40 Things You Might Not Have Known About Saturday Night Live

TIMOTHY A. CLARY/AFP/Getty Images
TIMOTHY A. CLARY/AFP/Getty Images

Live from New York … Saturday Night Live made its television debut on October 11, 1975. In honor of its 40-plus years of comedic contributions, here are 40 things you might not have known about the legendary sketch show.

1. THE SHOW’S EXISTENCE IS PARTLY DUE TO JOHNNY CARSON’S DESIRE FOR MORE VACATION DAYS.

In 1974, Johnny Carson requested that NBC stop airing The Tonight Show reruns on the weekend. He wanted to save those reruns for the extra vacation days he was planning to take during weekdays. NBC wanted to fill those weekend slots, so they hired Lorne Michaels to develop a show.

2. GILDA RADNER WAS THE FIRST OFFICIAL CAST MEMBER.

Radner was the first cast member Lorne Michaels hired.

3. THE SHOW PREMIERED AS NBC’S SATURDAY NIGHT.

The show was originally called NBC’s Saturday Night because there was already a show titled Saturday Night Live with Howard Cosell on ABC. When Cosell's show ended in 1976, Michaels changed his show’s title to Saturday Night Live.

4. ANNOUNCER DON PARDO MADE A MISTAKE DURING THE SHOW’S PREMIERE EPISODE.

The show’s longtime announcer was supposed to say “Not Ready for Prime-Time Players.” Instead, he mixed up a few words, calling them the “Not for Ready Prime-Time Players.” Fortunately, it didn't stick.

5. CHEVY CHASE WAS HIRED AS A WRITER.


Mark Mainz/Getty Images

Though he became one of the show’s breakout stars, Chevy Chase was originally hired as a writer—a job that came with a one-year contract. Which is how Chase got around having to sign a performer contract, and also why he was able to leave the show just a few episodes into the second season.

6. CHASE WAS THE FIRST PERSON TO DELIVER THE SHOW'S ICONIC INTRO LINE.

In the show’s first episode, Chase became the first cast member to deliver the show’s now-signature “Live from New York, it’s Saturday Night!” line.

7. RICHARD BELZER WARMED UP THE CROWD DURING SEASON ONE.

Though today’s audience knows him as the Law & Order franchise's series-jumping Sergeant John Munch, Richard Belzer got his start as a stand-up comedian. Belzer was SNL's warm-up comic in its first season, which led to a couple of appearances on the show, including a stint at the "Weekend Update" desk after Chevy Chase suffered a groin injury. Belzer has long contended that Lorne Michaels promised him a place in the cast but later reneged. “Lorne betrayed me and lied to me—which he denies—but I give you my word he said, ‘I'll work you into the show,’” Belzer told People Magazine in 1993.

8. CAST MEMBERS WERE ORIGINALLY PAID $750 PER WEEK.

In the show’s first season, cast members earned $750 per week. That figure rose to $2000 in season two and $4000 by season four.

9. WILL FERRELL WAS THE HIGHEST PAID CAST MEMBER.

In 2001, Ferrell became the show’s highest paid cast member ever when he signed a contract for $350,000 per season.

10. ADAM MCKAY AUDITIONED TO BE PART OF THE CAST.

In 1995, Oscar-winning writer-director Adam McKay (Anchorman, Step Brothers) unsuccessfully auditioned to become an SNL cast member. Being turned down for the gig was probably the best thing that could have happened to him: McKay was offered a writing gig instead, and eventually worked his way up to head writer for the latter half of his six years with the show.

11. JIM CARREY AUDITIONED TWICE, AND WAS REJECTED TWICE.

A photo of Jim Carrey
Vittorio Zunino Celotto/Getty Images

Hollywood’s original $20 Million Man was rejected twice by SNL. The first time was in 1980, when—citing burnout—Lorne Michaels asked to take a year off. He thought that the show would go on hiatus with him, but the network bumped associate producer Jean Doumanian into Michaels’s position to keep the show going. Her first order of business? Shake up the cast a bit. Carrey auditioned, but Doumanian hired Charlie Rocket instead. So he tried again, but again got a “no.” Michaels isn’t taking the blame for this oversight. In the book Live from New York, he says that “Jim Carrey never auditioned for me personally.” Carrey did eventually make his way onto the studio’s set; he guest hosted in 1996 and again in 2011 and 2014 (and made a quick cameo in 2003).

12. LAST ACTION HERO KILLED A HANS AND FRANZ MOVIE.

The idea for a Hans and Franz movie began—and ended—with Arnold Schwarzenegger, who suggested the idea to Kevin Nealon and Dana Carvey when he guest starred in a segment. In 2012, Nealon talked about the folded project with the Tampa Bay Times, admitting that: “Yes, we wrote a musical! Hans & Franz: The Girly Man Dilemma. I wrote it with Conan O'Brien, Robert Smigel, and Dana Carvey. Arnold Schwarzenegger was co-producing with us, and he was going to star in it. We got it written, sold it to Sony. But I think Arnold got cold feet.”

In a 2010 interview with The A.V. Club, Smigel said that the problem really came down to the box office bomb that was Last Action Hero, saying “That movie came out and it was a failure and I was told by his agent that Arnold decided [adopts Schwarzenegger voice], ‘I will never be myself in a movie again! It can’t be done, this is the proof. I can’t play myself in a movie, automatic failure.’”

13. ROBERT SMIGEL HAS WRITTEN A HANDFUL OF UNPRODUCED SNL MOVIES.

In that same interview with The A.V. Club, Smigel noted that “I’m guilty of writing probably as many SNL movies as anybody, but mine have never been made.” He’s not kidding. Among those stalled features is Da Movie version of Da Bears sketch, a.k.a. Bill Swerski’s Superfans, one of SNL’s longest-running sketches, which premiered on January 12, 1991 (with Joe Mantegna as the titular Swerski). When the opportunity arose to turn the sketch into a film, Smigel and Bob Odenkirk (who had created the original sketch with Smigel) jumped at the opportunity, with Smigel leaving his job as Conan’s head writer to work on the script.

But a bad year for SNL on the small screen spelled trouble for anyone involved with the show. “There was an awful article written in New York Magazine about the show and the network wanted to lay down the law,” recalled Smigel, which meant “no SNL movies.” But the script was not a total loss; in 2010, Smigel, Odenkirk, Mantegna, George Wendt, Mike Ditka and Richard Roeper (as narrator) staged a live reading of the script at Chicago’s Just for Laughs festival.

14. THE FESTRUNK BROTHERS WERE DEVELOPED AS TWO SEPARATE CHARACTERS.

The Festrunk brothers, also known as “Two Wild and Crazy Guys,” were based on separate characters that Steve Martin and Dan Aykroyd had developed individually. When Martin hosted SNL in the 1970s, the two morphed their characters into a set of brothers.

15. GILBERT GOTTFRIED BEAT OUT PAUL REUBENS FOR A SPOT ON THE SHOW.

Paul Reubens, a.k.a. Pee-wee Herman, has a theory as to why Gilbert Gottfried got the SNL spot the two of them auditioned for in 1980: He believes that Gottfried was favored for being friends with one of the producers. “I was so bitter and angry,” Reubens told the San Francisco Chronicle. “I thought, ‘You better think about doing something to take this to the next level.” Which is how Pee-wee’s Playhouse came to be. “So I borrowed some money and produced this show. I went from this Saturday Night Live reject to having 60 people working for me.”

16. EDDIE MURPHY WAS DESPERATE TO BE CAST.


Christopher Polk/Getty Images

In an effort to be considered for the show, Eddie Murphy called SNL talent coordinator Neil Levy every day for a week explaining how desperately he needed the job. Levy decided he’d give Murphy a job as an extra, but brought him in to audition as well. His audition went so well that he was given a contract right away.

17. IT’S PAT IS THE LEAST SUCCESSFUL SNL MOVIE.

In 1994, the film It’s Pat grossed a little over $60,000, making it the least successful film based on an SNL character. The most successful was 1992’s Wayne’s World, which made over $183 million worldwide.

18. CONAN O’BRIEN WASN’T A FAN OF WAYNE CAMPBELL.

Speaking of Wayne’s World: When Mike Myers was just starting out, he approached a few of the show’s writers, including Conan O’Brien, to ask what they thought about Wayne, the character he was developing. The group of writers informed him that he could do better, but Myers wrote the sketch anyway. O’Brien recalled thinking, “This poor kid is going to have to learn the hard way.” The sketch made it to air, but in the unpopular final slot. Obviously, it became a hit.

19. MINDY KALING RELUCTANTLY TURNED DOWN THE CHANCE TO WRITE FOR THE SHOW.

Saying “no” to SNL wasn’t really Kaling’s idea. But timing wasn’t on her side. In a 2007 interview with The A.V. Club, she revealed that she had auditioned for SNL just a few months earlier (a year after The Office’s American debut). “They didn't offer me a part, but the audition went pretty well, and that night, they were like, ‘Do you want to come write for the show?’ [The Office creator] Greg [Daniels] used to write for SNL, and he had known that being on SNL was my great dream. He said, ‘Listen. If you get cast on the show, I'll let you break your contract and go do it, but if they ask you to write, I can't, because you have a job writing here, plus you're on the show. So I'm not going to let you leave the show so you can go be in New York.’ At that time, I missed New York so badly. I hated L.A. for a long time, and I wanted to leave it. I had these fantasies of going to SNL and falling in love with some writer on SNL, of getting married and living in New York. That was really heartbreaking to have to turn down, but then I got to guest-write in the spring.’”

20. JEFF ROSS WAS CONSIDERED AS A REPLACEMENT FOR COLIN QUINN ON “WEEKEND UPDATE.”

Tina Fey and Jimmy Fallon weren’t the only folks vying for Colin Quinn’s spot at the "Weekend Update" desk in 2000; comedian Jeff Ross was also in contention. But Fey had clout: three years' experience as a writer for the show and one season as head writer.

21. LARRY DAVID ABRUPTLY QUIT AS A WRITER. THEN PRETENDED HE HADN’T.


NBC - © 2016 NBCUniversal Media, LLC

Larry David wrote for SNL in the 1980s, but was always struggling to get his sketches on the air. Five minutes before the show went live one Saturday night, David went up to then-producer Dick Ebersol and said, “I’ve had it. I quit.” Once he left, he realized how much money he had just cost himself, so he showed up to work on Monday as if the outburst never happened. He continued working there for the rest of the season, and that story was later used on a Seinfeld episode.

22. CHRIS PARNELL WAS FIRED. TWICE.

Quitting for a weekend is nothing compared to Chris Parnell, who was fired from the show twice: once in 2001, then again in 2006. According to Parnell, the first time was “devastating” and had to do with his lack of confidence. He was asked back the following season, though. The second time, the show was making a $10 million budget cut, so he was dropped along with Horatio Sanz and Rachel Dratch.

23. NORA DUNN REFUSED TO SHARE A STAGE WITH ANDREW DICE CLAY.

When Andrew Dice Clay hosted the show in 1990, Nora Dunn wouldn’t appear, citing his misogynistic stand-up as the reason. Michaels claims that she reached out to the press before telling him about the decision. That was the beginning of the end of her SNL career. She has since said, “Saturday Night Live is why I have a name, but it also has its own baggage.”

24. A FAKE PEEPERS SCRIPT MADE THE ROUNDS IN HOLLYWOOD.

If you’ve ever found yourself wondering what Chris Kattan has been up to since leaving SNL in 2003, you’re not alone. Los Angeles-based writer Justin Becker made a game out of the answer when he wrote a fake script in which he transformed Mr. Peepers, Kattan’s apple-eating, suspender-wearing monkey-man, into the sort of mythical creature Peter Sellers played in Being There. Becker attributed the script to Kattan himself (as C.L. Kattan) then began dropping copies of it around California. “I traveled all across the west coast planting these books like a demented Johnny Appleseed,” Becker told San Francisco Weekly. “Chris Kattan’s Wikipedia page says that 1000 books were put in stores, but I can neither confirm or deny that number.” 

25. CHRIS FARLEY IDOLIZED JOHN BELUSHI.

Patrick Swayze and Chris Farley in 'Saturday Night Live'
NBC

He once found an old pair of Belushi’s pants in the wardrobe room and stole them.

26. MICHAELS THOUGHT SINEAD O’CONNOR'S CONTROVERSIAL PHOTO-RIPPING INCIDENT WAS BRAVE.

In one of the show's most notorious moments, Sinead O’Connor took the crew by surprise and ripped up a picture of the Pope at the end of a musical performance. Though many people still make a big deal about her supposedly being banned from the show, Michaels actually gives her credit. According to him, “I think it was the bravest thing she could do. She’d been a nun. To her the church symbolized everything that was bad about growing up in Ireland the way she grew up in Ireland, and so she was making a strong political statement.”

27. A SATURDAY NIGHT LIVE MOVIE ALMOST HAPPENED.

Given that each episode of Saturday Night Live is essentially a feature-length series of sketches, The Saturday Night Live Movie seems a bit redundant. But in 1990, a script with that very title was written, with some of the show’s strongest writing talents—Conan O’Brien, Robert Smigel, Al Franken, and Greg Daniels among them—attached as participants. But someone must have wised up to the fact that the cinematic medium offered nothing different for the concept, as few people even knew of the script’s existence until 2010.

28. JENNIFER ANISTON CLAIMS SHE WAS OFFERED A SPOT ON THE SHOW.

Though the story of whether or not Jennifer Aniston was ever really, truly offered a spot on SNL has been heavily questioned, it’s Aniston herself who started the rumor. While promoting Just Go With It on Oprah in 2011, Aniston’s co-star—and SNL alum—Adam Sandler recalled, “being on the ninth floor where Lorne Michaels’s office was, and seeing Jen come in,” back in the early 1990s. “I was like, ‘Oh, my God. There’s Aniston. Is she about to be on our show?’” But Aniston, who was getting ready to star on Friends, says she declined because, “It was a boys’ club. They thought I was making a huge mistake.”

29. KENAN THOMPSON WAS THE FIRST CAST MEMBER WHO WAS BORN AFTER SNL PREMIERED.

He was born on May 10, 1978.

30. AUBREY PLAZA WAS AN INTERN FOR THE SHOW.

A year before she landed the part of April Ludgate on Parks and Recreation, Aubrey Plaza was passed over for a spot on SNL’s roster. “I wanted to be on that show for as long as I could remember,” she told The Guardian in 2012. She started taking improv classes in high school and continued after she moved to New York. She even landed an internship with the show in 2005. She was passed over when she finally auditioned three years later, but was quickly offered a part in Judd Apatow’s Funny People.

31. CAST AND CREW HAVE A NAME FOR GOOD SPORTS.

Amy Poehler and Hillary Clinton on Saturday Night Live
NBC - © 2012 NBCUniversal, Inc.

Tina Fey described what SNL writers called “Sneaker Uppers” in her book Bossypants. The term applies to “when a famous person ‘sneaks up’ behind the actor who plays them and pretends to be mad about it” or “any time someone being parodied volunteers to come on the show and prove they’re ‘in on the joke.’”

32. THE BEATLES (OR AT LEAST HALF OF THEM) ALMOST REUNITED ON THE SHOW AS A GAG.

In 1976, six years after they had disbanded, The Beatles were offered $230 million by promoter Sid Bernstein to reunite—an offer they promptly declined. Shortly thereafter, Michaels made a live plea to the Fab Four to reunite as musical guests on SNL, stating that NBC had authorized him to offer them “a certified check for $3000.” In David Sheff’s book All We Are Saying, Lennon shared that they actually considered it: “Paul and I were together watching that show,” Lennon said. “He was visiting us at our place in the Dakota. We were watching it and almost went down to the studio, just as a gag. We nearly got into a cab, but we were actually too tired.”

33. CATHERINE O’HARA SIGNED ON AS A CAST MEMBER, BUT LEFT BEFORE THE SEASON EVEN BEGAN.

Dick Ebersol had a plan to poach as many SCTV cast members as he could, and was successful in persuading Catherine O’Hara to make the jump to SNL. She signed up to be a part of the 1981 season, but didn’t last long. “Maybe two [weeks],” she told the Toronto Sun of her short-lived SNL tenure.

While many reports state that she was scared off by an incident in which writer Michael O’Donoghue yelled at the show’s other writers, O’Hara simply says that she made a mistake in leaving SCTV in the first place. “I hung out with some nice people, tried to come up with some ideas ... but I never really felt involved,” she said of her decision to depart before the season even began. “I had to leave. I said I’d made a huge mistake. I'm not proud of that. I felt stupid doing it. But I had to come home. I couldn't not be with them.”

34. DURING THE 2007 WRITERS GUILD OF AMERICA STRIKE, SNL DIDN’T AIR—BUT THEY DID PUT ON A SHOW.

The cast gathered at the Upright Citizens Brigade Theater and put on the show anyway, recruiting Michael Cera to host. Amy Poehler explained, “We’re like cranky trained monkeys if we don’t get to perform.”

35. DARRELL HAMMOND HOLDS AN IMPORTANT SNL RECORD.

During his 14-year tenure, Darrell Hammond achieved the record for most times saying, “Live from New York, it’s Saturday night!” He has said it 70 times.

36. THE AUDIENCE VOTED TO BAN ANDY KAUFMAN FROM THE SHOW.

Andy Kaufman’s appearances on SNL were unpredictable and ahead of their time, beginning with SNL’s very first episode in 1975. Whether he was nervously lip-synching to the Mighty Mouse theme or impersonating Elvis Presley, audiences had no idea what would come next. Eventually, Kaufman's stint wrestling women drew the ire of then-producer Dick Ebersol. In response, Kaufman proposed an audience vote to let him stay or force him off the show. The final tally of viewers calling in to “Keep Andy” came in at 169,186, while 195,544 voted to “Dump Andy.” While it may very well have been another one of his audacious stunts, Kaufman never appeared on SNL again.

37. LORNE MICHAELS THOUGHT STEVEN SEAGAL WAS A JERK.

Hosting duties at SNL are an intensely collaborative process for cast members and the hosts themselves. Some, like those in the prestigious “Five-Timers Club,” work well with the cast and writers and are invited back, while others can’t seem to hack it. Steven Seagal fell into the latter category. While he didn’t pull any on-air stunts like Sinéad O’Connor, Seagal was unable to play nice behind the scenes. “He just wasn’t funny and he was very critical of the cast and the writing staff," Tim Meadows said in Live From New York. "He didn’t realize that you can’t tell somebody they’re stupid on Wednesday and expect them to continue writing for you on Saturday.” Michaels got in a jab at Seagal on a later show hosted by actor Nicolas Cage. When Cage lamented during his monologue that the audience might think he’s the biggest jerk who’s ever been on the show, Michaels responded, “No, no. That would be Steven Seagal.”

38. DARRELL HAMMOND DOES A GREAT DON PARDO IMPERSONATION.

In 2013, Don Pardo got laryngitis before the show. Darrell Hammond filled in with his best Pardo impression. Pardo later claimed, “He did such a job that my sister-in-law in Newport, Rhode Island called up the following Sunday morning ... and said, ‘You were going back to your acting days! You sounded terrific!’” After Pardo passed away in 2014, Hammond was named as his replacement.

39. ALEC BALDWIN HOLDS THE RECORD FOR HOSTING DUTIES.

Alec Baldwin has hosed Saturday Night Live a record 17 times since 1990 (that's not including his regular stints playing Donald Trump); Steve Martin has hosted 15 times since 1976.

40. THE SHOW HAS GOT SOME SERIOUS POLITICAL CLOUT.

Alec Baldwin and Kate McKinnon on Saturday Night Live
NBC - © 2016 NBCUniversal Media, LLC

Political sketches have long been one of SNL’s hallmarks—so much so that voters have admitted to being influenced to vote for a particular candidate based on watching the show. It’s a phenomenon that has become known as “The SNL Effect.”

10 Forgotten Rankin/Bass Christmas Specials

A scene from Rudolph's Shiny New Year (1976).
A scene from Rudolph's Shiny New Year (1976).
Rankin/Bass Productions

If you're prone to picturing your favorite Christmas characters as stop-motion puppets, you can thank Rankin/Bass. The production company founded by Arthur Rankin Jr. and Jules Bass found success in transforming holiday songs and myths into fully-developed television specials in the 1960s, '70s, and '80s. Their most popular specials, like Rudolph the Red-Nosed Reindeer and Frosty the Snowman, are still staples of holiday programming decades after they first aired.

But not every holiday film that played under the Rankin/Bass banner was an instant success. After adapting the most beloved Christmas stories, the company broadened its definition of holiday material, with varying degrees of success. Some films were forgettable, and others were so strange and unsettling that young viewers forced themselves to forget. Here are some Rankin/Bass specials that may be missing from holiday television marathons this year.

1. Rudolph’s Shiny New Year (1976)

Scene from Rudolph's Shiny New Year.
Rankin/Bass Productions

After the stressful events of his 1964 Christmas special, Rudolph deserved a vacation. In Rudolph's Shiny New Year (1976), the red-nosed reindeer barely has a day to rest before being sent on his next adventure. When Santa Claus and his reindeer return home to the North Pole after delivering presents on Christmas, they learn that Happy the Baby New Year is missing. It’s up to Rudolph to bring him home before midnight on New Year’s Eve or else the calendar will be stuck at December 31. And because it wouldn’t be a Rankin/Bass cartoon without a terrifying villain, a vulture named Eon the Terrible is racing to catch Happy first so he can live forever. Thankfully, Rudolph has a caveman, a Medieval knight, and Benjamin Franklin on his side.

2. The Little Drummer Boy, Book II (1976)

Scene from The Little Drummer Boy, Book II.
Rankin/Bass Productions

The Little Drummer Boy from 1968 ends with the birth of Jesus Christ, a.k.a. the events of Christmas. This meant that Rankin/Bass’s most overtly religious Christmas special wasn’t an obvious choice for a follow-up, but the studio still released one in 1976. The Little Drummer Boy, Book II is inspired by "Silver Bells"—a song whose lyrics have nothing to do with the first Christmas at Bethlehem. In the sequel, the drummer boy Aaron and the wise man Melchior join forces to protect silver bells made for baby Jesus from the Roman soldiers plotting to steal them.

3. Nestor, the Long-Eared Christmas Donkey (1977)

Scene from Nestor, the Long-Eared Christmas Donkey.
Rankin/Bass Productions

By the late 1970s, it was apparent that Rankin/Bass was running out of Christmas myths to expand into television specials. Nestor, the Long-Eared Christmas Donkey, their 1977 stop motion film, tells the story of an outcast donkey who experiences a series of traumatic events during the Roman Empire. After being bullied by other animals, left for dead by his owner, and suffering the loss of his mother, Nestor becomes a hero by carrying a pregnant Mary to Bethlehem, where she gives birth to Jesus. Needless to say, Nestor, the Long-Eared Donkey didn’t have the same cultural impact as Rudolph the Red-Nosed Reindeer.

4. The First Christmas: The Story of the First Christmas Snow (1975)

Scene from The First Christmas.
Rankin/Bass Productions

It may have a happy ending, but The First Christmas (1975) is the bleakest movie on this list. An orphaned shepherd named Lucas is taken in by a group of nuns after he’s blinded by lightning. When snow falls during the abbey’s Christmas pageant, Lucas miraculously regains his eyesight and sees snow for the first time. The story swaps Rankin/Bass's signature humor and fantasy for heavy-handed sentimentality, which may be why it didn’t land as well with kids as the company’s other holiday specials. One highlight is a voice performance by Angela Lansbury as the narrator.

5. Jack Frost (1979)

Scene from Jack Frost.
Rankin/Bass Productions

So this film from 1979 is technically a Groundhog Day special, but its connection to winter means it’s usually lumped in with the rest of Rankin/Bass’s Christmas programming. A groundhog named Pardon-Me-Pete (voiced by Buddy Hackett) narrates the story of Jack Frost. After Jack Frost falls in love with a woman on Earth, Father Winter agrees to make him human, with the catch that Jack will turn back into a sprite if he fails to obtain a house, a horse, a bag of gold, and a wife by the first sign of spring. The special is notable for its weird characters, including a villain with a clockwork horse and henchmen. And—spoiler alert!—because Jack doesn’t get the girl at the end, it’s one of the few Rankin/Bass films that doesn’t have a happy ending.

6. Rudolph and Frosty's Christmas in July (1979)

Scene from Rudolph and Frosty's Christmas in July.
Rankin/Bass Productions

In 1979, Rankin/Bass gave two of its most iconic Christmas characters—Frosty the Snowman and Rudolph the Red-Nosed Reindeer—their own movie. The studio was so confident in the product that Rudolph and Frosty's Christmas in July even had a brief theatrical release overseas. But the film has failed to take the place of the original specials in the public consciousness—maybe because seeing snow snakes terrorize Rudolph and watching an evil wizard transform into a tree were too much for younger viewers to handle.

7. Pinocchio's Christmas (1980)

Scene from Pinocchio's Christmas.
Rankin/Bass Productions

The story of Pinocchio may not be the first thing that comes to mind when you think of Christmas, but that didn’t stop Rankin/Bass from turning the classic Italian fairytale into a holiday special. Pinocchio's Christmas (1980) features many of the same themes and characters as The Adventures of Pinocchio—only this version of the tale centers around the puppet’s first Christmas. Santa Claus even makes a cameo appearance.

8. The Stingiest Man in Town (1978)

Scene from The Stingiest Man in Town.
Rankin/Bass Productions

Charles Dickens’s A Christmas Carol is one of the most widely adapted stories of all time, so of course it shows up in Rankin/Bass’s filmography. An insect named B.A.H. Humbug narrates this musical retelling from 1978, with Walter Matthau starring as Ebeneezer Scrooge. The Stingiest Man in Town joins Frosty the Snowman as one of the few Rankin/Bass Christmas productions made with traditional 2D animation instead of stop-motion.

9. The Leprechauns' Christmas Gold (1981)

Scene from The Leprechaun's Christmas Gold.
Rankin/Bass Productions

Rankin/Bass’s streak of mashing up Christmas with other holidays reached peak weirdness in 1981. That’s when the studio released The Leprechauns' Christmas Gold—a story that follows a young Irish sailor who helps a clan of leprechauns protect their gold from an evil banshee named Old Mag the Hag. By trying to create a special that could air around Christmas and St. Patrick’s Day, the filmmakers ended up with something that made little sense at any time of year.

10. The Life and Adventures of Santa Claus (1985)

Scene from The Life and Adventures of Santa Claus.
Rankin/Bass Productions

In 1970, Rankin/Bass explored how Kris Kringle became Santa Claus with Santa Claus Is Comin’ to Town. Fifteen years later, the studio produced a film that provided an alternate origin story for the character, based on L. Frank Baum's 1902 children's book of the same name. This second special wasn’t as well-received as the first. It starts with an antler-sporting sorcerer called the Great Ak finding an abandoned baby in the forest. The child is taken in and raised by wood nymphs, eventually growing up to become a jolly man who delivers toys to children—all while fighting monsters called Awgwas on the side. It ends with a council of mythical beings granting Santa Claus immortality. What was arguably Rankin/Bass’s most unusual Christmas special was also the last to use stop-motion animation.

2020 Golden Globes: The Full List of Nominees

Andrew Scott stars in Fleabag.
Andrew Scott stars in Fleabag.
Steve Schofield/Amazon Studios

Awards season is officially upon us and we're all rushing out to the movie theater—or, more frequently, our own couches—to load up on some of the year's biggest movie and television titles.

Now that the 2020 Golden Globe nominations have been announced, it's clear that Netflix's investment in original content like Martin Scorsese's The Irishman and Noah Baumbach's Marriage Story, which scored the most nominations with six, was a wise decision.

On the television side, streaming emerged victorious as well; The Crown landed a total of four nominations while Phoebe Waller-Bridge's Amazon hit Fleabag earned three, including one for "Hot Priest" Andrew Scott, who was a notable Emmy snub. Amazingly, Game of Thrones was nominated for just a single award: a Best Actor in a Drama Series nomination for Kit Harington.

Below is the full list of nominees for the 77th annual Golden Globe Awards, which will take place on January 5, 2020.

Best Motion Picture, Drama

1917
The Irishman
Joker
Marriage Story
The Two Popes

Best Motion Picture—Musical or Comedy

Once Upon a Time in Hollywood
Jojo Rabbit
Knives Out
Rocketman
Dolemite Is My Name

Best Motion Picture—Foreign Language

The Farewell
Pain and Glory
Portrait of a Lady on Fire
Parasite
Les Misérables

Best Director, Motion Picture

Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time … in Hollywood

Best Screenplay—Motion Picture

Noah Baumbach, Marriage Story
Bong Joon-ho and Han Jin-won, Parasite
Anthony McCarten, The Two Popes
Quentin Tarantino, Once Upon a Time in Hollywood
Steven Zaillian, The Irishman

Best Original Score, Motion Picture

Alexandre Desplat, Little Women
Hildur Gudnadottir, Joker
Randy Newman, Marriage Story
Thomas Newman, 1917
Daniel Pemberton, Motherless Brooklyn

Best Original Song—Motion Picture

Beautiful Ghosts, Cats
I'm Gonna Love Me Again, Rocketman
Into the Unknown, Frozen II
Spirit, The Lion King
Stand Up, Harriet

Best Actor in a Supporting Role in Any Motion Picture

Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

Best Actress in a Supporting Role in Any Motion Picture

Kathy Bates, Richard Jewell
Annette Bening, The Report
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Margot Robbie, Bombshell

Best Actor in a Motion Picture—Musical or Comedy

Daniel Craig, Knives Out
Roman Griffin Davis, Jojo Rabbit
Leonardo DiCaprio, Once Upon a Time in Hollywood
Taron Egerton, Rocketman
Eddie Murphy, Dolemite Is My Name

Best Motion Picture—Animated

Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
Lion King

Best Actor in a Motion Picture—Drama

Christian Bale, Ford v Ferrari
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes

Best Actress in a Motion Picture—Drama

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

Best Actress in a Motion Picture—Musical or Comedy

Awkwafina, The Farewell
Ana de Armas, Knives Out
Cate Blanchett, Where'd You Go, Bernadette
Beanie Feldstein, Booksmart
Emma Thompson, Late Night

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Christopher Abbott, Catch-22
Sacha Baron Cohen, The Spy
Russell Crowe, The Loudest Voice
Jared Harris, Chernobyl
Sam Rockwell, Fosse/Verdon

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Kaitlyn Dever, Unbelievable
Joey King, The Act
Helen Mirren, Catherine the Great
Merritt Wever, Unbelievable
Michelle Williams, Fosse/Verdon

Best Television Limited Series or Motion Picture Made for Television

Catch-22, Hulu
Chernobyl, HBO
Fosse/Verdon, FX
The Loudest Voice, Showtime
Unbelievable, Netflix

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Patricia Arquette, The Act
Helena Bonham Carter, The Crown
Toni Collette, Unbelievable
Meryl Streep, Big Little Lies
Emily Watson, Chernobyl

Best Performance by an Actor in a Television Series, Drama

Brian Cox, Succession
Kit Harington, Game of Thrones
Rami Malek, Mr. Robot
Tobias Menzies, The Crown
Billy Porter, Pose

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Alan Arkin, The Kominsky Method
Kieran Culkin, Succession
Andrew Scott, Fleabag
Stellan Skarsgård, Chernobyl
Henry Winkler, Barry

Best Television Series—Drama

Big Little Lies, HBO
The Crown, Netflix
Killing Eve, AMC
The Morning Show, Apple TV+
Succession, HBO

Best Performance by an Actress in a Television Series, Drama

Jennifer Aniston, The Morning Show
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Nicole Kidman, Big Little Lies
Reese Witherspoon, The Morning Show

Best Television Series—Musical or Comedy

Barry, HBO
Fleabag, Amazon
The Kominsky Method, Netflix
The Marvelous Mrs. Maisel, Amazon
The Politician, Netflix

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