to just really screw these opportunities up. I just don't know how I'll live with myself if they screw this show up and ruin it for me.” The man responded, “My name's Greg Daniels, I'm the executive producer.” Still, Krasinski managed to get the part.

4. AFTER HE GOT THE PART, JOhn KRASINSKI INTERVIEWED PAPER COMPANy EMPLOYEES for research.

John Krasinski stars in 'The Office'
NBCUniversal Media, LLC

Krasinski met with several employees at different paper companies to research his role, and he filmed a visit he took through Scranton, Pennsylvania. The footage of his trip through the city was actually used in the show’s opening credits sequence and, according to Rainn Wilson’s memoir, The Bassoon King: Art, Idiocy, and Other Sordid Tales from the Band Room, would go on to play a role in helping production with set decoration and design details.

5. PHYLLIS SMITH GOT CAST BY CASTING PEOPLE.

Phyllis was a casting agent for the show before she got the part of Phyllis. She was reading the script with some auditioning actors when director Ken Kwapis decided that she was the one who should play the role.

6. EVERYBODY NEEDED TO IMPROVISE.

Even if they weren’t writers, Daniels wanted to make sure his actors had a background in improvisation. He has said, “Improv is a good tool to make it seem more natural."

7. THEY INITIALLY STAYED CLOSE TO THE BRITISH VERSION.

Ricky Gervais stars in 'The Office'
YouTube

The pilot was shot with essentially the same script as the pilot from the British show. Many viewers questioned this decision, but it had to be done considering NBC bought an adaptation. Daniels believes that the show really branched out into its own entity in the second season.

8. nO ONE WAS OPTIMISTIC ABOUT THE SHOW.

It was hard for the cast and crew to have faith early on. During the first season, NBC executives would bring a lot of pessimism to the set. According to Krasinski, they would say things like, “This episode is so good—unfortunately, it’s the last one we’re going to do.”

9. THEY OWE THEIR SUCCESS TO APPLE.

One thing that helped save the show was iTunes. Around the second season, when NBC made the show available on the platform, it took up four of the top five slots for downloaded television shows. That’s when the people behind the show learned that their audience skewed young, rather than the white-collar workers they thought would be watching.

10. THE CAST PICKED THE OPENING THEME SONG.

When it came to the show’s opening theme music, series creator Greg Daniels gave the cast four versions of the song and let them vote on the winner. The now-iconic song came from a demo by composer Jay Ferguson, which was then re-recorded by musician Bob Thiele Jr. and a group later dubbed The Scrantones, who made an appearance on the episode “The Booze Cruise.”

11. THEY LOST THEIR ORIGINAL THEME SONG TO HEATHER LOCKLEAR.

In 2015, Rainn Wilson revealed that a number of hit songs were given consideration for the show’s opening theme, including “Better Things” by the Kinks and “Float On” by Modest Mouse. But the one the cast really wanted was “Mr. Blue Sky” by the Electric Light Orchestra. Those plans were dashed, though, when production found out that it was already the song for the blink-and-you’ll-miss-it Heather Locklear comedy, LAX.

12. tHE OFFICE'S ADDRESS IS AN HOMAGE TO THE BRITISH SHOW.

The Scranton branch of Dunder Mifflin is located at 1725 Slough Avenue. That’s not a real street in the actual Scranton, Pennsylvania, though—it’s a reference to the original version of the show, which takes place in Slough, England.

13. THE COMPUTERS ON SET REALLY WORKED.

Jenna Fischer, Rainn Wilson, John Krasinski, Ed Helms, and Ellie Kemper in 'The Office'
NBCUniversal Media

They even had Internet, which helped the cast feel like they were in a real-life office.

14. THEY LITERALLY MADE THE SHOW BRIGHTER FOR SEASON TWO.

In an attempt to boost ratings after the first season, the producers pivoted the show's style away from the British version to make Michael Scott more likable and make the episodes more optimistic. According to Novak's DVD commentary track for "The Dundies," the first episode of the second season, they also made the lights in the office brighter to help complete that tonal shift.

15. THEY ALSO RECREATED THE OFFICE SPACE FROM SCRATCH.

The show's first season was shot in a real-life office in Culver City, California, so when they transitioned to a sound stage for the second season, the crew had to rebuild it and stock it with supplies to make a perfect replica. They did make Michael's office a little bigger to accommodate cameras, and since they were on a sound stage, they could control the weather.

16. THE DOCUMENTARY CREW MAY HAVE HAD A TRAGIC REASON FOR COVERING DUNDER MIFFLIN.

NBC Universal

In the season two episode “Performance Review,” Michael reads papers from his suggestion box, including one from “Tom,” who wrote, “We need better outreach for employees fighting depression.” Then, he’s reminded that Tom killed himself. During a 2007 Office Convention, a group of writers proposed that this suicide was why the documentary crew showed up in Scranton. They wanted to document how the office was dealing with the suicide before turning to simpler storylines.

17. JIM'S FAKE-RAIN-FILLED PROPOSAL WAS EXPENSIVE.

The writers had a clear vision for how Jim’s proposal to Pam would look. They wanted to shoot it at an actual rest stop on the Merritt Parkway, but it would have cost $100,000. Plus, they wouldn’t be allowed to use fake rain, which was important to the scene. So, the crew built a replica of the Parkway and a rest stop. The shot ended up costing $250,000. Daniels described the scene as “the most expensive and elaborate shot we've ever done, but it's also sort of the highlight of five years of storytelling.”

18. YOU COULD ACTUALLY BUY DUNDER MIFFLIN PAPER.

In 2011, the company Quill.com, owned by Staples, announced that they would start selling Dunder Mifflin paper. At the time, their director of innovation explained, “Paper…is a race to the bottom as paper usage is going down. We’re looking for different pop culture phenomena and external brands that we can tie to these mundane product categories to differentiate. That’s really how initially pairing copy paper and Dunder Mifflin came about.”

19. STEVE CARELL IMPROVISED HIS KISS WITH OSCAR.

A portrait of Steve Carell.
Photo by Alberto E. Rodriguez/Getty Images for CinemaCon

In the season three episode, “Gay Witch Hunt,” the script only called for a hug. Nunez recalled, “We were just supposed to hug, and he kept hugging me. And that particular take he came in really close, and I'm like, ‘Where is he going with this?’ Oh, dear, yes here we go.”

20. THE ACTORS WEREN'T THE ONLY ONES WHO WOULD IMPROVISE.

In season five, Pam closes her dorm door on a camera person, who lets out an audible sigh. That was an impromptu moment from the director of photography, Randall Einhorn.

21. sEVERAL RESTAURANTS FEATURED ON THE SHOW ARE REAL.

Remember when Michael bungled the office’s pizza order by getting pies from Pizza By Alfredo rather than the popular Alfredo’s Pizza Cafe? Well, you can head to Alfredo’s Pizza Café right now if you’d like—it’s a real place, right in Scranton. (Its similarly named competition is purely a product of Hollywood.) To get that authentic Pennsylvania feel, the show’s production incorporated real-world businesses and restaurants from the area when writing scripts. So if you want some calamari, you can go to Cooper’s Seafood, one of Kevin’s favorites. You can also swing by Poor Richard’s for a pint, or head to the Steamtown Mall, where you can see a display featuring the original burgundy “Welcome to Scranton” sign from the show’s opening credits.

22. SADLY, SCHRUTE FARMS ISN'T (BUT ITS REVIEWS ARE).

Rainn Wilson in 'The Office'
NBCUniversal Media, LLC

On the opposite end of the spectrum, Schrute Farms is a very fictional place with very real reviews on TripAdvisor—more than 1100 of them. Though all the reviews are full of obvious Office-isms, the site still covers its bases with a warning at the top that reads: “This is a fictional place, as seen on NBC's The Office. Please do not try to book a visit here.”

23. STEVE CARELL HAD HIS NUMBER RETIRED.

When Steve Carell left the show after seven seasons, he was still adored by the cast and crew. Up until that point, he had always been number one on the call sheet. So, when he left, they “retired” the number one, and it didn’t appear on the call sheet again.

24. ANDY BECAME OFFICE MANAGER IN THE FINAL TWO SEASONS BECAUSE HE'S A PEOPLE PERSON.

Lieberstein, who was showrunner at the time, said, “The Andy character is very different from Michael, but one of the things they have in common is that they both put people first and relationships first.” The writers also considered promoting Darryl, but decided that he was “too rational and smart to be the manager,” so he couldn’t cause as many disasters.

25. JAMES SPADER WAS ONLY SUPPOSED TO make A CAMEO.

James Spader and Craig Robinson in The Office
Chris Haston, NBCUniversal, Inc

The writers liked him so much that they asked him to expand the role. "[Spader] has a way of taking on his character so fully, even in rehearsal, that it's changing the mood on the set,"Lieberstein said. "Everyone is discovering who they are with this new energy."

26. SHOWRUNNERS KEPT CARELL'S FINALE APPEARANCE SECRET FROM EVERYONE.

The showrunners didn't even tell network executives that Carell was going to appear in the finale. According to Daniels, “We shot the Steve stuff and we kept it out of the dailies and didn’t tell them about it. At the table reading, we gave the Steve Carell lines to Creed.”

27. WE MISSED OUT ON A DWIGHT SPIN-OFF SHOW.

Thomas Middleditch and Rainn Wilson in 'The Office'
Tyler Golden, NBCUniversal

After The Office ended, Dwight was supposed to get a spinoff called The Farm on NBC, but the network passed on the show in 2012. According to Rainn Wilson, “The timing was wrong.”

28. bUT THERE WAS AN OFFICE SPIN-OFF, KINDA.

Although The Farm never happened, nor did a proposed Andy Bernard show based on An American Family, you can view Parks and Recreation as a kind of spinoff. It was developed by the same producers and was originally going to be a spinoff before Rashida Jones got cast after playing a separate character on The Office.

29. THE CPR EPISODE HELPED SAVE SOMEONE'S LIFE.

Rainn Wilson in the
NBC

In the season 5 episode “Stress Relief,” Michael arranges a CPR training session for his staff that quickly devolves into a very Scranton-y debacle. But even if no one at Dunder Mifflin learned anything, someone at home actually did. On the show, it’s said that the chest compressions should be done to the beat of the popular Bee Gees song, “Stayin’ Alive,” and this tip helped an Office fan from Arizona perform successful CPR on a woman he found slumped over in the seat of her car. She regained consciousness after about a minute of CPR and was brought to the hospital, where she was later discharged.

30. YOU CAN SEARCH THROUGH ALL THE SHOW'S "STARES."

One of The Office’s trademarks is the way the characters would seamlessly break the fourth wall and communicate their feelings to the audience by doing nothing more than looking directly into the camera. These Office “stares” became such a hit that they even became the subject of a fansite that allows you to search through more than 800 different emotions—boredom, sadness, anger, and loneliness, to name a few—and watch a brief YouTube clip of an Office character perfectly embodying it with nothing more than a glance. Lose hours of productivity by experimenting with The Office Stare Machine here.

31. Steve CARELL ISN'T INTERESTED IN JOINING A REBOOT.

Though the show is always the subject of reboot rumors, Steve Carell has said on multiple occasions that bringing back The Office isn’t on his mind, telling Esquire: "Because The Office is on Netflix and replaying, a lot more people have seen it recently. And I think because of that there's been a resurgence in interest in the show, and talk about bringing it back. But apart from the fact that I just don't think that's a good idea, it might be impossible to do that show today and have people accept it the way it was accepted 10 years ago."

32. MICHAEL HAS A DIFFERENT FISH IN EACH EPISODE OF THE "mICHAEL SCOTT PAPER COMPANY" ERA.

Steve Carell in 'The Office' (2005)
NBCUniversal, Inc.

He starts with a goldfish and ends up with a black beta. Maybe he's not good at keeping fish alive? At least it's good practice for falling into a koi pond.

33. SEVERAL OFFICE STARS INTERNED FOR CONAN O'BRIEN.

Obviously cutting your teeth with a comedy legend like Conan O'Brien helps when you're starring in your own show. Mindy Kaling (1999), John Krasinski (2000), and Ellie Kemper (2005) were all interns for the NBC late night host before hitting it big.

34. EVERY EPISODE COULD HAVE BEEN AN HOUR LONG.

According to Nunez, the cast and crew always shot "tons" of footage. A lot of it ended up as DVD extras, but the actor claimed that each episode could have been much longer. "Even the awkward scenes, where nothing is happening, where everyone is just uncomfortable, could go on longer and become even funnier, because the level of discomfort just rises," he said.

35. PAM AND MICHAEL HAD A GENUINE GOODBYE.

Actor Steve Carell, actor B.J. Novak, actor John Krasinski, Jenna Fischer, actor Rainn Wilson poses in the press room after winning
Cast members of The Office after winning an Emmy for "Outstanding Comedy Series" in 2006
Kevin Winter/Getty Images

For their goodbye scene at the airport in Carell’s last episode, Jenna Fischer was told by production to, “Just say whatever you would want to say to Steve. Just say goodbye and we'll tape it and when you're finished, just give each other a hug and go your separate ways.’” Fischer later revealed in 2018 that, “Those were real tears and a real goodbye.”

Kodak’s New Cameras Don't Just Take Photos—They Also Print Them

Your Instagram account wishes it had this clout.
Your Instagram account wishes it had this clout.
Kodak

Snapping a photo and immediately sharing it on social media is definitely convenient, but there’s still something so satisfying about having the printed photo—like you’re actually holding the memory in your hands. Kodak’s new STEP cameras now offer the best of both worlds.

As its name implies, the Kodak STEP Instant Print Digital Camera, available for $70 on Amazon, lets you take a picture and print it out on that very same device. Not only do you get to skip the irksome process of uploading photos to your computer and printing them on your bulky, non-portable printer (or worse yet, having to wait for your local pharmacy to print them for you), but you never need to bother with ink cartridges or toner, either. The Kodak STEP comes with special 2-inch-by-3-inch printing paper inlaid with color crystals that bring your image to life. There’s also an adhesive layer on the back, so you can easily stick your photos to laptop covers, scrapbooks, or whatever else could use a little adornment.

There's a 10-second self-timer, so you don't have to ask strangers to take your group photos.Kodak

For those of you who want to give your photos some added flair, you might like the Kodak STEP Touch, available for $130 from Amazon. It’s similar to the regular Kodak STEP, but the LCD touch screen allows you to edit your photos before you print them; you can also shoot short videos and even share your content straight to social media.

If you want to print photos from your smartphone gallery, there's the Kodak STEP Instant Mobile Photo Printer. This portable $80 printer connects to any iOS or Android device with Bluetooth capabilities and can print whatever photos you send to it.

The Kodak STEP Instant Mobile Photo Printer connects to an app that allows you to add filters and other effects to your photos. Kodak

All three Kodak STEP devices come with some of that magical printer paper, but you can order additional refills, too—a 20-sheet set costs $8 on Amazon.

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

16 Facts About The Other Guys On Its 10th Anniversary, Courtesy of Adam McKay

Mark Wahlberg and Will Ferrell star in Adam McKay's The Other Guys (2010).
Mark Wahlberg and Will Ferrell star in Adam McKay's The Other Guys (2010).
Macall Polay/Columbia TriStar Marketing Group, Inc.

August marks the 10th anniversary of The Other Guys, director Adam McKay’s send-up, and tribute, to the buddy cop movies that have been a Hollywood mainstay for decades. Will Ferrell and Mark Wahlberg play Detectives Allen Gamble and Terry Hoitz, two disgraced and otherwise dismissed desk jockeys who inadvertently uncover a massive financial scandal at the exact moment when corporate malfeasance begins grabbing overdue newspaper headlines. The duo’s comic chemistry thrives on Ferrell’s bookish awkwardness juxtaposed with Wahlberg’s macho exasperation, while McKay (working with writer Chris Henchy) exercises a growing social consciousness against the backdrop of one of cinema’s most familiar and durable genres. Supporting performances by Eva Mendes, Michael Keaton, and Steve Coogan, plus cameos by Dwayne "The Rock" Johnson and Samuel L. Jackson (not to mention a murderer’s row of up-and-coming comedians and improvisers) breathe unforgettable life into an escalating series of side-splitting scenarios.

McKay’s most vivid memory of the shoot, he tells Mental Floss, was of the cinematic and gastronomic indulgence he enjoyed shooting a (for him) robustly-budgeted action movie in New York City. “I think I put on literally 25 pounds during that shoot,” he says. “At the end, my wife just looked at me and was like, 'You look as big as a house.' I mean, some days my body would hurt from laughing all day, and then I just ate like chicken parm sandwiches and pizza.

"That's the closest I've come to a full-on decadent Hollywood movie," McKay continues. "We had a really big budget. We were in New York City. We had cars blowing up. We had all these big actors everywhere. It's still, by the way, a budget that's probably half of a Marvel movie or a Michael Bay movie. But that's the closest I've ever come to feeling like Tony Scott and that kind of world."

Exclusive to Mental Floss, check out these behind-the-scenes tidbits and trivia from the making of The Other Guys, straight from McKay himself.

1. The Other Guys started with the unlikely pairing of Mark Wahlberg and Will Ferrell—as dinner companions.

"We went to a little Italian place off Santa Monica and the energy between the two of them was really funny," McKay recalled of what kicked off the idea for Will Ferrell and Mark Wahlberg's on-screen pairing. "Mark's a Boston guy, athlete, tough, boxer; Will's big—Will's 6-foot-3 and definitely an athlete and no pushover—but at the same time, at root, kind of a sweetheart. And they just had a funny dynamic between them. I kept laughing the whole night. And that was really what launched it."

2. Adam McKay didn’t set out to make The Other Guys a parody, but Hollywood quickly taught him not to edge too closely to familiar properties.

Mark Wahlberg and Will Ferrell are The Other Guys (2010).Macall Polay/Columbia TriStar Marketing Group, Inc.

"There was some movie that came out about two 'star' cops. And I jokingly said, 'We should do the movie about the cops in the background of the star cops,'" McKay says. "Because they were doing an A-Team movie, I said, 'We should call ours The B-Team.' We may have even announced the movie as that, and someone back-channeled us, like, 'By the way, don't call your movie The B-Team. We're not going to sue you, but like, just don't do that.'"

3. As appealing as it was to send up buddy-cop movie conventions, then- (and still-) current events helped solidify The Other Guys's themes.

"The other big component was that the financial collapse was actively happening," McKay says of the timing of The Other Guys. "We kept talking about how you can't do a jeopardy plot that’s about drug smugglers—like we'll be looking back wistfully at the days of drug smugglers and safe crackers and bank robbers. And so a big part of it was: How do you do a modern cop buddy film when banks have disappeared trillions of dollars and millions of people have lost their homes through this kind of bureaucratic malfeasance? And that launched Ferrell’s character, a forensic accountant into paperwork—and the idea was that the new cop heroes are going to be bureaucrats who are into paperwork."

4. Michael Keaton’s repeated TLC references were written into The Other Guys script, though Adam McKay wasn't sure how well the running joke would translate.

A running joke in The Other Guys has Michael Keaton's Captain Gene continually quoting TLC songs. "We had done a couple readings of the script where it played really well, not that that means it's going to play funny in the final movie," McKay says. "We've had bits that killed in read-throughs, and then they go in the final cut and something about the rhythm just doesn't work. We were fairly confident in that joke. There are other times though where you do discover the bit and you're improvising, you're throwing out alternatives, the actors are playing around, and you discover a bit. Then I'll turn to Kate Hardman, our script supervisor and say, 'Alright, we’ve got to keep that one alive.' And then in future scenes, she would remind me, 'Remember, you had this joke you wanted to keep alive' and I'll get one take where we do it."

5. Dirty Mike and the Boys, on the other hand, were not in the original script.

"Rob Huebel improvised the line 'soup kitchen' and we kept joking about Dirty Mike and The Boys. The scene where I show up with our DP Oliver Wood, [our property master] Jimmy Mazzola, and our producer Pat Crowley, and we're Dirty Mike and the Boys, was not scripted," McKay explains. "That came out of us loving Huebel’s improv so much that we knew we had to put Dirty Mike and the Boys in the movie. That was a perfect example where improv spawned a bit that ended up running through the movie."

6. The scene involving Allen’s ex-girlfriend “Christinith” was inspired not just by the particular way some people spell or pronounce their names, but by their annoyance when it's mispronounced.

"Obviously it was a running joke that very beautiful women love Allen Gamble," McKay says. "And we were joking about people through the years who have names they want pronounced a certain way and they're oddly hostile about it. There was someone we'd known who was named Anna, but she wanted to be called 'Ana,' and if you called her Anna, she would get mad and I'd be like, 'Wait a minute, what? You can't get mad about that.' So that was where the Christinith joke came from."

7. Will Ferrell’s “Gator” alter ego in The Other Guys was created to further develop the film’s “paper-pushers as heroes” idea.

"The character [Allen] was a guy who appears very mousy and very beta and quiet and we just kept kicking around the idea of: What's power now? What's a hero now? And we had this idea that the reason that Allen Gamble was so conservative and buttoned-down was that he had kind of let his power out once before and it hadn't gone very well," McKay explained of the many dichotomies of Ferrell's character. "And then we just started laughing about the idea that he became a pimp and didn't realize it. So that was the joke—the idea that he’s like, 'No, no, no, I'm helping them run a dating service.' 'No, you were a pimp.' And the lifestyle pulling him down without him really realizing what he's become. The thing that makes me laugh the hardest is when he's first talking to the girl in college, she's just going, 'I could go on dates with guys.' 'Oh yeah. I can make sure to collect the money.' It’s so innocent."

8. Adam McKay and his collaborators refined a unique technical process leading up to The Other Guys to keep track of the many variations attempted, and often improvised, during production.

"Brent White, the editor on The Other Guys, has this great system where you can go to each line of the script and click it and all the alt versions of it will be underneath it," McKay explains. "That was really a breakthrough, and once he really got that system going, it changed a lot of things. Every version, every permutation of the joke is right in front of you, and it made the whole thing easier to sort."

9. The Other Guys composer Jon Brion is a musical chameleon, but Adam McKay didn’t direct him to draw on the sound of, say, Michael Kamen’s Lethal Weapon scores for Allen and Terry’s themes.

"A lot of movies I did with Will are always kind of in between an original story and a parody," McKay says. "We want them to be original, but they're clearly messing around with the tropes of the genre that you're used to. So the trick was I wanted it to sound like a cop score, but I also wanted it to be good. So we kept kind of batting that around."

10. The Oscar-worthy end credits song “Pimps Don’t Cry” emerged from a need for actress Eva Mendes to have a melody to sing, and Jon Brion’s chops corralling heavy hitters for a comedy-soul classic.

Will Ferrell and Eva Mendes in The Other Guys (2010).Macall Polay/Columbia TriStar Marketing Group, Inc.

"We just wrote 'Pimps Don't Cry' for the scene," McKay explains. "When [Eva Mendes] sang it, we're like, wait a minute, can we record this? And, of course, Jon Brion knows everyone and has access to studios. So before you know it, we had CeeLo Green in there and it turned out Eva Mendes could sing. We recorded a whole track and I think even shot a video. But it came out of the scene. The actors were like, 'Well, what's the melody?' And we're like, 'Jon, you want to write something?' And then of course I was like, I gotta hear that song!"

11. Adam McKay explored the idea of Pop-Up Video-style detours in The Other Guys, but couldn’t figure out how to pull it off in the pre-streaming era.

"We had a thing that we were going to try and do in the movie where we would freeze-frame scenes and then a little box would pop out and show something from a couple months later. That was a style that was written into the script we had happening a bunch of times, and we could not get it to work. It's funny because now I know how I would do it, but at that time we just couldn't [make it work]."

12. The Other Guys's planned “flash-forward” scenes also included future President Donald Trump, whose Trump Tower gets blown up in the opening scene.

Future president Donald Trump filmed a cameo for The Other Guys, but it didn't make the final cut. "Donald Trump just basically wants to get paid," McKay says. "So if you show up and you write out a check for a certain amount of money, I can't remember what the amount was, $75,000 or $100,000 or something, he'll do it. Pretty much anyone could go to him and be like, 'Here's a check for $75,000,' and he will do it. Never in a trillion years imagining the guy would become president. He sort of was a New York joke for years, and Trump Tower was kind of known as being this cheeseball place, so it was a pure joke. But when we put it in the movie, we were like, 'Donald Trump’s so cheesy and cheap, let's not put this in the movie.' Even for the silly movie we were doing, it felt cheeseball, so we ended up cutting it out."

13. If there was a scene in The Other Guys that gave Adam McKay the “tingle in his balls” as a filmmaker that Allen and Terry feel while pursuing bad guys, it was the “Aim for the bushes” scene that sets up the whole film.

"I mean, that's one of my all-time favorite moments from anything I've ever been involved in," McKay says of his favorite scene. "I would say the family prayer scene in Talladega Nights, the Jenga tower scene in The Big Short, the other one was in Anchorman, when Jack Black kicks the dog off the bridge where the audience made this weird sound and were so stunned by it. And then Danson and Highsmith jumping off the building —oh my god, I had so much fun watching that with test audiences. No one saw it coming.

"[The Rock and Samuel L. Jackson] are such big stars that just in a million years, no one imagined it. When the guys were falling off the tower, they were so convinced they weren't going to die. You would hear people in the audience go, 'Yeah right, they would never survive that.' But when they hit, there was such a collective inhale from the whole audience, and then just explosion of laughter. But the other great moment for that was when I was in the edit with Erica Weis, our music editor and music supervisor, and we discovered the Foo Fighters song for that moment. It was just so perfectly over-the-top and a little cheesy, yet plausible. Of course the filmmakers would play this song! The entire puzzle clicked together perfectly when that song went in."

14. Adam McKay credits his executive producer for the coup of recruiting Dwayne Johnson and Samuel L. Jackson as the “star cops” by whose police work Allen and Terry would be measured.

"I give [executive producer] Kevin Messick a lot of credit for that casting," McKay says. "We wanted two big action stars that you would never think would die in a movie, and boy, Kevin really helped us get them. He had some connection to Dwayne Johnson, and he worked the phones to really help us get Sam Jackson. I saw Sam Jackson years later and he's like, 'People keep asking me if we're going to do a spinoff movie with these guys.' I was like, oh man, that could be fun. And Dwayne Johnson told me too he had people come up to him and mention those characters all the time."

15. The original ending to The Other Guys was even more bleak than the statistics that play over the end credits.

"We had this whole ending where like they bust Steve Coogan's character Ershon and they pull the thing together and they take him in and it turns out Congress has changed the laws and what he's done is no longer illegal," McKay explains. "I wish we had ended with that. That would have been a better ending. And then we had this other ending with Derek Jeter, where he comes out and it turns out he's connected to this whole underground thing that's fighting against the big banks. That's in the TV version they air, but it didn't really work ... when I say work, I don't care if the audience loved it. It didn't work for me with the narrative when we a test screened it. So I didn't think we stuck the landing on the ending on it."

16. Adam McKay always worked culturally relevant themes into his films, but The Other Guys galvanized this approach going forward, reflected more prominently in The Big Short and Vice.

Adam McKay on the set of The Other Guys (2010).Macall Polay/Columbia TriStar Marketing Group, Inc.

"Ferrell and I would do these comedies, and we would always have something [else] going on in them," McKay says of his desire to weave bigger themes into his films. "Even Step Brothers was kind of about how consumer culture turns us into big giant children. And the Iraq War was such a horrible tragedy and disaster that right around that time, and that’s when I started thinking, 'I just gotta do some stuff that's more overt.' When the financial collapse hit, it was just like, all bets are off. So yeah, we tried to craft the whole movie like a comedic allegory for the financial collapse. If you look at the movie, they keep ignoring their union. And then there’s a big financier covering losses by taking money from workers. Of course, when the movie came out, no one cared—the movie just played as a comedy. Except for the ending credits, people really didn't catch it at all. Which I don't blame them! I think it was a little bit of an experiment in that sense. And the good news is the movie’s funny and I really love how it turned out."